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A young woman, Colette is seated on a rock on an irregularly-shaped low mound base, with a vase of flowers on her right. She turns her head to her left, gazing adoringly at a young gardener, Jacquot, who stands with his left knee resting on the rock, leaning towards her and placing his right arm on her back, and taking her left hand in his, as if about to embrace her. His hat lies on the ground in front of him."}],"identifier":[{"accession_number":"C.11-1947","primary":true,"type":"accession number","value":"C.11-1947"},{"priref":"93486","type":"priref","value":"93486"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93486","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93486"}],"inscription":[{"location":"on front of base","method":"incised","transcription":[{"value":"14"}],"type":"incised mark"},{"description":[{"value":"script"}],"location":"on front of base","method":"incised","transcription":[{"value":"B or Bo"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. 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This group was modelled in 1766 and put into production in 1767 under the direction of Jean-Jacques Bachelier, his successor  as director of the sculpture workshop between 1766 and 1773. The terre cuite (terracotta) model is preserved in the Mus\u00e9e national de C\u00e9ramique, S\u00e8vres (MNC 7737). The group shows a gardener, Jacquot, and his lover Colette from a play, 'La F\u00eate au Ch\u00e2teau' by Charles-Simon Favart or his wife, which was commissioned by Mme de Mauconseil to celebrate the recovery of her daughter after an illness. The premier took place at the Villa de Bagatelle before the old king of Poland, Stanislas. The play was performed four times at Versailles and once at the Trianon, and entered the repertoire of the Th\u00e9\u00e2tre-Italien on 25 September 1766. The first biscuit group sold cost 144 livres (AMNS, Vy4, fo 135). The group was often sold paired with another, 'La f\u00e9e Urg\u00e8le', the title of an op\u00e9ra comique  with libretto by Favart.  This particular group is marked with an incised B which may be that of Bachelier, but could be interpreted as the Bo mark of his successor, Louis-Simon Boizot between 1775-70."},{"value":"Unglazed biscuit porcelain was introduced at Vincennes from 1751, and production continued after the factory moved in S\u00e8vres in the late summer of 1756. 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(Frances Louisa) Dickson"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-73644","uid":"adlib-object-73644","uuid":"b8cfe907-0861-3b04-883c-9d6da5059505"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89196","uid":"adlib-term-89196","uuid":"daa8a4b5-42b3-3b6b-bbb3-b5e1703fc2c4"},"summary_title":"tray"}},"summary_title":"tray"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-93753","uid":"adlib-object-93753","uuid":"3492b7ed-cc00-3957-9d14-40d5dce182fd"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89328","uid":"adlib-term-89328","uuid":"7426f28e-0b60-31b2-bfb8-3502da83b1da"},"summary_title":"\u00e9cuelle"}},"summary_title":"\u00e9cuelle"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Ref. p. 63 for this model","page":"63","type":"reference"},"admin":{"id":"publication-3883","uid":"adlib-publication-3883","uuid":"49bb66f3-5586-3dc4-8357-e7a7673bce32"},"summary_title":"Le Biscuit de S\u00e8vres au XVIIIe si\u00e8cle"},{"@link":{"type":"reference"},"admin":{"id":"publication-3660","uid":"adlib-publication-3660","uuid":"c20278df-e651-376e-877c-be562a5f8e59"},"summary_title":"Le Biscuit de S\u00e8vres, recueil des mod\u00e8les de la manufacture de S\u00e8vres au XVIIIe si\u00e8cle"},{"@link":{"notes":"Ref. pp. 18-23, for Falconet, and cf. pl. VI and example of this model in the author's collection.","page":"18-23","type":"reference"},"admin":{"id":"publication-200001941","uid":"adlib-publication-200001941","uuid":"f27858c8-2e6a-3d55-a6d0-10d9ad76c290"},"summary_title":"Falconet and S\u00e8vres biscuit"},{"@link":{"notes":"Cf. pp. 194-7, fig. 8, an example in the Elizabeth Parke Firestone Collection.","page":"194-7","type":"reference"},"admin":{"id":"publication-200001307","uid":"adlib-publication-200001307","uuid":"6c67f1c6-922d-3c28-b5ef-b6e3467aa007"},"summary_title":"Soft-paste biscuit figures from Vincennes and S\u00e8vres"},{"@link":{"notes":"Ref. pp. 27-8, see the postscript for the interpretation of the marks on biscuit figures.","page":"27-8","type":"reference"},"admin":{"id":"publication-200001238","uid":"adlib-publication-200001238","uuid":"ee3c8789-6896-350f-95d5-88483fee27ac"},"summary_title":"Les Marques sur les Biscuits en Pat\u00e9 Tendre de Vincennes et S\u00e8vres"},{"@link":{"notes":"Ref. 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The vase stands on a circular pedestal foot. The ovoid body contracts above the widest point to the circular mouth thus forming a shoulder. The domed cover is surmounted by a finial in the shape of a large and a small carnation on a stem. The shoulder of the vase, and the cover, are each pierced with six oval apertures surrounded by stylised foliage in low relief. The shoulder of the vase is at a slightly lower level that the rest of the body and is divided from it by a gold band with curves below the apertures. The white ground is decorated with sprays of flowers in blue enamel, and the carnation finial is touched with blue. There are two bands of gilding round the foot and serrated bands round the junction of the foot and body and round the lip and on  the edge of the cover. The moulding round the apertures and the stem of the finial are gilded.\nA pair with C.13.1 & A-1947."