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He traded under his own name from 1835, and is known to have produced relief moulded jugs in a similar style to this from c.1839.  He was known as a liberal patron of the arts and collector of painting and drawings, which included works by Poussin, Gainsborough and Van Dyck."},{"value":"Relief moulded jugs were popular in mid 19th Century homes, where they were used for water, beer milk and other liquids which might now be kept in bottles, cans or plastic jars. The smear-glazing makes the most of the way that, sometimes colour-stained, clays show off crisply-moulded ornament, whilst the stoneware is sufficiently durable for everyday use. There are several examples in the Fitzwilliam Collection. This jug was a popular design and was produced in large numbers, sometimes with a hinged metal lid, and later adapted for a mug; there were also buff stoneware and Parian versions. It was later adapted for a mug which won a Society of Arts medal, and for a covered drinking cup exhibited at the 1851 Great Exhibition."},{"value":"The Bacchanalian scenes are taken from works ny Poussin and Rubens. In Nicholas Poussin's 'Bacchanalian revel before a term', 1632-33 (National Gallery), arcadian revellers drink and dance before a pillar crowned with a torso and head, possibly Pan. It is thought that the modeller may have worked from an engraving by George Thomas Doo or by S.S. Smith of the Poussin image, since both were published in collections from the National Gallery c.1840. The other image is taken from Sir Peter Paul Rubens\u2019 'Drunken Silenus', a wise old drunkard who had the gift of prophesy. Minton also used this source for a jug. Rubens painted four versions, and Henrywood suggests that the source here was a print of the one that hung in the Gemaldegalerie, Berlin, until its destruction in 1945. 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The neck is flared, with a broad lip. The handle is moulded in a flowing dolphin-like design with a thumb piece. The base is encircled by a mock-gadroon design. Each side of the body has a moulded hunting scene in low relief, with figures of two horsemen surrounded by dogs, against a background of trees. In one, the dogs are running while the riders wait by a gate. In the other, one rider has dismounted to show dead prey to the other, while the dogs crowd around. A large tree divides the scenes, its trunk smoothed to cover the join of the press moulded halves. A faux gadroon design runs around the base.  On the neck are three applied white stoneware sprigs: fruiting vines and flowers on each side, and classical motifs on the underside of the lip. The underside is recessed and smear-glazed."}],"identifier":[{"accession_number":"C.119-2015","primary":true,"type":"accession number","value":"C.119-2015"},{"priref":"197585","type":"priref","value":"197585"},{"date":[{"earliest":2006,"latest":2006,"value":"2006-01-30"}],"source":"Fitzwilliam Museum","type":"old loan number","value":"AAL.119-2006"},{"date":[{"earliest":2005,"latest":2005,"value":"2005-11-09"}],"source":"Fitzwilliam Museum","type":"entry form number","value":"648"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/197585","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/197585"}],"inscription":[{"description":[{"value":"small, circular pad with impressed inscription; '21' in the centre"}],"location":"underside of base","method":"applied white stoneware pad","transcription":[{"value":"IMPERIAL \/ STONE \/ 21"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Sir Ivor and Lady Batchelor Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150324","uid":"adlib-agent-150324","uuid":"dd176adf-8936-36ce-9b77-032a82cb2c88"},"summary_title":"Batchelor, Ivor, Sir and Lady"}],"date":[{"earliest":2015,"latest":2015,"value":"2015-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"maker":[{"@link":{"type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"Relief moulded jugs were popular in mid 19th Century homes, where they were used for water, beer milk and other liquids which might now be kept in bottles, cans or plastic jars. The smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament, the stoneware is sufficiently durable for everyday use and two piece press-moulding was a relatively inexpensive process. There are several examples in the Fitzwilliam Collection."},{"value":"The earliest recorded  relief moulded jugs of this type date from c.1820 (see C.48-1981) and they were widely available from the early 1930s. The white stoneware sprigs on this example suggest an early date, perhaps c.1820-30, since the application of sprigs would have added to the labout cost.   The style is similar to white stoneware jugs made by Wedgwood, c.1820, also decorated in relief with sprigs applied around the neck, although the handle is different. Hunting scenes were used on sprigged jugs from the late 18th Century, and the same scenes were later often used for relief moulds. This same scene was used by Wedgwood on a similarly-shaped white stoneware jug decorated with painted reliefs and sprigs around the neck, and by other factories on relief moulded drab coloured stoneware."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107658","uid":"adlib-term-107658","uuid":"824d3ecf-92c1-33aa-8d45-2f0239317270"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Staffordshire"}],"summary_title":"Staffordshire","type":"region"}]],"note":[{"value":"(probably)"}],"summary_title":"Staffordshire"}]}]},"materials":[{"note":[{"value":"marked 'Imperial Stone'"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"15.2"},{"dimension":"Width","units":"cm","value":"14"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}}],"note":[{"type":"history note","value":"Sir Ivor and Lady Batchelor, St Andrew\u2019s, Fife; Sir Ivor died on 24 April 2005; on loan since 2006"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75252","uid":"adlib-object-75252","uuid":"3bc3e7fa-84eb-349f-bbc1-64b427ea60a8"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. Examples of a slipcast and sprigged hunting scene jug by Wedgwood and another version by an unknown maker, the latter moulded in dark buff stoneware, with white sprigs. In each case the style of jug, the hunting scenes and the gadrooning are similar to the Fitzwilliam jug, but the sprigged decoration around the neck is different. The existence of other examples with a moulded dolphin handle and \u2018IMPERIAL