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W. L. Glaisher"}],"component":[{"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"7.8"},{"dimension":"Width","units":"cm","value":"7.7"}]},"name":"Base"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-107359","uid":"adlib-term-107359","uuid":"d5be0b0d-3959-3dc6-9196-611577dd1604"},"summary_title":"theatre"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain figure of an Actress in Turkish Costume."},{"value":"Soft-paste porcelain containing bone ash, press-moulded, and covered with lead-glaze, appearing yellowish-white. The base has a roughly circular ventilation hole which extends into the figure. The shallow, square base is deeper at the front than at the back. The actress stands with her right hand resting on her chest, and her left arm bent at the elbow and extended towards the front. She wears a headdress which curves upwards at the back and has a veil hanging down to waist level. She wears a chemise under a fitted bodice, a skirt with three tiers, trousers, slippers, and a long, fur-lined coat which is open at the front, and has furred edgings to the pocket slits at the back."}],"identifier":[{"accession_number":"C.3027-1928","primary":true,"type":"accession number","value":"C.3027-1928"},{"priref":"41540","type":"priref","value":"41540"},{"source":"Glaisher MS Catalogue, vol. 27","type":"old object number","value":"4489"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41540","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41540"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bequeathed by Dr J.W.L. 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L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928"}]}],"creation":[{"date":[{"earliest":1750,"from":{"earliest":1750,"latest":1750,"precision":"circa","value":"1750"},"latest":1754,"range":true,"to":{"earliest":1754,"latest":1754,"value":"1754"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157665","uid":"adlib-agent-157665","uuid":"b68c5501-4b5f-39e8-8048-c9b58de684e3"},"summary_title":"Bow Porcelain Manufactory"},{"@link":{"role":[{"value":"modeller"}],"type":"reference"},"admin":{"id":"agent-157761","uid":"adlib-agent-157761","uuid":"4f7b836f-9866-32e3-8af0-1b00757769fc"},"summary_title":"'The Muses Modeller'"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110490","uid":"adlib-term-110490","uuid":"bb9026c5-22c6-3c07-8c4c-b6817acc50c4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Stratford-le-Bow"}]}]},"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"note":[{"value":"presumed phosphatic"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"19.5"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Frank Stoner, London, from whom purchased on 2 March 1917 for \u00a312 by Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Vol. I, p. 384, no. 3027, Vol. II, pl. 243D","page":"p. 384","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. The figure is A5 in Bradshaw's list of Bow figures, see p. 88, A5. He suggests that this model and its male companion might be characters from the play, Tamburlaine the Great. The cream-colour of the porcelain suggests an early date around 1750-4.\nCf. A coloured example sold by Christie's, p. 62, pl. 5","page":"pp. 62, 88","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"notes":"Cf. A white example marked with a caduceus, p. 9, I.19.","page":"p. 9","type":"reference"},"admin":{"id":"publication-2716","uid":"adlib-publication-2716","uuid":"1839e893-0fd8-312e-9443-9e7bccf27506"},"summary_title":"Catalogue of the Collection of English Porcelain in the Department of British and Mediaeval Antiquities and Ethnography of the British Museum"},{"@link":{"notes":"Cf. A coloured example with its companion, p. 14, no. 33, and pl. 1. The porcelain was tested and found to be phosphatic.","page":"p. 14","type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-2766","uid":"adlib-publication-2766","uuid":"c3f79447-44cb-31fe-8ac2-f394068b2b05"},"summary_title":"The Important Collection of Fine English Porcelain, The Property of the Late Sir Bernard Eckstein Barrett, 29th March 1949"},{"@link":{"type":"reference"},"admin":{"id":"publication-2583","uid":"adlib-publication-2583","uuid":"a03a57f2-ff44-35e5-a713-47a246c085b3"},"summary_title":"18th-Century English Porcelain"},{"@link":{"notes":"Cf. A coloured example with its companion, formerly in the Wallace Elliot and Frank Hurlbutt collections, p. 43, lot 173. Now belonging to the London Borough of Newham, see below.","page":"p. 43","type":"reference"},"admin":{"id":"publication-2773","uid":"adlib-publication-2773","uuid":"2bf73684-d864-36b5-9663-75380ee9589a"},"summary_title":"English Porcelain and 19th Century European Ceramics, 13th February 1984"},{"@link":{"notes":"Cf. Another with complete headdress, p. 136, lot 387, ill. p. 137. Estimate \u00a32,500-3,500","page":"pp. 136-7","type":"reference"},"admin":{"id":"publication-2095","uid":"adlib-publication-2095","uuid":"d766cbec-dde9-31ae-be1a-456c5a4a4c9b"},"summary_title":"Early English and Continental Ceramics and Glass"},{"@link":{"notes":"Cf. A coloured example with its pair (possibly coloured later?), p. 57, lot 511, and colour pl. 25. 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The underside has speckled glaze and a central circular ventilation hole. The high square base has five scroll feet and a pierced semi-circular rocaille motif between the front two. On the proper left there is a tall brown and grey rock supporting vase-shaped brazier picked out in gold with yellow and red flames issuing from its mouth. At the bottom of the rock at the back, there is a rough-ly square hole to take an attachment. Vulcan stands beside the rock with his left leg forward, his right shoulder and arm forward, and both hands touching the brazier. He has brown hair and boldly delineated features. He wears a white drape with a red and gold floral pat-tern at the front and a red and black floral pattern at the back, which is lined with pink, and held on by a pale blue strap passing over his right shoulder. On the ground beside his right foot there is a dark pink phoe-nix amid red and yellow flames rising from a reddish-brown area. On the front of the base there is a group of three blue flowers and one red, with leaves, and on the front of the rock, a group of three dark pink flowers and leaves. The scrolls on the base are picked out in gold."