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The provenance is given.","page":"pp. 39-40","type":"reference"},"admin":{"id":"publication-2372","uid":"adlib-publication-2372","uuid":"886521b2-07d3-3b58-a357-81aa6d0a7fb4"},"summary_title":"Handel, A Celebration of his Life and Times 1685-1759"},{"@link":{"notes":"Publ. p. 185, fig. 2.130","page":"185","type":"reference"},"admin":{"id":"publication-6368","uid":"adlib-publication-6368","uuid":"9c344200-cd9c-3b07-ac5e-06c969ee810c"},"summary_title":"I Turned It Into a Palace, Sydney Cockerell and the Fitzwilliam Museum"},{"@link":{"notes":"Ref. For background information about Vauxhall gardens and the marble, see pp. 22-31","page":"pp. 22-31","type":"reference"},"admin":{"id":"publication-200000772","uid":"adlib-publication-200000772","uuid":"cb761bfe-1770-3284-b922-f9c4c3990970"},"summary_title":"Roubiliac's Statue of Handel and the Keeping of Order in Vauxhall Gardens in the Early Eighteenth Century"},{"@link":{"notes":"Ref. pp. 41-4. It was entitled 'To the Master of Vauxhall Gardens, on his employing the ingenious Mr Roubillac to carve the Statue of Mr. Handel' London Magazine, VII (June 1738), p. 302","page":"pp. 41-4","type":"reference"},"admin":{"id":"publication-200000773","uid":"adlib-publication-200000773","uuid":"ab92bd55-e9c3-339e-b2ed-8250419d0b6f"},"summary_title":"Tyers, Roubiliac and a sculpture's fame: a poem about the commissioning of the Handel statue at Vauxhall"},{"@link":{"notes":"Cf. p. 114-15, no. 156, the marble in the Victoria and Albert Museum (A.3-1965). The Fitzwilliam's terracotta is mentioned on p. 115. The author's identify Handle as in the guise of Orpheus playing Apollo's lyre.","page":"114-15","type":"reference"},"admin":{"id":"publication-3759","uid":"adlib-publication-3759","uuid":"73edca64-3289-371a-bf69-0300633e25ed"},"summary_title":"British Sculpture 1470 to 2000, A Concise Catalogue of the Collection at the Victoria and Albert Museum"},{"@link":{"notes":"Publ. p. 17, illustrated b & w.","page":"5-22","type":"reference"},"admin":{"id":"publication-200002161","uid":"adlib-publication-200002161","uuid":"ef9eb918-ace0-33fa-9ef4-797aa6273823"},"summary_title":"Roubiliac's Handel for Vauxhall Gardens; a sculpture in context"},{"@link":{"notes":"Catalogue C.62","page":"252","type":"reference"},"admin":{"id":"publication-8424","uid":"adlib-publication-8424","uuid":"5f31fab4-b41f-36a0-964f-e7e8543a7765"},"summary_title":"Silent Partners: Artist and Mannequin from Function to Fetish"},{"@link":{"notes":"Publ. p. 78 short description, p. 79 full page colour illustration","page":"pp. 78-9","type":"reference"},"admin":{"id":"publication-8737","uid":"adlib-publication-8737","uuid":"401a7b78-3a20-3d2c-a046-22a738446b86"},"summary_title":"Opera: Passion Power and Politics"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-110268","uid":"adlib-term-110268","uuid":"fccb06c4-b7ca-32c4-8478-182b56bedd1c"},"summary_title":"Vauxhall Gardens"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-92289","uid":"adlib-term-92289","uuid":"a68f0b86-a6a2-3a73-a5aa-c22190983802"},"summary_title":"lyre"},{"@link":{"relation":"place name","type":"reference"},"admin":{"id":"term-106216","uid":"adlib-term-106216","uuid":"825b8379-ec94-388e-9a59-624e40c090d0"},"summary_title":"London"},{"@link":{"relation":"place name","type":"reference"},"admin":{"id":"term-131459","uid":"adlib-term-131459","uuid":"c3946fc7-b99a-378c-87ce-34e6554e4c39"},"summary_title":"51.486667; -0.121833"},{"@link":{"relation":"co-ordinates","type":"reference"},"admin":{"id":"term-1609","uid":"adlib-term-1609","uuid":"84f2e5e2-0de4-3096-98b9-7bb4c12aaffd"},"summary_title":"male"},{"@link":{"type":"literal"},"name":[{"value":"lyre"}],"summary_title":"lyre"},{"@link":{"type":"literal"},"name":[{"value":"London"}],"summary_title":"London"},{"@link":{"type":"literal"},"name":[{"value":"51.486667; -0.121833"}],"summary_title":"51.486667; -0.121833"},{"@link":{"type":"literal"},"name":[{"value":"male"}],"summary_title":"male"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"terracotta hand-modelled, and fired"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120060","uid":"adlib-term-120060","uuid":"2a6ad93f-460b-3c12-ae60-89a8c8d54a3d"},"summary_title":"hand-modelling"}}],"title":[{"value":"George Frideric Handel (1685-1759)"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-41511","_score":18.572203,"_source":{"admin":{"added":1592984186000,"created":1312637261000,"flag":"Standard Record","id":"object-41511","indexed":1752602702198,"modified":1730792528000,"processed":1752602690710,"source":"adlib","stream":"fitz-online","uid":"adlib-object-41511","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41511","uuid":"606d31a7-36e0-381c-b8cc-1dac6fa40558","version":7},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157672","uid":"adlib-agent-157672","uuid":"eacb177a-8bab-303c-97fc-be4a498a5982"},"summary_title":"Woodward, Henry"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152460","uid":"adlib-agent-152460","uuid":"d0b254be-cac3-39bc-b6c0-64f09636af4e"},"summary_title":"actor"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37642","uid":"adlib-term-37642","uuid":"8f36efe3-4fe1-3da2-9944-000db5687ad7"},"summary_title":"porcelain"},{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. W. L. Glaisher"}],"component":[{"name":"Details","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120060","uid":"adlib-term-120060","uuid":"2a6ad93f-460b-3c12-ae60-89a8c8d54a3d"},"summary_title":"hand-modelling"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23557","uid":"adlib-term-23557","uuid":"194aa9d9-b56f-3c7d-8624-28305a4d3af5"},"summary_title":"arts\/architecture"},{"@link":{"type":"reference"},"admin":{"id":"term-110350","uid":"adlib-term-110350","uuid":"ab450de1-5dfc-3514-9493-1f724d7255a7"},"summary_title":"trade\/occupation"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain figure of Henry Woodward as 'The Fine Gentleman' in Lethe."},{"value":"Soft-paste porcelain containing bone ash, press-moulded and hand-modelled, with clear, iron-speckled glaze. The figure is on a shallow square base with cut-corners, decorated with an incised diamond diaper pattern, and having at centre back a broken pedestal with a stepped base. The underside of the base is rough and has a deep depression under the pedestal. The edges have been flattened and wiped free of glaze; the central area is glazed. The actor is clean-shaven and has long hair drawn into a waist-length queue with a bow at the bottom. He stands with his feet wide apart, the left behind the right, and his hands concealed beneath the uplifted skirts of his waistcoat. He wears a tricorn hat with fringing at the corners, a full-skirted coat, a long waistcoat trimmed with bobbles, shoes with straps and buckles, and a low-slung sword."}],"exhibitions":[{"@link":{"catalogue":"F13","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"}],"identifier":[{"accession_number":"C.3026B-1928","primary":true,"type":"accession number","value":"C.3026B-1928"},{"priref":"41511","type":"priref","value":"41511"},{"source":"Glaisher MS Catalogue","type":"old object number","value":"4491A"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41511","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41511"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1750,"era":["CE"],"latest":1750,"note":[{"value":"The figure of Woodward is usually dated c. 1750 because an example in the Untermyer Collection in the Metropolitan Museum of Art, New York, is dated '1750', that date also occurs on the Fitzwilliam's Kitty Clive on a high base, EC.3-1938."}],"precision":"circa","value":"1750"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157665","uid":"adlib-agent-157665","uuid":"b68c5501-4b5f-39e8-8048-c9b58de684e3"},"summary_title":"Bow Porcelain Manufactory"},{"@link":{"qualifier":"after","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-157675","uid":"adlib-agent-157675","uuid":"fe178d12-78f8-3bd7-b926-b6ecd0607034"},"summary_title":"Mosely, Charles"},{"@link":{"qualifier":"after","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-147263","uid":"adlib-agent-147263","uuid":"b1666c81-0326-343f-8fda-1eaf5a219a95"},"summary_title":"Worlidge, Thomas"}],"note":[{"value":"The actor Henry Woodward (b.1717, d.1777), joined the cast of Garrick's farce Lethe as 'The Fine Gentleman' . The Bow model of Henry Woodward derived from a mezzotint of 1750 by Charles Mosely, traditionally said to be after a water-colour drawing by Thomas Worlidge"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110490","uid":"adlib-term-110490","uuid":"bb9026c5-22c6-3c07-8c4c-b6817acc50c4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Stratford-le-Bow"}]}]},"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"note":[{"value":"presumed