[{"admin":{"added":1592995571000,"created":1312636875000,"id":"publication-2576","indexed":1616540510746,"modified":1557242253000,"processed":1615826767904,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399","version":2},"lifecycle":{"publication":[{"date":[{"value":"1881"}],"place":[{"@link":{"type":"literal"},"name":[{"value":"Salisbury"}],"summary_title":"Salisbury"}]}]},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources","title":[{"primary":true,"value":"Contributions towards the History of Early English Porcelain from Contemporary Sources"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-71284","_score":16.685959,"_source":{"admin":{"added":1592999553000,"created":1312637261000,"flag":"Standard Record","id":"object-71284","indexed":1747160228003,"modified":1714466031000,"processed":1747159409017,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71284","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71284","uuid":"87203d76-fa06-3f77-b00f-6b1437600c58","version":5},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-92531","uid":"adlib-agent-92531","uuid":"67ac3ed6-5ef3-3fd8-ad26-a0e364c7cb14"},"summary_title":"Milton, John"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37642","uid":"adlib-term-37642","uuid":"8f36efe3-4fe1-3da2-9944-000db5687ad7"},"summary_title":"porcelain"},{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Biscuit figure of Jhon Milton standing beside a pedestal decorated in relief with the Expulsion from Paradise"},{"value":"Biscuit porcelain figure of John Milton, slip cast. The underside has a large circular ventilation hole. The rectangular base has cut corners, and straight, fluted sides.  Milton stands with his left leg forward, leaning on his left elbow on a pile of books on top of a semi-circular pedestal with the Expulsion from Paradise in relief on the curved side. His left hand is missing. He has long curling hair, and wears a shirt with a collar, a jacket, knee breeches, a cloak, and shoes with bows on top. He holds his long cloak across his body with his right hand."}],"exhibitions":[{"@link":{"catalogue":"C10","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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The relief on the pedestal is the Expulsion  of Adam and Eve from the Garden of Eden, which is mentioned in Milton's 'Paradise Lost'.  Another possible source was a  terracotta model of Milton mentioned in the sculptor,Scheemaker's sale."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37414","uid":"adlib-term-37414","uuid":"27d12e08-38a7-326d-8a7d-f3634c083b89"},"summary_title":"biscuit porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"18"},{"dimension":"Width","units":"cm","value":"10.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-34299","uid":"adlib-media-34299","uuid":"33e93dd4-39b7-3b76-a662-dd6f1e454832"},"processed":{"large":{"format":"jpeg","location":"aa\/aa2\/C_108_1932_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742582316526,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa2\/mid_C_108_1932_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742582316526,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa2\/C_108_1932_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742582316526,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa2\/preview_C_108_1932_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742582316526,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-34300","uid":"adlib-media-34300","uuid":"76c12d53-6a6c-3e2f-819b-7962f49275eb"},"processed":{"large":{"format":"jpeg","location":"aa\/aa2\/C_108_1932_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742582349274,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa2\/mid_C_108_1932_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742582349274,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa2\/C_108_1932_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742582349274,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa2\/preview_C_108_1932_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742582349274,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Uncertain before donor, Mrs W.D. (Frances Louisa) Dickson, Bournemouth"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71267","uid":"adlib-object-71267","uuid":"f06174fc-c1be-3f1b-b92a-b9d982b5c9cb"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 27, C10","page":"27","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Ref. p. 45 for a pair of figures of Shakespeare and Milton offered for sale in the Derby and Chelsea sale held by Mr Christie on 29 March 1773 and three following days (no lot number)","page":"45","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"type":"reference"},"admin":{"id":"publication-2789","uid":"adlib-publication-2789","uuid":"2a3de0a1-d4d4-36b0-9676-6aee72a4b65c"},"summary_title":"The Man at Hyde Park Corner, Sculpture by John Cheere 1709-1787"},{"@link":{"notes":"Cf. pp. 34-5, no. 37, a biscuit example dated c. 1780-85, in a private collection","page":"34-5","type":"reference"},"admin":{"id":"publication-3628","uid":"adlib-publication-3628","uuid":"87232113-66d0-30b6-b02a-6dfc70e29611"},"summary_title":"Ceramics of Derbyshire 1750-1975"},{"@link":{"type":"reference"},"admin":{"id":"publication-2714","uid":"adlib-publication-2714","uuid":"17f1e6d7-5774-3881-a2ae-c2350391ddbb"},"summary_title":"English Porcelain Figures of the Eighteenth Century"},{"@link":{"notes":"Cf. pp. 136-8, no. 27, another enamelled example, dated c. 1765-70.","page":"136-8","type":"reference"},"admin":{"id":"publication-2609","uid":"adlib-publication-2609","uuid":"24853083-2c1a-3ead-ab5d-550c2b3f35fc"},"summary_title":"Eighteenth-Century English Porcelain in the Collection of the Indianapolis Museum of Art"},{"@link":{"notes":"Ref. pp. 345-6, no. 297, where the derivation of the model is discussed and further examples mentioned, including a biscuit Milton in Derby Museums and Art Gallery. Cf. A coloured example, p. 345, pl. 288, right, no. 297","page":"345-6","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"Cf. The author discusses the figure's relationship to a bronzed plaster by John Cheere in York Museum, p. 124, fig. 10, and illustrates an enamelled and gilt example of c.1762-3 in the V. & A., p. 122, fig. 9, and a  biscuit examples of the 1780s, fig. 11.","page":"122-4","type":"reference"},"admin":{"id":"publication-200001956","uid":"adlib-publication-200001956","uuid":"51cdad3f-2c3a-36e5-8fb3-83052e20c463"},"summary_title":"Derby Porcelain and the British Monumental Sculpture Tradition 1760-1775"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"biscuit porcelain, slip cast. 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The underside has a large circular ventilation hole. The rocky base is approximately rectangular, with a heap of rocks on top of it on the left, and to the right of it, a tree stump covered by a drape. Here and there on the rocks are four groups of flowers and leaves, and six tufts of moss. A young girl playing a lute is seated on the heap of rocks. She is barefooted, and has her hair loosely drawn back into a bun. She wears a knee-length tunic which reveals her right side and arm. To the viewer's right of her is a nude winged putto standing on his left leg with his right extended behind. In his left hand he holds a piece of paper (presumably music) in front of the girl, and in his raised right hand, a scroll."}],"identifier":[{"accession_number":"C.21-1977","primary":true,"type":"accession number","value":"C.21-1977"},{"priref":"82279","type":"priref","value":"82279"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82279","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82279"}],"inscription":[{"description":[{"value":"No with script N and raised o"}],"location":"on underside of base","method":"incised","transcription":[{"value":"No 40"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Countess Shelagh Rietberg"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166432","uid":"adlib-agent-166432","uuid":"46431f0b-ebf0-3857-9a9c-c73542adfde6"},"summary_title":"Rietberg, Shelagh, Countess"}],"date":[{"earliest":1977,"latest":1977,"value":"1977-10-11"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1977-10-11"}]}],"creation":[{"date":[{"earliest":1773,"from":{"earliest":1773,"era":["CE"],"latest":1773,"precision":"circa","value":"1773"},"latest":1800,"note":[{"value":"The quality of the biscuit suggests that it was made towards the end of this period"}],"range":true,"to":{"earliest":1800,"era":["CE"],"latest":1800,"value":"1800"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-35888","uid":"adlib-agent-35888","uuid":"0244b335-51c5-3535-a626-9ed7f3d33894"},"summary_title":"Derby Porcelain Factory"},{"@link":{"role":[{"value":"proprietor"}],"type":"reference"},"admin":{"id":"agent-157812","uid":"adlib-agent-157812","uuid":"d6c503ac-f737-3861-9907-14fd8b4759bf"},"summary_title":"William Duesbury & Co."