}],"exhibitions":[{"@link":{"catalogue":"C3d","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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(Frances Louisa) Dickson, Bournemouth"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 24, C3d","page":"p. 24","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Ref. pp. 262-3,, no. 6, the statue by Nicolas Dossier, but the Bow model has been transformed into a youthful Vulcan or Hephaestus, and a phoenix has been substituted for the salamander accompanying the statue.","page":"262-3","type":"reference"},"admin":{"id":"publication-2787","uid":"adlib-publication-2787","uuid":"70ef1577-855d-3a7e-9c7c-3987ca9a93df"},"summary_title":"French Sculptors of the 17th and 18th Centuries: The Reign of Louis XIV. 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The Bow Elements on high scrolled bases, C24 in Bradshaw's list of Bow figures, were reissues of a set on low bases, B41, see p. 210 and p. 171 respectively.","page":"pp. 171, 210","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"type":"reference"},"admin":{"id":"publication-2583","uid":"adlib-publication-2583","uuid":"a03a57f2-ff44-35e5-a713-47a246c085b3"},"summary_title":"18th-Century English Porcelain"},{"@link":{"notes":"ECf. A set of elements on high bases with three pierced holes at the front, p. 146, pl. 245, extreme right","page":"p. 146","type":"reference"},"admin":{"id":"publication-2678","uid":"adlib-publication-2678","uuid":"d747a7ce-aa62-3337-b66f-befcaea7a0d9"},"summary_title":"Bow Porcelain: The Collection formed by Geoffrey Freeman"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"concept","type":"reference"},"admin":{"id":"term-24787","uid":"adlib-term-24787","uuid":"b14c69fa-2922-37ee-9bc3-cfdee85aba7d"},"summary_title":"fire"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-108736","uid":"adlib-term-108736","uuid":"75fd81b9-6abc-3b8a-8afd-0cf3bb5492e8"},"summary_title":"phoenix"},{"@link":{"type":"literal"},"name":[{"value":"fire"}],"summary_title":"fire"},{"@link":{"type":"literal"},"name":[{"value":"phoenix"}],"summary_title":"phoenix"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"soft-paste porcelain press-moulded, with hand-modelled details, painted  in polychrome enamels, and gilt"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}],"title":[{"value":"Youthful Vulcan representing Fire from a Set of Elements"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-42161","_score":17.088354,"_source":{"admin":{"added":1592984186000,"created":1312637261000,"flag":"Standard Record","id":"object-42161","indexed":1755194538081,"modified":1714465351000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-42161","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42161","uuid":"132d00d8-f314-39b7-94d3-27a032b838fb","version":5},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157740","uid":"adlib-agent-157740","uuid":"83fd2c06-5add-3f8d-a209-38bed2aca478"},"summary_title":"fortune teller"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149882","uid":"adlib-agent-149882","uuid":"7e8a7980-d55c-3efa-af00-898345039315"},"summary_title":"girl"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37642","uid":"adlib-term-37642","uuid":"8f36efe3-4fe1-3da2-9944-000db5687ad7"},"summary_title":"porcelain"},{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"greyish-blue, turquoise-green, green, pale yellow, orange, dark pink, puce, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in greyish-blue, turquoise-green, green, pale yellow, orange, dark pink, puce, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"17.1"}]},"name":"Girl"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-110350","uid":"adlib-term-110350","uuid":"ab450de1-5dfc-3514-9493-1f724d7255a7"},"summary_title":"trade\/occupation"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain containing bone ash, figure group of The Fortune Teller, press-moulded, and painted overglaze in polychrome enamels, and gilt."},{"value":"Soft-paste porcelain containing bone ash, figure group of The Fortune Teller, press-moulded, and painted over lead-glaze in very pale greyish-blue, turquoise-green, green, pale yellow, orange, dark pink, puce, and black enamels, and gilt.  The figures stand side by side on a low rocky base which rises up in the centre of the back to support them. The bearded fortune teller stands on the left with feet apart, bending over the right hand of the young woman, which he holds by the wrist in his left hand. The girl stands on the right with her left arm by her side, holding a now missing object. Between them is a rectangular object, perhaps a book. The fortune teller wears a wreath of leaves and berries on his head, a dark pink coat with yellow lining, turquoise breeches, and black boots with a gold border at the top. She has three flowers on top of her head, and wears a petticoat decorated with turquoise flowers and puce and gold leaves, a yellow open robe with an orange stomacher and cuffs, and a trailing garland of flowers and leaves passing over her right shoulder and diagonally across her back to her waist. The visible shoe is orange. There are two areas of green on the back of the base."