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He was knighted in 1904, and in the same year became the first Briton to receive the Lavoisier medal from the French Academy of Sciences.According to the Oxford Dictionary of National Biography, his house 1 Scroope Terrace, Cambridge was filled with objets d\u2019art of all kinds."}],"type":"reference"},"admin":{"id":"agent-179443","uid":"adlib-agent-179443","uuid":"aa3c0e88-fe45-3eda-ae80-ff9783ab714a"},"summary_title":"Dewar, James, Professor"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150796","uid":"adlib-agent-150796","uuid":"ec5a0c8a-e54c-3735-adea-0fd5dd14f994"},"summary_title":"Cupid"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, orange-red, pale manganese\/mulberry, white, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"blue, green, yellow, orange-red, pale manganese\/mulberry, white, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28662","uid":"adlib-term-28662","uuid":"dd47e505-ccda-3f2b-b576-6104109430e8"},"summary_title":"enamelling"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"15.2"}]},"name":"Lobe To Lobe"},{"name":"Bowl","techniques":[{"description":[{"value":"copper, raised, and decorated in three techniques: painting en grisaille on a black ground and gilded; painted in blue, green, yellow, orange-red, pale manganese\/mulberry, and black on a white ground; and enamelled in blue, turquoise, green, yellow, and mulberry over silver foils in a black ground, and gilded"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28810","uid":"adlib-term-28810","uuid":"c6a00cef-33f7-3107-8666-d791bd49707c"},"summary_title":"raising (metal forming process)"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-109568","uid":"adlib-term-109568","uuid":"f91d54fe-9a3c-3a31-a3d6-dc88cb330cd8"},"summary_title":"emblems"}]},"department":{"value":"Applied Arts"},"description":[{"value":"copper, decorated with en grisaille and polychrome enamels and gilding. Cupid riding on a lion with inscription 'omnia.vincit amo' surrounded by stylized flowers and birds on a white ground; on the reverse, a cntral landscape, surrounded by stylized flowers and foliage on a black ground."},{"value":"Copper, raised, and decorated in three techniques: painted en grisaille on a black ground and gilded; painted in blue, green, yellow, orange-red, pale manganese\/mulberry, and black on a white ground; and enamelled in blue, turquoise, green, yellow, and mulberry over silver foils in a black ground, and gilded.  The hexafoil bowl has lobed sides rising from an almost flat hexagonal base, and the stumps of two small S-shaped handles on opposing sides.                                                                                                                                       In the middle framed by two gold lines is a hexagonal panel executed in grisaille on a black ground of Cupid riding on a lion walking to the left. Cupid has a quiver of gold arrows slung on his back by a gold strap, and controls the lion by means of a gold leash passing through its mouth. On the left and above is the inscription \u2018.omnia.vincit amo\u2019 in gold. On the low skyline below the lion there are two very small gold trees. The initials \u2018\u2022I\u2022L\u2022\u2019 are inscribed in front of the lion\u2019s rear left paw. The sides have a white ground painted with blue, pale mulberry, and red and yellow flowers, and green leaves on black stems, amongst which on three lobes is a fanciful bird. Round the rim is a black line with continuous scallops below.\nOn the base is a landscape with a mill house beside a pond. a path and a bridge on which is a red and gold man holding a staff. Behind the house there are trees, and two flocks of birds in the sky. The black sides are decorated in translucent enamels over foils with flowers with gold foliage, and, on two lobes, with an owl and a fanciful bird respectively."}],"identifier":[{"accession_number":"M.3-1928","primary":true,"type":"accession number","value":"M.3-1928"},{"priref":"156451","type":"priref","value":"156451"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156451","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156451"}],"inscription":[{"location":"on left of central area","method":"painted in gold","transcription":[{"value":".omnia.vincit amo"}],"type":"inscription"},{"location":"in front of the lion\u2019s rear left paw","transcription":[{"value":"\u2018\u2022I\u2022L\u2022"}],"type":"initials"},{"description":[{"value":"rectangular paper label with rounded sides"}],"location":"on one lobe near to the rim on the exterior","method":"hand-written in black ink","transcription":[{"value":"Six lobed enam -\/elled tray with Cupid\/riding a lion at the\/bottom, and underneath\/a cottage and trees..