}],"note":[{"value":"Biscuit was introduced at Derby about 1770-1., and was mentioned in the Chelsea and Derby Sale Catalogue of 17 April, 1771, and three following days. This is one of seven groups representing the Arts and Sciences which were derived from Meissen models by Michel-Victor Acier . They were introduced between c. 1771-3, and Music was mentioned in the  Derby and Chelsea Sale Catalogue of 9 and 10 February 1773."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Derbyshire"}],"summary_title":"Derbyshire","type":"region"}]],"summary_title":"Derby"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113708","uid":"adlib-term-113708","uuid":"ca56455d-71d5-3da6-b970-5dc23348b03f"},"summary_title":"soft-paste biscuit porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"14"},{"dimension":"Width","units":"cm","value":"9.5"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}}],"note":[{"type":"history note","value":"Unknown before donor"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Illustrated p. 198, pl. 150. See pp. 197-8, Nos. 39-45, The Arts and Sciences (seven groups).  Bradshaw describes the seated figure as a putto, but in fact it is a young girl.                                             Ref. For Meissen influence on Derby, see pp. 151-5, and 155-61.","page":"197-8","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"Ref. pp. 108-17 for the development of Derby biscuit","page":"108-17","type":"reference"},"admin":{"id":"publication-200000906","uid":"adlib-publication-200000906","uuid":"72c4950f-5794-34d9-b888-14cf052b1a95"},"summary_title":"Derby Biscuit"},{"@link":{"notes":"Ref. Appendix, p. 40, In the Catalogue of the Derby and Chelsea sale held by Mr Christie on 9 and 10 February 1773,  are mentioned 'Two groups, music and painting and sculpture, finely modelled in biscuit 1 l. 10s.' (\u00a31.10s.) Music was one group, and painting and sculpture the other. No lot numbers are cited.","page":"40","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"notes":"Cf. pl. 223B, a biscuit example, incised 'No 40', 7in (17.8 cm),  in Derby Museum  and Art Gallery, and see text p. 296. 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The bowl is of quatrelobed square shape, with rounded sides, on a low footring. It is painted in Imari style with the 'Old Japan Fan Pattern' on the inside with four half chrysanthemum roundels, petalled alternately in underglaze - blue, red and green, and gilt with leaves and diapers, separated by four blue medallions with gilt trellis-work. The centre has a large chrysanthemum head, and the outside is decorated en suite."}],"identifier":[{"accession_number":"C.136-1932","primary":true,"type":"accession number","value":"C.136-1932"},{"priref":"34095","type":"priref","value":"34095"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/34095","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/34095"}],"inscription":[{"description":[{"value":"pseudo-Chinese character marks, within two concentric circles"}],"method":"in underglaze blue","type":"mark"},{"description":[{"value":"rectangular printed label of 'T. RUDD Antiques, 106, High St., Southampton', and with '80d \u00a3aa Worcester' in script"}],"method":"in print and script","transcription":[{"value":"'T. RUDD Antiques, 106, High St., Southampton' and '80d \u00a3aa Worcester'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. 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For the shape see a Caughley salad bowl illustrated on pl. 168, pp. 34, 104 and 142.","page":"pp. 34, 104","type":"reference"},"admin":{"id":"publication-2549","uid":"adlib-publication-2549","uuid":"4c6b4b68-e205-361c-a8a9-e434461c99f9"},"summary_title":"Caughley and Worcester Porcelains 1775-1800"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107613","uid":"adlib-term-107613","uuid":"dcab8e3d-1903-3eb3-86e3-63b01f601f31"},"summary_title":"chrysanthemum"},{"@link":{"type":"literal"},"name":[{"value":"chrysanthemum"}],"summary_title":"chrysanthemum"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90906","uid":"adlib-term-90906","uuid":"31e4e46c-f9ae-3d16-9456-ebc3f782ea0c"},"summary_title":"salad bowl"}},"summary_title":"salad bowl","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-42720","_score":16.685959,"_source":{"admin":{"added":1592984186000,"created":1312637261000,"flag":"Standard Record","id":"object-42720","indexed":1755194538093,"modified":1714465361000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-42720","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42720","uuid":"04e69683-2a36-37a5-9f2e-fdae11761544","version":5},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157827","uid":"adlib-agent-157827","uuid":"01c4480f-d6cb-3397-b079-e97da98c7085"},"summary_title":"Shakepeare, William"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152721","uid":"adlib-agent-152721","uuid":"dba97931-3dd3-3db8-9ffd-fc65662eae01"},"summary_title":"Henry V"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-161336","uid":"adlib-agent-161336","uuid":"655e1c34-8534-3880-a675-b0ce6bbc902b"},"summary_title":"Richard III"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157532","uid":"adlib-agent-157532","uuid":"cf3a6b2c-1c88-3f1f-b92b-ed17312a4aa6"},"summary_title":"Elizabeth I"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37633","uid":"adlib-term-37633","uuid":"43c6b916-951a-36c6-a4a7-7342c900a6d7"},"summary_title":"bone china"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113183","uid":"adlib-term-113183","uuid":"d0b2833e-0e65-3606-934e-193dc9d8511d"},"summary_title":"Ralph Griffin"}],"component":[{"materials":[{"note":[{"value":"green, yellow, pink, flesh, red, purple, and brown"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in green, yellow, pink, flesh, red, purple, and brown enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Bone china figure of William Shakespeare standing beside a pedestal painted in enamels and gilded"},{"value":"Bone china (?) figure of William Shakespeare, slip-cast, and painted overglaze in green, yellow, pink, flesh, red, purple, and brown enamels, and gilt. The unglazed underside has a large central ventilation hole through which the partly glazed interior can be seen.  The base is rectangular with cut corners, and fluted sides, which have a gold line round the top and bottom edges. The poet stands with his right leg crossed over his left, leaning on his right elbow on a pile of three books resting on top of a three-sided pedestal. With his left hand he points to an inscription on a scroll handing down from below the books. His hair and beard are brown, and he has ruddy cheeks, and red lips.  He wears a close-fitting jacket, with gold decoration on the front, and gold buttons; breeches with gold buttons and a band at the knee; a long cloak with a pink lining and gold edges, and shoes with gold ties on top. The pedestal is decorated on the angles with heads of Henry V, Richard III, and Queen Elizabeth with volutes below. The books are red and gold, green and purple, and purple and yellow. The scroll is inscribed in gold in capital letters:\nTHE CLOUD CAPPED TOW[ERS] . . .\nTHE GORGEOUS PALACES\nTHE SOLEMN TEMPLES\nTHE GREAT GLOBE itself \u2026.\nYEA, ALL WHICH [IT INHERIT] \u2026\u2026\nSHALL DISSOLVE\n[LIKE] THE [BASELESS]\n[FABRIC OF A] VISION\n[LEA]VE NOT A WRECK\nBEHIND"}],"exhibitions":[{"@link":{"catalogue":"C8","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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The model was derived from the monument in Westminster Abbey, designed by William Kent (1685-1748) and executed in marble by Peter Scheemakers (1681-1761) in 1740. Its direct prototype was probably a reduced-size plaster, such as one of those stocked by John Cheere in London. See Documentation, Friedman (1974) and Lippert ( 1987) . It was often sold as a pair with Milton, see C.49B-1918. The inscription is taken from one of Prospero's speeches in the Tempest, Act IV, Scene I, but is not identical to the accepted modern text, and also differs from the inscription on the Fitzwilliam's earlier biscuit Shakespeare."