}],"identifier":[{"accession_number":"C.13.2 & A-1947","primary":true,"type":"accession number","value":"C.13.2 & A-1947"},{"priref":"82542","type":"priref","value":"82542"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82542","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82542"}],"inscription":[{"description":[{"value":"interlaced L's enclosing A with a crown above"}],"location":"on base of vase in centre","method":"painted in blue enamel","type":"factory mark"},{"location":"on base of vase","method":"incised","transcription":[{"value":"3"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1947,"latest":1910,"value":"1947-10"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1947-10. 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This vase and its pair may have been the two mentioned in a garde robe of the H\u00f4tel de Pompadour in the probate inventory of Madame de Pompadour in 1764, see Documentation."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113744","uid":"adlib-term-113744","uuid":"da105475-9705-3ee7-94ad-24892e6217d4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Val-de-Marne"}],"summary_title":"Val-de-Marne","type":"region"}]],"summary_title":"Vincennes"}]}]},"materials":[{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"14.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-53537","uid":"adlib-media-53537","uuid":"38f24616-63dd-3d5b-9ce4-017ab1e3bed6"},"processed":{"large":{"format":"jpeg","location":"aa\/aa23\/C_13_1_20_26_2013_2_20_26_20A_1947.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":627},{"dimension":"width","units":"pixels","value":760}]},"modified":1742584207052,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa23\/mid_C_13_1_20_26_2013_2_20_26_20A_1947.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":413},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584207052,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa23\/C_13_1_20_26_2013_2_20_26_20A_1947.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":627},{"dimension":"width","units":"pixels","value":760}]},"modified":1742584207052,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa23\/preview_C_13_1_20_26_2013_2_20_26_20A_1947.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":206},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584207052,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89257","uid":"adlib-term-89257","uuid":"2707da46-9e7a-3109-9af7-6b0e5d567eee"},"summary_title":"pot-pourri vase"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107478","uid":"adlib-term-107478","uuid":"81002e74-5083-37b8-a429-4a303fc40695"},"summary_title":"cover"}},{"type":"factory name","value":"pot-pourri Pompadour"}],"note":[{"type":"history note","value":"The late Duke of Kent; Christie's, 13 March 1947, Old English Furniture and Fine Porcelain, the property of Her Royal Highness the Duchess of Kent, p. 13, lot 163. 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Lozenge-shaped with deep, sloping sides, pierced to resemble stylised leaves with an anthemion in the centre of each side. The rim is scalloped and the lower part of the outer edge of the footring is moulded to resemble basketwork. There is a suspension hole in the footring. The ground is bleu celeste decorated with garlands of gilt husks. In the centre there is an oval reserve framed by a band of chased gilding, and painted in polychrome enamels with a bouquet of flowers. The interior and exterior of the sides have a bleu celeste ground alternating with reserved white zones outlined with gold.\n\nOne of a pair with C.41A-1961."}],"identifier":[{"accession_number":"C.41B-1961","primary":true,"type":"accession number","value":"C.41B-1961"},{"priref":"93587","type":"priref","value":"93587"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93587","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93587"}],"inscription":[{"description":[{"value":"in script with S sideways"}],"location":"on base right up against the footring","method":"incised","transcription":[{"value":"cs"}],"type":"incised mark"},{"description":[{"value":"narrow rectangular white paper label"}],"location":"on base","method":"hand-written in ink","transcription":[{"value":"Collection of\/Viscount Harcourt"}],"type":"label"},{"description":[{"value":"oval white paper label"}],"location":"on base","method":"in ink and print","transcription":[{"value":"FROM THE\/CH\u00c9R\u00c9MET\u00c8FF S\u00c8VRES\/COLLECTION.\nMrs Burns\nASHER WERTHEIMER,\/158, NEW BOND STREET,\/LONDON."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequst, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Mrs Burn was the wife of Walter Hayes Burn, of New York, who purchased 69 Brook Street, London in 1884 , and in 1890, no. 7, and was a notable collector of French art. After his death in 1897 the property was occupied by his widow, and then by his daugher, Mary Ethel, who married Viscount Harcourt in 1899. Viscount Harcourt died in 1922, and the house and its contents were sold in 1927. The house became Brooks Club."