STONE\u2019 padmark is noted.","page":"51-53","type":"reference"},"admin":{"id":"publication-2707","uid":"adlib-publication-2707","uuid":"7930037b-b9e9-33ee-9c08-7542049d8e4e"},"summary_title":"Relief-Moulded Jugs 1820-1900"},{"@link":{"notes":"Cf. example of similarly styled jug decorated in relief and with sprigs, marked Wedgwood, c.1820; also, information about the popularity of hunting scenes.","page":"Vol II, pp.544-545","type":"reference"},"admin":{"id":"publication-1044","uid":"adlib-publication-1044","uuid":"daae9e3f-5832-394b-8fd8-b2a4c4265f85"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. Relief moulded jug by Ridgway & Abington.","page":"106-7","type":"reference"},"admin":{"id":"publication-1030","uid":"adlib-publication-1030","uuid":"9cf77d50-a614-3947-8d0e-919f695fe7b0"},"summary_title":"Fitzwilliam Museum Handbooks, English Pottery"},{"@link":{"type":"reference"},"admin":{"id":"publication-7643","uid":"adlib-publication-7643","uuid":"739360c2-8112-32c7-a914-bb9bdf270094"},"summary_title":"Victorian Relief-Moulded Jugs"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-118890","uid":"adlib-term-118890","uuid":"ea7c42bb-5706-36b1-b276-500b1ad2f9ed"},"summary_title":"horse"},{"@link":{"type":"literal"},"name":[{"value":"horse"}],"summary_title":"horse"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug","techniques":[{"description":[{"value":"buff stoneware press moulded in two halves, with sprig decoration"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}}],"title":[{"value":"Hunting scene wine jug"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-107884","_score":17.554031,"_source":{"admin":{"added":1592984372000,"created":1312637261000,"flag":"Standard Record","id":"object-107884","indexed":1752602740732,"modified":1714467975000,"processed":1752602690710,"source":"adlib","stream":"fitz-online","uid":"adlib-object-107884","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/107884","uuid":"cdb968dd-3b15-3d06-8cac-4878337945ec","version":6},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-20522","uid":"adlib-agent-20522","uuid":"0d1966d3-dc50-3c69-a99c-3c3740ecfefc"},"summary_title":"Burns, Robert"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153721","uid":"adlib-agent-153721","uuid":"56d58892-66e6-3e0d-828c-c6f1a12b0536"},"summary_title":"Tam O Shanter"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"},{"@link":{"type":"reference"},"admin":{"id":"term-107644","uid":"adlib-term-107644","uuid":"e79751e0-f2fc-3ca2-a955-cc60b31daebb"},"summary_title":"smear-glazed stoneware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. W. L. Glaisher"}],"component":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32652","uid":"adlib-term-32652","uuid":"82d8ae3b-f165-395c-ba93-dfa1c282b7be"},"summary_title":"glaze"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-122641","uid":"adlib-term-122641","uuid":"d5fb75d8-097d-3fd7-8e70-87e9d96d77f7"},"summary_title":"glazing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Buff coloured stoneware, relief moulded jug, smear glazed."},{"value":"Inverted-coneshaped body, with flared neck and lip and an over-arching handle, set on a low pedestal foot. The exterior covered with relief moulded designs. Round the middle are two scenes: the first shows a man lighting his pipe before a fire while his dog looks on and behind him companions are drinking in an ale house; in the other, Tam o\u2019Shanter rides though a wood, pursued by two flying figures, one of whom grasps  the horse\u2019s tail. The handle is moulded in the form of a hand clutching a horse\u2019s tail. Ornate patterns run around the neck and foot: a wreath of thistle between rhe body and the neck and a leaf scroll beneath the neck rim. The outside is smear-glazed, the interior fully glazed and shiny. The underside is recessed and smear-glazed."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1313","uid":"adlib-exhibition-1313","uuid":"a1af3737-e16d-3118-bc9b-7dcc4b70b56b"},"summary_title":"The Essential Horse"}],"identifier":[{"accession_number":"C.1273-1928","primary":true,"type":"accession number","value":"C.1273-1928"},{"priref":"107884","type":"priref","value":"107884"},{"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"source":"Glaisher notebooks Vol 2","type":"old object number","value":"2207"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/107884","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/107884"}],"inscription":[{"location":"underside of base","method":"impressed","transcription":[{"value":"Published by\/ W. RIDGWAY & Co \/ HANLEY\/ October 1 1835"}],"type":"factory mark"},{"description":[{"value":"anchor symbol"}],"location":"underside of base","method":"impressed","type":"factory mark"},{"location":"underside of base","method":"impessed","transcription":[{"value":"'6' or '9'"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr. J.W.L. Glaisher Bequest, 1928"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1835,"era":["CE"],"latest":1835,"precision":"dated","value":"1835"}],"maker":[{"@link":{"role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-190601","uid":"adlib-agent-190601","uuid":"8a43a61b-26ec-3dfe-978f-290165b4d453"},"summary_title":"William Ridgway & Co"},{"@link":{"qualifier":"probably","role":[{"value":"modeller"}],"type":"reference"},"admin":{"id":"agent-190602","uid":"adlib-agent-190602","uuid":"4f60526f-486b-3bab-89ad-b25d52d53a3f"},"summary_title":"Abington, James Leonard"},{"@link":{"qualifier":"(from 1845)","role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-160980","uid":"adlib-agent-160980","uuid":"7a83d9b5-7352-3ae3-9950-be68d6de8d1c"},"summary_title":"Ridgway & Abington"}],"note":[{"value":"The Ridgway family produced both stoneware and porcelain, in Staffordshire, from the 1790s until the 20th Century. Trained by their father Job, the brothers William and John had already gained a reputation for drab (coloured) stoneware  decorated with stoneware  crisply finished applied relief sprigs when William Ridgeway established Church Works, Hanley, in 1831. With his partner James Leonard Abington and (later) his son Edward, by 1843 he operated six separate pot-works in Hanley and Shelton. He was also a noted philanthropist, building alms houses and a school for local children \u2013 many of whom he employed in his potteries. William Ridgway & Co. (later Ridgway and Abington)  became particularly known for relief-moulded jugs, for which it is likely that Abington was the modeller. One of the first to offer such jugs, in the early 1830s, they produced some 26 designs over the next 30 years. Other potters followed, notably Minton and Charles Meigh, and relief moulded jugs (some with ceramic or metal lids) in a wide variety of design became a popular household mainstay for water, beer milk and other liquids which might now be kept in bottles, cans or plastic jars."