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-113730","uid":"adlib-term-113730","uuid":"a884ca20-4502-3c0d-953d-73c3c38d0c15"},"summary_title":"Bloor Period"},{"@link":{"type":"reference"},"admin":{"id":"term-106853","uid":"adlib-term-106853","uuid":"25492eb4-1164-35eb-8dce-3601486f3415"},"summary_title":"19th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-108976","uid":"adlib-term-108976","uuid":"dc8f08bb-8cb5-3af0-a884-9780ec8d0e12"},"summary_title":"George IV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37633","uid":"adlib-term-37633","uuid":"43c6b916-951a-36c6-a4a7-7342c900a6d7"},"summary_title":"bone china"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"25.2"},{"dimension":"Width","units":"cm","value":"13.9"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Uncertain before donor, Ralph Griffin, MA, FSA (St John's College, Cambridge)"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-42723","uid":"adlib-object-42723","uuid":"2e609fe1-d566-30b9-a42e-4f735a70876f"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 26, C8, illustrated p. 25","page":"26","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? 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On p. 132, fig. 27, she illustrates the reduced size bronzed plaster Shakespeare by John Cheere, now on loan to York City Art Gallery from the York Castle Museum.","page":"130-3","type":"reference"},"admin":{"id":"publication-2609","uid":"adlib-publication-2609","uuid":"24853083-2c1a-3ead-ab5d-550c2b3f35fc"},"summary_title":"Eighteenth-Century English Porcelain in the Collection of the Indianapolis Museum of Art"},{"@link":{"notes":"Cf. p. 233, lot 567, a Shakespeare on straight-sided fluted base, late 18th or early 19th century. H. 30 cm. Estimate \u00a3300-500.","page":"233","type":"reference"},"admin":{"id":"publication-3453","uid":"adlib-publication-3453","uuid":"ba33eb89-28e4-3bf0-966a-759d0f445cf7"},"summary_title":"The Contents of Fulbeck Hall, Lincolnshire"},{"@link":{"notes":"p. 40, pl. 3a, a pair of figures of Shakespeare and Milton, dating from c. 1810. Private collection. 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The flat underside is unglazed except for a few small areas, and has a large circular ventilation hole off centre, and three large patch marks. The shallow irregularly shaped base has a rock on the left, and a tree stump on the right, which supports the base of the peep show box, which stands on four wooden legs. The boy showman stands on the right, leaving on the box on his right arm, and holding his left arm in front of him. A girl kneels on the rock, peering into the box. A basket of eggs (?) is on the rock in front of her. A little boy stands behind her.\nThe boy showman wears a yellow hat, a turquoise jacket with gold edging, pink sash, yellow breeches with a puce floral pattern, and black shoes with yellow bows. The girl wears a white blouse, a turquoise bodice with gold edging, a white skirt with puce flowers, a yellow over skirt, and black shoes. The small boy has a white shirt and pink beeches. All the figures have greyish-black hair and ruddy cheeks. The base is painted in pale green and brown, and has applied flowers and leaves scattered all over it. The flowers are red and yellow, blue and white, and yellow and white."}],"exhibitions":[{"@link":{"catalogue":"H34","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"}],"identifier":[{"accession_number":"C.1-1965","primary":true,"type":"accession number","value":"C.1-1965"},{"priref":"42704","type":"priref","value":"42704"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42704","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42704"}],"inscription":[{"location":"underside of base","method":"incised","transcription":[{"value":"94"}],"type":"mark"},{"description":[{"value":"circular printed with a black border with lettering in reserve"}],"transcription":[{"value":"FRANCES L. 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(Frances Louisa), Mrs"}],"date":[{"earliest":1965,"latest":1965,"value":"1965-01-14"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1965-01-14"}]}],"creation":[{"date":[{"earliest":1775,"from":{"earliest":1775,"era":["CE"],"latest":1775,"precision":"circa","value":"1775"},"latest":1785,"range":true,"to":{"earliest":1785,"era":["CE"],"latest":1785,"value":"1785"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-35888","uid":"adlib-agent-35888","uuid":"0244b335-51c5-3535-a626-9ed7f3d33894"},"summary_title":"Derby Porcelain Factory"},{"@link":{"role":[{"value":"proprietor"}],"type":"reference"},"admin":{"id":"agent-157812","uid":"adlib-agent-157812","uuid":"d6c503ac-f737-3861-9907-14fd8b4759bf"},"summary_title":"William Duesbury & Co."}],"note":[{"value":"This is one of surprisingly few English porcelain figures derived from S\u00e8vres models. The original of this group, La Lanterne Magique or La Curiosit\u00e9, was modelled by Etienne-Maurice Falconet (1716-91; director of sculpture at S\u00e8vres 1757-66) after part of the etching,  La Lanterne Magique montr\u00e9e \u00e0 la Foire par le Savoyard, ou La Curiosit\u00e9, also known as Foire de Campagne by C.N. Cochin fils (1715-90) after Fran\u00e7ois Boucher (1703-77). It was mentioned in the factory's sales records in 1757. A pendant group, La Lotterie or Le Tourniquet present\u00e9 \u00e0 la foire par le marchand de plaisirs, was modelled after another part of the same print. That too was reproduced at Derby.The 'Group of three Fgures at a Raree Show' was no. 94 in Haslam's price list of Derby figures."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"note":[{"value":"presumed 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(Frances Louisa) Dickson, Bournemouth"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 56, H34","page":"p. 56","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Publ. p. 248, pl. 201, illustrating no. 94, where the source of the design is noted\nCf. A 19th century version of the group,  p. 249, pl. 202","page":"pp. 248-9","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"Ref. 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This does not prove that Stephan modelled the Derby figure, in Young's opinion 'in view of its compatibility in style with his set of elements it makes it highly likely that he did.'","page":"84","type":"reference"},"admin":{"id":"publication-200001228","uid":"adlib-publication-200001228","uuid":"dc5eef12-8ead-3c2e-938f-1b7a37c9feb1"},"summary_title":"Pierre Stephan: the Career of a Derby Modeller Reviewed"},{"@link":{"notes":"Publ. p. 119, discussed, and illustrated fig. 1.","page":"119","type":"reference"},"admin":{"id":"publication-200001956","uid":"adlib-publication-200001956","uuid":"51cdad3f-2c3a-36e5-8fb3-83052e20c463"},"summary_title":"Derby Porcelain and the British Monumental Sculpture Tradition 1760-1775"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9044","uid":"adlib-term-9044","uuid":"99dcb503-1a64-3792-8a40-48eda95dd763"},"summary_title":"Neoclassical"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-70251","uid":"adlib-term-70251","uuid":"b2375d85-ca66-33a9-9f28-141b3138aca4"},"summary_title":"urn"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-2704","uid":"adlib-term-2704","uuid":"aa6600d3-5065-31ca-b1cd-d3641b03609e"},"summary_title":"mourning"},{"@link":{"type":"literal"},"name":[{"value":"urn"}],"summary_title":"urn"},{"@link":{"type":"literal"},"name":[{"value":"mourning"}],"summary_title":"mourning"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"soft-paste porcelain, slip-cast, lead-glazed, and painted overglaze in turquoise, yellow, flesh pink, dark pink, red, maroon, purple, and brown enamels, and gilt"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120096","uid":"adlib-term-120096","uuid":"7cc05306-f07e-3189-849f-52addb9e2ca7"},"summary_title":"slip-casting"}},{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Andromache mourning over the Ashes of Hector"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-43508","_score":16.685959,"_source":{"admin":{"added":1592996462000,"created":1312637261000,"flag":"Standard Record","id":"object-43508","indexed":1755194538800,"modified":1714465380000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-43508","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/43508","uuid":"8e30b12e-e390-3ba3-95b1-3b0fa6ed25d3","version":6},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157991","uid":"adlib-agent-157991","uuid":"52199fb1-fb4f-3e02-aab1-6cbd5e8d5f8f"},"summary_title":"three graces"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150796","uid":"adlib-agent-150796","uuid":"ec5a0c8a-e54c-3735-adea-0fd5dd14f994"},"summary_title":"Cupid"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"polychrome"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Decoration","techniques":[{"note":[{"value":"in polychrome enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoation"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain, slip-cast, and painted overglaze in polychrome enamels, and gilt."