}]}],"creation":[{"date":[{"earliest":1769,"era":["CE"],"latest":1769,"note":[{"value":"The tray bears the date letter for 1769"}],"value":"1769"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"possibly","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-162415","uid":"adlib-agent-162415","uuid":"baae0116-646d-3d9d-b238-79fa655e11e6"},"summary_title":"Censier, Charles"}],"note":[{"value":"David Peters (Documentation 2005) has posited that the bulk of this service, mainly for dessert, was purchased on 5 November 1768 by an unnamed buyer, whom he considered may have been the Monsieur de Cotensky who on on 9 March 1769 purchased 24 plates and 2 ice buckets, pieces which were items not included in the order of 5 November 1768. Monsieur de Cotensky was possibly Nikolai Konstantinovich Chotinski, Russian charg\u00e9 d\u2019affaires to France from 24 December 1767 to January 1774. There were two corbeilles losanges at 216 livres in the November 1768 order, which as the Fitzwilliam's are dated 1769 raises a question of whether they are the same ones, particularly as there are two in the Dodge Collection (71.222, 71,223), which have similar gilding, and reserves painted with birds after Buffon. Those however, were painted by Aloncle. In the exhibition of S\u00e8vres from the Sheremeteff collection held  by Asher Wertheimer in Bond Street, two plateaux-corbeilles losanges ajour\u00e9es were nos. 10 and 11, said to be painted by Dodin, and a further two, nos. 12 and 13 by Le Bel. It seems possible that the last two were the two now in the Fitzwilliam and that the identification of the painter who signed L. as Le Bel was in error for Lev\u00e9, although the catalogue appears to indicate that all the pieces in this service in the list were painted with birds."},{"value":"The plateau -corbeille lozange was introduced in 1755"},{"value":"This plateau-corbeille losange ajour\u00e9e, and its pair (C.41A-1961) with two compotiers ronds C.37A & B-1961, are all decorated with swags of husks or wheat ear, and probably formed part of a service decorated with birds from Buffon or  flowers, which in the 19th century belonged to Count A.D. 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These plateaux have the same gilded decoration as the Fitzwilliam's examples with floral bouquets in the centre. The author, Clare Corbeiller cites Peters, as her source for the use of plateaux lozenges as stands for sauceboats in addition to their use with a cup but is not referring to the basket-like variety.","page":"194-5","type":"reference"},"admin":{"id":"publication-5305","uid":"adlib-publication-5305","uuid":"da091c04-392c-3f11-add1-632cea602e03"},"summary_title":"The Dodge Collection of Eighteenth-Century French and English Art in the Detroit Institute of Arts"},{"@link":{"notes":"Ref.Vol. II, pp. 401-02, for the bleu c\u00e9leste ground service formerly in the Ch\u00e9r\u00e9m\u00e8eff Collection, which Peters considers is likely to have been a service, mainly for dessert, sold on 5 November 1768 to an unnamed buyer, who may have been a Monsieur de Cotensky who on 9 March 1769 purchased 24 plates and 2 ice buckets, pieces missing from the earlier order. 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The jug swells out slightly from base, then rises and contracts into a narrow neck before flaring outwards at the front to form a lip, and at the opposite side to project slightly over the single-loop handle. The ground is bleu lapis caillout\u00e9 in gold with, under the spout, a pear-shaped reserve, surrounded by an elaborate frame of scrolls, shells and trellis diaperpanels. The reserve is painted in polychrome with a man and woman peasant sitting on a bench in front of a cottage with a landscape in the background. There are gold bands round the foot and rim, dentilated on the interior, gold lines down the sides of the handles and five horizontal striated areas down its back.\nPart of a dejeuner comprising a tray, cup and saucer, and sugar basin and cover."}],"identifier":[{"accession_number":"C.20.2-1961","primary":true,"type":"accession number","value":"C.20.2-1961"},{"priref":"93556","type":"priref","value":"93556"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93556","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93556"}],"inscription":[{"description":[{"value":"interlaced L's enclosing G with a dot below the Ls"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"a horizontal line above the mark, with three evenly dispersed dots"}],"location":"on base","method":"painted in blue enamel","type":"painter's mark"},{"description":[{"value":"closed 4 and c followed by sloping S"}],"location":"on base","method":"incised","transcription":[{"value":"'4' and 'cS'"}],"type":"incised mark"},{"description":[{"value":"rectangular white paper label with cut corners, now discoloured"}],"location":"on the base","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"SEVRES, printed, Painter Viellard\/Date 1759, hand-written"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1759,"era":["CE"],"latest":1759,"note":[{"value":"The jug bears the date letter for 1759"}],"precision":"circa","value":"1759"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-140351","uid":"adlib-agent-140351","uuid":"c7d542ac-aafe-3e9f-9375-9cd93cfe24b6"},"summary_title":"Vielliard, Andr\u00e9-Vincent"}],"note":[{"value":"Genre scenes in the style of David Teniers the Younger (1610-90), derived from, or inspired by prints by Jacques-Philippe Lebas, were very popular as decoration on S\u00e8vres during the 1760s. 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This one is of  the second size which was from 9.2 to 10.4 cm high.  The decorative format of a pink or blue pointill\u00e9 ground with painted reserves was popular in the early 1770s. 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The rim is encircled by a dentilated gold band."}],"identifier":[{"accession_number":"C.194 & A-1918","primary":true,"type":"accession number","value":"C.194 & A-1918"},{"priref":"86623","type":"priref","value":"86623"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86623","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86623"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls enclosing KK"}],"type":"factory mark"},{"location":"on base of kup and saucer","method":"painted in blue enamel","transcription":[{"value":"V."