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GENERAT. ISV. XTI. FIL. DAV. FIL. ABRA. MS SECVLVM IX which previously surrounded a ninth-century Carolingian ivory plaque showing Christ enthroned, blessing and holding book within wreath, with St Matthew writing on lectern and other three evangelist symbols in corners, removed to the Museum\u2019s Department of Applied Arts (M.14-1904), now replaced with a black-and-white photograph; lower cover inlaid with central medallion of the Lamb surrounded by evangelists\u2019 symbols in medallions and two gold-tooled angels with the inscription INITIVM SCI. 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the beginning of Gospels: fol. 10v Christ enthroned, flanked by a male and a female saint, with the latter holding a scroll out to Christ and pointing to a monk (the donor) prostrate at her feet and looking up at her, set in a frame with geometric interlace panels with corner medallions containing entwined acanthus ornament; fol. 12v St Matthew enthroned beneath curtains, and writing on a scroll LIBER GENERATIONIS IHV XRI FILII DAVID, with his symbol the angel seated beside him and blessing, set in a frame with interlace panels with squares or round medallions containing interlace or foliage set at the corners or the middle of the sides - the steps of the throne are inscribed HOC MATHEUS AGENS HOMINEM GENERALITUR IMPLET; fol. 41r St Mark enthroned beneath curtains holding pen and scroll inscribed MARCUS VT ALTA FREMIT VOX PER DESERTA LEONIS, partly held by his symbol, the lion beside his feet, set in frame with interlace panels and corner roundels containing large acanthus leaves coming out of beast head mouths; fol. 60r St Luke enthroned, with his symbol the ox beside his feet, holding a scroll inscribed IVRA SACERDOTII LVCAS TENET ORE IUVENCI, set in an interlace-panelled frame with corner medallions containing half-length angels; fol. 90v Central interlace-framed medallion containing the Lamb of God surrounded by four entwined interlace medallions containing evangelist symbols holding the ends of scrolls held by two angels centrally placed at the top and bottom inscribed QVATVOR HI PROCERES SVNT MVNDI SCEPTRA TENENTES (top) and MATHEUS MARCUS LVCAS SANCTUSQVE [IOHANNES] (bottom); fol. 91r St John, with his symbol the eagle flying down above, holding a scroll inscribed MORE VOLANS AQVILAE VERBO PETIT ASTRA JOHANNES, with a stand for two inkhorns supported by lion on left, set within frame containing interlace panels with corner squares and side medallions containing interlace. \n\nHistoriated initial: fol. 42v Gospel of St Mark, [I, 31 ll.] Bust of Christ 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Composant l'importante et precieuse Collection Spitzer, catalogue p. 10, lot 45."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 133, pl. XII","page":"p. 133","type":"reference"},"admin":{"id":"publication-2492","uid":"adlib-publication-2492","uuid":"30840d8d-78c4-3e00-9616-e7f7e9a0d7ca"},"summary_title":"Catalogue des Ivoires"},{"@link":{"notes":"Publ. p. 137, pl. XXVI","page":"p. 137","type":"reference"},"admin":{"id":"publication-200000808","uid":"adlib-publication-200000808","uuid":"ef3f4e4a-0bb8-380b-a678-d8ce1e852008"},"summary_title":"Ivories"},{"@link":{"notes":"Publ. pp. 91-4, no. 35,described as Carolingian, 9th century;  illustrated pl. VI, with the panel in Frankurt.","page":"91-4","type":"reference"},"admin":{"id":"publication-2149","uid":"adlib-publication-2149","uuid":"0e283af4-915e-33a3-b029-9273f13097e7"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Medieval Ivories, Enamels, Jewellery, Gems, and Miscellaneous  Objects bequeathed to the Museum by Frank McClean, M.A., F.R.S."