}],"exhibitions":[{"@link":{"catalogue":"F26","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"}],"identifier":[{"accession_number":"C.98-1932","primary":true,"type":"accession number","value":"C.98-1932"},{"priref":"43508","type":"priref","value":"43508"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/43508","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/43508"}],"inscription":[{"location":"on the base","method":"incised","transcription":[{"value":"No 235"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. 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Examples of the print are in the Victoria and Albert Museum, Print Room (Est 4,26581) and the British Museum Print Room (1868-8, 8, 2980, untitled). A comparison between print and group, shows that the modeller, probably Pierre Stephan, who worked for the Derby factory 1770-73, compressed the scene in order to create a group which was satisfactory when viewed from several different angles. It may have been intended to form a garniture de chemin\u00e9e with groups entitled 'Two Bacchantes adorning Pan', and 'Two Virgins awaking Cupid', which are similar in style and composition."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"38.8"},{"dimension":"Width","units":"cm","value":"18.8"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}}],"note":[{"type":"history note","value":"unknown before donor, Mrs W.D. 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For the modeller, Pierre Stephan, see pp. 458-9.","page":"pp. 318-9, 4","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"A biscuit example in Derby Museum and Art Gallery, see p. 319, pl. 263.","page":"p. 319","type":"reference"},"admin":{"id":"publication-2847","uid":"adlib-publication-2847","uuid":"632612a3-b59c-3d9f-934c-2ab43b83b78b"},"summary_title":"Derby Porcelain 1750-1848"},{"@link":{"notes":"Cf. An enamelled example, Victoria and Albert Museum, C.194-1926, see p. 121, no. 132. Dated c. 1775. Numbered '235' and has large 'B' patch marks. See p. 40 for the attribution to Pierre Stephan.\nA biscuit example in the Victoria and Albert Museum (C.768-1936), see p. 121, no. 131. H. 36.4 cm. Marked with crown, crossed batons, dots, and D, number 235 and triangle for the repairer, Joseph Hill, all incised.","page":"pp. 40, 121","type":"reference"},"admin":{"id":"publication-2665","uid":"adlib-publication-2665","uuid":"b65e1b40-2322-326a-bb1b-3b3607de9cf9"},"summary_title":"Derby Porcelain"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9044","uid":"adlib-term-9044","uuid":"99dcb503-1a64-3792-8a40-48eda95dd763"},"summary_title":"Neoclassical"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group","techniques":[{"description":[{"value":"soft-paste porcelain, slip-cast, and painted overglaze in enamels, and gilt"}],"note":[{"value":"in parts"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120096","uid":"adlib-term-120096","uuid":"7cc05306-f07e-3189-849f-52addb9e2ca7"},"summary_title":"slip-casting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}],"title":[{"value":"Three Graces distressing Cupid"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-80559","_score":16.685959,"_source":{"admin":{"added":1592970444000,"created":1312637261000,"flag":"Standard Record","id":"object-80559","indexed":1755194543544,"modified":1711380364000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-80559","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80559","uuid":"069cdb1c-67bb-37f8-934d-83c8765fc856","version":6},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-139324","uid":"adlib-agent-139324","uuid":"412c46d0-b7b7-3980-8ca2-6c1babc8909a"},"summary_title":"Venus"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150796","uid":"adlib-agent-150796","uuid":"ec5a0c8a-e54c-3735-adea-0fd5dd14f994"},"summary_title":"Cupid"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"greyish-blue, green, yellow, flesh-pink, pink, puce, orange-red, and pale grey"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in greyish-blue, green, yellow, flesh pink, pink, puce, orange-red, and pale grey enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"16.2"}]},"name":"Across Scroll Feet"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain Candlestick with Venus and Cupid, slip cast, with hand-modelled details,  lead-glazed, and painted in greyish-blue, green, yellow, flesh pink, pink, puce, orange-red, and pale grey enamels, and gilt."},{"value":"Soft-paste porcelain Candlestick with Venus and Cupid, slip cast, lead-glazed, and painted in greyish-blue, green, yellow, flesh pink, pink, puce, orange-red, and pale grey enamels, and gilt. The concave underside is unglazed and has a large circular central ventilation hole. The roughly oval base is supported on four double scroll feet. The top of the front is covered with applied flowers and leaves. At the back there is a tall tree with two low lateral branches, and higher up, bocage with green leaves and clusters of small white flowers with yellow centres. At the top it has a forward projection with a hole to take a candle socket. Venus sits in front of the tree with her left arm raised and her right arm round Cupid, who stands to the left of her. He looks up towards her, raising his right arm, leaning back and raising his left leg so that the foot rests on the lowest branch of the tree. On the right of Venus, two doves stand on the side of the tree."}],"identifier":[{"accession_number":"C.33-1932","primary":true,"type":"accession number","value":"C.33-1932"},{"priref":"80559","type":"priref","value":"80559"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80559","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80559"}],"inscription":[{"location":"on the underside at back centre near the edge","method":"incised","transcription":[{"value":"K"}],"type":"mark"},{"location":"on the back of the tree","method":"painted in gold","transcription":[{"value":"a gold anchor"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. 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This model and its pair with Leda and the Swan, are D 37 and D 38 respectively in Bradshaw's list of Chelsea figures.","page":"294","type":"reference"},"admin":{"id":"publication-2721","uid":"adlib-publication-2721","uuid":"2c88b854-02af-3d32-8222-0e69e8451a7d"},"summary_title":"Eighteenth Century English Porcelain Figures 1745-1795"},{"@link":{"notes":"Ref. Nightingale records the following reference to this model and its pair: Mr Christie's  Catalogue of all the Remaining curious and truly matchless pieces of Chelsea porcelain, held from 14th to 17th February 1770 mentioned on the second day, 15th February as lot 79  'A pair of gold candlesticks, with Venus and Leda' which fetched \u00a32.11s.0d., andon the third day, 16th February, lot 70, 'A pair of candlesticks, with Venus and Leda'.","page":"7, 10","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"notes":"Cf. An example with the pair of Leda and the Swan, described as 'mythological candlesticks', pl. 45, fig. 71, and pp. 91-2, fig. 71. Both candlesticks bear an incised K and the gold anchor mark.","page":"91-2","type":"reference"},"admin":{"id":"publication-2614","uid":"adlib-publication-2614","uuid":"bd0c2e2e-8e28-3664-bf00-fe50da012352"},"summary_title":"Chelsea and other English Porcelain, Pottery and Enamel in the Irwin Untermyer Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-3308","uid":"adlib-publication-3308","uuid":"17da9399-049f-381c-8893-63a0407f7c99"},"summary_title":"Old English Porcelain. The Lady Ludlow Collection"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-68009","uid":"adlib-term-68009","uuid":"91f3a501-d5d5-3088-afd6-87f5515a9250"},"summary_title":"candlestick"}},"summary_title":"candlestick","techniques":[{"description":[{"value":"Soft-paste porcelain, slip cast, with hand-modelled details,  lead-glazed, and painted in greyish-blue, green, yellow, flesh pink, pink, puce, orange-red, and pale grey enamels, and gilt."