}],"type":"painter's mark"},{"description":[{"value":"41 with the 1 slanting to the right"}],"location":"on base of cup","method":"incised underglaze","transcription":[{"value":"41"}],"type":"incised mark"},{"description":[{"value":"3 a dash, longer than shown above, 1 slanting, possibly 31 or 37"}],"location":"on base of saucer","method":"incised underglaze","transcription":[{"value":"3-1 or 37"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166982","uid":"adlib-agent-166982","uuid":"379e05a8-af03-3c3f-8302-1ff6e68b6c8b"},"summary_title":"Griffin, Ralph"}],"date":[{"earliest":1918,"latest":1918,"value":"1918"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1918-08-28"}]}],"creation":[{"date":[{"earliest":1787,"era":["CE"],"latest":1787,"note":[{"value":"Both pieces bear the date letter for 1787"}],"value":"1787"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-175457","uid":"adlib-agent-175457","uuid":"6e9d1bf1-1dae-33ad-bff1-1da53a119152"},"summary_title":"Noualher, Antoinette-Marie"}],"note":[{"value":"Cups decorated with initials were a new venture initiated by the comte d\u2019Angiviller in the summer of 1784, after he had seen Clignancourt cups decorated in this way. Between then and 1789 over 1000 were produced. Sir Geoffrey de Bellaigue cites over 80 in 1784, over 400 in 1785,nearly 500 in 1786, about 160 in 1787 and fewer than 20 in 1788. (See Documentation, Bellaigue, 1980)."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Savill, 1988, Bellaigue 2009)  This is a gobelet litron of the second size with Savill's handle B."},{"value":"The incised mark on the cup, 41, is recorded on cups and saucers in the 1780s and 1790s, and on two vases of 1779 and 1780 respectively. It also occurs on C.56-1961, a cup of 1784, also on a saucer of 1780 in the Royal Collection"},{"value":"The painter's mark does not occur in MS Vj\u20192 but has been deduced from payments in the Artistis Lists of payments as that of Mme Antoinette-Marie Noualher (n\u00e9e Huet) , working from c. 1762-98. An almost similar mark was used by her daughter from c. 1790-98, and possibly earlier in the late 1780s, who about 1796 became Mme Weydinger."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis 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The bucket-shaped cup has a double entwined branch handle. The saucer is circular with a narrow, deep cylindrical well, and a wide rim, curving upwards slightly at the edge. It has a suspension hole in the footrim.  Both pieces have a white ground. The cup has two almost circular reserves framed by bands of gilding tooled with panels of criss-cross alternating with panels of striations. One reserve is painted with a trophy, comprising a book of music, tambourine, a recorder, an houlette, an arrow, and a basket with a pink bow on its handle, and a garland of flowerst. The other has a trophy comprising a quiver of arrows, a bow and an arrow, a torch an oboe (?), and a garland of flowers. Between the trophies, round the upper edge of the cup there is a border of gilded scrolls, and panels of dots and trellis diaper patterns. There is a band of gilding round the foot, a dentilated band round the lip and touches of gilding on the handle, whose terminals are heavily gilded. The saucer is decorated en suite with two kidney-shaped reserves containing trophies. One comprises a shield, quiver of arrows, spear, an arrow, a sword, a laurel wreath and a spray of flowers and foliage; the other, a woman's broad-brimmed hat with two feathers in it, a distaff, an houlette, and a garland of flowers. 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The cup is similar to a gobelet \u00e0 la reine and the socketed saucer, referred to as having 'le milieu enfonc\u00e9' was introduced in 1759. It  was probably intended to be used by people who were ill for taking milk or milk drinks. See Documentation, Savill, 1988."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste 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For the painter, Charles Buteux, see vol. III, pp. 1009-10. For notes on incised marks, see vol. III, pp. 1083-5, and for the r\u00e9pareur's mark '8', see vol. 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Round the neck there are looped garlands of gold leaves, and two sprays descend inside on either side of the lip All the applied flowers and leaves are gilded, and there are touches of gilding on the handle and feet."}],"identifier":[{"accession_number":"MAR.C.34-1912","primary":true,"type":"accession number","value":"MAR.C.34-1912"},{"priref":"82589","type":"priref","value":"82589"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82589","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82589"}],"inscription":[{"location":"on two of the feet","method":"in blue enamel","transcription":[{"value":"interlaced Ls"}],"type":"factory mark"},{"location":"on the foot under the handle","method":"painted in blue enamel","transcription":[{"value":"J"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"C.B. 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Circular, with shaped rim of six large arcs alternating with six small, gently sloping border and shallow well. There is a hole for suspension  in the footring, which has been broken away at this point. The white centre is painted in polychrome with two birds; one stands on the ground with its left leg raised and its head turned sharply to the left; behind it to the left is a sprouting tree stump, on a branch of which is perched a second bird which looks downwards, its wings spread behind it. In the foreground to the left there is a plant with blue daisy-like flowers and in the background to the right, hazy trees. The rim has an apple green ground decorated in gold with oeil-de-perdrix. There is a gold band round the inner edge of the rim and a dentilated band round the outer edge."