\/b. at the Dewar sale at\/Cambridge May 26\/ 1904"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"entered in the M category accession register for 1928 without a date"}]}],"creation":[{"date":[{"earliest":1650,"from":{"earliest":1650,"era":["CE"],"latest":1650,"precision":"circa","value":"1650"},"latest":1695,"range":true,"to":{"earliest":1695,"era":["CE"],"latest":1695,"value":"1695"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-76511","uid":"adlib-agent-76511","uuid":"228a38d9-7ce2-33f4-a19e-e240d6a0ac52"},"summary_title":"Laudin, Jacques I"}],"note":[{"value":"Small two-handled bowls or cups with hexafoil or circular rims have survived in large numbers. Most of the hexafoil examples are decorated on the base with a landscape, surrounded by stylized flowers and birds in translucent enamels over foils in a black ground embellished with gold foliage. Others have floral decoration on a white ground.The central medallion inside may be of a religious, classical, or other secular subjects,  and the interior sides are usually decorated with polychrome flowers and birds on a white ground in either a continuous band or in panels. Many of them bear the initials \u2018.I.L.\u2019 and these have usually been attributed to Jacques Laudin I (c. 1627-95), for example by Darcel and Marquet de Vasselot, although it is possible that some of them were executed by his nephew Jacques II Laudin (c. 1663-1729). However, the decoration of the reverse of the Fitzwilliam\u2019s bowl, resembles that on other pieces attributed to Jacques I Laudin.\n\nCupid riding a lion, emblematic of the power of Love occurs on several of the bowls. The inscription \u2018omnia vincit amor\u2019 was taken from Virgil\u2019s Eclogues, X, 69, \u2018omnia vincit Amor: et nos cedamus Amori.\u2019 (Love conquers all; let us, too, yield to Love\u2019). Hexafoil bowls with the same subject are in the Fitzwilliam (M.51-1904), Mus\u00e9e Municipal de l\u2019\u00c9vech\u00e9, Limoges (Inv. 101); and bowls with circular rims in the Ashmolean Museum  (OA 248); Victoria and Albert Museum (C.23-1923), and the Mus\u00e9e des Beaux-Arts, Dijon (Inv. no. CA T 1322; acq. 1878) . Another, shape uncertain, was formerly in the K\u00f6nigliche Kunstkammer Berlin, (Inv. I.G.179 or K 5084), but was lost."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-118735","uid":"adlib-term-118735","uuid":"1631bde8-d0c4-3507-be3b-ac03c59ba807"},"summary_title":"17th Century, second half"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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(1842\u20131923), 1 Scroope Terrace, Cambridge; Puttick & Simpson\u2019s sale at the house, 26-27 May 1924, first day, part of lot 112; bought by Stanley Woolstan on behalf of Dr J.W.L. 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As he spent a considerable amount of time in Italy, he seems a more likely sitter than Rev. Robert Walpole. See file for letters and xeroxes."},{"value":"When acquired by the donor, the bust was identified as Robert Walpole MA (1781-1856), for whom see Venn, 1954."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106851","uid":"adlib-term-106851","uuid":"e155f998-1e0b-3f2a-851c-24f44d05dd59"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106366","uid":"adlib-term-106366","uuid":"b3c6d1ca-fe9f-38c0-bdd4-f8d83ac87a8f"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"This sculptor is English"}],"summary_title":"Rome"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37963","uid":"adlib-term-37963","uuid":"929f6c25-5677-3624-90d4-f6d882da98ec"},"summary_title":"white marble"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"23.7"},{"dimension":"Height","units":"cm","value":"54.5"},{"dimension":"Width","units":"cm","value":"32.4"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-23035","uid":"adlib-term-23035","uuid":"f9693b6b-2e4a-3666-acf8-973403f65fce"},"summary_title":"bust"}}],"note":[{"type":"history note","value":"Possibly the bust sold by Sotheby's, New York, 26th October, 1990, Property of a European Foundation, lot 211 (see xerox in object's file); purchased by the donor at Sotheby's, London, 7th July, 1994, European Sculpture and Works of Art, p. 145, lot 149; Danny Katz, London."