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120096","uid":"adlib-term-120096","uuid":"7cc05306-f07e-3189-849f-52addb9e2ca7"},"summary_title":"slip-casting"}},{"note":[{"value":"except for underside of base"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Candlestick with Venus and Cupid"},{"value":"Mythological Candlestick"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-47455","_score":16.685959,"_source":{"admin":{"added":1592996549000,"created":1312637261000,"flag":"Standard Record","id":"object-47455","indexed":1764007366697,"modified":1763974476000,"processed":1764007361730,"source":"adlib","stream":"fitz-online","uid":"adlib-object-47455","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47455","uuid":"02247637-5659-35ef-8ed8-ba3fb5ce63cb","version":16},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-780","uid":"adlib-agent-780","uuid":"7f9655e9-c813-39f8-b4f6-686add3d167d"},"summary_title":"Aesop"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, pink, dark pink, flesh, orange, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue, green, yellow, pink, dark pink, flesh, orange, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"materials":[{"note":[{"value":"probably containing some tin oxide"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Visible Surfaces","techniques":[{"note":[{"value":"probably containing some tin oxide"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}]},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"10.2"}]},"name":"Base"}],"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain painted in polychrome enamels, and gilt"},{"value":"Soft-paste porcelain figure of Aesop, slip-cast (?), with semi-opaque lead glaze (presumably containing some tin-oxide), painted in blue, green, yellow, pink, dark pink, flesh, orange, and black enamels, and gilt. The flat, unglazed underside has a circular ventilation hole at the back. The base is approximately rectangular with a broad tree-stump and rock rising up at the back. Aesop, shown as a black man with jet black hair and skin, a hump back and pot-belly. He stands on his right foot with his left knee bent, and the foot behind him, resting his posterior on the top of the tree stump. His head is turned slightly to his left, his right arm is raised, and his left arm is bent at the elbow so that the hand at chest level. He wears a pink jacket with a white collar and yellow lining, sixteen gold buttons, and a gold belt. His matching breeches have blue bows at the knees and he has yellow shoes with orange heels and brown soles. Across his body he wears a gold chain with a watch or medallion suspended over his right side. The tree stump is decorated with a few streaks of yellow and green. The top of the base is strewn with applied flowers and leaves: on the viewer's right, a pink flower with three leaves, three orange flowers with five leaves, and on the viewer's left,  two blue flowers with five leaves, and another pink flower with three leaves."}],"exhibitions":[{"@link":{"catalogue":"G8","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"}],"identifier":[{"accession_number":"C.21-1932","primary":true,"type":"accession number","value":"C.21-1932"},{"priref":"47455","type":"priref","value":"47455"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47455","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47455"}],"inscription":[{"description":[{"value":"a red anchor"}],"location":"on proper right of the top of the base","method":"painted in red enamel","transcription":[{"value":"an anchor"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. (Frances Louisa), Mrs"}],"date":[{"earliest":1932,"latest":1932,"value":"1932"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1932-05-10"}]}],"creation":[{"date":[{"earliest":1755,"era":["CE"],"latest":1755,"precision":"circa","value":"1755"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157802","uid":"adlib-agent-157802","uuid":"e51ed5e2-3605-39a0-b953-487f1f622a3a"},"summary_title":"Chelsea Porcelain Manufactory"}],"note":[{"value":"This porcelain figure is thought to depict Aesop, a figure from ancient Greek history. Aesop was said to have been born into slavery, and this, coupled with a later presumption that he had come from Ethiopia, resulted in Aesop being depicted throughout the 18th century as a black man, often with crudely exaggerated features that today we may find racist and offensive. \n\nAlthough Aesop is mentioned by several ancient Greek authors, almost nothing is known of his history. Aesop was probably an enslaved man who lived from c. 620-564 BCE in Phrygia (in modern Turkey) and later on the Greek island of Samos, where he was granted his freedom. It is unlikely that he was the actual author of many of the Fables now attributed to him.\n\nMost of the story of his life comes from a much-later publication (first century CE), 'The Aesop Romance', which describes Aesop as, \u2018\u2026of loathsome aspect... potbellied, misshapen of head, snub-nosed, swarthy, dwarfish, bandy-legged, short-armed, squint-eyed, liver-lipped\u2014a portentous monstrosity.\u2019 This idea of Aesop as \u2018ugly\u2019 or \u2018misshapen\u2019 is a feature of all subsequent descriptions of him. Later (in the thirteenth century), a philosopher conjectured that Aesop\u2019s name was based on his country of origin \u2013 Ethiopia, and that he had therefore been a black man. These ideas were combined and solidified in Francis Barlow\u2019s hugely popular 'Aesop's Fables With his Life' (1687, re-published 1703). In it, Aesop is described in (what is by modern standards) a highly racist way, as,  \n\n'...of a Sharp Head, flat nos'd, his back roll'd up in a Bunch or Excrescence, his lips tumerous and pendant, his Complexion black, from which dark Tincture he contracted his name - Aesopus being the same with Aethiops [Ethiopians]...'\n\nAlthough this porcelain figure was made a few decades after the publication of Barlow's book, the modeller of this figure was clearly familiar with this it, as the figure closely resembles this description and some of the illustrations (especially plates 3 and 27). However, although Aesop\u2019s features here are crudely exaggerated, he is portrayed as elegantly and expensively dressed, with gold buttons and a watch hanging from a gold chain. To the eighteenth-century eye, these would have been clear symbols of success. \n\nHis open mouth and expansive gesture suggest that he has been caught mid-speech, and this tallies with a story from his history. According to some early biographies, Aesop was born with a speech impediment so severe that no one could understand what he said. He was cured by the goddess Isis after he showed kindness to one of her priestesses. With his tongue unknotted, he revealed himself to be supremely wise and cunning, winning fame and eventually his freedom. Do we here see an Aesop at the height of his powers, no longer enslaved, words and wit flowing from his open mouth?\n\nThis porcelain figure would have been incredibly expensive when new and therefore only available to very wealthy consumers, who purchased these \u2018ornaments for dessert\u2019 to decorate their dining table, a table that, in some cases, may have been served by a liveried black servant. Although the mid-eighteenth century witnessed the beginnings of the abolitionist movement, this figure is unlikely to be connected to it, except for the fact that \u2018slaves\u2019 in the parlance of the mid-eighteenth century were usually thought of as people of colour. Instead, this figure was intended as a talking point."