}],"identifier":[{"accession_number":"C.42-1961","primary":true,"type":"accession number","value":"C.42-1961"},{"priref":"93588","type":"priref","value":"93588"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93588","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93588"}],"inscription":[{"description":[{"value":"each L has a projection near the top before the cross over"}],"location":"on base","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing q"}],"type":"factory mark"},{"location":"on base","method":"painted in blue enamel","transcription":[{"value":"cp"}],"type":"painter's mark"},{"location":"on the base","method":"incised","transcription":[{"value":"c \/ V"}],"type":"mark"},{"description":[{"value":"r of Senr is raised"}],"location":"on base","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"'SEVRES' printed, 'Painter Chapuis Senr\/Date\/1768' hand-written"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L. 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Patterned grounds with tiny white circular reserves and gold oeil-de-perdrix decoration introduced about 1765 were associated with the painter Taillandier, and when they had a green ground were referred to as 'fond Taillandier vert' or 'fond pointill\u00e9 vert'."},{"value":"The decoration in the centre of the dish suggests strongly that it was painted  much later than 1769 which its date letter indicates. 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Under the handle at the top, there is a half flowerhead and three dots."}],"identifier":[{"accession_number":"C.16 & A-1961","primary":true,"type":"accession number","value":"C.16 & A-1961"},{"priref":"93552","type":"priref","value":"93552"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93552","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93552"}],"inscription":[{"description":[{"value":"interlaced L's enclosing F"}],"location":"on base of cup and saucer","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"four dots in the shape of a diamond"}],"location":"on base, below factory mark, on cup and saucer","method":"painted in blue enamel","type":"painter's mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"X"}],"type":"incised mark"},{"description":[{"value":"narrow rectangular label"}],"location":"on base of saucer","method":"inscribed in black ink","transcription":[{"value":"Duke of Bedford Coll."}],"type":"label"},{"description":[{"value":"rectangular paper label SEVRES printed in black, the rest hand-written in black"}],"location":"on base of saucer","method":"printed in black and hand-written in black","transcription":[{"value":"SEVRES\/ 'Ptd by Fontaine'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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Cylindrical cup with an arched and incurved loop handle. The upper part of the cup is decorated with alternately facing and backing green foliated scrolls, linked by swags of red and turquoise blue 'jewels' and separated by stylised flowers and leaves. The lower part is decorated by a border of paired berries with stylised buds between them. There is a band of gilding round the lower edge, a dentilated band round the rim, gold lines down the sides of the handle which has a large leaf and two small trilobate leaves separated by dots of graduated size down its back."}],"identifier":[{"accession_number":"C.56-1961","primary":true,"type":"accession number","value":"C.56-1961"},{"priref":"86622","type":"priref","value":"86622"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86622","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86622"}],"inscription":[{"location":"on base","method":"painted in faded gold","transcription":[{"value":"interlaced L's enclosing 99"}],"type":"factory mark"},{"description":[{"value":"IP joined together by the arc of the P, or HP with second stroke of H and P having same stroke"}],"location":"on base","method":"painted in gold","transcription":[{"value":"IP or HP monogram"}],"type":"gilder's mark"},{"location":"on base","method":"incised","transcription":[{"value":"41"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1784,"era":["CE"],"latest":1784,"value":"1784"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"uncertain","role":[{"value":"gilder"}],"type":"reference"},"admin":{"id":"agent-110671","uid":"adlib-agent-110671","uuid":"3eca4388-f66f-3727-af9c-e8bcb76157f2"},"summary_title":"Pr\u00e9vost, Jean Louis"}],"note":[{"value":"Eighteenth-century jewelling on S\u00e8vres porelain was often executed with blue ground colour or other darkish colours, but there are examples with a white ground. For example, two juice pots, one with cover, jewelled in green, red, and turquoise on a white ground gilded by Vincent (2000), and dated to c. 1780 and are in the Hermitage. (See Documentation Birioukova and Kasakevitch, 2005),  A milk jug in the British Museum, also with 2000 gilder\u2019s mark, is described as 18th century, with decoration later, probably late 19th century. (see Documentation, Dawson, 1994).  It is possible that this cup was decorated in the 19th century. A miniature gobelet litron with decoration very close to that on the Fitzwilliam's cup is at Haughton, Norfolk."},{"value":"Jewelled enamelling is recorded as being introduced by Philippe Parpette, a flower painter at the factory, and Joseph Cotteau, an Parisian enameller in 1778. Parpette worked mainly on this type of decoration between 1780-5. The latter left the factory in 1784, and after 1786 this type of decoration was rarely executed. The jewelled decoration was created by placing drops of translucent or opaque enamel over gold foils of different shapes formed by steel dies, and firing them so that they fused. The motif was then attached to the porcelain by an enamel and fired again at a lower temperature. This technique had been used much earlier on silver foil on early 16th century Limoges enamels on copper, and was also used, somewhat differently to create jewel effects on gold snuffboxes. The designs were usually by J.