phosphatic"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"12.3"},{"dimension":"Height","units":"cm","value":"26.3"},{"dimension":"Width","units":"cm","value":"11.9"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17230","uid":"adlib-media-17230","uuid":"68307b3b-1ea4-3de2-8d28-c6c274158425"},"processed":{"large":{"format":"jpeg","location":"aa\/aa20\/C_3026B_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":513}]},"modified":1702926341829,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa20\/mid_C_3026B_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":741},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926341829,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa20\/C_3026B_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":513}]},"modified":1702926341829,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa20\/preview_C_3026B_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":370},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926341829,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Frank Stoner, London, from whom purchased on 21 March 1917 for \u00a3125 by Dr J.W.L. Glaisher."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-41984","uid":"adlib-object-41984","uuid":"dcbd4a4f-4506-3e64-8a02-7dbac9f6801e"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Vol. I, p. 284, no. 3026, Vol. II, pl. 243A","page":"p. 284","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 204, pl. 378","page":"p. 204","type":"reference"},"admin":{"id":"publication-2763","uid":"adlib-publication-2763","uuid":"b00b4b20-9281-3cc4-a9f5-21a2be192a4c"},"summary_title":"European Porcelain of the 18th Century"},{"@link":{"notes":"Publ. p. 41, F13","page":"p. 41","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Ref. Most examples are white. The few coloured examples may have been enamelled by William Duesbury, whose London Account Book for the period November 1751 to August 1753 mentions on 24 June 1751 a 'Mr. Woodward' and a 'Mrs. Clive' at 3s. 0d. each, see p.12.","page":"p. 12","type":"reference"},"admin":{"id":"publication-2762","uid":"adlib-publication-2762","uuid":"69ec0f01-d173-3d54-bbb1-dc3c36479dba"},"summary_title":"William Duesbury's London Account Book 1751-1753"},{"@link":{"notes":"Cf. O15 The drawing of Henry Woodward. by Francis Hayman.","page":"p. 248","type":"reference"},"admin":{"id":"publication-2341","uid":"adlib-publication-2341","uuid":"9f995346-7a8d-3fd8-910c-b973dd37873b"},"summary_title":"Rococo: Art and Design in Hogarth's England"},{"@link":{"notes":"Ref. This model  is A2 in Bradshaw's list of Bow figures.                                                                                                            Cf. A white example with Kitty Clive in the National Museum of Ireland, see p. 61, pl. 2.","page":"pp. 61, 88","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"notes":"Ref. For the drawing by Francis Hayman (1708-76) and engraving, and a discussion of the details of the figure, see pp. 27-31; the drawing, p. 28, fig. 41; the mezzotint, p. 29, fig. 42.\nCf. A white example in the Yarborough Collection, see, p. 28, cat. 4.","page":"pp. 27-31","type":"reference"},"admin":{"id":"publication-2761","uid":"adlib-publication-2761","uuid":"3388becd-0e43-3a5d-87ae-2b0d22ec610f"},"summary_title":"Bow Porcelain and the London Theatre: vivitur ingenio"},{"@link":{"notes":"Cf. A white example p.8, I.5 and pl. 2.","page":"p. 8","type":"reference"},"admin":{"id":"publication-2716","uid":"adlib-publication-2716","uuid":"1839e893-0fd8-312e-9443-9e7bccf27506"},"summary_title":"Catalogue of the Collection of English Porcelain in the Department of British and Mediaeval Antiquities and Ethnography of the British Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"notes":"Cf. A white example in the Metropolitan Museum of Art, New York, see pp. 166-70, fig. 241, and pl. 77.","page":"pp. 166-70","type":"reference"},"admin":{"id":"publication-2614","uid":"adlib-publication-2614","uuid":"bd0c2e2e-8e28-3664-bf00-fe50da012352"},"summary_title":"Chelsea and other English Porcelain, Pottery and Enamel in the Irwin Untermyer Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-2638","uid":"adlib-publication-2638","uuid":"b726d173-c02a-3b14-9d59-e12ad49bbf8a"},"summary_title":"English