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110762","uid":"adlib-term-110762","uuid":"92b555c4-d666-3846-a471-77585013d6c6"},"summary_title":"Red anchor period (1752-1756)"},{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106998","uid":"adlib-term-106998","uuid":"e3be6de7-1089-333e-a2e9-d7165b18816d"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Chelsea"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"13.3"},{"dimension":"Height","units":"cm","value":"24.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17755","uid":"adlib-media-17755","uuid":"143e15df-8c31-3929-9ed3-b8228c09cafa"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_21_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":483}]},"modified":1742581249227,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/C_21_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":483}]},"modified":1742581249227,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_21_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":483}]},"modified":1742581249227,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_21_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":393},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581249227,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-3096223351","source":"portfolio","uid":"portfolio-media-3096223351","uuid":"273f070d-9822-3462-8b62-685c9f7ef993"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/689\/609\/large_C_21_1932_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1329},{"dimension":"width","units":"pixels","value":1024}]},"modified":1580992608000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/689\/609\/mid_C_21_1932_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1580992608000,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/689\/609\/C_21_1932_mas.JPG","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":6758},{"dimension":"width","units":"pixels","value":5207}]},"modified":1580992608000,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/689\/609\/preview_C_21_1932_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":324},{"dimension":"width","units":"pixels","value":250}]},"modified":1580992608000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Aesop, Chelsea porccelain factory"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Unknown before donor; Mrs W.D. (Frances Louisa) Dickson, Bournemouth"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Illustrated on pl. VI, left. with the engraving from Barlow's Aesop's Fables.(Paper given in 1930).","page":"17-19","type":"reference"},"admin":{"id":"publication-200001027","uid":"adlib-publication-200001027","uuid":"bb9dbc04-5902-3840-bee7-db0665d74b6b"},"summary_title":"A Chelsea Figure of Aesop"},{"@link":{"notes":"Publ. p. 34, Figure 4, coloured illustration, beside Figure 5 Plate 27 of the 1687 edition of Barlow's Aesop's Fables, which has on the right a figure of Aesop, likely to have been the source for the figure.","page":"pp. 32-45","type":"reference"},"admin":{"id":"publication-200003337","uid":"adlib-publication-200003337","uuid":"f1e55076-1328-3dd9-b9a4-c1fc672d23a4"},"summary_title":"Francis Barlow's Farmer's Wife, Fox and Goose: a Cautionary Ceramics Tale"},{"@link":{"notes":"Publ. G 8, illustrated pl. 32.","page":"47","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Ref. Aesop is no. C.107 in Bradshaw's list of Chelsea Red Anchor period figures","page":"293","type":"reference"},"admin":{"id":"publication-2713","uid":"adlib-publication-2713","uuid":"ec8d1453-f0d0-3e42-bdb8-d2abd630e136"},"summary_title":"18th Century English Porcelain Figures 1745-1795"},{"@link":{"type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"notes":"Ref. Mackenna mentions the probably sources of the design of Aesop","page":"36","type":"reference"},"admin":{"id":"publication-2822","uid":"adlib-publication-2822","uuid":"750a4133-b327-314d-94bf-961455399c64"},"summary_title":"Chelsea Porcelain, the Red Anchor Wares"},{"@link":{"type":"reference"},"admin":{"id":"publication-2583","uid":"adlib-publication-2583","uuid":"a03a57f2-ff44-35e5-a713-47a246c085b3"},"summary_title":"18th-Century English Porcelain"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"Soft-paste porcelain, slip-cast (?), with semi-opaque lead glaze (presumably containing some tin-oxide), painted in blue, green, yellow, pink, dark pink, flesh, orange, and black enamels, and gilt. The flat, unglazed underside has a circular ventilation hole at the back"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120096","uid":"adlib-term-120096","uuid":"7cc05306-f07e-3189-849f-52addb9e2ca7"},"summary_title":"slip-casting"}}],"title":[{"value":"Aesop"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-131402","_score":16.685959,"_source":{"admin":{"added":1592996985000,"created":1312637261000,"flag":"Standard Record","id":"object-131402","indexed":1772516724231,"modified":1754040046000,"processed":1772516719037,"source":"adlib","stream":"fitz-online","uid":"adlib-object-131402","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131402","uuid":"176839e4-171b-3e9a-8214-56e9f71c8db4","version":12},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"polychrome"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}}],"name":"Decoration","techniques":[{"note":[{"value":"in polychrome enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain tureen in the form of a rabbit, painted naturalistically in polychrome enamels. The domesticated rabbit is crouching with a cabbage-leaf in its mouth, and other leaves on either side of it. There are snails on two of them."},{"value":"Soft-paste porcelain, moulded in two halves (body and cover) painted overglaze in turquoise, several shades of green, yellow, red, purple, and several shades of brown enamel. The crouching domesticated rabbit is munching a cabbage leaf with a snail on it. Its fur is mainly white with large variegated brown patches here and there. On the rabbit''s right side there is a large cabbage leaf with a snail on it, and on the rabbit's left, a group of four cabbage leaves, and a different turquoise leaf."}],"exhibitions":[{"@link":{"catalogue":"48","type":"reference"},"admin":{"id":"exhibition-3305","uid":"adlib-exhibition-3305","uuid":"534a3247-91a9-398f-abe9-7b419586f568"},"summary_title":"Feast and Fast: The Art of Food in Europe (1500-1800)"}],"identifier":[{"accession_number":"EC.11 & A-1945","primary":true,"type":"accession number","value":"EC.11 & A-1945"},{"priref":"131402","type":"priref","value":"131402"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131402","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131402"}],"inscription":[{"location":"on the base","method":"painted in red enamel","transcription":[{"value":"an anchor"}],"type":"factory mark"},{"location":"on the base","method":"painted in red enamel","transcription":[{"value":"2"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. 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While this tureen could have held rabbit soup, it could equally have been filled with another soup, for example, pea soup, which \u2013 to judge from the large number of published recipes \u2013 was one of the most popular soups in England at this time."},{"value":"Porcelain and fa\u00efence tureens and covered dishes in the shape of animals,vegetables, and fruit for use and decoration on the dining table were fashionable throughout western Europe during the mid 18th century. This rabbit was made at the Chelsea Porcelain Manufactory established about 1744-5 by Nicholas Sprimont, a London silversmith, born in Li\u00e8ge. The factory made porcelain for the luxury market, selling its products through London warehouses, chinamen (and women) and its own annual sales held by Mr Ford. Several different animal tureens were mentioned in the sale catalogues of the 1755 and 1756 sales. 