}],"exhibitions":[{"@link":{"catalogue":"F11","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"}],"identifier":[{"accession_number":"C.81-1950","primary":true,"type":"accession number","value":"C.81-1950"},{"priref":"42161","type":"priref","value":"42161"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42161","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42161"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. (Frances Louisa), Mrs"}],"date":[{"earliest":1950,"latest":1909,"value":"1950-09"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1950-09"}]}],"creation":[{"date":[{"earliest":1752,"from":{"earliest":1752,"era":["CE"],"latest":1752,"precision":"circa","value":"1752"},"latest":1755,"range":true,"to":{"earliest":1755,"era":["CE"],"latest":1755,"value":"1755"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157665","uid":"adlib-agent-157665","uuid":"b68c5501-4b5f-39e8-8048-c9b58de684e3"},"summary_title":"Bow Porcelain Manufactory"},{"@link":{"role":[{"value":"modeller"}],"type":"reference"},"admin":{"id":"agent-157761","uid":"adlib-agent-157761","uuid":"4f7b836f-9866-32e3-8af0-1b00757769fc"},"summary_title":"'The Muses Modeller'"},{"@link":{"qualifier":"after","role":[{"value":"printer"}],"type":"reference"},"admin":{"id":"agent-5329","uid":"adlib-agent-5329","uuid":"503dfe3c-72a9-3e1a-b4c8-0fa0866941d3"},"summary_title":"Aveline, Pierre Alexandre"},{"@link":{"qualifier":"after","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-15990","uid":"adlib-agent-15990","uuid":"107edb04-2d95-3069-8eeb-357a5446b52e"},"summary_title":"Boucher, Fran\u00e7ois"}],"note":[{"value":"The group was derived from a print announced in the Mercure in April, 1738 by Pierre Alexandre Aveline (1702-60) after the painting 'La bonne aventure' by Fran\u00e7ois Boucher (1703-77) for a Beauvais tapestry in the series 'The Italian Village Scenes'. A copy of the etched and engraved print is in the Victoria & Albert Museum (E.213-1889, Print Room, Box F.5.a). However, as the Bow figures are not transposed as they are in the print."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110490","uid":"adlib-term-110490","uuid":"bb9026c5-22c6-3c07-8c4c-b6817acc50c4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Stratford-le-Bow"}]}]},"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"note":[{"value":"presumed phosphatic"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Length","units":"cm","value":"14.2"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}}],"note":[{"type":"history note","value":"Unknown before donor, Mrs W.D. (Frances Louisa) Dickson, Bournemouth"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pp. 40-1, F11","page":"pp. 40-1","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Publ. p. 115, pl. 42","page":"p. 115","type":"reference"},"admin":{"id":"publication-2688","uid":"adlib-publication-2688","uuid":"2634db86-6ad0-3838-a637-0970bac11a83"},"summary_title":"Bow Porcelain"},{"@link":{"notes":"Ref. A painted copy of the original, is illustrated in pl. 16; the printed source pl. 17\nCf. A white example then in the E.M.H. Cross Collection, see p. 6, no. 7 and pl. 15","page":"p. 6","type":"reference"},"admin":{"id":"publication-2819","uid":"adlib-publication-2819","uuid":"d6e4e484-0b62-36cc-87b4-dadb33811c29"},"summary_title":"Transactions of the English Ceramic Circle"},{"@link":{"notes":"Ref. The possible printed source of the design see p. 82, no. 223 and pl. p. 84.","page":"p. 82","type":"reference"},"admin":{"id":"publication-2818","uid":"adlib-publication-2818","uuid":"db8fbf49-8ea5-32f3-b2b0-a5bfec860e55"},"summary_title":"L'oeuvre grav\u00e9 de Fran\u00e7ois Boucher dans la collection Edmond de Rothschild"},{"@link":{"notes":"Ref. This model is A49 in Bradshaw's list of Bow figures, see p. 91. For the mark, see pp. 42-3. He notes that the use of this mark became more common after about 1762.\nCf. A coloured example, p. 76, pl. 42","page":"pp. 42, 91","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"type":"reference"},"admin":{"id":"publication-2583","uid":"adlib-publication-2583","uuid":"a03a57f2-ff44-35e5-a713-47a246c085b3"},"summary_title":"18th-Century English Porcelain"},{"@link":{"notes":"Cf. A coloured example in the British Museum, p. 95, fig. IV, the figure, fig. V., the engraving, and p. 96, fig. VI, a detail of the painting.","page":"pp. 95-6","type":"reference"},"admin":{"id":"publication-200000889","uid":"adlib-publication-200000889","uuid":"ce779f73-b184-3b15-8ceb-62ee3cdc5b30"},"summary_title":"Some Consequences of the Bow Porcelain Special Exhibition, Part I: The Alderman Arnold Period (Nov 1748-March 1750)"},{"@link":{"type":"reference"},"admin":{"id":"publication-2779","uid":"adlib-publication-2779","uuid":"8cbdf779-106f-3416-9f27-58cc6fb9f45c"},"summary_title":"Chelsea, Bow and Derby Porcelain Figures"},{"@link":{"notes":"Cf. A coloured example, see p. 127, no. 196. From the Aubrey Toppin collection, sold Sotheby's, 19th May 1970, English Porcelain, lot 1; anonymous, Bonhams, 25th March 1977, lot 73. Exhibited in the English Ceramic Circle Exhibition, 1948, pl. 36, no. 163","page":"p. 127","type":"reference"},"admin":{"id":"publication-2678","uid":"adlib-publication-2678","uuid":"d747a7ce-aa62-3337-b66f-befcaea7a0d9"},"summary_title":"Bow Porcelain: The Collection formed by Geoffrey Freeman"},{"@link":{"notes":"Cf. pp. 88-9, a coloured example in the Trevelyan Collection, Wallington, Northumberland; p. 89 colour illustration; p. 88 text and fig. 1 the print by Aveline, and fig. 2 a detail showing the book with diagram, which is a unique feature of this  model.  The group is no. 158 in house list of ceramics.","page":"88-9","type":"reference"},"admin":{"id":"publication-8407","uid":"adlib-publication-8407","uuid":"c2ab7f09-de03-38d7-b05a-2d9deb284d12"},"summary_title":"Ceramics. 