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The figure is on a shallow square base with cut-corners, decorated with an incised diamond diaper pattern, and having at centre back a broken pedestal with a stepped base. The underside of the base is rough and has a deep depression under the pedestal. The edges have been flattened and wiped free of glaze; the central area is glazed. The actor is clean-shaven and has long hair drawn into a waist-length queue with a bow at the bottom. He stands with his feet wide apart, the left behind the right, and his hands concealed beneath the uplifted skirts of his waistcoat. He wears a tricorn hat with fringing at the corners, a full-skirted coat, a long waistcoat trimmed with bobbles, shoes with straps and buckles, and a low-slung sword."}],"exhibitions":[{"@link":{"catalogue":"F13","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1750,"era":["CE"],"latest":1750,"note":[{"value":"The figure of Woodward is usually dated c. 1750 because an example in the Untermyer Collection in the Metropolitan Museum of Art, New York, is dated '1750', that date also occurs on the Fitzwilliam's Kitty Clive on a high base, EC.3-1938."}],"precision":"circa","value":"1750"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157665","uid":"adlib-agent-157665","uuid":"b68c5501-4b5f-39e8-8048-c9b58de684e3"},"summary_title":"Bow Porcelain Manufactory"},{"@link":{"qualifier":"after","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-157675","uid":"adlib-agent-157675","uuid":"fe178d12-78f8-3bd7-b926-b6ecd0607034"},"summary_title":"Mosely, Charles"},{"@link":{"qualifier":"after","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-147263","uid":"adlib-agent-147263","uuid":"b1666c81-0326-343f-8fda-1eaf5a219a95"},"summary_title":"Worlidge, Thomas"}],"note":[{"value":"The actor Henry Woodward (b.1717, d.1777), joined the cast of Garrick's farce Lethe as 'The Fine Gentleman' . The Bow model of Henry Woodward derived from a mezzotint of 1750 by Charles Mosely, traditionally said to be after a water-colour drawing by Thomas Worlidge"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110490","uid":"adlib-term-110490","uuid":"bb9026c5-22c6-3c07-8c4c-b6817acc50c4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Stratford-le-Bow"}]}]},"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"note":[{"value":"presumed phosphatic"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"12.3"},{"dimension":"Height","units":"cm","value":"26.3"},{"dimension":"Width","units":"cm","value":"11.9"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17230","uid":"adlib-media-17230","uuid":"68307b3b-1ea4-3de2-8d28-c6c274158425"},"processed":{"large":{"format":"jpeg","location":"aa\/aa20\/C_3026B_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":513}]},"modified":1702926341829,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa20\/mid_C_3026B_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":741},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926341829,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa20\/C_3026B_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":513}]},"modified":1702926341829,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa20\/preview_C_3026B_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":370},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926341829,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Frank Stoner, London, from whom purchased on 21 March 1917 for \u00a3125 by Dr J.W.L. Glaisher."