-B.-E. Genest, head of the artists\u2019 studio, and the steel dies were made by the Parisian engraver Jean-Pascal Le Guay (see Documentation, Bellaigue, 1979)"},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Savill, 1988, Bellaigue 2009,)\n\nThis is a gobelet litron of the third size with Savill's handle shape B."},{"value":"When inventoried by Sotheby\u2019s in October 1948, the gilding  was attributed to Henry-Martin Pr\u00e9vost, but the joined form of the HP or IP is not similar to his mark."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120998","uid":"adlib-term-120998","uuid":"f836095f-43c8-3016-826a-de974dd72678"},"summary_title":"18th Century, Late-19th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"5.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-59082","uid":"adlib-media-59082","uuid":"bab6b3ec-c65b-308c-a13c-7fb663271ef1"},"processed":{"large":{"format":"jpeg","location":"aa\/aa23\/C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":642}]},"modified":1616274703421,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa23\/mid_C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":592},{"dimension":"width","units":"pixels","value":500}]},"modified":1616274703421,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa23\/C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":642}]},"modified":1616274703421,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa23\/preview_C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":296},{"dimension":"width","units":"pixels","value":250}]},"modified":1616274703421,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-1504262525","source":"portfolio","uid":"portfolio-media-1504262525","uuid":"2af0b94c-24e7-3b40-b0d9-1736fc6bc66e"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/large_C_56_1961_200904_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1279},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529203013000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/mid_C_56_1961_200904_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":624},{"dimension":"width","units":"pixels","value":500}]},"modified":1529203013000,"resizable":true,"type":"image"},"original":{"location":"C.56-1961_200904_mfj22_mas.tif","modified":1529203013000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/preview_C_56_1961_200904_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":312},{"dimension":"width","units":"pixels","value":250}]},"modified":1529203013000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/C_56_1961_200904_mfj22_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":4262},{"dimension":"width","units":"pixels","value":3413}]},"modified":1529203013000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Cup, Sevres Factory"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91165","uid":"adlib-term-91165","uuid":"d22ea1ae-0f87-36a8-8ece-86eb0f380b42"},"summary_title":"cup"}},{"type":"factory name","value":"gobelet litron"},{"type":"category","value":"teaware"}],"note":[{"type":"history note","value":"Louis C.G. Clarke, MA, Leckhampton, Cambridge"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-86623","uid":"adlib-object-86623","uuid":"19fa13f2-a828-3152-8f36-655836767bf5"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91165","uid":"adlib-term-91165","uuid":"d22ea1ae-0f87-36a8-8ece-86eb0f380b42"},"summary_title":"cup"}},"summary_title":"cup"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75632","uid":"adlib-object-75632","uuid":"967f3464-e849-3b10-92fa-80c8e6023d54"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107532","uid":"adlib-term-107532","uuid":"f00fbddb-30d4-39ff-bcf3-a87fbac64158"},"summary_title":"cup and saucer"}},"summary_title":"cup and saucer"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Ref., p. 132 no. 46 for the gobelet litron form","page":"p. 132","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. Vol. II, pp. 501-2, for the gobelet litron form, sizes, title, introduction, use, and sales records. Cf. Two cups and saucers and a milk jug with a combination of beau bleu ground and jewelling on bands of plain porcelain, pp. 636-7, nos. C.421-3, illustrated pp. 638-9 respectively.","page":"501-2","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. p. 104, for the introduction of gold paillons and jewels at S\u00e8vres, and pl. on p. 103","page":"103-04","type":"reference"},"admin":{"id":"publication-3671","uid":"adlib-publication-3671","uuid":"5a0e7ed7-b0be-33c8-a7b3-4b7dca0fda70"},"summary_title":"La Manufacture de Porcelaine de S\u00e8vres"},{"@link":{"type":"reference"},"admin":{"id":"publication-6636","uid":"adlib-publication-6636","uuid":"8a6e2d82-65e4-3d44-a739-2e4c393fd9c6"},"summary_title":"French Porcelain in the Collection of Her Majesty the Queen"},{"@link":{"type":"reference"},"admin":{"id":"publication-3879","uid":"adlib-publication-3879","uuid":"79ac4b01-50d0-3dad-9e3e-37c9e3dcfedf"},"summary_title":"S\u00e8vres Porcelain from the Royal Collection"},{"@link":{"notes":"Ref. p. 397 for technique of jewelling","page":"p. 397","type":"reference"},"admin":{"id":"publication-200002872","uid":"adlib-publication-200002872","uuid":"acf702a9-5c0e-3e04-a7d4-84ca3ec5df21"},"summary_title":"S\u00e8vres enamelled porcelain: eight dies (and a quarrel) rediscovered"},{"@link":{"type":"reference"},"admin":{"id":"publication-3616","uid":"adlib-publication-3616","uuid":"7ae45eaf-b5a1-314c-856f-7e3419f1a94e"},"summary_title":"French Porcelain, A Catalogue of the British Museum Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-5976","uid":"adlib-publication-5976","uuid":"7c4b2d91-bb08-3697-bd4d-29880542e1ac"},"summary_title":"Mus\u00e9e de l\u2019Ermitage, La porcelaine de S\u00e8vres du XVIII si\u00e8cle, Catalogue de la Collection"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis XVI"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91165","uid":"adlib-term-91165","uuid":"d22ea1ae-0f87-36a8-8ece-86eb0f380b42"},"summary_title":"cup"}},"summary_title":"cup","techniques":[{"description":[{"value":"soft-paste porcelain decorated with gold paillons and with green, orange-red, turquoise and white enamels."