},{"value":"The jug, one of several in the Fitzwilliam Collection, is an example of  the\u2018artistic\u2019 relief moulded jugs which were popular in mid 19th Century homes.  The scenes are taken from Robert Burns\u2019 narrative poem  \u2018Tam o\u2019Shanter\u2019; the story ends with Tam pursued by witches, who pull off his horse\u2019s tail just before his escape. The smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament, whilst the stoneware would be durable in an everyday setting. The modelling follows engravings by J.Thompson and by Slader of  Thomas Landseer\u2019s illustrations for Marsh & Miller\u2019s 1830 edition of Tam o\u2019Shanter. The poem, written in 1790, was widely known at this time and used as a source by other potters too: the British Museum holds a 1934 relief moulded jug by Machin & Potts of Burslem, which carries a similar but differently modelled design (Cat. 1887,0307,R.12).  \u2018Tam O\u2019Shanter\u2019 was also used as a brand name for products, such as pipe tobacco."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-97680","uid":"adlib-term-97680","uuid":"d0493beb-d54a-30ea-970d-e525d2e9403e"},"summary_title":"Victoria"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110443","uid":"adlib-term-110443","uuid":"8e41da15-698e-303b-ac89-c241a4e52efc"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Staffordshire"}],"summary_title":"Staffordshire","type":"region"}]],"summary_title":"Hanley"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"21"},{"dimension":"Width","units":"cm","value":"16"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-133695","uid":"adlib-term-133695","uuid":"dcb40d8b-7ed9-31d1-ac20-7e0c30cd82da"},"summary_title":"relief moulded jug"}}],"note":[{"type":"history note","value":"Bought on 15 December 1904, from Woolston, Cambridge, by Dr Glaisher, Trinity College, Cambridge"}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same maker"}],"type":"reference"},"admin":{"id":"object-75217","uid":"adlib-object-75217","uuid":"2fe67377-83e2-3f03-beaf-8a5ca60559ba"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"},{"@link":{"cascade":true,"role":[{"value":"same 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Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. no 1273, with brief description.","page":"Vol. 1, p.165","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Cf. Plate 46, showing both sides of a very simiar jug (b\/w); Plates 47 & 48, engravings by J.Thompson and by Slader of illustrations by Thomas Landseer for Marsh & Miller\u2019s 1830 edition of Tam o\u2019Shanter; Plate 49, a variant of this jug with \u2018linen fold\u2019 decoration replacing the Tam o\u2019Shanter scenes; Plate 50, an example of Ridgway impressed mark.","page":"65-66","type":"reference"},"admin":{"id":"publication-2707","uid":"adlib-publication-2707","uuid":"7930037b-b9e9-33ee-9c08-7542049d8e4e"},"summary_title":"Relief-Moulded Jugs 1820-1900"},{"@link":{"notes":"Cf. a very similar jug, held in the V&A collection (no.C.40-1969); also information about Ridgway sprig decorated stoneware (illustrated p.144, V&A no.C.38&A, made 1810-20).","page":"143-45, 182, 184","type":"reference"},"admin":{"id":"publication-5541","uid":"adlib-publication-5541","uuid":"5f1c299b-a6dd-3621-9e7b-128c00e539b3"},"summary_title":"English Pottery 1620-1840"},{"@link":{"notes":"Cf. Plate 135 a very similar jug, but in white stoneware and 91\/2 ins, owned by the author. Also information about William Ridgway\u2019s products (Chapter IV) and pages from the company\u2019s pattern book showing designs for relief-moulded products, including jugs, along with matching examples (Plates 109-113).","page":"34-35, 62, 78","type":"reference"},"admin":{"id":"publication-2737","uid":"adlib-publication-2737","uuid":"275f4977-dfdc-3195-a14b-19b1a9652a6a"},"summary_title":"Illustrated Guide to Ridgway Porcelains"},{"@link":{"notes":"Cf. A very similar moulded stoneware jug, though 9 \u00be ins, and another similar jug of different design (Plate 485); four pages from William Ridgway\u2019s first pattern book, including a relief jug (Plate 483. Also information about the Ridgway family of potters.","page":"271, 276-277","type":"reference"},"admin":{"id":"publication-7641","uid":"adlib-publication-7641","uuid":"dd609a8f-4e43-3631-8828-1afe3a003ae1"},"summary_title":"Illustrated Directory of British Pottery & Porcelain"},{"@link":{"notes":"Faber and Faber Limited. p.278. 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The smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament, whilst the stoneware would be durable in an everyday setting. There are several examples in the Fitzwilliam Collection."},{"value":"This is an early design and the animal handle is unusual. It was was produced in at least three different sizes, though few examples have survived and none of these is dated. The George IV portrait is similar to medals made to celebrate his accession in 1820, so the jug may have been made at that time or perhaps to commemorate his death in 1830. A jug with handle formed as a hound and hunting scenes, made by Phillips & Bagster of Hanley, has been dated by Henrywood to 1818-23, the earliest that such relief moulded jugs are known to have been made. Versions of that jug were subsequently made by John Denton Bagster, 1823-28, and by William Ridgway, though not until 1831 or after. All three operated from the same works at Hanley and employed James Leonard Abington (who later became Ridgway\u2019s partner) as a designer and modeller. 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The underside is slightly recessed and glazed."