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"project":[{"@link":{"role":[{"value":"reference number"}],"type":"literal"},"name":[{"type":"name","value":"Sculpture UK"}],"summary_title":"Sculpture UK"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-2348","uid":"adlib-publication-2348","uuid":"af161f90-7d29-335e-95e9-1685bb70b1e0"},"summary_title":"Alumni cantabrigienses: a biographical list of all known students, graduates and holders of office at the University of Cambridge, from the earliest times to 1900"}],"subjects":[{"@link":{"relation":"subject","type":"reference"},"admin":{"id":"term-1609","uid":"adlib-term-1609","uuid":"84f2e5e2-0de4-3096-98b9-7bb4c12aaffd"},"summary_title":"male"},{"@link":{"type":"literal"},"name":[{"value":"male"}],"summary_title":"male"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-23035","uid":"adlib-term-23035","uuid":"f9693b6b-2e4a-3666-acf8-973403f65fce"},"summary_title":"bust"}},"summary_title":"bust","techniques":[{"description":[{"value":"white marble, carved in the round"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-98865","uid":"adlib-term-98865","uuid":"aeb90103-2708-3cdf-abc1-219c45a070e9"},"summary_title":"carving"}}],"title":[{"value":"Horatio William Walpole (1813-94), 4th Earl of Oxford (2nd Creation)"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-39296","_score":16.682407,"_source":{"admin":{"added":1592999451000,"created":1312637261000,"flag":"Standard Record","id":"object-39296","indexed":1747160115966,"modified":1714465323000,"processed":1747159409017,"source":"adlib","stream":"fitz-online","uid":"adlib-object-39296","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/39296","uuid":"44b20e07-2c3a-3c7a-8292-bf73a0c6c9d1","version":5},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157440","uid":"adlib-agent-157440","uuid":"3942ad37-9782-3cfd-b6bb-22f5b5f40d42"},"summary_title":"King George II"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37642","uid":"adlib-term-37642","uuid":"8f36efe3-4fe1-3da2-9944-000db5687ad7"},"summary_title":"porcelain"},{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"34.8"},{"dimension":"Width","units":"cm","value":"30.5"}]},"name":"Bust"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain bust of George II, bewigged, and wearing armour, the Garter Star, and a cloak draped about his shoulders and fastened with an oval cabochon brooch, supported on an associated black marble socle"},{"value":"Soft-paste porcelain bust of George II, press-moulded, and coated inside and outside with very pale greyish-blue lead-glaze. The glaze has many brown speckles. The back of the bust below the shoulders is open, and the marks of paring away of the clay to make the wall thinner are visible. The narrow base has a large circular hole to facilitate its attachment to a socle. A small shallow fragment from another object has adhered to the underside of the right shoulder. The King faces front with his head turned three-quarters to his left. He has a long curling wig, and wears a shirt and neckcloth under armour, the breastplate of which is ornamented with scrolls and foliage. Over his left shoulder plate is the Star of the Order of the Garter, partly concealed by a cloak which is drawn in folds around his shoulders, and is held together above the Order by an oval cabochon brooch. 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Accepting any of these three attributions would place the busts' date of manufacture in the late 1740s or 1750s, as it seems unlikely that they were made after the King's death.  Analysis of early products of the Bow factory have indicated that some of them contained steatite, and that therefore this bust might equally have been made by the Bow factory before its establishment in the New Canton factory in Essex. This would place its date in the mid 1740s when the King was popular after his participation in the Battle of Dettingen in 1743 and the defeat of the Stuart Rebellion of 1745-6. The two most recent publications on the busts, Bimson, 2011, and Daniels and Ramsay, 2013 weigh these possibilities, and give the current locations of the recorded examples."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George 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An example painted with oil colours and gilding, p. 36, II. 33, then attributed to Chelsea.","page":"36","type":"reference"},"admin":{"id":"publication-2716","uid":"adlib-publication-2716","uuid":"1839e893-0fd8-312e-9443-9e7bccf27506"},"summary_title":"Catalogue of the Collection of English Porcelain in the Department of British and Mediaeval Antiquities and Ethnography of the British Museum"},{"@link":{"notes":"Cf. Figure 10, and pl. 4, a white example with porcelain socle, formerly in the Arthur Hurst Collection (sold Sotheby's, 28 November 1940, lot 41), then attributed to Chelsea.","page":"17","type":"reference"},"admin":{"id":"publication-2614","uid":"adlib-publication-2614","uuid":"bd0c2e2e-8e28-3664-bf00-fe50da012352"},"summary_title":"Chelsea