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Gobelet litron"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-82590","_score":14.246234,"_source":{"admin":{"added":1592999705000,"created":1312637261000,"flag":"Standard Record","id":"object-82590","indexed":1755194529051,"modified":1611142640000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-82590","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82590","uuid":"2ad75b77-820d-38fd-867b-a4dc73903614","version":7},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-107444","uid":"adlib-term-107444","uuid":"571df7cf-e062-3968-ae5e-bec9d5a82f92"},"summary_title":"C. 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Marlay"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, pink, red, pale mauve, and grey"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue, green, yellow, pink, red, pale mauve, and grey enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoraiton"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"12.1"},{"dimension":"Height","units":"cm","value":"3"}]},"name":"Saucer"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"5.6"}]},"name":"Cup Rim"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"5.9"}]},"name":"Cup"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"8"}]},"name":"Cup Including Handle"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain cup and saucer, decorated with a bleu c\u00e9leste ground, reserves painted in polychrome enamels with floral sprays, and gilding"},{"value":"Soft-paste porcelain decorated with a bleu c\u00e9leste ground, painting in blue, green, yellow, pink, red, pale mauve, and grey enamels, and gilding. The cup is cylindrical with an ear-shaped scroll handle. The saucer is circular with flat central area and sloping sides. Both pieces have a suspension hole in the rootrings. The cup has a bleu c\u00e9leste ground with an elongated oval reserve on the front framed by a gold band, tooled alternately with panels of criss-crosses and striations, and painted in polychrome with a floral spray. There is a band of gilding round the foot, a dentilated band round the lip, and lines down the sides of the handle. The saucer has a bleu c\u00e9leste ground on the sides, and a circular reserve in the centre,framed by a similarly tooled gold band, and painted in polychrome with a different floral spray. The rim  is encircled by a dentilated gold band."}],"identifier":[{"accession_number":"MAR.C.35 & A-1912","primary":true,"type":"accession number","value":"MAR.C.35 & A-1912"},{"priref":"82590","type":"priref","value":"82590"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82590","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82590"}],"inscription":[{"description":[{"value":"interlaced L's enclosing R with below nq"}],"location":"on the bases of cup and saucer","method":"in pale purple enamel","type":"factory mark"},{"location":"on base of cup and saucer below the factory mark","method":"painted in pale purple enamel","transcription":[{"value":"nq"}],"type":"painter's mark"},{"description":[{"value":"script capital DP"}],"location":"on the base of cup","method":"incised","transcription":[{"value":"o and  DP"}],"type":"incised mark"},{"description":[{"value":"a rectangle with two horizontal lines dividing the shape into four triangles"}],"location":"on the base of saucer","method":"incised","type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"C.B. Marlay Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149674","uid":"adlib-agent-149674","uuid":"de1bf9dd-2091-39ca-85f6-41e736f6e32b"},"summary_title":"Marlay, Charles Brinsley"}],"date":[{"earliest":1912,"latest":1912,"value":"1912"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1912"}]}],"creation":[{"date":[{"earliest":1770,"era":["CE"],"latest":1770,"note":[{"value":"Both pieces bear the date letter for 1770"}],"value":"1770"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"}],"note":[{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux 1991, Saville, 1988, Bellaigue 2009).\n\nThis is a gobelet litron and saucer of the third size, with Savill's handle C. \n\nBleu c\u00e9leste was an overglaze ground colour introduced in 1753. 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Circular, the rim scalloped with twelve alternately large and small arcs. The rim is slightly concave and the well has a shallow, concave sides. There is a suspension hole in the footring. In the centre, reserved on a white ground, is a circular panel, framed by a wide band of gilding tooled with bound laurel leaves and a narrow band of gilding tooled with straight lines outside it. The panel is painted with three voluptuous nymphs sleeping in the shelter of a purple hanging beside a tree, unaware of a satyr who peers at them over the hanging. The rim has a bleu nouveau ground decorated with gold scrolls, sprays of flowers and foliage, between which are four, elongated oval reserves framed by wide bands of gilding tooled with overlapping scales and crossed ribbons. The panels are painted in polychrome as follows: (1) Combat des Horiaces et Curiaces - A contest between two soldiers carrying swords and shields while another lies dead beside them and a fourth approaches from behind. (2) Cincinnatus - Two standing men, one wearing armour, invite Cincinnatus dressed as a farmer to come into the palace standing behind them. (3) Les Vestales portant le feu sacr\u00e9 - A young woman kneels in front of a brazier which is being carried by two priestesses. (4) Paul Emile appelle \u00e0 l'arm\u00e9e - A seated man refuses to look at a young woman being presented to him by another man. All the figures wear classical dress. There are bands of gilding round the inner and outer edges of the rim, and the footring, and a band of gold laurel leaves and berries on the underside of the rim."