400 Years of British Collecting in 100 Masterpieces"},{"@link":{"notes":"Cf. A coloured example, p. 32, lot 164. Estimate \u00a32-3,000; fetched \u00a32,160 (including buyer's premium).","page":"p. 32","type":"reference"},"admin":{"id":"publication-2821","uid":"adlib-publication-2821","uuid":"33ea618d-8224-3aa4-960e-3b7c3fbe217a"},"summary_title":"English Pottery and Porcelain and 19th Century Ceramics, 13th June 1983"},{"@link":{"notes":"Cf. A coloured example, p. 133, lot 188. Fetched \u00a313,200 inc. 10%; sold again Christie's, 18th May 1992, British Ceramics, p. 18, lot 38. Fetched \u00a39,900.","page":"p. 133","type":"reference"},"admin":{"id":"publication-2691","uid":"adlib-publication-2691","uuid":"3d75efb0-6db1-3082-8ef8-48048ae1fef5"},"summary_title":"The Rous Lench Collection, Volume One, English Pottery and Porcelain"},{"@link":{"notes":"Cf. p. 18, lot 38, sold previously at the Sale of the Rous Lench Collection, 1st July 1986, p. 133","page":"p. 18","type":"reference"},"admin":{"id":"publication-2820","uid":"adlib-publication-2820","uuid":"201be459-fefb-31ca-9cf1-75ae755c12f6"},"summary_title":"British Ceramics, 18th May 1992"},{"@link":{"notes":"Cf. A coloured example, pp. 52-3, lot 185. Estimate \u00a32-4,000; fetched \u00a36,325 (including buyer's premium).","page":"pp. 52-3","type":"reference"},"admin":{"id":"publication-2013","uid":"adlib-publication-2013","uuid":"2d916934-cbcd-34c4-8f7e-620adca3ab76"},"summary_title":"English and Continental Ceramics and Glass, 15th November 1994"},{"@link":{"notes":"Cf. No. 76, a coloured example, dated c. 1752, formerly sold by Christie's, 13 June 1983, lot 164, and now belonging to the London Borough of Newham.","page":"89","type":"reference"},"admin":{"id":"publication-2842","uid":"adlib-publication-2842","uuid":"e7ad7690-e595-3b11-86e7-09cf962c8dae"},"summary_title":"Made at New Canton, Bow Porcelain from the Collection of the London Borough of Newham"},{"@link":{"notes":"Another coloured example. Estimate \u00a38-12,000","number":"241","page":"71","type":"reference"},"admin":{"id":"publication-2557","uid":"adlib-publication-2557","uuid":"4a59edab-59cc-33e3-8f9d-ea6ba4d8a4a7"},"summary_title":"Fine British Ceramics"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-109779","uid":"adlib-term-109779","uuid":"97366b6e-3308-3da7-bfe7-195c4dc9e54b"},"summary_title":"wreath"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-110237","uid":"adlib-term-110237","uuid":"be1cd311-82be-324d-8a1b-4fc07f21aa71"},"summary_title":"fox hunting"},{"@link":{"type":"literal"},"name":[{"value":"wreath"}],"summary_title":"wreath"},{"@link":{"type":"literal"},"name":[{"value":"fox hunting"}],"summary_title":"fox hunting"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group","techniques":[{"description":[{"value":"Soft-paste porcelain containing bone ash, press-moulded, and painted overglaze in polychrome enamels, and gilt"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}],"title":[{"value":"The Fortune Teller"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-76211","_score":17.088354,"_source":{"admin":{"added":1592999673000,"created":1312637261000,"flag":"Standard Record","id":"object-76211","indexed":1769191309555,"modified":1769167578000,"processed":1769191307318,"source":"adlib","stream":"fitz-online","uid":"adlib-object-76211","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76211","uuid":"462a0ec0-4348-3072-8639-e3fcc907c820","version":7},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, puce, red, reddish-brown, and grey"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue, green, yellow, puce, red, reddish-brown, and grey enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"name":"Details","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120060","uid":"adlib-term-120060","uuid":"2a6ad93f-460b-3c12-ae60-89a8c8d54a3d"},"summary_title":"hand-modelling"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-102682","uid":"adlib-term-102682","uuid":"4340e8a3-0de1-38a3-a537-2b562f19c618"},"summary_title":"fable"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain Fable Candlestick, slip-cast and hand modelled, painted over lead-glaze in blue, green, yellow, puce, red, reddish-brown, and grey enamels, and gilt"},{"value":"Soft-paste porcelain Fable Candlestick, slip-cast and hand modelled, painted over lead-glaze in blue, green, yellow, puce, red, reddish-brown, and grey enamels, and gilt. The underside is glazed and has a large ventilation whole near the back. The shaped base has scrolls round the front edge, and is supported on two scroll feet at the sides and one at centre back. At the back there is a small loop handle attached to the tree trunk, on each side of which at the front there is bocage with clusters of small white May flowers, and a few larger red and puce flowers. In front of the tee stands a peacock facing to the viewer's left, with another in front of it on the ground to the left, looking towards and pecking at the jackdaw in peacock's plumage which is also on the ground. There are a few applied flowers and leaves on top of the base. the scrolls on the edge are picked out in gold."}],"identifier":[{"accession_number":"C.84-1932","primary":true,"type":"accession number","value":"C.84-1932"},{"priref":"76211","type":"priref","value":"76211"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76211","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76211"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. 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A white sphinx, p. 183, fig. III, the front, and p. 184, fig. VII, the back. For the slightly later version produced by Bow, see p. 185, figs. X and XI. Coloured and painted in the stlye of the 'Muses Painter' with rather bold expressions.\nFor the likely French origin of the Bow sphinxes, see pp. 183-5\nA comparable model was produced by Chelsea, see p. 184, figs. VI and VIII","page":"pp. 184-5","type":"reference"},"admin":{"id":"publication-200000889","uid":"adlib-publication-200000889","uuid":"ce779f73-b184-3b15-8ceb-62ee3cdc5b30"},"summary_title":"Some Consequences of the Bow Porcelain Special Exhibition, Part I: The Alderman Arnold Period (Nov 1748-March 1750)"},{"@link":{"notes":"Ref. 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The underside is flat with a few patches of glaze here and there, and a circular ventilation hole at the back. The base has an irregular wavy leaf-shaped outline with scrolled edge, and four areas covered with impressed points. It rises up at the back into a tree trunk with a square aperture at the bottom to take an attachment.