and other English Porcelain, Pottery and Enamel in the Irwin Untermyer Collection"},{"@link":{"notes":"Ref. An example from Temple Newsam House, Leeds, p. 253, O26 an socle for the bust in the Victoria and Albert Museum, p. 254, no. 0 27.","page":"253-4","type":"reference"},"admin":{"id":"publication-2341","uid":"adlib-publication-2341","uuid":"9f995346-7a8d-3fd8-910c-b973dd37873b"},"summary_title":"Rococo: Art and Design in Hogarth's England"},{"@link":{"notes":"Cf. p. 34, no. 126, and pl. 11, a white example with a porcelain socle. This bust had been attributed to Plymouth by Lady Charlotte, and was attributed to Chelsea by Rackham.","page":"34","type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-2632","uid":"adlib-publication-2632","uuid":"64a355ff-02a0-3871-9dfd-748c4a3c6691"},"summary_title":"English Enamels and British and Irish Ceramics"},{"@link":{"notes":"Cf. Lot 446, another on a black wooden pedestal. H. 34 cm. Estimate \u00a310-15,000; fetched \u00a335,200. Formerly sold at Sotheby's on 29 May 1956, lot 114 (\u00a31,150 to Tilley).","page":"p. 225","type":"reference"},"admin":{"id":"publication-2581","uid":"adlib-publication-2581","uuid":"1028337b-2c06-329b-ac8e-30af68e34013"},"summary_title":"Ceramics from the Rous Lench Collection including British Pottery and Porcelain, Dutch Delft . . ."},{"@link":{"notes":"Ref. For a discussion of the possible attribution and date of this bust, and the locations of the sixteen examples. The author sites Errol Manners' discovery of a bust listed as 'a large bust of George the IId and bracket' among the 'China in Store Room' on the second day of the 1775 sale held at Holland House - the earliest reference to one (no other large busts of George II in porcelain are known). The author concludes that without further evidence about the sculptor, a commission o other documentary evidence it is not possible to give a conclusive attribution.","page":"549-54","type":"reference"},"admin":{"id":"publication-200002797","uid":"adlib-publication-200002797","uuid":"7a463f94-f7f8-3fe2-9508-6531bf08a991"},"summary_title":"A Porcelain Bust of George II"},{"@link":{"notes":"Cf. p. 141, pl. 32 the soft-paste porcelain bust of George II in the Metropolitan Museum of Art, New York, attributed to Vauxhall, c. 1760, and pl. 33 an example in a private collection, also attributed to Vauxhall and dated c. 1760. Cf. also p. 142, pl. 34, the bust of George II with its socle and bracket in Leeds City Art Galleries. H. 39.0 cm. Cf. p. 139, an ivory bust of George II by Johann Christian Friedrich L\u00fccke, c. 1760. H. 18.7 cm. V&A, and pl. 35 a plaster bust of George II in armour with draped shoulder,  attibuted to Louis Fran\u00e7ois Roubilac. H. 57.5 cm, which has very different treatment of the curling wig. Private collection. The author discusses and rejects the possiblity that either L\u00fccke or Roubiliac was responsible for the model for the porcelain bust, which he dates towards the end of the king's life.","page":"123-46","type":"reference"},"admin":{"id":"publication-200002922","uid":"adlib-publication-200002922","uuid":"c941949f-9a8c-388b-b5d9-46e538ce1d51"},"summary_title":"Some Baroque sources of English ornamental porcelains"},{"@link":{"notes":"Publ. p. 54, no. D\/R 2013 - 16. For the other busts see pp. 32-58. The authors give historical and scientific reasons for attributing the busts to Bow rather than Liverpool or Vauxhall, and discuss earlier attributions.","page":"54","type":"reference"},"admin":{"id":"publication-7633","uid":"adlib-publication-7633","uuid":"ee051b51-e1bf-3287-82b8-361db9ccff47"},"summary_title":"The George II Busts and Historic Wall Brackets"},{"@link":{"type":"reference"},"admin":{"id":"publication-2348","uid":"adlib-publication-2348","uuid":"af161f90-7d29-335e-95e9-1685bb70b1e0"},"summary_title":"Alumni cantabrigienses: a biographical list of all known students, graduates and holders of office at the University of Cambridge, from the earliest times to 1900"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-23035","uid":"adlib-term-23035","uuid":"f9693b6b-2e4a-3666-acf8-973403f65fce"},"summary_title":"bust"}},"summary_title":"bust","techniques":[{"description":[{"value":"soft-paste porcelain (probably steatitic), press-moulded, and coated inside and outside with very pale greyish-blue lead-glaze, which has bubbled, particularly on the shoulders, and, here and there, where these have burst, small craters. The glaze also has many brown speckles. The back of the bust below the shoulders is open, and the narrow base has a large circular hole to facilitate its attachment to a socle. A small shallow glazed fragment, presumably from another object or prop has adhered to the underside of the right shoulder."