}],"identifier":[{"accession_number":"C.55-1961","primary":true,"type":"accession number","value":"C.55-1961"},{"priref":"93749","type":"priref","value":"93749"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93749","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93749"}],"inscription":[{"location":"on base","method":"painted in gold","transcription":[{"value":"interlaced Ls"}],"type":"factory mark"},{"description":[{"value":"in script"}],"location":"on base, below factory mark","method":"painted in gold","transcription":[{"value":"LG"}],"type":"gilder's mark"},{"location":"on base","method":"incised underglaze","transcription":[{"value":"33"}],"type":"incised mark"},{"location":"on base","method":"incised underglaze","transcription":[{"value":"t"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The service was the most costly ever made at S\u00e8vres, and was manufactured in stages up to 1793, when it was not complete. The majority of the service is at Windsor Castle, having been acquired in 1811 and 1812 by George, Prince of Wales, the future George IV. 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(see Documentation, Savill, 1988, III) The plateau H\u00e9bert, which was used to support a tea set (dejeuner)  was made in two forms, with or without handles. One version, had four lobes of equal size on each side and flattened ends, as this one does, and the other had four large lobes with much smaller ones between them. The handles were also of two forms, one plain with foliated terminals, and the other reeded with looped and foliated terminals. This tray has the former type. The trays  were being made by November 1752 and a second size was in production in 1753. Models for both survive at the factory. The overglaze bleu nouveau ground colour was introduced in 1763."},{"value":"Jean-Louis Morin (1732-87) was employed at the factory from 1754 until 1787. He became a specialist in painting in military, seascape, and harbour scenes, from the end of the  1750s, having worked earlier on cherubs, birds in landscapes, trophies and, from about 1758-63, Teniers scenes. 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For examples of his work, see nos. 12, 24-5, 29, 33, 35, 36, 40, 43, 48, 49, 54, 60, 62, 69, 72, and 109.","page":"332-3","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. Vol. III, pp. 982-3 for H\u00e9bert and pp. 1051-2, for the biography and work of Morin.","page":"982-3 and 1051-2","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. For the form and title, see p. 181,under  no. 85 and p. 184, under no. 86.The author illustrates two moulds for the handled version on p. 184, fig. 86-1 and 86-2. 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For Morin, see pp. 331-2, and p. 290-4, a ewer and basin decorated with marine views (34.9.44-5)","page":"300","type":"reference"},"admin":{"id":"publication-3641","uid":"adlib-publication-3641","uuid":"94467386-3f8b-3dcb-89a5-19fb77f49041"},"summary_title":"Frick Collection, An Illustrated Catalogue, Volume VII - Porcelains Oriental and French"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-24787","uid":"adlib-term-24787","uuid":"b14c69fa-2922-37ee-9bc3-cfdee85aba7d"},"summary_title":"fire"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-108133","uid":"adlib-term-108133","uuid":"db7e9d78-91c7-3bdb-a70d-28fbb1872d39"},"summary_title":"barrel"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-80826","uid":"adlib-term-80826","uuid":"0aa155f8-d4d1-3df9-9bd8-a3b54c4d9618"},"summary_title":"ship"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-58166","uid":"adlib-term-58166","uuid":"a7e48670-04a7-3533-a10f-bf28dee1bf47"},"summary_title":"cliff"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-64776","uid":"adlib-term-64776","uuid":"1e5eb4ce-78c0-3c0d-a7c3-f1e363932534"},"summary_title":"wharf"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-58346","uid":"adlib-term-58346","uuid":"36a43f82-c62a-350b-b02c-bc5f4e6544af"},"summary_title":"sea"},{"@link":{"type":"literal"},"name":[{"value":"fire"}],"summary_title":"fire"},{"@link":{"type":"literal"},"name":[{"value":"barrel"}],"summary_title":"barrel"},{"@link":{"type":"literal"},"name":[{"value":"ship"}],"summary_title":"ship"},{"@link":{"type":"literal"},"name":[{"value":"cliff"}],"summary_title":"cliff"},{"@link":{"type":"literal"},"name":[{"value":"wharf"}],"summary_title":"wharf"},{"@link":{"type":"literal"},"name":[{"value":"sea"}],"summary_title":"sea"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89196","uid":"adlib-term-89196","uuid":"daa8a4b5-42b3-3b6b-bbb3-b5e1703fc2c4"},"summary_title":"tray"}},"summary_title":"tray","techniques":[{"description":[{"value":"Soft-paste porcelain, moulded, and decorated,  with an overglaze bleu nouveau ground, painting in blue, green, yellow, pink, red, sand colour, pale brown, grey, white, and black enamels, and gilding"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Plateau H\u00e9bert"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":4,"last_page_url":"?page=4","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":"?page=2","label":"2","active":false},{"url":"?page=3","label":"3","active":false},{"url":"?page=4","label":"4","active":false},{"url":"?page=2","label":"Next »","active":false}],"next_page_url":"?page=2","path":"","per_page":24,"prev_page_url":null,"to":24,"total":83}]