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The underside is unglazed and rough, and has a large circular ventilation hole through which the interior fo the figure is visible.  The roughly square base is edged by frilled scrolls flanking a pierced shell asymmetrically placed at the front. At the back it rises up into a tree stump which is pierced by a circular hole to take an attachment, probably a candle branch. Applied to the top of the base there is a group of three flowers and three leaves, and a group of two flowers and two leaves.  The young man is seated on the stump with his right leg extended to the side and his left foot forward. He turns his head to his left, and with his left hand caresses the head of a dog which has its front paws on his left thigh. He holds his other hand over his right thigh. He has brown hair and eyes, pale pink cheeks, and a pale red mouth. His hair is tied back with a purple bow with long tails. He wears a shirt with a ruffled neck and sleeves, a yellow waistcoat with purple buttons, a white jacked decorated with floral bouquets and sprigs, a yellow collar, and purple buttons, and matching breeches with red bands and a yellow flower on each knee. He has white stockings, and yellow shoes with a puce and white flower on each. The dog is white with brown patches. The scrolls and shell round the base are picked out in puce."}],"identifier":[{"accession_number":"C.3069-1928","primary":true,"type":"accession number","value":"C.3069-1928"},{"priref":"43376","type":"priref","value":"43376"},{"source":"Glaisher MS Catalogue, vol. 28","type":"old object number","value":"4535"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/43376","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/43376"}],"inscription":[{"location":"on underside of base","method":"painted in red","transcription":[{"value":"11"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. W. L. 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The other figures include, a girl on a horse, a seated man similar to this one, but wearing a hat and holding a bird,  a seated girl companion with a lamb, a dancer, an exotic pheasant, a candlestick with rabbits, and a candlestick with a dog chasing a cat up a tree.  Dr Dennis Rice (1983, dubbed them  'Girl-on-a-Horse' group, after the figure in his own collection. Their unidentified maker has also been described as the 'Compass Factory'. Dr Rice described their characteristics as \u2018light in weight\u2019 with a paste which is \u2018rather opaque, a glaze that is somewhat dirty and speckled, and a rough unglazed dirty surface under a base which is scrolled and rococo in form\u2019 Some are marked on the base with an incised circle containing a triangle and a stroke with a shorter stroke resembling a y. The pale colouring is distinctive, and different from early Derby figures.  Bradshaw (1990) described the modelling as crude, but that seems unduly critical. This figure is na\u00efve by the standards of sculpture, but is daintily modelled with a small head and limbs."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"15.2"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Sotheby's, 1 May 1925,Chinese blue and white porcelain; European pottery and porcelain, lot 85. 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Winter stands on a base with four scroll feet. He stands on his right leg with his left slightly bent at the knee beside it. He folds his arms in front of him and the upper part of his torso leans to the left while his head is tilted sideways to the right. He wears a puce cloak with fur lining touched with purple and yellow. A bowl-shaped brazier stands on the base to the right and behind his right foot. Cupid stands on his left, facing outwards. He is nude, and wields a purple axe. The flames of the brazier are red. The base is touched with yellow and green CHECK."}],"exhibitions":[{"@link":{"catalogue":"H16","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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The unglazed underside has one obvious patch mark and a central circular ventilation hole. The group is on a high, heavily scrolled base picked out in turquoise-green and gold. Winged and bearded Time is seated on a tree trunk with his right leg forward, the foot resting on a sheaf of arrows. He holds Cupid over his left knee with his left hand and is about to clip Cupid's wing with a pair of small shears held in his right hand. Time wears a purple robe decorated with large and small circular motifs, which is held up by red cross bands. Cupid has a yellow drape. On the base to the viewer's right there is a crown, a sceptre, and an hourglass, and on the left, a globe."