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The unglazed underside has a large central ventialation hole through the glazed interior can be seen. The rectangular base has cut corners and fluted sides, with gold lines on the upper and lower edges. Milton stands on the left, with his left leg forward, leaning on his left elbow on a pile of three books resting on a semi-circular pedestal decorated in relief with the Expulsion from Paradise. He holds his cloak around him with his right hand, and in his left holds a scroll. He has long wavy brown hair, brown eyebrows, ruddy cheeks and a red mouth. He wears a close-fitting jacket with gold decoration down the front, and gold buttons; breeches with gold buttons and a band at the knee, and shoes with gold bows. His long cloak has a pink lining and gold edges. The pedestal has three gold lines round the top and one round the bottom. The books are red and yellow, purple, and dark green and gold. The scroll is inscribed indistinctly in gold capital letters:"}],"identifier":[{"accession_number":"C.49B-1918","primary":true,"type":"accession number","value":"C.49B-1918"},{"priref":"42723","type":"priref","value":"42723"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42723","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42723"}],"inscription":[{"description":[{"value":"a circular medallion with a crown in the centre and 'BLOOR\/ DERBY' around it between concentric circles"}],"location":"on underside of base","method":"stamped in red","transcription":[{"value":"BLOOR\/DERBY"}],"type":"mark"},{"description":[{"value":"Large script N in No. The 1 some distance away"}],"location":"on underside of base","method":"incised","transcription":[{"value":"No 297  and   1"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151196","uid":"adlib-agent-151196","uuid":"70c394ca-7483-3017-9867-b0191829b8bf"},"summary_title":"Griffin, Ralph, MA, FSA"}],"date":[{"earliest":1918,"latest":1918,"value":"1918-08-28"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1825,"from":{"earliest":1825,"era":["CE"],"latest":1825,"precision":"circa","value":"1825"},"latest":1828,"range":true,"to":{"earliest":1828,"era":["CE"],"latest":1828,"value":"1828"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-35888","uid":"adlib-agent-35888","uuid":"0244b335-51c5-3535-a626-9ed7f3d33894"},"summary_title":"Derby Porcelain Factory"},{"@link":{"role":[{"value":"proprietor"}],"type":"reference"},"admin":{"id":"agent-161407","uid":"adlib-agent-161407","uuid":"dbe2e33a-82b9-3f34-9278-afd1dc5c7c03"},"summary_title":"Robert Bloor & Co."},{"@link":{"qualifier":"possibly after","role":[{"value":"sculptor"}],"type":"reference"},"admin":{"id":"agent-122067","uid":"adlib-agent-122067","uuid":"0623380f-4478-3054-9ebb-7572857538ed"},"summary_title":"Scheemakers, Peter"},{"@link":{"qualifier":"probably after","role":[{"value":"sculptor"}],"type":"reference"},"admin":{"id":"agent-26209","uid":"adlib-agent-26209","uuid":"275fe03b-383a-3f79-b9e2-5cbd6508548e"},"summary_title":"Cheere, John"}],"note":[{"value":"This is a late example of a figure which was made on a low scrolled base in the late 1750s,and later on a rectangular base with cut corners and fluted sides. 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See Documentation, Friedman (1974) and Lippert (1987)                                                                                                                       Bone china replaced soft-paste porcelain at Derby at an unknown date between 1810-15, initially for useful wares."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106853","uid":"adlib-term-106853","uuid":"25492eb4-1164-35eb-8dce-3601486f3415"},"summary_title":"19th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-108976","uid":"adlib-term-108976","uuid":"dc8f08bb-8cb5-3af0-a884-9780ec8d0e12"},"summary_title":"George IV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"note":[{"value":"probably"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37633","uid":"adlib-term-37633","uuid":"43c6b916-951a-36c6-a4a7-7342c900a6d7"},"summary_title":"bone china"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"25.5"},{"dimension":"Width","units":"cm","value":"14"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Uncertain before donor, Ralph Griffin, MA, FSA (St John's College, Cambridge)"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-42720","uid":"adlib-object-42720","uuid":"04e69683-2a36-37a5-9f2e-fdae11761544"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75104","uid":"adlib-object-75104","uuid":"61d200d5-38de-3fc2-8b51-2e58cfe15b3a"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Ref. p. 176, this model was included in Haslem's 'Price List of Groups and Single Figures',  no. 297.","page":"176","type":"reference"},"admin":{"id":"publication-2850","uid":"adlib-publication-2850","uuid":"d5dcd4d0-9032-35ca-b870-c7d2cb1b5ca6"},"summary_title":"The Old Derby China Factory"},{"@link":{"notes":"Ref. The Derby and Chelsea sale Catalogue of 29 March - 1 April 1773 mentioned 'A pair of figures, Shakespeare and Milton, enamelled and ornamented with gold 3l. 2s.', see Appendix, p. 45.","page":"p. 45","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"notes":"Ref. For a reproduction of the mark, which according to Bradshaw, 1990, was introduced in 1825, see p. 114, no. 23","page":"p. 114","type":"reference"},"admin":{"id":"publication-2847","uid":"adlib-publication-2847","uuid":"632612a3-b59c-3d9f-934c-2ab43b83b78b"},"summary_title":"Derby Porcelain 1750-1848"},{"@link":{"notes":"Cf. For the first model, see p. 67, D 13. For an earlier enamelled example on rectangular base, accompanied by Shakespeare, see pp. 345-6, no. 297, and pl. 288 (Sotheby's).\nAccording to Bradshaw, p. 408 although Robert Bloor had owned the factory since 1815, it was until 1825, according to that the printed mark on this figure was introduced.","page":"pp. 67, 408","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"Ref. p. 202, no. 1259, a reproduction of the mark","page":"p. 202","type":"reference"},"admin":{"id":"publication-2663","uid":"adlib-publication-2663","uuid":"a2faf0b6-febd-3d16-82e0-6444a2dc48e7"},"summary_title":"Encyclopaedia of British Pottery and Porcelain Marks"},{"@link":{"type":"reference"},"admin":{"id":"publication-2714","uid":"adlib-publication-2714","uuid":"17f1e6d7-5774-3881-a2ae-c2350391ddbb"},"summary_title":"English Porcelain Figures of the Eighteenth Century"},{"@link":{"type":"reference"},"admin":{"id":"publication-2789","uid":"adlib-publication-2789","uuid":"2a3de0a1-d4d4-36b0-9676-6aee72a4b65c"},"summary_title":"The Man at Hyde Park Corner, Sculpture by John Cheere 1709-1787"},{"@link":{"notes":"Cf. A large earthenware model of Milton (C.44-1928), attributed to Enoch Wood or Wood and Caldwell, see p. 26, C9.","page":"p. 26","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Cf. pp. 136-8, no. 27, an earlier example dated c. 1765-1770.  Lippert discusses the probably prototype for the model.","page":"pp. 136-8","type":"reference"},"admin":{"id":"publication-2609","uid":"adlib-publication-2609","uuid":"24853083-2c1a-3ead-ab5d-550c2b3f35fc"},"summary_title":"Eighteenth-Century English Porcelain in the Collection of the Indianapolis Museum of Art"},{"@link":{"notes":"Cf. p. 40, pl. 3a, a pair of figures of Shakespeare and Milton,  dating to c. 1810. Private collection. These are from the Duesbury & Kean period, and the author notes that they illustrate the restrained use of colour after Duesbury\u2019s death (which was in 1796).","page":"36-44","type":"reference"},"admin":{"id":"publication-200003148","uid":"adlib-publication-200003148","uuid":"5fc44348-a524-3747-93b7-779b38b8e284"},"summary_title":"Derby Porcelain Figures the first hundred years c. 1748-1848"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-113751","uid":"adlib-term-113751","uuid":"3b5a8e22-d1c1-3cf4-a733-19d71a3132c2"},"summary_title":"Expulsion from Paradise"},{"@link":{"type":"literal"},"name":[{"value":"Expulsion from Paradise"}],"summary_title":"Expulsion from Paradise"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"bone china (?), slip-cast, lead-glazed, and painted in green, yellow, pink, flesh, red, purple, brown, enamels and gilt. 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The unglazed underside has one obvious patch mark and a central circular ventilation hole. The group is on a high, heavily scrolled base picked out in turquoise-green and gold. Winged and bearded Time is seated on a tree trunk with his right leg forward, the foot resting on a sheaf of arrows. He holds Cupid over his left knee with his left hand and is about to clip Cupid's wing with a pair of small shears held in his right hand. Time wears a purple robe decorated with large and small circular motifs, which is held up by red cross bands. Cupid has a yellow drape. On the base to the viewer's right there is a crown, a sceptre, and an hourglass, and on the left, a globe."