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-41984","uid":"adlib-object-41984","uuid":"dcbd4a4f-4506-3e64-8a02-7dbac9f6801e"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Vol. I, p. 284, no. 3026, Vol. II, pl. 243A","page":"p. 284","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 204, pl. 378","page":"p. 204","type":"reference"},"admin":{"id":"publication-2763","uid":"adlib-publication-2763","uuid":"b00b4b20-9281-3cc4-a9f5-21a2be192a4c"},"summary_title":"European Porcelain of the 18th Century"},{"@link":{"notes":"Publ. p. 41, F13","page":"p. 41","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Ref. Most examples are white. The few coloured examples may have been enamelled by William Duesbury, whose London Account Book for the period November 1751 to August 1753 mentions on 24 June 1751 a 'Mr. Woodward' and a 'Mrs. Clive' at 3s. 0d. each, see p.12.","page":"p. 12","type":"reference"},"admin":{"id":"publication-2762","uid":"adlib-publication-2762","uuid":"69ec0f01-d173-3d54-bbb1-dc3c36479dba"},"summary_title":"William Duesbury's London Account Book 1751-1753"},{"@link":{"notes":"Cf. O15 The drawing of Henry Woodward. by Francis Hayman.","page":"p. 248","type":"reference"},"admin":{"id":"publication-2341","uid":"adlib-publication-2341","uuid":"9f995346-7a8d-3fd8-910c-b973dd37873b"},"summary_title":"Rococo: Art and Design in Hogarth's England"},{"@link":{"notes":"Ref. This model  is A2 in Bradshaw's list of Bow figures.                                                                                                            Cf. A white example with Kitty Clive in the National Museum of Ireland, see p. 61, pl. 2.","page":"pp. 61, 88","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"notes":"Ref. For the drawing by Francis Hayman (1708-76) and engraving, and a discussion of the details of the figure, see pp. 27-31; the drawing, p. 28, fig. 41; the mezzotint, p. 29, fig. 42.\nCf. A white example in the Yarborough Collection, see, p. 28, cat. 4.","page":"pp. 27-31","type":"reference"},"admin":{"id":"publication-2761","uid":"adlib-publication-2761","uuid":"3388becd-0e43-3a5d-87ae-2b0d22ec610f"},"summary_title":"Bow Porcelain and the London Theatre: vivitur ingenio"},{"@link":{"notes":"Cf. A white example p.8, I.5 and pl. 2.","page":"p. 8","type":"reference"},"admin":{"id":"publication-2716","uid":"adlib-publication-2716","uuid":"1839e893-0fd8-312e-9443-9e7bccf27506"},"summary_title":"Catalogue of the Collection of English Porcelain in the Department of British and Mediaeval Antiquities and Ethnography of the British Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"notes":"Cf. A white example in the Metropolitan Museum of Art, New York, see pp. 166-70, fig. 241, and pl. 77.","page":"pp. 166-70","type":"reference"},"admin":{"id":"publication-2614","uid":"adlib-publication-2614","uuid":"bd0c2e2e-8e28-3664-bf00-fe50da012352"},"summary_title":"Chelsea and other English Porcelain, Pottery and Enamel in the Irwin Untermyer Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-2638","uid":"adlib-publication-2638","uuid":"b726d173-c02a-3b14-9d59-e12ad49bbf8a"},"summary_title":"English Ceramics 1580-1830, A Commemorative Catalogue to Celebrate the 50th Anniversary of the English Ceramic Circle 1927-1977"},{"@link":{"notes":"Cf. A coloured example with a Kitty Clive in the Godden collection, colour pl. H. See 2nd edition, 1991, colour pl. H, and p. 124\nA biscuit example formerly in the Mackenna Collection was, in 1981, in the Mrs. S. J. Katz collection, mentioned, p. 135, note 6.","page":"pp. 124, 135","type":"reference"},"admin":{"id":"publication-2688","uid":"adlib-publication-2688","uuid":"2634db86-6ad0-3838-a637-0970bac11a83"},"summary_title":"Bow Porcelain"},{"@link":{"notes":"Cf. An example with some cold-fired gilding, p. 122, no. 187.","page":"p. 122","type":"reference"},"admin":{"id":"publication-2678","uid":"adlib-publication-2678","uuid":"d747a7ce-aa62-3337-b66f-befcaea7a0d9"},"summary_title":"Bow Porcelain: The Collection formed by Geoffrey Freeman"},{"@link":{"notes":"Cf. A white example with Kitty Clive, p. 195, lot 385; previously sold Sotheby's, 21 February 1971, lot 167. Estimate: \u00a320-30,000; fetched \u00a335,200.","page":"p. 195","type":"reference"},"admin":{"id":"publication-2581","uid":"adlib-publication-2581","uuid":"1028337b-2c06-329b-ac8e-30af68e34013"},"summary_title":"Ceramics from the Rous Lench Collection including British Pottery and Porcelain, Dutch Delft . . ."