}],"exhibitions":[{"@link":{"catalogue":"F19","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"catalogue":"case 14","type":"reference"},"admin":{"id":"exhibition-1077","uid":"adlib-exhibition-1077","uuid":"a9790b74-5102-3534-9d71-e4f0dc4f89f3"},"summary_title":"Tempus, The Art of Time"}],"identifier":[{"accession_number":"C.38-1932","primary":true,"type":"accession number","value":"C.38-1932"},{"priref":"42667","type":"priref","value":"42667"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42667","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42667"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. (Frances Louisa), Mrs"}],"date":[{"earliest":1932,"latest":1932,"value":"1932-06-13"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1932"}]}],"creation":[{"date":[{"earliest":1765,"from":{"earliest":1765,"era":["CE"],"latest":1765,"precision":"circa","value":"1765"},"latest":1780,"range":true,"to":{"earliest":1780,"era":["CE"],"latest":1780,"value":"1780"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-35888","uid":"adlib-agent-35888","uuid":"0244b335-51c5-3535-a626-9ed7f3d33894"},"summary_title":"Derby Porcelain Factory"},{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157812","uid":"adlib-agent-157812","uuid":"d6c503ac-f737-3861-9907-14fd8b4759bf"},"summary_title":"William Duesbury & Co."},{"@link":{"qualifier":"derived from","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-40359","uid":"adlib-agent-40359","uuid":"e690ed3f-a5c9-359c-ab67-e1064cfeabaf"},"summary_title":"Dyck, Anthony van"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-89519","uid":"adlib-agent-89519","uuid":"ea3158a3-a006-3779-8563-872e5de078ec"},"summary_title":"McArdell, James"}],"note":[{"value":"The figure (also known as Time clipping the Wings of Cupid) was derived from the painting of Time Clipping the Wings of Love by Sir Anthony van Dyck (1599-1641), now in the Mus\u00e9e Jacquemart Andr\u00e9, Paris, inv. no. 419, probably after an undated mezzotint of this by the Irish artist, James MacArdell (c. 1729-65), working in London. The print of this subject by Charles Phillips, is dated 1772, and is therefore too late to have been used for the earliest versions of the model. A coloured etching of this subject made c. 1633-4, by Fran\u00e7ois Perrier (1594-1649) bears an inscription derived from Virgil, 'Omnia vincit Amor, vincit mox tempus Amorem'. The theme, however, may have been inspired by a more recent work, Otto van Veen's Amorum Emblemata (1608), which included the verse:\n\t'Loues harrte is euer young\n\tT'is onlie tyme that can the winges of Cupid clip,\n\tAnd make him fly more low than he was wont to doo,\n\tBut Tyme clips not away his good will thereunto,\n\tThe aged carter loves to heare the lashing whip.'"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120880","uid":"adlib-term-120880","uuid":"91c8f217-47bf-321d-93f9-504a4a1305f0"},"summary_title":"18th Century, second half"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"33"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17393","uid":"adlib-media-17393","uuid":"51b4348b-8e0b-3f77-af13-f6799110b1a3"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":532}]},"modified":1702926508083,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":714},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926508083,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":532}]},"modified":1702926508083,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":357},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926508083,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}}],"note":[{"type":"history note","value":"unknown before donor, Mrs W.D. 