}],"identifier":[{"accession_number":"C.6-2002","primary":true,"type":"accession number","value":"C.6-2002"},{"priref":"47104","type":"priref","value":"47104"},{"date":[{"earliest":2002,"latest":2002,"value":"2002"}],"source":"Fitzwilliam Museum","type":"entry form number","value":"167"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47104","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47104"}],"inscription":[{"description":[{"value":"'M & Co' on separate section of ribbon"}],"location":"on base","method":"moulded in relief on a ribbon","transcription":[{"value":"Society of ARTS\/PRIZE JUG 1846 \/ M & Co"}],"type":"mark"},{"description":[{"value":"script 'M', on separate section of ribbon"}],"location":"on base, on a relief ribbon with ornamentation","transcription":[{"value":"No. 279 \/ M"}],"type":"mark"},{"description":[{"value":"lozenge shaped Patent Registration Mark for 2 May 1846"}],"location":"on base","type":"mark"},{"description":[{"value":"two dots linked by a line"}],"location":"on base","method":"impressed","type":"mark"},{"location":"on base","method":"impressed","transcription":[{"value":"12"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs Valerie Kessels"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-159008","uid":"adlib-agent-159008","uuid":"af7edfe8-2e0f-370c-b40d-591ff0dfedfb"},"summary_title":"Kessels, Valerie, Mrs"}],"date":[{"earliest":2002,"latest":2002,"value":"2002"}],"method":{"value":"given"},"note":[{"value":"Entry date: 2002-04-22"}]}],"creation":[{"date":[{"earliest":1848,"era":["CE"],"latest":1848,"value":"1848"}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-153865","uid":"adlib-agent-153865","uuid":"853be336-7cfb-32d1-aa54-fb4dff401cf0"},"summary_title":"Minton & Co."}],"note":[{"value":"Relief moulded jugs were popular in mid 19th Century homes. The smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament, whilst the stoneware would be durable in an everyday setting. There are several examples in the Fitzwilliam Collection. This jug\u2019s hop and barley design indicates its function as a beer jug."},{"value":"The Society of Arts, founded in 1754, ran its first competition for arts and manufactures in 1846. Encouraged by Henry Cole, Herbert Minton submitted two beer jug designs, winning a silver medal for pattern number 268, a white stoneware jug with a blue stained neck and a relief moulded frieze of hops and barleycorn in white. The design was registered in May 1846.  This buff earthenware version, no.279, bears the impressed year cipher for 1848. The jug was also produced in white and olive colours and in a Parian version (no.319) with a perforated filter before the lip and a lid."},{"value":"This is one of the earliest examples of ware carrying the Minton name (here \u2018M & Co.\u2019), as identification of the factory was required for the competition. The business was founded in 1793 at Stoke-on-Trent by Herbert Minton\u2019s father, originally producing transfer-printed earthenware and, from 1797, porcelain. Having traded under various names, from 1845 it was known as \u2018Minton & Co.\u2019 and from 1873 as Mintons Ltd."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106851","uid":"adlib-term-106851","uuid":"e155f998-1e0b-3f2a-851c-24f44d05dd59"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-116524","uid":"adlib-term-116524","uuid":"2532ce61-8150-3256-b951-d5175a8faa11"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Stoke"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"17"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-133695","uid":"adlib-term-133695","uuid":"dcb40d8b-7ed9-31d1-ac20-7e0c30cd82da"},"summary_title":"relief moulded jug"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110707","uid":"adlib-term-110707","uuid":"79ef1c67-4faf-37a8-b920-2d27a657db66"},"summary_title":"beer jug"}}],"note":[{"type":"history note","value":"Purchased by the donor from an antique shop in Catford, c.1950."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71533","uid":"adlib-object-71533","uuid":"52716005-14ff-364a-b7e9-c335626bb453"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75252","uid":"adlib-object-75252","uuid":"3bc3e7fa-84eb-349f-bbc1-64b427ea60a8"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75578","uid":"adlib-object-75578","uuid":"ceca75af-141e-34b1-aaec-504643be73a6"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91080","uid":"adlib-term-91080","uuid":"a8289e14-aa5b-3c51-aa56-05718e907be0"},"summary_title":"dessert dish"}},"summary_title":"dessert dish"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-136937","uid":"adlib-object-136937","uuid":"53e211de-7745-3c10-973b-d70ea15fd3ff"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-131312","uid":"adlib-object-131312","uuid":"52172bf9-f929-301e-8a9c-fa761711e849"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75678","uid":"adlib-object-75678","uuid":"0326bc43-a84a-38d2-97fa-32d54662a100"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75036","uid":"adlib-object-75036","uuid":"4a8ee79b-3553-37ee-b325-693f7128447a"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89480","uid":"adlib-term-89480","uuid":"f1ea518e-351c-3f42-b2a7-db0f8559fa2c"},"summary_title":"vase"}},"summary_title":"vase"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. Plate 81, engraving of a Minton \u2018Harvest Wreath jug\u2019, reproduced from the Art Journal, October 1849, which is very similar to this, though as the engraving is from a low viewpoint the jug appears more bulbous. Also, p.87, illustration of a second beer jug, to a different design (no.302), also marked \u2018Society of Arts Prize jug 1846\u2019.","page":"p. 89","type":"reference"},"admin":{"id":"publication-2707","uid":"adlib-publication-2707","uuid":"7930037b-b9e9-33ee-9c08-7542049d8e4e"},"summary_title":"Relief-Moulded Jugs 1820-1900"},{"@link":{"notes":"Cf. a version of the original design of this jug, in stoneware with hops and barley set against a blue ground (no.316), and of the other prize jug with vine design  set against a blue ground (no.301) . Also information on the use of the \u2018M\u2019 for Minton in the ornamentation of the raised pattern number ribbon. For the moulded scroll mark and year cypher for 1848, see p. 378-380.","page":"pp. 46-47, 378-380","type":"reference"},"admin":{"id":"publication-3003","uid":"adlib-publication-3003","uuid":"642094f9-3e39-3eeb-90ea-42311670123e"},"summary_title":"Minton: The First Two Hundred Years of Design & Production"},{"@link":{"notes":"Ref. for Minton & Co.","page":"225-227","type":"reference"},"admin":{"id":"publication-2669","uid":"adlib-publication-2669","uuid":"aa0d3603-2ba6-3e9d-90d9-3f0d5506093f"},"summary_title":"Encyclopedia of Pottery and Porcelain, The Nineteenth and Twentieth Centuries"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-108150","uid":"adlib-term-108150","uuid":"42e3994d-ec02-3a34-be82-e954d8d50606"},"summary_title":"drinking"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-108163","uid":"adlib-term-108163","uuid":"2c275e71-44b6-36ea-87d6-0e10404c1cdd"},"summary_title":"barley"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-109776","uid":"adlib-term-109776","uuid":"38e62d0f-dade-3526-817e-6c37b0f5b8c9"},"summary_title":"hops"},{"@link":{"type":"literal"},"name":[{"value":"barley"}],"summary_title":"barley"},{"@link":{"type":"literal"},"name":[{"value":"hops"}],"summary_title":"hops"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug","techniques":[{"description":[{"value":"earthenware, relief moulded, slip-coated and glazed."