},{"@link":{"type":"reference"},"admin":{"id":"publication-2150","uid":"adlib-publication-2150","uuid":"0f45160a-fce9-37ca-a7d6-244f0e99e110"},"summary_title":"English and Continental Ceramics"},{"@link":{"notes":"Cf. A white example, with Kitty Clive, at Belton House (National Trust), mentioned, p. 41","page":"p. 41","type":"reference"},"admin":{"id":"publication-2764","uid":"adlib-publication-2764","uuid":"2597edfa-ec10-3442-9909-3974ca7303b4"},"summary_title":"Belton House, Lincolnshire"},{"@link":{"notes":"Cf. A white example, no. 72.","page":"85","type":"reference"},"admin":{"id":"publication-2842","uid":"adlib-publication-2842","uuid":"e7ad7690-e595-3b11-86e7-09cf962c8dae"},"summary_title":"Made at New Canton, Bow Porcelain from the Collection of the London Borough of Newham"},{"@link":{"notes":"Cf. p. 91, pl. 4.1 an example with a figure of Kitty Clive, in the Folger Shakespeare Library, and see text p. 90-1.","page":"87-105","type":"reference"},"admin":{"id":"publication-200002950","uid":"adlib-publication-200002950","uuid":"c611b982-085b-3d03-a70e-bf7ad5f22567"},"summary_title":"Marketing Celebrity: Porcelain and Theatrical Display"},{"@link":{"notes":"Cf. p. 140, fig. 20 the drawing of Woodward by Hayman, and the print after it by McArdell, with an example of the Bow figure in the Raymond Yarbrough collection.","page":"140","type":"reference"},"admin":{"id":"publication-200003155","uid":"adlib-publication-200003155","uuid":"b94626a1-e8f4-38e6-b36c-c26d7a1f84da"},"summary_title":"John De Lanauze and others associated with the Bow factory"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-110517","uid":"adlib-term-110517","uuid":"d21bf5a3-90b7-321c-a277-52dd639bd321"},"summary_title":"acting"},{"@link":{"type":"literal"},"name":[{"value":"acting"}],"summary_title":"acting"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"soft-paste porcelain containing bone ash, press-moulded and hand-modelled, with clear, iron-speckled glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}},{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Henry Woodward as 'The Fine Gentleman' in Lethe"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-37403","_score":17.704197,"_source":{"admin":{"added":1592996319000,"created":1312637261000,"flag":"Standard Record","id":"object-37403","indexed":1747160112776,"modified":1714464953000,"processed":1747159409017,"source":"adlib","stream":"fitz-online","uid":"adlib-object-37403","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/37403","uuid":"aa1e7cb4-0d70-3786-b397-9b34eb6258db","version":5},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113183","uid":"adlib-term-113183","uuid":"d0b2833e-0e65-3606-934e-193dc9d8511d"},"summary_title":"Ralph Griffin"}],"component":[{"materials":[{"note":[{"value":"green, pink and purple"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27716","uid":"adlib-term-27716","uuid":"246eefd8-f18b-3c47-8338-d68140b3497e"},"summary_title":"gilt"}}],"name":"Decoration","techniques":[{"note":[{"value":"in green, pink and purple enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Sodt-paste porcelain chocolate cup and cover, painted with green leaves and roses in green, pink and purple enamels and gilt."},{"value":"Soft-paste porcelain chocolate cup and cover, painted in green, pink and purple enamels and gilt. The cup is cylindrical with sloping sides, with ring handles; the slightly domed cover is surmounted by a finial formed of entwined twigs. The cup is decorated with six deep swags of green leaves with a pink and a purple rose at the base of each, from which spring arching sprays of gilt leaves; the base and rim are banded with a gilt lozenge border. The cover is decorated en suite with the ring finial picked out in gilding."