\nThe piper stands on his left leg with his right slightly advanced and resting on the planchette, which is attached to his calf by a strap. The planchette supports two female figures facing each other. In front of it there is a begging dog. The piper holds the bagpipes in both hands and blows into the mouthpiece. He wears a black hat, a blue neck cloth, a bluish-green waistcoat, a pale pink coat with yellow collar, cuffs and lining, and gold buttons; flowered breeches, white stockings and black shoes with gold buckles. Suspended on his back by a black strap is a small brown box which rests on the top of the green and brown mottled tree stump. The dog is yellow and purplish-grey. The figures on the planchette wear black caps. One has a red jacket and blue skirt and the other a pink bodice and green skirt. The top of the base is decorated with two yellow applied flowers and one dark pink one with leaves of two shades of green. The scrolls on the base are picked out in dark greyish-black, and the tuffa-like areas are bluish-green."}],"exhibitions":[{"@link":{"catalogue":"F17","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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An earlier model depicting the bagpiper alone, see C.29-1992, may have been copied from either the print, or the Meissen model of 1741 by J.J. Kaendler, known as the 'Piedmontese Bagpiper'. 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An example of the print by Jean Daull\u00e9 is illustrated p. 87, fig. 121\nOther evidence for marionettes operated this way is illustrated on p. 88, a playing card the Queen of Hearts, with a bagpiper and marionettes, inscribed 'See my pretty Puppets dance\/Just arrived here from France', and p. 15, fig. 23, a detail from Hogarth's Southwark Fair, with a bagpiper and marionettes.","page":"pp. 15, 87-8","type":"reference"},"admin":{"id":"publication-2761","uid":"adlib-publication-2761","uuid":"3388becd-0e43-3a5d-87ae-2b0d22ec610f"},"summary_title":"Bow Porcelain and the London Theatre: vivitur ingenio"},{"@link":{"notes":"Ref. for the printed source for the model, see no. 34.","page":"p. 75","type":"reference"},"admin":{"id":"publication-2840","uid":"adlib-publication-2840","uuid":"c1275748-c321-3612-9eba-0839bb99fe2e"},"summary_title":"Biblioth\u00e8que Nationale, Inventaire des fonds fran\u00e7ais graveurs du XVIIIe si\u00e8cle"},{"@link":{"type":"reference"},"admin":{"id":"publication-2583","uid":"adlib-publication-2583","uuid":"a03a57f2-ff44-35e5-a713-47a246c085b3"},"summary_title":"18th-Century English Porcelain"},{"@link":{"notes":"Ref. 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Dickson"}],"component":[{"materials":[{"note":[{"value":"yellow, red, dark manganese, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}}],"name":"Decoration","techniques":[{"note":[{"value":"in yellow, red, dark manganese, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}}]},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"11.5"}]},"name":"Over Cover"}],"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain tureen and cover, painted overglaze naturalistically in polychrome enamels."},{"value":"Soft-paste porcelain tureen and cover, moulded in two parts, and painted overglaze in yellow, red, dark manganese, and black enamels. The lower part and cover fit together to form a carp lying on its side. The cover is surmounted by a handle in the form of an arching elver. The whole is painted naturalistically."}],"exhibitions":[{"@link":{"catalogue":"16-325","type":"reference"},"admin":{"id":"exhibition-3305","uid":"adlib-exhibition-3305","uuid":"534a3247-91a9-398f-abe9-7b419586f568"},"summary_title":"Feast and Fast: The Art of Food in Europe (1500-1800)"}],"identifier":[{"accession_number":"C.36 & A-1932","primary":true,"type":"accession number","value":"C.36 & A-1932"},{"priref":"131132","type":"priref","value":"131132"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131132","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131132"}],"inscription":[{"location":"on interior of tureen","method":"painted in red enamel","transcription":[{"value":"an anchor"}],"type":"mark"},{"location":"on interior of tureen and on interior of cover","method":"painted in red enamel","transcription":[{"value":"13"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. (Frances Louisa), Mrs"}],"date":[{"earliest":1932,"latest":1932,"value":"1932-06-13"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1754,"from":{"earliest":1754,"era":["CE"],"latest":1754,"precision":"circa","value":"1754"},"latest":1756,"note":[{"value":"see Production notes"}],"range":true,"to":{"earliest":1756,"era":["CE"],"latest":1756,"value":"1756"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157802","uid":"adlib-agent-157802","uuid":"e51ed5e2-3605-39a0-b953-487f1f622a3a"},"summary_title":"Chelsea Porcelain Manufactory"}],"note":[{"value":"The carp, originally accompanied by a dish, was one of several zoomorphic tureens produced by the Chelsea  Porcelain Factory in the mid 1750s.  No Catalogue of the 1754 sale is known. The carp can be dated approximately by references to 'Two exceeding fine carps, and two find dishes to ditto' or 'Two very fine carps and two dishes to ditto;, which appear in the First, Second, Third, Fourth, Fifth,Sixth, Seventh, Ninth, Eleventh, Twelfth, Fifteenth and Sixteenth Days of the 1755 Chelsea Sale Catalogue, lots 90, 43, 59, 12, 46, 47, 66, 68, 53, 90, 73, and 79 respectively. In the Catalogue of the 1756 sale two carp with their dishes formed lot 74 on the Eighth Day,'Two fine CARP and 2 curious dishes to ditto'."