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120089","uid":"adlib-term-120089","uuid":"264506fa-fe1e-372b-899e-59a1a1be4a92"},"summary_title":"relief-moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-122641","uid":"adlib-term-122641","uuid":"d5fb75d8-097d-3fd7-8e70-87e9d96d77f7"},"summary_title":"glazing"}}],"title":[{"value":"Beer jug with hop and barley decoration"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71533","_score":16.48232,"_source":{"admin":{"added":1592984295000,"created":1312637261000,"flag":"Standard Record","id":"object-71533","indexed":1747160231944,"modified":1714466055000,"processed":1747159409017,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71533","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71533","uuid":"52716005-14ff-364a-b7e9-c335626bb453","version":5},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-167399","uid":"adlib-agent-167399","uuid":"5bcafb25-0bd3-36ad-9878-d98c9e13c293"},"summary_title":"Edward VII (1901-10)"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"},{"@link":{"type":"reference"},"admin":{"id":"term-107644","uid":"adlib-term-107644","uuid":"e79751e0-f2fc-3ca2-a955-cc60b31daebb"},"summary_title":"smear-glazed stoneware"}],"component":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-40400","uid":"adlib-term-40400","uuid":"4caf8646-1108-3ae6-85a0-c0a4797f9f10"},"summary_title":"pewter"}}],"name":"Cover"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23550","uid":"adlib-term-23550","uuid":"bce302cf-3608-34aa-abf7-dcb9acdd4024"},"summary_title":"heraldry"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Off-white, relief moulded, smear glazed, stoneware jug with pewter mount and cover."},{"value":"Globular body with cylindrical neck and projecting lip, decorated in relief and moulded in two parts. Applied, hand-modelled handle in the form of a twisted branch or vine.  On the neck, the Royal Arms and Prince of Wales's Feathers, each twice, above a ribbon impressed with the words 'IRELAND WALES ENGLAND SCOTLAND'. On the body, below each country name its coat of arms, each within a quatrefoil, beaded outline and separated by a shamrock, leek, rose and thistle and two \u2018ER\u2019 monograms, all crowned. The outside is smear-glazed, the interior fully glazed and shiny. There is a narrow footring and the underside is recessed and smear-glazed. The pewter cover is hinged and has a small foliated thumbpiece."}],"identifier":[{"accession_number":"C.1-1987","primary":true,"type":"accession number","value":"C.1-1987"},{"priref":"71533","type":"priref","value":"71533"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71533","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71533"}],"inscription":[{"location":"on neck","method":"impressed","transcription":[{"value":"IRELAND \/ WALES \/ ENGLAND \/ SCOTLAND"}],"type":"inscription"},{"description":[{"value":"Impressed into circular band surrounding diamond-shaped patent registration mark for 14 October 1863"}],"location":"underside of base","method":"relief moulded with body","transcription":[{"value":"ALBION 12 COBRIDGE WB"}],"type":"mark"},{"location":"underside of base, near rim","method":"impressed stamp","transcription":[{"value":"J.B"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the G. 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Rylands Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-160902","uid":"adlib-agent-160902","uuid":"69774b1d-dfbc-34f2-9c02-b2e9c1cf8659"},"summary_title":"Applin, Jess"}],"date":[{"earliest":1987,"latest":1987,"value":"1987-02-02"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1987-02-02"}]}],"creation":[{"date":[{"earliest":1863,"era":["CE"],"latest":1863,"precision":"circa","value":"1863"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-160901","uid":"adlib-agent-160901","uuid":"661fcf07-fbc3-3454-a157-da6b319b8c94"},"summary_title":"Brownfield, William"}],"note":[{"value":"Relief moulded jugs were popular in mid 19th Century homes, where they were used for water, beer milk and other liquids which might now be kept in bottles, cans or plastic jars.\nThe smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament, whilst the stoneware is sufficiently durable for everyday use. 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The smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament, whilst the stoneware would be durable in an everyday setting. There are several examples in the Fitzwilliam Collection. This jug\u2019s bulrush design indicates its function, as a water jug."},{"value":"The Ridgway family produced stoneware and porcelain in Staffordshire from the 1790s until the 20th Century. Trained by their father, Job, the brothers William and John already had a reputation for drab (coloured) stoneware  decorated with applied relief sprigs when William Ridgway established Church Works, Hanley, in 1831. He was also a noted philanthropist, building alms houses and a school for local children \u2013 many of whom he employed in his potteries. With his partner James Leonard Abington and (later) his son Edward, by 1843 he operated six pot-works in Hanley and Shelton. The business  became known for its relief-moulded jugs, for which it is likely that Abington was the modeller, and was re-named Ridgway & Abington in 1845. One of the first to offer such jugs, in the early 1830s, they produced some 26 designs over the next 30 years. Other potters followed, notably Minton and Charles Meigh, and relief moulded jugs (some with ceramic or metal lids) in a wide variety of design became a popular household mainstay for water, beer milk and other liquids which might now be kept in bottles, cans or plastic jars."