}],"identifier":[{"accession_number":"C.100 & A-1918","primary":true,"type":"accession number","value":"C.100 & A-1918"},{"priref":"37403","type":"priref","value":"37403"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/37403","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/37403"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151196","uid":"adlib-agent-151196","uuid":"70c394ca-7483-3017-9867-b0191829b8bf"},"summary_title":"Griffin, Ralph, MA, FSA"}],"date":[{"earliest":1918,"latest":1918,"value":"1918"}],"method":{"value":"given"},"note":[{"value":"Entry date: 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note","value":"Mr Stoner (probably Mr George Stoner), Stoner & Evans, London, from whom purchased on 21 March 1917 for \u00a3125 by Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Vol. I, p. 284, no. 3027A, Vol. II, pl. 243B","page":"p. 284","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. The figure is A1 in Bradshaw's list of Bow figures, see p. 88, A1\nFor information on Kitty Clive, see p. 50\nCf. An example on a low base with Henry Woodward, in the National Museum of Ireland, see p. 60, pl. 1","page":"pp. 50, 88","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"notes":"Ref. For an illustration of the mezzotint, in which the Bow model was derived from, see p. 21, fig. 31, and see pp. 20-6 for Kitty Clive and Lethe.","page":"pp. 20-6","type":"reference"},"admin":{"id":"publication-2761","uid":"adlib-publication-2761","uuid":"3388becd-0e43-3a5d-87ae-2b0d22ec610f"},"summary_title":"Bow Porcelain and the London Theatre: vivitur ingenio"},{"@link":{"notes":"Cf. The majority of examples are glazed white porcelain, but there is a biscuit example lacking the left arm, in the British Museum, see p. 9, I.7, which is described as 'a proof of the original mould of the statuette'.","page":"p. 9","type":"reference"},"admin":{"id":"publication-2716","uid":"adlib-publication-2716","uuid":"1839e893-0fd8-312e-9443-9e7bccf27506"},"summary_title":"Catalogue of the Collection of English Porcelain in the Department of British and Mediaeval Antiquities and Ethnography of the British Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-2766","uid":"adlib-publication-2766","uuid":"c3f79447-44cb-31fe-8ac2-f394068b2b05"},"summary_title":"The Important Collection of Fine English Porcelain, The Property of the Late Sir Bernard Eckstein Barrett, 29th March 1949"},{"@link":{"notes":"Cf. An example on a low base, see pp. 166-9, fig. 241, pl. 76","page":"pp. 166-9","type":"reference"},"admin":{"id":"publication-2614","uid":"adlib-publication-2614","uuid":"bd0c2e2e-8e28-3664-bf00-fe50da012352"},"summary_title":"Chelsea and other English Porcelain, Pottery and Enamel in the Irwin Untermyer Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-2638","uid":"adlib-publication-2638","uuid":"b726d173-c02a-3b14-9d59-e12ad49bbf8a"},"summary_title":"English Ceramics 1580-1830, A Commemorative Catalogue to Celebrate the 50th Anniversary of the English Ceramic Circle 1927-1977"},{"@link":{"notes":"Cf. A coloured example on a low base with Henry Woodward, in the Godden collection, see colour pl. H, and pp. 134-5. See 2nd edition, 1991, colour pl. 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An example on a low base with two points at the front separated by curves, p. 16, lot 47. Estimate \u00a32-3,000; unsold.","page":"p. 16","type":"reference"},"admin":{"id":"publication-2767","uid":"adlib-publication-2767","uuid":"e6dabc18-eead-3fa0-bcb8-e24adab02bba"},"summary_title":"British and Irish Ceramics, 27th May 1986"},{"@link":{"type":"reference"},"admin":{"id":"publication-2768","uid":"adlib-publication-2768","uuid":"841be34f-a4a0-3138-8df0-e333b85314f0"},"summary_title":"Sale of Southwick House, the property of the late Mrs E.S. Borthwick-Norton, 18th October 1988"},{"@link":{"notes":"Cf. An example on a low base with Henry Woodward, p. 195, lot 385; previously sold at Sotheby's, 23rd February 1971, lot 167. 