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"},{"@link":{"type":"reference"},"admin":{"id":"term-110762","uid":"adlib-term-110762","uuid":"92b555c4-d666-3846-a471-77585013d6c6"},"summary_title":"Red anchor period (1752-1756)"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106998","uid":"adlib-term-106998","uuid":"e3be6de7-1089-333e-a2e9-d7165b18816d"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Middlesex"}],"summary_title":"Middlesex","type":"region"}]],"summary_title":"Chelsea"}]}]},"materials":[{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Length","units":"cm","value":"40.3"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90931","uid":"adlib-term-90931","uuid":"c167eea7-b6f5-3036-8951-c3bbd7e0aa94"},"summary_title":"tureen"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107478","uid":"adlib-term-107478","uuid":"81002e74-5083-37b8-a429-4a303fc40695"},"summary_title":"cover"}}],"note":[{"type":"history note","value":"Unknown before donor, Mrs W.D. (Frances Louisa) Dickson, Bournemouth"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-2822","uid":"adlib-publication-2822","uuid":"750a4133-b327-314d-94bf-961455399c64"},"summary_title":"Chelsea Porcelain, the Red Anchor Wares"},{"@link":{"notes":"Ref. p. 384, lot 74, Two fine CARP and 2 curious dishes to ditto.","page":"p. 384","type":"reference"},"admin":{"id":"publication-2583","uid":"adlib-publication-2583","uuid":"a03a57f2-ff44-35e5-a713-47a246c085b3"},"summary_title":"18th-Century English Porcelain"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106737","uid":"adlib-term-106737","uuid":"3895059f-6d6f-37df-99e4-ff1b81f74086"},"summary_title":"fish"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-108790","uid":"adlib-term-108790","uuid":"ccf48c2c-97a5-3c51-a264-79718a74e17c"},"summary_title":"carp"},{"@link":{"type":"literal"},"name":[{"value":"fish"}],"summary_title":"fish"},{"@link":{"type":"literal"},"name":[{"value":"carp"}],"summary_title":"carp"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90931","uid":"adlib-term-90931","uuid":"c167eea7-b6f5-3036-8951-c3bbd7e0aa94"},"summary_title":"tureen"}},"summary_title":"tureen","techniques":[{"description":[{"value":"soft-paste porcelain, moulded in two parts,  painted overglaze naturalistically in yellow, red, dark manganese, and blackenamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}],"title":[{"value":"Tureen and cover in the shape of a carp"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-47455","_score":16.76931,"_source":{"admin":{"added":1592996549000,"created":1312637261000,"flag":"Standard Record","id":"object-47455","indexed":1764007366697,"modified":1763974476000,"processed":1764007361730,"source":"adlib","stream":"fitz-online","uid":"adlib-object-47455","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47455","uuid":"02247637-5659-35ef-8ed8-ba3fb5ce63cb","version":16},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-780","uid":"adlib-agent-780","uuid":"7f9655e9-c813-39f8-b4f6-686add3d167d"},"summary_title":"Aesop"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, pink, dark pink, flesh, orange, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue, green, yellow, pink, dark pink, flesh, orange, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"materials":[{"note":[{"value":"probably containing some tin oxide"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Visible Surfaces","techniques":[{"note":[{"value":"probably containing some tin oxide"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}]},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"10.2"}]},"name":"Base"}],"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain painted in polychrome enamels, and gilt"},{"value":"Soft-paste porcelain figure of Aesop, slip-cast (?), with semi-opaque lead glaze (presumably containing some tin-oxide), painted in blue, green, yellow, pink, dark pink, flesh, orange, and black enamels, and gilt. The flat, unglazed underside has a circular ventilation hole at the back. The base is approximately rectangular with a broad tree-stump and rock rising up at the back. Aesop, shown as a black man with jet black hair and skin, a hump back and pot-belly. He stands on his right foot with his left knee bent, and the foot behind him, resting his posterior on the top of the tree stump. His head is turned slightly to his left, his right arm is raised, and his left arm is bent at the elbow so that the hand at chest level. He wears a pink jacket with a white collar and yellow lining, sixteen gold buttons, and a gold belt. His matching breeches have blue bows at the knees and he has yellow shoes with orange heels and brown soles. Across his body he wears a gold chain with a watch or medallion suspended over his right side. The tree stump is decorated with a few streaks of yellow and green. The top of the base is strewn with applied flowers and leaves: on the viewer's right, a pink flower with three leaves, three orange flowers with five leaves, and on the viewer's left,  two blue flowers with five leaves, and another pink flower with three leaves."}],"exhibitions":[{"@link":{"catalogue":"G8","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"}],"identifier":[{"accession_number":"C.21-1932","primary":true,"type":"accession number","value":"C.21-1932"},{"priref":"47455","type":"priref","value":"47455"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47455","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47455"}],"inscription":[{"description":[{"value":"a red anchor"}],"location":"on proper right of the top of the base","method":"painted in red enamel","transcription":[{"value":"an anchor"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. (Frances Louisa), Mrs"}],"date":[{"earliest":1932,"latest":1932,"value":"1932"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1932-05-10"}]}],"creation":[{"date":[{"earliest":1755,"era":["CE"],"latest":1755,"precision":"circa","value":"1755"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157802","uid":"adlib-agent-157802","uuid":"e51ed5e2-3605-39a0-b953-487f1f622a3a"},"summary_title":"Chelsea Porcelain Manufactory"}],"note":[{"value":"This porcelain figure is thought to depict Aesop, a figure from ancient Greek history. Aesop was said to have been born into slavery, and this, coupled with a later presumption that he had come from Ethiopia, resulted in Aesop being depicted throughout the 18th century as a black man, often with crudely exaggerated features that today we may find racist and offensive. \n\nAlthough Aesop is mentioned by several ancient Greek authors, almost nothing is known of his history. Aesop was probably an enslaved man who lived from c. 620-564 BCE in Phrygia (in modern Turkey) and later on the Greek island of Samos, where he was granted his freedom. It is unlikely that he was the actual author of many of the Fables now attributed to him.