},{"value":"The decoration is unusual. However, an 1849 review in The Journal of Design and Manufactures commends it over the more common use of narrative or classical designs: 'The bulrush jug is calculated for a large sale, by reason, as it seems, of its demanding probably little labour to finish it, and its consequent cheapness\u2026 we presume [it] is for tee-totallers, from the watery character of its ornament\u2019. The same design was used on a mustard pot and a sugar box, both with metal lids, and some jugs have \u2018BULRUSH\u2019 impressed on the base; only two Ridgway jug designs were named in this way. The design seems to have instigated a new fashion, as several other potteries, notably Dudson, produced naturalistic relief moulded jugs from the 1850s.   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The sides of the jug spread out towards a high shoulder and a cylindrical neck, which flares towards the rim and spout. The sides are decorated with six oval strapwork panels, each containing, in turn, the leaves and fruit of vines, hops and barley or corn. Below each panel is an oval shield flanked by foliate scrolls. A strapwork border runs around the neck. The handle is angular, with scrollwork decoration. The outside is smear glazed; the interior is fully glazed and shiny. The underside is recessed and smear-glazed."}],"identifier":[{"accession_number":"C.46-1981","primary":true,"type":"accession number","value":"C.46-1981"},{"priref":"75185","type":"priref","value":"75185"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75185","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75185"}],"inscription":[{"description":[{"value":"Diamond shape with 'Rd' in the centre, 'w' in the left corner, 'u' in the top corner, '7' in the right corner, and 'I' in the bottom corner. Above the diamond a small circle with 'IV'."}],"location":"underside of base","method":"moulded with the body","type":"mark"},{"location":"underside of base","method":"impressed","transcription":[{"value":"21"}],"type":"mark"},{"description":[{"value":"two small parallel lines"}],"location":"underside of base","method":"incised","transcription":[{"value":"'ll'"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Countess Shelagh S. Rietberg, Cambridge, 1981"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166432","uid":"adlib-agent-166432","uuid":"46431f0b-ebf0-3857-9a9c-c73542adfde6"},"summary_title":"Rietberg, Shelagh, Countess"}],"date":[{"earliest":1981,"latest":1981,"value":"1981"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1981-10-12"}]}],"creation":[{"date":[{"earliest":1848,"from":{"earliest":1848,"era":["CE"],"latest":1848,"precision":"circa","value":"1848"},"latest":1850,"range":true,"to":{"earliest":1850,"era":["CE"],"latest":1850,"value":"1850"}}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-160980","uid":"adlib-agent-160980","uuid":"7a83d9b5-7352-3ae3-9950-be68d6de8d1c"},"summary_title":"Ridgway & Abington"},{"@link":{"type":"reference"},"admin":{"id":"agent-190601","uid":"adlib-agent-190601","uuid":"8a43a61b-26ec-3dfe-978f-290165b4d453"},"summary_title":"William Ridgway & Co"}],"note":[{"value":"In October 1849 the Art Journal noted that Ridgway & Abington \u2018are famous for their manufacture of water and beer jugs, which are, in almost all cases, admirable examples of design and execution\u2019. However, a reviewer in the March-August 1849 Journal of Design and Manufactures was less complimentary about this jug\u2019s design, writing: 'The principal defects of form are, that the curve of the lower portion is rather high shouldered, and that the handle is surprisingly ugly. The whole surface is a little too uniformly covered with enrichment, and in some places the lines are rather too crowded and huddled together. The ornament, consisting of hop, vine, and barley, is, however, prettily modelled\u2019. He also felt the architectural regularity of the panels was at odds with  \u2018the artistic mode of production\u2019 on the potter\u2019s wheel."},{"value":"Relief moulded jugs were popular in mid 19th Century homes. The smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament, whilst the stoneware would be durable in an everyday setting. There are several examples in the Fitzwilliam Collection. Here, the jug\u2019s vine and hop design indicates its function as a jug for a jug for beer or wine. The same jug was made in buff and white stoneware."},{"value":"The Ridgway family produced stoneware and porcelain in Staffordshire from the 1790s until the 20th Century. Trained by their father, Job, the brothers William and John already had a reputation for drab (coloured) stoneware  decorated with applied relief sprigs when William Ridgway established Church Works, Hanley, in 1831. He was also a noted philanthropist, building alms houses and a school for local children \u2013 many of whom he employed in his potteries. With his partner James Leonard Abington and (later) his son Edward, by 1843 he operated six pot-works in Hanley and Shelton. The business  became known for its relief-moulded jugs, for which it is likely that Abington was the modeller, and was re-named Ridgway & Abington in 1845. One of the first to offer such jugs, in the early 1830s, they produced some 26 designs over the next 30 years. Other potters followed, notably Minton and Charles Meigh, and relief moulded jugs (some with ceramic or metal lids) in a wide variety of design became a popular household mainstay for water, beer milk and other liquids which might now be kept in bottles, cans or plastic jars."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106851","uid":"adlib-term-106851","uuid":"e155f998-1e0b-3f2a-851c-24f44d05dd59"},"summary_title":"19th Century, 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On one side a sprigged relief of 'The Marriage at Gretna Green'; on the other, 'Falstaff in the Linen Basket'; on the front, below the lip, a hound in front of a tree. The handle has a scrolled thumb piece. The underside is slightly recessed and glazed, within a wavy-edged footrim."}],"identifier":[{"accession_number":"C.6-1985","primary":true,"type":"accession number","value":"C.6-1985"},{"priref":"75678","type":"priref","value":"75678"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75678","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75678"}],"inscription":[{"description":[{"value":"\u2018COPELAND & GARRETT\u2019 circular , \u2018LATE SPODE\u2019 across the middle, \u201831\u2019 below"}],"method":"impressed","transcription":[{"value":"COPELAND & GARRETT\/LATE SPODE\/31"}],"type":"mark"},{"method":"impressed","transcription":[{"value":"12"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bequeathed by A H Palmer"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-155886","uid":"adlib-agent-155886","uuid":"a031c012-4afd-3048-b476-61c1d8011d1f"},"summary_title":"Palmer, A. 