Ceramics 1580-1830, A Commemorative Catalogue to Celebrate the 50th Anniversary of the English Ceramic Circle 1927-1977"},{"@link":{"notes":"Cf. A coloured example with a Kitty Clive in the Godden collection, colour pl. H. See 2nd edition, 1991, colour pl. H, and p. 124\nA biscuit example formerly in the Mackenna Collection was, in 1981, in the Mrs. S. J. Katz collection, mentioned, p. 135, note 6.","page":"pp. 124, 135","type":"reference"},"admin":{"id":"publication-2688","uid":"adlib-publication-2688","uuid":"2634db86-6ad0-3838-a637-0970bac11a83"},"summary_title":"Bow Porcelain"},{"@link":{"notes":"Cf. An example with some cold-fired gilding, p. 122, no. 187.","page":"p. 122","type":"reference"},"admin":{"id":"publication-2678","uid":"adlib-publication-2678","uuid":"d747a7ce-aa62-3337-b66f-befcaea7a0d9"},"summary_title":"Bow Porcelain: The Collection formed by Geoffrey Freeman"},{"@link":{"notes":"Cf. A white example with Kitty Clive, p. 195, lot 385; previously sold Sotheby's, 21 February 1971, lot 167. 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The date  refers to the porcelain only."}],"range":true,"to":{"earliest":1760,"era":["CE"],"latest":1760,"value":"1760"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157665","uid":"adlib-agent-157665","uuid":"b68c5501-4b5f-39e8-8048-c9b58de684e3"},"summary_title":"Bow Porcelain Manufactory"},{"@link":{"qualifier":"perhaps","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-156379","uid":"adlib-agent-156379","uuid":"0c1c2442-d77d-3ccc-825c-68420ac0d648"},"summary_title":"Vauxhall Porcelain Factory"},{"@link":{"qualifier":"perhaps","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157441","uid":"adlib-agent-157441","uuid":"9868b4c7-0a9f-3530-a4b7-56d381fd24d0"},"summary_title":"Richard Chaffers & Co."}],"note":[{"value":"Nineteen examples of this bust of George II  (1683-1760) have been recorded. The Fitzwilliam's bust  lacks both the socle found with some examples, and the rococo style wall bracket to support it, which is more rare. Their attribution is contentious. Since the 19th century they been variously attributed to Chelsea, Plymouth. Bow, Worcester, Chaffers Liverpool, and most recently Vauxhall. On accession this bust was attributed to Chelsea, although its glaze is unlike Chelsea porcelain. It was reattributed to Richard Chaffers' Factory, Liverpool, by Dr Bernard Watney in 1968. This reattribution rested on spectrographic analysis of two examples respectively in the British Museum and in Dr Watney's collection. These showed that the body contained soapstone (steatite), which suggested Liverpool as a possible place of manufacture. Worcester porcelain is also steatitic, but as that factory made very few figures the bust is unlikely to have been made there. More recently the Vauxhall factory which also made steatitic soft-paste, has been adopted as an alternative.  Accepting any of these three attributions would place the busts' date of manufacture in the late 1740s or 1750s, as it seems unlikely that they were made after the King's death.  Analysis of early products of the Bow factory have indicated that some of them contained steatite, and that therefore this bust might equally have been made by the Bow factory before its establishment in the New Canton factory in Essex. This would place its date in the mid 1740s when the King was popular after his participation in the Battle of Dettingen in 1743 and the defeat of the Stuart Rebellion of 1745-6. The two most recent publications on the busts, Bimson, 2011, and Daniels and Ramsay, 2013 weigh these possibilities, and give the current locations of the recorded examples."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George 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European Pottery and Porcelain Figures"},{"@link":{"notes":"Ref. Delvigne noted fourteen examples of this bust.","page":"236-48","type":"reference"},"admin":{"id":"publication-200000876","uid":"adlib-publication-200000876","uuid":"9ac2cc27-0d3e-3b3c-9a0b-1afc34be21b9"},"summary_title":"The Bust of George II"},{"@link":{"notes":"Ref. Watney records sixteen examples. He suggested Ricahrd Chaffers' Liverpool factory as their maker. His own, example, is pl. 51a, the interior b. H. 13\u00bd\".","page":"48","type":"reference"},"admin":{"id":"publication-200000854","uid":"adlib-publication-200000854","uuid":"312f9898-68dc-30a2-8a15-5acdc8869472"},"summary_title":"The