\n\nMost of the story of his life comes from a much-later publication (first century CE), 'The Aesop Romance', which describes Aesop as, \u2018\u2026of loathsome aspect... potbellied, misshapen of head, snub-nosed, swarthy, dwarfish, bandy-legged, short-armed, squint-eyed, liver-lipped\u2014a portentous monstrosity.\u2019 This idea of Aesop as \u2018ugly\u2019 or \u2018misshapen\u2019 is a feature of all subsequent descriptions of him. Later (in the thirteenth century), a philosopher conjectured that Aesop\u2019s name was based on his country of origin \u2013 Ethiopia, and that he had therefore been a black man. These ideas were combined and solidified in Francis Barlow\u2019s hugely popular 'Aesop's Fables With his Life' (1687, re-published 1703). In it, Aesop is described in (what is by modern standards) a highly racist way, as,  \n\n'...of a Sharp Head, flat nos'd, his back roll'd up in a Bunch or Excrescence, his lips tumerous and pendant, his Complexion black, from which dark Tincture he contracted his name - Aesopus being the same with Aethiops [Ethiopians]...'\n\nAlthough this porcelain figure was made a few decades after the publication of Barlow's book, the modeller of this figure was clearly familiar with this it, as the figure closely resembles this description and some of the illustrations (especially plates 3 and 27). However, although Aesop\u2019s features here are crudely exaggerated, he is portrayed as elegantly and expensively dressed, with gold buttons and a watch hanging from a gold chain. To the eighteenth-century eye, these would have been clear symbols of success. \n\nHis open mouth and expansive gesture suggest that he has been caught mid-speech, and this tallies with a story from his history. According to some early biographies, Aesop was born with a speech impediment so severe that no one could understand what he said. He was cured by the goddess Isis after he showed kindness to one of her priestesses. With his tongue unknotted, he revealed himself to be supremely wise and cunning, winning fame and eventually his freedom. Do we here see an Aesop at the height of his powers, no longer enslaved, words and wit flowing from his open mouth?\n\nThis porcelain figure would have been incredibly expensive when new and therefore only available to very wealthy consumers, who purchased these \u2018ornaments for dessert\u2019 to decorate their dining table, a table that, in some cases, may have been served by a liveried black servant. Although the mid-eighteenth century witnessed the beginnings of the abolitionist movement, this figure is unlikely to be connected to it, except for the fact that \u2018slaves\u2019 in the parlance of the mid-eighteenth century were usually thought of as people of colour. Instead, this figure was intended as a talking point."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110762","uid":"adlib-term-110762","uuid":"92b555c4-d666-3846-a471-77585013d6c6"},"summary_title":"Red anchor period (1752-1756)"},{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106998","uid":"adlib-term-106998","uuid":"e3be6de7-1089-333e-a2e9-d7165b18816d"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Chelsea"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"13.3"},{"dimension":"Height","units":"cm","value":"24.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17755","uid":"adlib-media-17755","uuid":"143e15df-8c31-3929-9ed3-b8228c09cafa"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_21_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":483}]},"modified":1742581249227,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/C_21_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":483}]},"modified":1742581249227,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_21_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":483}]},"modified":1742581249227,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_21_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":393},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581249227,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-3096223351","source":"portfolio","uid":"portfolio-media-3096223351","uuid":"273f070d-9822-3462-8b62-685c9f7ef993"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/689\/609\/large_C_21_1932_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1329},{"dimension":"width","units":"pixels","value":1024}]},"modified":1580992608000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/689\/609\/mid_C_21_1932_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1580992608000,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/689\/609\/C_21_1932_mas.JPG","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":6758},{"dimension":"width","units":"pixels","value":5207}]},"modified":1580992608000,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/689\/609\/preview_C_21_1932_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":324},{"dimension":"width","units":"pixels","value":250}]},"modified":1580992608000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Aesop, Chelsea porccelain factory"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Unknown before donor; Mrs W.D. (Frances Louisa) Dickson, Bournemouth"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Illustrated on pl. VI, left. with the engraving from Barlow's Aesop's Fables.