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Sprig moulds purchased by Spode from William Turner in 1829 include both \u2018Marriage\u2019 and the \u2018Falstaff\u2019 scenes similar to those used for this jug, which was produced in different clays, including an off-white version. Meanwhile,   Copeland was a Member of Parliament for 25 years and took an interest in the development of provincial art schools, and while this jug was in production, he was Lord Mayor of London (1935-36)."},{"value":"Relief moulded jugs were popular in mid 19th Century homes, where they were used for water, beer, milk and other liquids which might now be kept in bottles, cans or plastic jars.\nThe smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament, the stoneware is sufficiently durable for everyday use and two piece press-moulding was a relatively inexpensive process. Here the glazing also helps to obscure the join of sprig to body. There are several relief moulded jugs in the Fitzwilliam Collection. The earliest recorded  examples of this type date from c.1820 (see C.48-1981) and they were widely available from the early 1930s."},{"value":"The images on this jug would have been taken from contemporary engravings: versions of both scenes were popular throughout the century.  'Falstaff in the Linen Basket' comes from Shakespeare\u2019s \u2018Merry Wives of Windsor\u2019 Act III, scene 3. The scene was perhaps selected for its moral message, since it records Falstaff\u2019s \u2018washing\u2019 as a punishment for lascivious behaviour.  \u2018The Marriage at Gretna Green\u2019 shows a marriage taking place in a blacksmith\u2019s forge. Gretna Green on the Scottish borders, was a popular venue for runaway weddings following the 1754 Marriage Act, which required parental consent for those marrying under the age of 21 in England; in Scotland boys could still legally marry at 14 and girls at 12. A later painting by Edward J Halliday, \u2018The Ceremony at Gretna Green\u2019, 1907, in the Compton Verney Collection, clearly comes from the same original source."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-119977","uid":"adlib-term-119977","uuid":"96c74ab3-0541-3751-b578-34008824b454"},"summary_title":"19th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-109918","uid":"adlib-term-109918","uuid":"b99df2d6-5877-350a-aba8-e750da5d9ef0"},"summary_title":"William IV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110455","uid":"adlib-term-110455","uuid":"5e7df88f-a1c2-39c8-a341-807aa544c9d0"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Stoke-on-Trent"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"18.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-45835","uid":"adlib-media-45835","uuid":"92fdab08-7ece-3618-ad30-8facc47e1237"},"processed":{"large":{"format":"jpeg","location":"aa\/aa3\/C_6_1985_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583436815,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa3\/mid_C_6_1985_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583436815,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa3\/C_6_1985_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583436815,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa3\/preview_C_6_1985_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583436815,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-45836","uid":"adlib-media-45836","uuid":"a7538110-84b6-3342-82c3-9ad385792bc8"},"processed":{"large":{"format":"jpeg","location":"aa\/aa3\/C_6_1985_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583451126,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa3\/mid_C_6_1985_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583451126,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa3\/C_6_1985_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583451126,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa3\/preview_C_6_1985_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583451126,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}}],"note":[{"type":"history note","value":"unknown before A.H. 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The body of the jug is approximately pear-shaped with an upward flaring lip and a vertical band below the angular handle. It stands on a low circular pedestal foot with twelve alternately curved and straight facets round the edge. The side of the body is decorated with knights in armour, two standing, two jousting on horseback, either side of a striped tent, between an upper border of moulded gothic window tracery and corbels, and a lower borders of gothic fleurs-de-lys and grapevines. with window tracery below."}],"identifier":[{"accession_number":"C.5-2021","primary":true,"type":"accession number","value":"C.5-2021"},{"priref":"307499","type":"priref","value":"307499"},{"date":[{"earliest":2021,"latest":2021,"value":"2021-11-03"}],"source":"The Fitzwilliam Museum","type":"object entry form","value":"1555"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/307499","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/307499"}],"inscription":[{"description":[{"value":"impressed inscription"}],"location":"underside of base","method":"stamped","transcription":[{"value":"Published by \/ W. RIDGWAY SON. & Co. \/ HANLEY \/ September 1. 1840"}],"type":"maker's mark"},{"location":"on base below maker's mark","method":"impressed with stamp","transcription":[{"value":"12 \/ I"}],"type":"number"},{"description":[{"value":"rectangular white card printed; the first three words in Gothic style script"}],"location":"loose inside jug","method":"printed in black","transcription":[{"value":"Ridgway\/Jousting Jug\/Sept. 1st 1840\/dated\/........"