}],"exhibitions":[{"@link":{"catalogue":"F19","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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The print of this subject by Charles Phillips, is dated 1772, and is therefore too late to have been used for the earliest versions of the model. A coloured etching of this subject made c. 1633-4, by Fran\u00e7ois Perrier (1594-1649) bears an inscription derived from Virgil, 'Omnia vincit Amor, vincit mox tempus Amorem'. The theme, however, may have been inspired by a more recent work, Otto van Veen's Amorum Emblemata (1608), which included the verse:\n\t'Loues harrte is euer young\n\tT'is onlie tyme that can the winges of Cupid clip,\n\tAnd make him fly more low than he was wont to doo,\n\tBut Tyme clips not away his good will thereunto,\n\tThe aged carter loves to heare the lashing whip.'"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120880","uid":"adlib-term-120880","uuid":"91c8f217-47bf-321d-93f9-504a4a1305f0"},"summary_title":"18th Century, second half"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"33"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17393","uid":"adlib-media-17393","uuid":"51b4348b-8e0b-3f77-af13-f6799110b1a3"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":532}]},"modified":1702926508083,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":714},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926508083,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":532}]},"modified":1702926508083,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":357},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926508083,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}}],"note":[{"type":"history note","value":"unknown before donor, Mrs W.D. Dickson, Bournemouth"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-76303","uid":"adlib-object-76303","uuid":"d6899cb8-99ec-3317-a78b-4a43ef0ff3e8"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 42, F19, and pl. 28. For an undated mezzotint of of Time Clipping the Wings of Cupid by James MacArdell (c. 1729-65), in the Fitzwilliam, see p. 42, no. F20.","page":"p. 42","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Ref. In his 'Price List of Groups and Single Figures'  Haslem cites  this model as no. 124 in three sizes, but does not give measurements for the first two.","page":"173","type":"reference"},"admin":{"id":"publication-2850","uid":"adlib-publication-2850","uuid":"d5dcd4d0-9032-35ca-b870-c7d2cb1b5ca6"},"summary_title":"The Old Derby China Factory"},{"@link":{"notes":"Publ. pp. 30-1, and pl. 30","page":"pp. 30-1","type":"reference"},"admin":{"id":"publication-1076","uid":"adlib-publication-1076","uuid":"acbefc51-07ab-373a-b40f-e69c780f634a"},"summary_title":"Tempus, The Art of Time"},{"@link":{"notes":"Ref. The porcelain group was mentioned in the catalogue of the first Chelsea and Derby sale held by Mr Christie from 17 to 20 April 1771, on the second day, lot 25: 'A curious figure of Time clipping of (sic) Cupid's wing, finely enamel'd and ornamented with burnish'd gold 1l. 9s'. See Appendix, p.22. lot 25.\nIt was also mentioned in the Christie and Ansell sale of Derby and Chelsea on 17 April 1780, first item 'A fine large figure of Time and Cupid 11s. 6d.' see Appendix, p. 58, no lot number.","page":"pp. 22, 58","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"notes":"Ref. The Louvre has a larger terracotta of this subject by Charles-Louis Corbet which is dated 1776, see Mabille, G\u00e9rard, 'Une terre cuite de Corbet: Le Temps coupant les ailes de l'Amour', La Revue du Louvre et des Mus\u00e9es de France, (2-1977), pp. 89-93, figs. 1-3, the Van Dyck, fig. 5, the Perrier print, fig. 5. This is very close to the painting, and seems likely to have been derived from the English print, which appears not to have been known to Mabille.","page":"pp. 89-93","type":"reference"},"admin":{"id":"publication-200000901","uid":"adlib-publication-200000901","uuid":"21e3beea-e021-3014-96b5-f2908cebb62f"},"summary_title":"Une terre cuite de Corbet: Le Temps coupant les ailes de l'Amour"},{"@link":{"notes":"Cf. An example in the Victoria and Albert Museum, see p. 70, no. 343","page":"p. 70","type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"notes":"Cf. A biscuit example with a clock by Benjamin Vuilliamy at Buckingham Palace, see p. 230, fig. 1.","page":"p. 230","type":"reference"},"admin":{"id":"publication-200000902","uid":"adlib-publication-200000902","uuid":"e84b4948-0c02-3cd5-b916-fed190e294b6"},"summary_title":"A Masterpiece of Clockmaking"},{"@link":{"notes":"Cf. p. 133, fig. 50 a clock by Benjamin Vulliamy with a biscuit group. No. 124, 1786. Overall height 307 cm. Royal Colelction Trust (the clock at Buckingham Palace discussed by L.G.G. Ramsay, mentioned above).","page":"115-34","type":"reference"},"admin":{"id":"publication-200003199","uid":"adlib-publication-200003199","uuid":"3fd59f1f-718c-3694-8f5b-23e23cc5064a"},"summary_title":"The Neo-classical style and Derby Biscuit figures 1771-1800"},{"@link":{"type":"reference"},"admin":{"id":"publication-2847","uid":"adlib-publication-2847","uuid":"632612a3-b59c-3d9f-934c-2ab43b83b78b"},"summary_title":"Derby Porcelain 1750-1848"},{"@link":{"notes":"Cf. p. 127, pl. 81, and pp. 47, and 193, no. 81. Dated after 1770.","page":"47, 127, 193","type":"reference"},"admin":{"id":"publication-2679","uid":"adlib-publication-2679","uuid":"f7491494-53a3-3a8d-a975-b85790bad8ed"},"summary_title":"Derby Porcelain: The Golden Years, 1750-1770"},{"@link":{"notes":"Cf. 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The mainly unglazed underside has a central ventilation hole, and four patch marks in the corners. The group is supported on a rectangular pedestal base. The lower part has projecting corners decorated with rosettes, and on the sides, swags in relief. Above, the sides are fluted and concave with a moulding round the top. The Virgin sits on a chair with her left foot on the pedestal and her right resting on a low green footstool. She holds the nude infant Christ round his chest with both hands, supporting him on her right knee. He holds up his right hand in blessing, and in his left holds a small posy of two flowers and foliage. The Virgin wears a white shawl with a gold edge over her head, a long gown sem\u00e9 with gold floral sprays, and red strap sandals. Her face and hair, and that of Christ are painted naturalistically in flesh pink and brown. His posy is yellow and green. The chair is outlined in gold. 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The underside has a large, circular, central ventilation hole, and has been ground down to level it so that very little glaze remains.                                                             The rounded oval mound base is moulded round the front with a rocaille frill flanked by scrolls, and rises up in the middle into a circular green stump decorated with four clumps of applied flowers and leaves. The taylor rides on a Billy goat which is going to the viewer\u2019s left, supported underneath by the stump. He holds the goat\u2019s left horn in his left hand and in his raised right hand holds a bat. He has a ruddy complexion, red lips, and a white wig. He wears a black tricorn hat, a dark brown coat with gold edges and buttons, gold garters at the knee of his beeches, and black shoes with buckles. A basket containing two kids is strapped to his back, and a pair of scissors, two small bags, and some rolled white material protrude from his left pocket (facing the viewer). The goat is painted in shades of  brown, and has yellowish-grey horns, and black hooves. A pair of pistols is suspended in holsters on either side of its neck, and it carries a flat iron in its mouth. The base is coloured green and brown, the flowers are white and red with yellow centres, white and blue with yellow centres, white with yellow and red centres, and white with yellow centres. The scrolls and \u2018frill\u2019 are picked out in gold."}],"exhibitions":[{"@link":{"catalogue":"H18","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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