(Paper given in 1930).","page":"17-19","type":"reference"},"admin":{"id":"publication-200001027","uid":"adlib-publication-200001027","uuid":"bb9dbc04-5902-3840-bee7-db0665d74b6b"},"summary_title":"A Chelsea Figure of Aesop"},{"@link":{"notes":"Publ. p. 34, Figure 4, coloured illustration, beside Figure 5 Plate 27 of the 1687 edition of Barlow's Aesop's Fables, which has on the right a figure of Aesop, likely to have been the source for the figure.","page":"pp. 32-45","type":"reference"},"admin":{"id":"publication-200003337","uid":"adlib-publication-200003337","uuid":"f1e55076-1328-3dd9-b9a4-c1fc672d23a4"},"summary_title":"Francis Barlow's Farmer's Wife, Fox and Goose: a Cautionary Ceramics Tale"},{"@link":{"notes":"Publ. G 8, illustrated pl. 32.","page":"47","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? 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While this tureen could have held rabbit soup, it could equally have been filled with another soup, for example, pea soup, which \u2013 to judge from the large number of published recipes \u2013 was one of the most popular soups in England at this time."},{"value":"Porcelain and fa\u00efence tureens and covered dishes in the shape of animals,vegetables, and fruit for use and decoration on the dining table were fashionable throughout western Europe during the mid 18th century. This rabbit was made at the Chelsea Porcelain Manufactory established about 1744-5 by Nicholas Sprimont, a London silversmith, born in Li\u00e8ge. The factory made porcelain for the luxury market, selling its products through London warehouses, chinamen (and women) and its own annual sales held by Mr Ford. Several different animal tureens were mentioned in the sale catalogues of the 1755 and 1756 sales. A  rabbit tureen is described on the twelfth day of the 1755 sale, 22nd March, as 'No 43 A very fine tureen, in the form of a RABBIT BIG AS LIFE in a fine oval dish. These large tureens were difficult to make and fire successfully in soft-paste porcelain, and often have firing cracks. Nor did they  stand up well to having very hot liquids poured into them. As a result they appear to have been easily broken, and very few examples have survived. The Fitzwilliam's collection also includes a Chelsea hen and chickens tureen with its dish (C.3 & A & B-1958), a pair of fighting cocks (C.4.1 & A-1958 and C.4.2 & A-1958), and a carp on a dish (.C.36 & A-1932 and C.10-1963) The Chelsea factory also made smaller rabbits for use during the dessert course."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"},{"@link":{"type":"reference"},"admin":{"id":"term-110762","uid":"adlib-term-110762","uuid":"92b555c4-d666-3846-a471-77585013d6c6"},"summary_title":"Red anchor period 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The Art of Food in Europe 1500-1800"},{"@link":{"notes":"Cf. p. xxxvii, a rabbit tureen was included in Mr Christie's sale of a Gentleman's effects in London in December 1766: 'An enamel'd tureen cover and dish the shape of a rabbit Chelsea porcelain 2l.10s.'","page":"xxxvii","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"type":"reference"},"admin":{"id":"publication-2848","uid":"adlib-publication-2848","uuid":"a942bdbc-f783-3c09-af7f-0ddd821c2525"},"summary_title":"Chelsea Porcelain at Williamsburg"},{"@link":{"notes":"Ref. pp. 352-415, Appendix VIII, is a transcription of the catalogue of the Chelsea sale held by Mr Ford on 29 March 1756 and fifteen following days. It does not have the original pagination. On the Second Day's Sale, Tuesday, March 30, (p. 358) lot 35, 'A beautiful tureen in the shape of a rabbit as large as life, and a fine dsh to ditto'. Another, similarly described was sold on the Fifth Day's Sale, (p. 370) lot 35. Another on the Thirteenth Day's Sale, Monday, April 12, (p. 402), lot 58 'A beautiful TUREEN in the form of a RABBITas large as life, and a fine dish to ditto'. Another on the Fifteenth Day's Sale, Wednesday, April 14, (p. 409), lot 37, 'A fine TUREEN in the shape of a RABBIT as large as life, and a fine dish to ditto.","page":"352-415","type":"reference"},"admin":{"id":"publication-2583","uid":"adlib-publication-2583","uuid":"a03a57f2-ff44-35e5-a713-47a246c085b3"},"summary_title":"18th-Century English Porcelain"},{"@link":{"notes":"Ref. pp. 69-130, a transcription of the 1755 Chelsea sale catalogue. The twelfth day, lot 43, a rabbit tureen is mentioned on p. 114.","page":"69-130","type":"reference"},"admin":{"id":"publication-2684","uid":"adlib-publication-2684","uuid":"7f3148d9-48bf-33d9-b790-c7758a6e8305"},"summary_title":"Chelsea Porcelain"},{"@link":{"notes":"Cf. p. 38, no. 151, illustrated pl. 25","page":"38","type":"reference"},"admin":{"id":"publication-5858","uid":"adlib-publication-5858","uuid":"8a1d5a5b-91bd-3c6b-8201-33d47c903c42"},"summary_title":"Catalogue of the Schreiber Collection, I, Porcelain"},{"@link":{"notes":"Cf. pp. 288-9, fig. (d), two rabbit tureens both marked on interior and cover with a red anchor and one also marked on both pieces with 7.","page":"288-9","type":"reference"},"admin":{"id":"publication-200003009","uid":"adlib-publication-200003009","uuid":"18d2bb6c-39df-3132-8e54-6f0cdf3a3792"},"summary_title":"Rare ceramics in the new Campbell Museum at Camden, New Jersey"},{"@link":{"notes":"Cf. p. 23, lot 84, where this example is mentioned. Estimate \u00a38-12,000; fetched \u00a39,900.","page":"23","type":"reference"},"admin":{"id":"publication-2584","uid":"adlib-publication-2584","uuid":"f321746c-3e9b-3a01-977e-19c79c6b3135"},"summary_title":"British Pottery and Porcelain"},{"@link":{"notes":"Cf. p. 20, lot 24, where reference is made to other examples. Estimate: $35-45,000","page":"20","type":"reference"},"admin":{"id":"publication-6360","uid":"adlib-publication-6360","uuid":"fbb8d4a3-540a-355d-a15a-0d9cb426f444"},"summary_title":"Important English Furniture, Ceramics & Decorations"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90931","uid":"adlib-term-90931","uuid":"c167eea7-b6f5-3036-8951-c3bbd7e0aa94"},"summary_title":"tureen"}},"summary_title":"tureen","techniques":[{"description":[{"value":"soft-paste porcelain, painted in polychrome enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}],"title":[{"value":"Rabbit Tureen"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":15,"total":15}]