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W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"blue, turquoise, pale yellow, flesh pink, pale pink, red, brown, grey, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}}],"name":"Decoration","techniques":[{"note":[{"value":"in  blue, turquoise, pale yellow, flesh pink, pale pink, red, brown, grey, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"earthenware with blue-tinted lead-glaze, painted in polychrome enamels"},{"value":"Earthenware, press-moulded, covered with blue-tinted lead-glaze, and painted in blue, turquoise, pale yellow, flesh pink, pale pink, red, brown, grey, and black enamels. The shallow, straight-sided rectangular base is hollow underneath, and is painted in blue, pale red, brown, grey and black to resemble marble. Demosthenes stands on his left leg with his right advanced. He leans forward, extending his right arm and holding up his cloak up to his chest with his left hand. He has black hair and beard, and wears a white tunic and a long turquoise cloak with a pink lining and yellow fringe. On the viewer's right there is a tall pedestal veined in black to resemble marble, and decorated on the front in relief with a green swag above an arched panel enclosing a scene showing a small figure of Demosthenes standing on a rocky promontory addressing the waves, with two sailing ships in the distance, and overhead, a larger figure of Hermes\/Mercury holding a caduceus with a cloud below him."}],"exhibitions":[{"@link":{"catalogue":"C5","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"}],"identifier":[{"accession_number":"C.900-1928","primary":true,"type":"accession number","value":"C.900-1928"},{"priref":"76326","type":"priref","value":"76326"},{"source":"Glaisher MS Catalogue, vol. 30","type":"old object number","value":"4727"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76326","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76326"}],"inscription":[{"location":"on back of base","method":"impressed","transcription":[{"value":"E. WOOD"}],"type":"factory mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1784,"from":{"earliest":1784,"era":["CE"],"latest":1784,"precision":"circa","value":"1784"},"latest":1793,"note":[{"value":"Possibly made after 1793"}],"range":true,"to":{"earliest":1793,"era":["CE"],"latest":1793,"value":"1793"}}],"maker":[{"@link":{"role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-147015","uid":"adlib-agent-147015","uuid":"c374f1f8-3ba0-3184-b2be-000c1b62e0c7"},"summary_title":"Wood, Enoch"},{"@link":{"qualifier":"after","role":[{"value":"sculptor"}],"type":"reference"},"admin":{"id":"agent-26209","uid":"adlib-agent-26209","uuid":"275fe03b-383a-3f79-b9e2-5cbd6508548e"},"summary_title":"Cheere, John"}],"note":[{"value":"The figure in relief on the pestal is Hermes\/Mercury, the messenger of the gods, who was associated with eloquence and reasoning, and therefore alludes to Demosthenes' oratorial skill."},{"value":"The mark E. WOOD suggests that the figure was probably made between 1783 when Enoch Wood (1739-1840) was potting on his own, probably at the Over House Works in Burslem, and 1793 when he opened a new factory at Fountain Place, and entered into a formal  partnership with James Caldwell which lasted until 1818.  However, it is possible that the mark E. WOOD continued to be used after the partnership was formed and the WOOD & CALDWELL mark was introduced. Wood's partnership with his cousin Ralph Wood in 1784 lasted for only a few weeks."},{"value":"When purchased by Dr Glaisher the figure was identified as St Paul preaching at Athens, and has also been described as 'Eloquence', but the model was after a plaster of Demosthenes by John Cheere (1709-87) of which there is an example 20 in high at Burton Constable, Yorkshire, where there is also a preliminary drawing by Cheere, and a life-size figure neither of which have the pedestal on the right of the figure (see Documentation, Hall, 1970). If not from Cheere, Wood might have obtained a plaster model from Charles Harris of the Strand (d. c. 1795) whose undated 'Catalogue of Statues, Bass Reliefs, Bustos, & c.' (V. & A., National Art Library 1.37.Y)  includes a figure of Demosthenes of the same size for 2 guineas, and figures of Prudence and Fortitude which might have been the models for Wood's figures of those subjects. 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