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F20.","page":"p. 42","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Ref. In his 'Price List of Groups and Single Figures'  Haslem cites  this model as no. 124 in three sizes, but does not give measurements for the first two.","page":"173","type":"reference"},"admin":{"id":"publication-2850","uid":"adlib-publication-2850","uuid":"d5dcd4d0-9032-35ca-b870-c7d2cb1b5ca6"},"summary_title":"The Old Derby China Factory"},{"@link":{"notes":"Publ. pp. 30-1, and pl. 30","page":"pp. 30-1","type":"reference"},"admin":{"id":"publication-1076","uid":"adlib-publication-1076","uuid":"acbefc51-07ab-373a-b40f-e69c780f634a"},"summary_title":"Tempus, The Art of Time"},{"@link":{"notes":"Ref. The porcelain group was mentioned in the catalogue of the first Chelsea and Derby sale held by Mr Christie from 17 to 20 April 1771, on the second day, lot 25: 'A curious figure of Time clipping of (sic) Cupid's wing, finely enamel'd and ornamented with burnish'd gold 1l. 9s'. See Appendix, p.22. lot 25.\nIt was also mentioned in the Christie and Ansell sale of Derby and Chelsea on 17 April 1780, first item 'A fine large figure of Time and Cupid 11s. 6d.' see Appendix, p. 58, no lot number.","page":"pp. 22, 58","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"notes":"Ref. The Louvre has a larger terracotta of this subject by Charles-Louis Corbet which is dated 1776, see Mabille, G\u00e9rard, 'Une terre cuite de Corbet: Le Temps coupant les ailes de l'Amour', La Revue du Louvre et des Mus\u00e9es de France, (2-1977), pp. 89-93, figs. 1-3, the Van Dyck, fig. 5, the Perrier print, fig. 5. This is very close to the painting, and seems likely to have been derived from the English print, which appears not to have been known to Mabille.","page":"pp. 89-93","type":"reference"},"admin":{"id":"publication-200000901","uid":"adlib-publication-200000901","uuid":"21e3beea-e021-3014-96b5-f2908cebb62f"},"summary_title":"Une terre cuite de Corbet: Le Temps coupant les ailes de l'Amour"},{"@link":{"notes":"Cf. An example in the Victoria and Albert Museum, see p. 70, no. 343","page":"p. 70","type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"notes":"Cf. A biscuit example with a clock by Benjamin Vuilliamy at Buckingham Palace, see p. 230, fig. 1.","page":"p. 230","type":"reference"},"admin":{"id":"publication-200000902","uid":"adlib-publication-200000902","uuid":"e84b4948-0c02-3cd5-b916-fed190e294b6"},"summary_title":"A Masterpiece of Clockmaking"},{"@link":{"notes":"Cf. p. 133, fig. 50 a clock by Benjamin Vulliamy with a biscuit group. No. 124, 1786. Overall height 307 cm. Royal Colelction Trust (the clock at Buckingham Palace discussed by L.G.G. Ramsay, mentioned above).","page":"115-34","type":"reference"},"admin":{"id":"publication-200003199","uid":"adlib-publication-200003199","uuid":"3fd59f1f-718c-3694-8f5b-23e23cc5064a"},"summary_title":"The Neo-classical style and Derby Biscuit figures 1771-1800"},{"@link":{"type":"reference"},"admin":{"id":"publication-2847","uid":"adlib-publication-2847","uuid":"632612a3-b59c-3d9f-934c-2ab43b83b78b"},"summary_title":"Derby Porcelain 1750-1848"},{"@link":{"notes":"Cf. p. 127, pl. 81, and pp. 47, and 193, no. 81. Dated after 1770.","page":"47, 127, 193","type":"reference"},"admin":{"id":"publication-2679","uid":"adlib-publication-2679","uuid":"f7491494-53a3-3a8d-a975-b85790bad8ed"},"summary_title":"Derby Porcelain: The Golden Years, 1750-1770"},{"@link":{"notes":"Cf. An example in a private collection, p. 269, no. 124","page":"p. 269","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002924","uid":"adlib-publication-200002924","uuid":"98c0af0d-40d6-3726-bc19-9d7a87883484"},"summary_title":"Influence of the Baroque on English Porcelain"},{"@link":{"notes":"Cf. p. 57, a group in the Victoria & Albert Museum, 414:409-1885. See p. 122, fig. 55, a mezzotint by Richard Earlom of a self portrait of James McArdell, and pp. 122-6 for his career and the use of his prints as sources for porcelain figures","page":"122-6","type":"reference"},"admin":{"id":"publication-200003303","uid":"adlib-publication-200003303","uuid":"be044a32-e81a-3295-a9c7-86235aefc75d"},"summary_title":"'The Dublin Group' of mezzotint engravers and their imprint on early English porcelain and enamels"},{"@link":{"type":"reference"},"admin":{"id":"publication-2855","uid":"adlib-publication-2855","uuid":"6e415068-4bd7-344c-9a4b-cbd3dc0d1d96"},"summary_title":"Christie's Sale Catalogue"},{"@link":{"notes":"Cf. p. 25, lot 77 (unsold)","page":"p. 25","type":"reference"},"admin":{"id":"publication-2649","uid":"adlib-publication-2649","uuid":"9b08eb7f-6008-36b1-b224-09eb83b97d17"},"summary_title":"British Ceramics"},{"@link":{"notes":"Cf. p. 59, lot 325. H. 32 cm. 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