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The base is made separately from the sides. Of robust baluster form with incurved neck and foot, domed cover with projecting rim, and a finial comprising a depressed globular knop made in two halves, surmounted by a smaller ball. On three sides of the body there are plain oval cartouches flanked by scrolling foliage. The rest of the surface is decorated in relief with putti amongst scrolling acanthus foliage and flowers against a matted ground. The incurved neck and foot are plain. The projecting edge of the cover is decorated with bound laurel, and the dome with three circular cartouches containing a stylized bud, two of which are flanked by putti with swags below them, and by acanthus foliage which extends round the sides, against a matted ground. In the centre there is a plain silver band from which the finial rises. 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He signed himself Bodendeich, but his name is sometimes anglicized as Bodendick. The most detailed discussion of his life and work is by Eric J.G. Smith (see Documentation, 2001 and 2002)"},{"value":"Label text from the exhibition \u2018Feast and Fast: The Art of Food in Europe, 1500\u20131800\u2019, on display at The Fitzwilliam Museum from 26 November 2019 until 31 August 2020: Ginger jar and domed cover with putti amongst foliage Although the purpose of Chinese porcelain \u2018ginger jars\u2019 remains unclear, their bulbous shape became very fashionable in Europe. Imitations were made in silver during the seventeenth century, such as this one made by the London-based German silversmith, Jacob Bodendeich, and in hard- or soft-paste porcelain in the eighteenth century, purely for decoration."},{"value":"This \u2018ginger jar\u2019 is a handsome example of the silver vases which were displayed on top of cabinets and elsewhere in wealthy households at that time. John Evelyn remarked on the \u2018huge Vasas of wrought plate\u2019 in the apartment of the Duchess of Portsmouth in his diary in October 1683. The form was derived from Chinese baluster vases, which often formed the central vase of a garniture of three or more, although the silver versions are usually termed \u2018ginger jars\u2019.The decoration of putti amongst foliage was inspired by printed designs such as A New Booke of Foldages by Polifilo Giancarli published by John Overton in 1672, or by the French artist, Jean Lepautre"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-118768","uid":"adlib-term-118768","uuid":"29189213-4535-3c4d-91a9-481c59775014"},"summary_title":"17th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-107696","uid":"adlib-term-107696","uuid":"73d598b5-9f18-3ba8-93d4-b1d02583d300"},"summary_title":"Charles 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Huntington Library and Art Gallery, San Marino, California.","page":"109-122","type":"reference"},"admin":{"id":"publication-200001960","uid":"adlib-publication-200001960","uuid":"e7cf52ab-fe5f-32a0-adab-769cdb1e0d55"},"summary_title":"Jacob Bodendeich"},{"@link":{"notes":"Ref. For Sir Ernest Cassel, his houses, collections, friendship with Edward VII","page":"399-412","type":"reference"},"admin":{"id":"publication-200003306","uid":"adlib-publication-200003306","uuid":"359eecd5-594b-314b-ad36-e1747b3cd91e"},"summary_title":"Sir Ernest Cassel, a 'Jew of taste'"},{"@link":{"notes":"Cf. p. 246, lot 359 a pair of silver-gilt jars by R. & S. Garrard, 1875, of almost identical form and with comparable decoration incorporating a coat-of-arms, on one vase, Cust impaling Lascelles with annulet and label for difference, of Peregrine Francis and Lady Isabella Mary Montaue Scott, 3rd daughter of William 4th Duke of Buccleuch and Queensberry, and the other, Cust quartering Brownlow with an anulet for difference, of their son, John Francis Cust, Lt Col. Late Grenadier Guards (1825-1903), a nephew of the 1st Earl Brownlow, and his wife, Lady Florence Harriet Lascelles, 4th daughter of Henry 3rd Earl of Harewood, whom he married in 1861. Sold from the estate of Lilyan S. Lindemann. Estimate $20-30,000.","page":"246","type":"reference"},"admin":{"id":"publication-5916","uid":"adlib-publication-5916","uuid":"c5453ec1-8fc7-3eff-b66a-651b19ac0581"},"summary_title":"A Celebration of the English Country House including Silver and Chinese Export Porcelain"},{"@link":{"notes":"Cf. pp. 78-9, lot 46, Peter Gerritsz. van Roestraten (Haarlem 1629\/30-1700 London), a vanitas still-life including a silver ginger jar and cover of this type but with different base and cover of different form. Roestraten moved to London in the 1660s. The sale catalogue entry includes as fig. 1, a set of three silver-gilt jars from the collection of the Earl of Home, sold Christie's, 14 December 2006, lot 100.","page":"78-9","type":"reference"},"admin":{"id":"publication-5917","uid":"adlib-publication-5917","uuid":"32e11e96-e446-3a27-b55d-dac7c22b33fb"},"summary_title":"Old Master and British Pictures"},{"@link":{"notes":"Cf. pp. 24-5, lot 44, a pair of beaker-shaped vases by Jacob Bodendick, London 1674, with comparable embossed decoration.  34 cm high. Provenance: Mrs William Randolph Hearst Sr.; sold Sotheby Parke Bernet, 11 November 1975, lot 259; British Rail Pension Fund. Reference is made to a ginger jar by Bodendick sold Sotheby's London, 17th November 1960, lot 174 from the collection of the Rt Hon Lord Fairfax of Cameron.","page":"24-5","type":"reference"},"admin":{"id":"publication-7622","uid":"adlib-publication-7622","uuid":"3482b6bc-caab-3208-bc61-f8e8c7307770"},"summary_title":"Important English Silver"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10624","uid":"adlib-term-10624","uuid":"c882b99a-0b49-320e-8d8a-fd72a34d8848"},"summary_title":"Baroque"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-4749","uid":"adlib-term-4749","uuid":"134828f6-5031-3e4b-a59b-ab4a880538d6"},"summary_title":"acanthus"},{"@link":{"type":"literal"},"name":[{"value":"acanthus"}],"summary_title":"acanthus"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89928","uid":"adlib-term-89928","uuid":"c69c563b-637d-3c31-8dad-c8e876501680"},"summary_title":"ginger jar"}},"summary_title":"ginger jar","title":[{"value":"Ginger jar and cover"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-13673","_score":19.10273,"_source":{"admin":{"added":1592999344000,"created":1312637261000,"flag":"Standard Record","id":"object-13673","indexed":1754071327190,"modified":1754040042000,"processed":1754071320611,"source":"adlib","stream":"fitz-online","uid":"adlib-object-13673","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/13673","uuid":"090a8919-defd-37e5-b9c5-4fec09e12628","version":15},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153190","uid":"adlib-agent-153190","uuid":"faaa16a6-d820-3f2a-987e-3a243177ff3c"},"summary_title":"Ceres"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-98228","uid":"adlib-term-98228","uuid":"3d747999-296f-3944-9a84-2936c3ae9f5c"},"summary_title":"sculpture"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Copper alloy, probably bronze, cast and chased, with dark lacquer. Ceres strides forward on her left leg with her right stretched out behind her. Her left hand holds her drape behind her, and in her right, she holds out a torch.  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