}],"note":[{"value":"with many tool marks on the interior"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}],"title":[{"value":"Bust of George II (ruled 1727-60)"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-42387","_score":16.682407,"_source":{"admin":{"added":1592970269000,"created":1312637261000,"flag":"Standard Record","id":"object-42387","indexed":1747160120566,"modified":1714465353000,"processed":1747159409017,"source":"adlib","stream":"fitz-online","uid":"adlib-object-42387","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42387","uuid":"c2d70847-5559-3bbf-a962-506cb01ee99c","version":7},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"blue, two shades of green, yellow, pink, purplish-pink, red, pale purple, yellow, brown, grey, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue, two shades of green, yellow, pink, purplish-pink, red, pale purple, yellow, brown, grey, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}}]},{"name":"Details","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120060","uid":"adlib-term-120060","uuid":"2a6ad93f-460b-3c12-ae60-89a8c8d54a3d"},"summary_title":"hand-modelling"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-102682","uid":"adlib-term-102682","uuid":"4340e8a3-0de1-38a3-a537-2b562f19c618"},"summary_title":"fable"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain containing bone ash, figure of a Fable Candlestick, press-moulded, hand-modelled, and painted overglaze in polychrome enamels."},{"value":"Soft-paste porcelain containing bone ash, figure of a Fable Candlestick, press-moulded, hand-modelled, and painted over lead-glaze in blue, two shades of green, yellow, pink, purplish-pink, red, pale purple, yellow, brown, grey, and black enamels. The square base has scrolled and pierced edges, and is supported on three scroll feet at the back, and two at the front. Its underside is glazed except for the feet. On the top there is a tree with six branches bearing applied leaves and flowers of the various colours, and has at the top a drip pan formed by six leaves, and candle-socket in the form of a flower with a calyx. The underside of the drip pan is green overall, and the rim of the nozzle has a circle of dark blue spots and a dark blue edge. At the back a branch curves down to the base to form a handle and has a horizontal purple pansy at the top to serve as a thumbpiece.  In front of the tree on the viewer's right stands a stork with grey plumage and a yellow beak and legs, looking down at a reddish-brown fox, who stands over a spray of flowers on the left, and is about to eat from a plate which is dotted with pink and yellow to represent food. The scrolls round the edge are picked out in purplish-pink."}],"exhibitions":[{"@link":{"catalogue":"I13","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"}],"identifier":[{"accession_number":"C.20-1992","primary":true,"type":"accession number","value":"C.20-1992"},{"priref":"42387","type":"priref","value":"42387"},{"date":[{"earliest":1970,"latest":1970,"value":"1970"}],"source":"The Fitzwilliam Museum","type":"old loan number","value":"Statham Loan 13-1970"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42387","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42387"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bequeathed by Miss Statham, accepted by H.M.Government in 1990 in lieu of Inheritance Tax and allocated to the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150141","uid":"adlib-agent-150141","uuid":"aa66239a-2b6d-36c3-80b2-cf5f2b976e97"},"summary_title":"H.M. 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Two examples of the pair, see p. 72, no. 217, where the fable text is cited","page":"p. 72","type":"reference"},"admin":{"id":"publication-2776","uid":"adlib-publication-2776","uuid":"3bb2d2a2-3566-3858-9086-12c0e22c356d"},"summary_title":"A Treasury of Bow, A Survey of the Bow Factory from First Patent until Closure 1744-1774"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-68009","uid":"adlib-term-68009","uuid":"91f3a501-d5d5-3088-afd6-87f5515a9250"},"summary_title":"candlestick"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-9852","uid":"adlib-term-9852","uuid":"10f8d89a-5eb7-3934-8931-0f898e99aa9d"},"summary_title":"Fox"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106371","uid":"adlib-term-106371","uuid":"37ae3a2c-5b74-316d-8e06-fae9cb4fe23f"},"summary_title":"stork"},{"@link":{"type":"literal"},"name":[{"value":"candlestick"}],"summary_title":"candlestick"},{"@link":{"type":"literal"},"name":[{"value":"Fox"}],"summary_title":"Fox"},{"@link":{"type":"literal"},"name":[{"value":"stork"}],"summary_title":"stork"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110277","uid":"adlib-term-110277","uuid":"97f1ad1c-7b1d-373a-b0ae-ed010d95f37b"},"summary_title":"animal