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The flat underside is unglazed and has a small central ventilation hole. The rounded low rocky base rises up at the back into a heap of rocks which support the figure. The top is decorated with applied leaves and two flowers: white, red and yellow, and yellow, white and green. The man stands on his left leg with his right extended behind him. He leans back from the waist and looks towards his left with his left hand held level with his abdomen, and his right arm bent and the hand grasping the handle of a brown walking stick. He has a black moustache, and on his head has a bluish-green turban, with a mauve fan-like projection on top, and a gold circlet around the front. He wears a white three-quarter-length coat, with a mauve shawl collar and lining, yellow cross bands and buttons, a red sash into which is tucked a dagger, white close-fitting trousers, and yellow shoes. 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It is painted with scattered sprays of fruit and flowers, including roses, hearts ease, pears, cherries, and a cut peach, the interior with three plums, the rim with a gilt dentil border."}],"identifier":[{"accession_number":"C.23-1918","primary":true,"type":"accession number","value":"C.23-1918"},{"priref":"73343","type":"priref","value":"73343"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73343","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73343"}],"inscription":[{"location":"base","method":"gilt","transcription":[{"value":"an anchor"}],"type":"factory mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166145","uid":"adlib-agent-166145","uuid":"978fe53c-47fd-3e79-8ee0-a206f306b69f"},"summary_title":"Griffin, Ralph, MA"}],"date":[{"earliest":1918,"latest":1918,"value":"1918-08-28"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1918-08-28"}]}],"creation":[{"date":[{"earliest":1760,"from":{"earliest":1760,"latest":1760,"precision":"circa","value":"1760"},"latest":1769,"range":true,"to":{"earliest":1769,"latest":1769,"value":"1769"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157802","uid":"adlib-agent-157802","uuid":"e51ed5e2-3605-39a0-b953-487f1f622a3a"},"summary_title":"Chelsea Porcelain Manufactory"},{"@link":{"qualifier":"probably","role":[{"value":"decorator"}],"type":"reference"},"admin":{"id":"agent-52045","uid":"adlib-agent-52045","uuid":"f5f07619-c4ef-394a-ba54-60565ca1f584"},"summary_title":"Giles, James"}],"note":[{"value":"It is likely that the painting was executed in the atelier of James Giles. 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The pine-cone moulding appears on both covered bowls with stands and teawares, and it is also found on Bow and Bristol porcelain.","page":"150-1","type":"reference"},"admin":{"id":"publication-2684","uid":"adlib-publication-2684","uuid":"7f3148d9-48bf-33d9-b790-c7758a6e8305"},"summary_title":"Chelsea Porcelain"},{"@link":{"notes":"Cf. p.175, fig.751, for a Meissen dish of c.1770, with similar moulding inspired by a Chelsea original.","page":"175","type":"reference"},"admin":{"id":"publication-2685","uid":"adlib-publication-2685","uuid":"78931290-a594-3d1e-a3e9-fe40247e4e87"},"summary_title":"Meissener Porzellan 1710-1810, Ausstellung im Bayerischen Nationalmuseum M\u00fcnchen"},{"@link":{"notes":"Cf. p.122, no.119, for  a comparison with a pair of Worcester plates, c.1770, painted in the atelier of James Giles, which display several of the same feautures as the present bowl, notably the purple auriculas, the pink roses and the 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grey, and black enamels, and gilt. The underside has a large, circular, central ventilation hole, and has been ground down to level it so that very little glaze remains.                                                             The rounded oval mound base is moulded round the front with a rocaille frill flanked by scrolls, and rises up in the middle into a circular green stump decorated with four clumps of applied flowers and leaves. The taylor rides on a Billy goat which is going to the viewer\u2019s left, supported underneath by the stump. He holds the goat\u2019s left horn in his left hand and in his raised right hand holds a bat. He has a ruddy complexion, red lips, and a white wig. He wears a black tricorn hat, a dark brown coat with gold edges and buttons, gold garters at the knee of his beeches, and black shoes with buckles. A basket containing two kids is strapped to his back, and a pair of scissors, two small bags, and some rolled white material protrude from his left pocket (facing the viewer). The goat is painted in shades of  brown, and has yellowish-grey horns, and black hooves. A pair of pistols is suspended in holsters on either side of its neck, and it carries a flat iron in its mouth. The base is coloured green and brown, the flowers are white and red with yellow centres, white and blue with yellow centres, white with yellow and red centres, and white with yellow centres. The scrolls and \u2018frill\u2019 are picked out in gold."}],"exhibitions":[{"@link":{"catalogue":"H18","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"}],"identifier":[{"accession_number":"C.105-1932","primary":true,"type":"accession number","value":"C.105-1932"},{"priref":"82425","type":"priref","value":"82425"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82425","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82425"}],"inscription":[{"description":[{"value":"scrip N with o raised and 62 underlined"}],"location":"on the underside of base to left and above the ventilation h","method":"incised","transcription":[{"value":"No 62"}],"type":"mark"},{"location":"on underside of base to right of ventilation hole","method":"incised","transcription":[{"value":"X"}],"type":"mark"},{"location":"on underside of base","method":"painted in pale purple","transcription":[{"value":"5"}],"type":"mark"},{"description":[{"value":"circular paper labe"}],"location":"on underside","method":"hand-written in blue-black ink","transcription":[{"value":"FRANCES\/L. 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Kaendler modelled in November 1740, which was described in the factory's records as 'Schneider, welcher auf einem Ziegenbock reutet . . . wie er seinen ganzen Werckzeug bei sich f\u00fchret'. Kaendler had modelled his first caricature of a Taylor riding a Goat in June 1737. The theme may have been inspired by a real incident, as it also occurs in a painting of that year by Peter Jakob Horemans, 'Festtafel vor Schlos F\u00fcrstenried' (near Munich).Traditionally, however, the figure has been identified as Count Br\u00fchl's taylor. See Documentation, Ruckert (1979) and Bradshaw (1990). The English title, The Welsh Taylor, seems to have arisen from misunderstanding of the German words welcher (who, which) or welsch (Italian, French, southern), which sound like Welsh. The companion figure of the Taylor's Wife riding a Goat, modelled by J.F. Eberlein in 1740, was also copied at Derby (see C.106-1932).\nThe Derby model was first made in the 1760s, and was advertised with its female companion in the Derby and Chelsea Sale Catalogue of 17 April 1771, 'One small pair Welch taylor and family riding goats, elegantly finish'd in flowers and burnish'd gold 1l. 0s.' It was reissued later in the century heavily enamelled and gilt, and standing on a scrolled base. 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