},{"@link":{"type":"reference"},"admin":{"id":"publication-2507","uid":"adlib-publication-2507","uuid":"5dcf26d6-d9f8-3da0-b9f8-c9fa8810ab78"},"summary_title":"Die Elfenbeinskulpturen"},{"@link":{"type":"reference"},"admin":{"id":"publication-2508","uid":"adlib-publication-2508","uuid":"ecabc149-ad29-3159-92b9-c584d910095a"},"summary_title":"Concelebration liturgique"},{"@link":{"notes":"Publ. pp. 126-7, fig. 78-9","page":"pp. 126-7","type":"reference"},"admin":{"id":"publication-2509","uid":"adlib-publication-2509","uuid":"70a36d42-1778-3e96-b63c-4d1b1b50b43e"},"summary_title":"Elfenbein"},{"@link":{"notes":"Publ. p. 123,. no. 5. Turpin suggests that all three panels are representations of Pope Gregory the Great, because firstly he was then regarded as the author of the liturgy of the Mass, and the two inscriptions on the open books are taken from the Mass, that on the Fitzwilliam panel is part of the Introit for Advent Sunday, that on the Frankfurt panel is part of the Canon of the Mass. Secondly, because Pope Gregory the Great was regarded as the author of the Gregorian chant and both panels stress the singing of the choir of canons during the celebration of Mass. He believes the pair to have been made as covers for the MS.164 at Cambrai, i.e. the Sacramentary of Hildoard, Bishop of Cambrai, who in c.812 ordered this copy of the famous book of the Gregorian rite addressed to Charlemagne by Pope Adrian. Hence the panels must be both of the time of Charlemagne and 'mittelrheinische' i.e. the work of an artist within the sphere of influence of the imperial court.","page":"p. 123","type":"reference"},"admin":{"id":"publication-200000809","uid":"adlib-publication-200000809","uuid":"54f48c27-93be-3ab8-bb39-3cd405122fa3"},"summary_title":"Apropos d'un ivoire qui aurait apparteu a l'abbaye de Marchiennes"},{"@link":{"notes":"Publ.  p. 145, where the author assigns this panel together with a number of other works to the Ottonian school of art of 10th century","page":"p. 145","type":"reference"},"admin":{"id":"publication-200000810","uid":"adlib-publication-200000810","uuid":"4d028909-7798-3126-a754-6f59d108e963"},"summary_title":"Elfenbeinreliefs der Ottonischen Renaissance"},{"@link":{"type":"reference"},"admin":{"id":"publication-15","uid":"adlib-publication-15","uuid":"a688918a-bb81-3998-99cc-81244715767d"},"summary_title":"The Fitzwilliam Museum, An Illustrated Survey"},{"@link":{"notes":"Publ. p. 14, illustrated","page":"p. 14","type":"reference"},"admin":{"id":"publication-2501","uid":"adlib-publication-2501","uuid":"82a599ab-2481-3c75-b2cd-e822caf47b56"},"summary_title":"Daily Telegraph, 17th March 1959"},{"@link":{"notes":"Publ. p. 321, no. 28, illustrated","page":"p. 321","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-2500","uid":"adlib-publication-2500","uuid":"a5736eaa-2bd5-33c3-97c7-3d1d5b1f7a2a"},"summary_title":"Ornamenten Ecclesiae Kunst und K\u00fcnstler der Romanik"},{"@link":{"notes":"Publ. Illustrated, p. 346\nThis entry indicates that the central figure is guiding the choir with hand signs, not blessing (his hand is in the wrong position for that).","page":"p. 346","type":"reference"},"admin":{"id":"publication-2502","uid":"adlib-publication-2502","uuid":"7f8e7dd2-f475-3c95-8d4f-67a01b0ed28c"},"summary_title":"The New Grove Dictionary of Musical Instruments"},{"@link":{"notes":"Publ. Illustrated, pp. 3-15, on p. 6 where the companion piece from Frankfurt is discussed pp. 6-7","page":"pp. 3-15","type":"reference"},"admin":{"id":"publication-200000227","uid":"adlib-publication-200000227","uuid":"7fde4963-2cde-365b-a75b-1085bb14f4e8"},"summary_title":"Limitations of The Art Museum"},{"@link":{"notes":"Publ. Illustrated, p. 80, 6.2","page":"p. 80","type":"reference"},"admin":{"id":"publication-2503","uid":"adlib-publication-2503","uuid":"523a3c83-4445-3dca-b964-dafd2ac269a9"},"summary_title":"Schatzkunst: Die Goldschmiede - und Elfenbeinarbeiten aus Osterriechischen Schatzkammern des Hochmittelalters"},{"@link":{"notes":"Publ. Exhibited pp. 13-4, 1b. See Helmet Tvnek, 'Das oeuvre des meisters der Wiener Gregorplatte, die sogenannte Sakramentergruppe', pp. 10-17. Cf. (a) Pope Gregory the Great and three scribes pp. 10-13 and (c) Canons with Celebrant of the Mass pp. 14-16 from Vienna and Frankfurt respectively.","page":"pp. 10-17","type":"reference"},"admin":{"id":"publication-2504","uid":"adlib-publication-2504","uuid":"fd00ec0e-0cb6-3ff8-ad81-b43715e6f5e4"},"summary_title":"Zu Gast in der Kunstkammer : eine Ausstellung anl\u00e4sslich des einhundertj\u00e4hrigen Bestehens des Kunsthistorischen Museums, 12. Oktober bis 15. Dezember 1991."},{"@link":{"notes":"Publ. vol. 2, pp. 196-98, no. 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