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Dr Robert Ridgway"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-206402","uid":"adlib-agent-206402","uuid":"4b3ebdc2-501a-3ef3-85de-6bfa6fcdca03"},"summary_title":"Ridgway, Robert"}],"date":[{"earliest":2021,"latest":2021,"value":"2021"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1840,"latest":1840,"precision":"circa","value":"1840"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-206442","uid":"adlib-agent-206442","uuid":"8e1c36ba-9b54-37ee-a3a2-5d6a54462b4c"},"summary_title":"William Ridgway, Son & Co"},{"@link":{"role":[{"value":"proprietor of factory"}],"type":"reference"},"admin":{"id":"agent-114987","uid":"adlib-agent-114987","uuid":"fc079265-84e3-3d08-addf-5145c79b78cc"},"summary_title":"Ridgway, William"}],"note":[{"value":"The 1830s witnessed a revival in interest in the Middle Ages, especially tales of romance and chivalry. On 28 August 1839, Archibald William Montgomerie, 13th Earl of Eglinton and Winton, hosted the famous Eglinton Tournament, at Eglinton Castle, Ayrshire, Scotland, in which the Earl and his guests dressed themselves in medieval-style costumes and took part in processions and competitions. Torrential rain spoiled the first day, and the jousting and mel\u00e9e took place a couple of days later. The tournament was open to the public and attracted tens of thousands of spectators but was arguably a deliberate set piece of romanticism in the face of the widespread social and ideological upheaval experienced throughout Europe during the 1830s.  A variety of commemorative souvenirs was produced, including textiles and ceramics, including a range of moulded jugs, in different colours and sizes, by Ridgway Son & Co. 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The jug has an ovoid body, a cylindrical neck with pulled lip, and an angular applied handle with a pseudo-strap fastening it to the neck, and a large serrated leaf terminal where the lower end joins the body. The lower part is engine-turned with bamboo flutes with two raised horizontal bands at the top, above which, on the front below the lip,  is a large sprig of three huntsmen, a maid servant, two horses, and two hounds standing beside a tree with an inn sign suspended from it. One huntsman holds up a mug as if raising a toast. On the viewer's left, is a tree with a stump beside it, and on the right a tree with more abundant foliage at the top, and more at its base.  The neck is encircled by a silver mount which has a raised horizontal line half-way up. The underside is very slightly recessed and bears the impressed mark 'TURNER'."}],"identifier":[{"accession_number":"C.1264-1928","primary":true,"type":"accession number","value":"C.1264-1928"},{"priref":"71690","type":"priref","value":"71690"},{"source":"Glaisher MS Catalogue, vol. 14","type":"old object number","value":"3340"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71690","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71690"}],"inscription":[{"location":"underside of base","method":"impressed","transcription":[{"value":"TURNER"}],"type":"mark"},{"location":"outside of silver rim","method":"struck","transcription":[{"value":"IT"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr. J.W.L. 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In the 1780s, the Turners introduced jugs and mugs like this example, with ribbed, brown-glazed necks and sharply modelled sprigs - designs formed in small plaster, clay or brass moulds and applied to leather hard clay. The jugs were made with and without a silver mount, and sometimes with a hinged lid.The style was soon imitated by other businesses, and other businesses, notably Adams and Spode, are known to have bought up moulds in the 1806 Turner bankrupcy sale. From around the mid 1820s, however, such jugs were more often made in two-piece relief moulds. There are several examples in the Fitzwilliam Collection."},{"value":"The Turner factory was founded  in Stoke about 1760 by John Turner and was initially known as Turner & Banks. In 1762 Turner moved to Lane End, Longton, and from 1762 to 1781 John Turner was the sole proprietor. From 1781 to 1787 it was known as Turner and Abbot. John Turner died in 1787 and was succeeded by his two sons, William and John. The firm was known as Turners, Abbott & Newbury from 1788 to 1792, and  from 1792 to 1803 as William and John Turner. From 1803 until their bankruptcy in 1806 the firm continued as Turner(s), Glover & Simpson. The Turners ran various smaller potworks until 1829. John Turner died in 1824, and William in 1835. During the 1780s and 1790s the brothers experimented widely and their firm became one of the largest manufacturers of dry-bodied stoneware, making jasper, white stoneware and caneware, including a range of lidded pie dishes which mimic pastry in the shape of pies or animals (see C.29-2013)."},{"value":"The mark on the silver mount may be that registered by a Sheffield silversmith , J.Tibbitts, in 1778. This earliest known silver date mark on the mount on the rim of a jug with the' Huntsmen at the Inn' sprig is 1784 However, although this jug could be as early as 1784, it was probably made some years later up to 1804."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"},{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, 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The handle is in the form of a greyhound with its front paws resting on the rim and supporting its head and its hind legs and tail resting on the body below the shoulder. The body is decorated in relief with hunting scenes: on one side, hounds attack a boar; on the other, hounds attack a stag. Above, there is a scalloped border and round the neck there is a wavy hop stem. The interior is fully glazed and glossy. 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The size and style of this example suggest it may be a milk jug. The smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament,  here in contasting off-white sprigs, and the stoneware is sufficiently durable for everyday use. Sprigging, or designs formed in small plaster, clay or brass moulds and applied to leather hard clay, was a common form of decoration from the late eighteenth century. From around the mid 1820s, such jugs were more often made in two-piece relief moulds. There are several examples in the Fitzwilliam Collection."},{"value":"The Ridgway family produced stoneware and china in Staffordshire from the 1790s until the 20th Century. The pad mark on this jug was used between c.1815-1830 when, trained by their father Job, the brothers William and John were known for producing this type of  drab (coloured) stoneware  decorated with applied relief sprigs. A Bell Works pattern book indicates that it was probably made there, though the brothers also operated at Cauldron Place Works and, in 1830, separated to run their own factories. 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