figure"}},"summary_title":"animal figure","techniques":[{"description":[{"value":"soft-paste porcelain containing bone ash, press-moulded, hand-modelled, and painted overglaze in polychrome enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}},{"note":[{"value":"except for underside of feet"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}],"title":[{"value":"Fable Candlestick: the Fox and the Stork"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-29487","_score":16.682407,"_source":{"admin":{"added":1592970264000,"created":1312637261000,"flag":"Standard Record","id":"object-29487","indexed":1752602698259,"modified":1702908370000,"processed":1752602690710,"source":"adlib","stream":"fitz-online","uid":"adlib-object-29487","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/29487","uuid":"b25104cf-08f8-3806-bd9d-827bed772254","version":7},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-110399","uid":"adlib-term-110399","uuid":"c2c214aa-c7b2-3bbe-8460-214ed187b114"},"summary_title":"English delftware"},{"@link":{"type":"reference"},"admin":{"id":"term-92124","uid":"adlib-term-92124","uuid":"80f051a3-bcd9-3c0b-8a62-410dd53dc094"},"summary_title":"drinking vessels"}],"component":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue and red"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"13.1"}]},"name":"Cover"},{"name":"Body","techniques":[{"description":[{"value":"earthenware, tin-glazed, painted in blue, and a little red"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23550","uid":"adlib-term-23550","uuid":"bce302cf-3608-34aa-abf7-dcb9acdd4024"},"summary_title":"heraldry"},{"@link":{"type":"reference"},"admin":{"id":"term-23816","uid":"adlib-term-23816","uuid":"b3a6988c-15c6-34e4-b886-1a7e9fe23e58"},"summary_title":"architecture"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Pale buff earthenware, tin-glazed and painted in blue, and a little red. There are several 'pinholes' in the glaze on the interior and exterior. Cylindrical with a loop handle which has a vertical depression, and a slight, stumpy kick at the lower end. The circular cover has a narrow sloping rim, a domed centre, and a mushroom-shaped knob. Inside there is a circular flange which fits inside the tankard. The front of the tankard is decorated with a circular castellated tower with an arched doorway and portcullis, which has on its pointed roof, a flag pole topped by a crown and cross, flying a flag with the arms of London, a red cross on a white ground. Below the tower are the initials 'C\/T . H' over '1660'."}],"identifier":[{"accession_number":"C.6 & A-2001","primary":true,"type":"accession number","value":"C.6 & A-2001"},{"priref":"29487","type":"priref","value":"29487"},{"source":"Fitzwilliam Museum","type":"entry form number","value":"153"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/29487","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/29487"}],"inscription":[{"description":[{"value":"C\/T H over 1660\nin between the T and H is a star shape made up of six dots"}],"location":"below the tower","transcription":[{"value":"C\/T H\/1660"}],"type":"initials"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bequeathed by Mrs Jean M. 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The jug stands on three rustic feet. The bulbous body contracts into a short neck and flares upwards and outwards towards the notched rim which is elongated at the front to form a lip. The crabstock handle rises up from the rim and then downwards in a single loop until it meets the widest part of the body. Sprays of flowers and leaves sprout from the junctions of the legs and handle with the body.                                         Encircling the body just above the legs and below the rim is an bluish-green zone, each decorated with a wavy continuous stem of gilt leaves flanked by gilt horizontal bands. Between these zones the ground is white. Under the spout is a motif comprising two intersecting vertical zig-zag lines of polychrome flowers and leaves, repeated three times more round the body, and alternating with a similar motif comprising intersecting zig-zag lines of pink and blue ribbons, the diamond-shapes between filled with a gold diaper pattern, and the ribbons outlined with gold dots. 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