King, the Nun and other Figures"},{"@link":{"notes":"Cf. An example painted with oil colours and gilding, p. 36, II. 33, then attributed to Chelsea.","page":"36","type":"reference"},"admin":{"id":"publication-2716","uid":"adlib-publication-2716","uuid":"1839e893-0fd8-312e-9443-9e7bccf27506"},"summary_title":"Catalogue of the Collection of English Porcelain in the Department of British and Mediaeval Antiquities and Ethnography of the British Museum"},{"@link":{"notes":"Cf. Figure 10, and pl. 4, a white example with porcelain socle, formerly in the Arthur Hurst Collection (sold Sotheby's, 28 November 1940, lot 41), then attributed to Chelsea.","page":"17","type":"reference"},"admin":{"id":"publication-2614","uid":"adlib-publication-2614","uuid":"bd0c2e2e-8e28-3664-bf00-fe50da012352"},"summary_title":"Chelsea and other English Porcelain, Pottery and Enamel in the Irwin Untermyer Collection"},{"@link":{"notes":"Ref. An example from Temple Newsam House, Leeds, p. 253, O26 an socle for the bust in the Victoria and Albert Museum, p. 254, no. 0 27.","page":"253-4","type":"reference"},"admin":{"id":"publication-2341","uid":"adlib-publication-2341","uuid":"9f995346-7a8d-3fd8-910c-b973dd37873b"},"summary_title":"Rococo: Art and Design in Hogarth's England"},{"@link":{"notes":"Cf. p. 34, no. 126, and pl. 11, a white example with a porcelain socle. This bust had been attributed to Plymouth by Lady Charlotte, and was attributed to Chelsea by Rackham.","page":"34","type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-2632","uid":"adlib-publication-2632","uuid":"64a355ff-02a0-3871-9dfd-748c4a3c6691"},"summary_title":"English Enamels and British and Irish Ceramics"},{"@link":{"notes":"Cf. Lot 446, another on a black wooden pedestal. H. 34 cm. Estimate \u00a310-15,000; fetched \u00a335,200. Formerly sold at Sotheby's on 29 May 1956, lot 114 (\u00a31,150 to Tilley).","page":"p. 225","type":"reference"},"admin":{"id":"publication-2581","uid":"adlib-publication-2581","uuid":"1028337b-2c06-329b-ac8e-30af68e34013"},"summary_title":"Ceramics from the Rous Lench Collection including British Pottery and Porcelain, Dutch Delft . . ."},{"@link":{"notes":"Ref. For a discussion of the possible attribution and date of this bust, and the locations of the sixteen examples. The author sites Errol Manners' discovery of a bust listed as 'a large bust of George the IId and bracket' among the 'China in Store Room' on the second day of the 1775 sale held at Holland House - the earliest reference to one (no other large busts of George II in porcelain are known). The author concludes that without further evidence about the sculptor, a commission o other documentary evidence it is not possible to give a conclusive attribution.","page":"549-54","type":"reference"},"admin":{"id":"publication-200002797","uid":"adlib-publication-200002797","uuid":"7a463f94-f7f8-3fe2-9508-6531bf08a991"},"summary_title":"A Porcelain Bust of George II"},{"@link":{"notes":"Cf. p. 141, pl. 32 the soft-paste porcelain bust of George II in the Metropolitan Museum of Art, New York, attributed to Vauxhall, c. 1760, and pl. 33 an example in a private collection, also attributed to Vauxhall and dated c. 1760. Cf. also p. 142, pl. 34, the bust of George II with its socle and bracket in Leeds City Art Galleries. H. 39.0 cm. Cf. p. 139, an ivory bust of George II by Johann Christian Friedrich L\u00fccke, c. 1760. H. 18.7 cm. V&A, and pl. 35 a plaster bust of George II in armour with draped shoulder,  attibuted to Louis Fran\u00e7ois Roubilac. H. 57.5 cm, which has very different treatment of the curling wig. Private collection. The author discusses and rejects the possiblity that either L\u00fccke or Roubiliac was responsible for the model for the porcelain bust, which he dates towards the end of the king's life.","page":"123-46","type":"reference"},"admin":{"id":"publication-200002922","uid":"adlib-publication-200002922","uuid":"c941949f-9a8c-388b-b5d9-46e538ce1d51"},"summary_title":"Some Baroque sources of English ornamental porcelains"},{"@link":{"notes":"Publ. p. 54, no. D\/R 2013 - 16. For the other busts see pp. 32-58. 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The glaze also has many brown speckles. The back of the bust below the shoulders is open, and the narrow base has a large circular hole to facilitate its attachment to a socle. 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The sphinx is supported on a high, sloping, rococo scrollwork base. It is in profile to left with the head turned to the viewer. It has the body of a lion, and its tail passes under the left hindquarter and arches over the right side of its back. It has the head of a vivacious woman, wearing a cap with frilled lappets, earrings, and a necklace; a bare bosom, and lion's paws projecting from laced cuffs with bobble edging, below which are suspended two large tassels. On its back is has a saddle decorated with small incised strokes, and with two small tassels (one missing) hanging from the rear side."}],"identifier":[{"accession_number":"C.24-1973","primary":true,"type":"accession number","value":"C.24-1973"},{"priref":"42280","type":"priref","value":"42280"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42280","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42280"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the L.D. Cunliffe Fund and grant-in-aid from the Victoria and Albert Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-157424","uid":"adlib-agent-157424","uuid":"cf22456c-5195-35f9-91d6-39d0dcccc86d"},"summary_title":"Collection of Dr & Mrs H. 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A white sphinx, p. 183, fig. III, the front, and p. 184, fig. VII, the back. For the slightly later version produced by Bow, see p. 185, figs. X and XI. Coloured and painted in the stlye of the 'Muses Painter' with rather bold expressions.\nFor the likely French origin of the Bow sphinxes, see pp. 183-5\nA comparable model was produced by Chelsea, see p. 184, figs. VI and VIII","page":"pp. 184-5","type":"reference"},"admin":{"id":"publication-200000889","uid":"adlib-publication-200000889","uuid":"ce779f73-b184-3b15-8ceb-62ee3cdc5b30"},"summary_title":"Some Consequences of the Bow Porcelain Special Exhibition, Part I: The Alderman Arnold Period (Nov 1748-March 1750)"},{"@link":{"notes":"Ref. 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This pair is of a true white colour (as opposed to cream) which suggests a date after 1750. It is the earlier of the two versions of this model produced by Bow.","page":"p. 88","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"notes":"Ref. See the portrait of Peg Woffington by P.L. Brookes, dated 1752, colour pl. III, and p. 51, fig. 79, where also are the engravings by McArdell after Pond, fig. 76, and in the role of Phoebe in Charles Coffey's the Beggar's Wedding after Peter Van Bleek,1747, fig. 78.","page":"p. 51","type":"reference"},"admin":{"id":"publication-2761","uid":"adlib-publication-2761","uuid":"3388becd-0e43-3a5d-87ae-2b0d22ec610f"},"summary_title":"Bow Porcelain and the London Theatre: vivitur ingenio"},{"@link":{"notes":"Cf. 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The oval sauceboat stands on a flat, unglazed base, has a pinched lip spout, and scrolled strap handle with kick terminal. The sides are moulded with rococo foliate scrolls, and a shell below the spout, on a ground moulded with cell, trellis and chevron diapers. Each side is painted in Chinese famille-rose style with flowers and a moth, below a brown-edged rim."}],"exhibitions":[{"@link":{"catalogue":"0 31","type":"reference"},"admin":{"id":"exhibition-654","uid":"adlib-exhibition-654","uuid":"71d91f5d-ff07-35f5-923f-5ee87da17aa7"},"summary_title":"Rococo: Art and Design in Hogarth's England"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1503","uid":"adlib-exhibition-1503","uuid":"8e0b780d-518a-3051-bd8e-2c7f662af1f8"},"summary_title":"Digging for Early Porcelain, The Archaeology of Six 18th-century British Porcelain Factories"}],"identifier":[{"accession_number":"C.28-1973","primary":true,"type":"accession number","value":"C.28-1973"},{"priref":"38139","type":"priref","value":"38139"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/38139","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/38139"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased from Dr and Mrs H Statham Collection with the Cunliffe Fund and grant-in-aid from the Victoria and Albert Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-157424","uid":"adlib-agent-157424","uuid":"cf22456c-5195-35f9-91d6-39d0dcccc86d"},"summary_title":"Collection of Dr & Mrs H. 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