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He describes the figure representing Smell as a woman; see p. 76, pl. 4b, a coloured example of Smell  in the Lady Ludlow Collection, formerly at Luton Hoo,  and belonging to the National Art Collections Fund. Cf. p. 73, pl. 1 a white Feeling, p. 74, pl. 2 a coloured Taste, (C.103-1938) both  in the Victoria & Albert Museum; p. 75, a coloured Hearing, Christie's photograph.","page":"73-76. 178","type":"reference"},"admin":{"id":"publication-3667","uid":"adlib-publication-3667","uuid":"13bec947-8c84-361b-8481-7f6f99b8dfcd"},"summary_title":"Derby Porcelain, The Golden Years 1750-1770"},{"@link":{"notes":"Cf.  Lot 254, a white example of Smell. Dated c. 1752-55. Estimate \u00a38-12,000; \u00a320,900","page":"77","type":"reference"},"admin":{"id":"publication-2070","uid":"adlib-publication-2070","uuid":"a50dbd51-87b2-373a-9a6d-3ad0194779ba"},"summary_title":"Fine British Ceramics"},{"@link":{"notes":"Ref.The set is B33 in Bradshaw's list of dry-edge Derby models. 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The forge is square with incurved sides and has a flaming chimney with scrolls on the corners. A shovel and tongues rest against the front."}],"identifier":[{"accession_number":"C.3084-1928","primary":true,"type":"accession number","value":"C.3084-1928"},{"priref":"38874","type":"priref","value":"38874"},{"source":"Glaisher MS Catalogue, vol. 37","type":"old object number","value":"5118"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/38874","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/38874"}],"inscription":[{"description":[{"value":"rectangular with cut corners and a black line border, inscribed in black ink in Dr J.W.L. 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Her hair is drawn up into a knot on top of her head which is partly encircled by a garland of flowers and foliage. She wears an open, long-sleeved jacket over a chemise, a laced bodice, and a long skirt caught up over her right thigh by two flowerheads, and frilled around its lower edge.  Her feet are bare. The figure is very heavy."}],"identifier":[{"accession_number":"C.3132B-1928","primary":true,"type":"accession number","value":"C.3132B-1928"},{"priref":"74420","type":"priref","value":"74420"},{"source":"Glaisher MS Catalogue, vol. 36","type":"old object number","value":"5094"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74420","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74420"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. W. L. 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The flat, unglazed underside has a circular ventilation hole at the back. The base is approximately rectangular with a broad tree-stump and rock rising up at the back. Aesop, shown as a black man with jet black hair and skin, a hump back and pot-belly. He stands on his right foot with his left knee bent, and the foot behind him, resting his posterior on the top of the tree stump. His head is turned slightly to his left, his right arm is raised, and his left arm is bent at the elbow so that the hand at chest level. He wears a pink jacket with a white collar and yellow lining, sixteen gold buttons, and a gold belt. His matching breeches have blue bows at the knees and he has yellow shoes with orange heels and brown soles. Across his body he wears a gold chain with a watch or medallion suspended over his right side. The tree stump is decorated with a few streaks of yellow and green. The top of the base is strewn with applied flowers and leaves: on the viewer's right, a pink flower with three leaves, three orange flowers with five leaves, and on the viewer's left,  two blue flowers with five leaves, and another pink flower with three leaves."}],"exhibitions":[{"@link":{"catalogue":"G8","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"}],"identifier":[{"accession_number":"C.21-1932","primary":true,"type":"accession number","value":"C.21-1932"},{"priref":"47455","type":"priref","value":"47455"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47455","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47455"}],"inscription":[{"description":[{"value":"a red anchor"}],"location":"on proper right of the top of the base","method":"painted in red enamel","transcription":[{"value":"an anchor"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. (Frances Louisa), Mrs"}],"date":[{"earliest":1932,"latest":1932,"value":"1932"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1932-05-10"}]}],"creation":[{"date":[{"earliest":1755,"era":["CE"],"latest":1755,"precision":"circa","value":"1755"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157802","uid":"adlib-agent-157802","uuid":"e51ed5e2-3605-39a0-b953-487f1f622a3a"},"summary_title":"Chelsea Porcelain Manufactory"}],"note":[{"value":"This porcelain figure is thought to depict Aesop, a figure from ancient Greek history. Aesop was said to have been born into slavery, and this, coupled with a later presumption that he had come from Ethiopia, resulted in Aesop being depicted throughout the 18th century as a black man, often with crudely exaggerated features that today we may find racist and offensive. \n\nAlthough Aesop is mentioned by several ancient Greek authors, almost nothing is known of his history. Aesop was probably an enslaved man who lived from c. 620-564 BCE in Phrygia (in modern Turkey) and later on the Greek island of Samos, where he was granted his freedom. It is unlikely that he was the actual author of many of the Fables now attributed to him.\n\nMost of the story of his life comes from a much-later publication (first century CE), 'The Aesop Romance', which describes Aesop as, \u2018\u2026of loathsome aspect... potbellied, misshapen of head, snub-nosed, swarthy, dwarfish, bandy-legged, short-armed, squint-eyed, liver-lipped\u2014a portentous monstrosity.\u2019 This idea of Aesop as \u2018ugly\u2019 or \u2018misshapen\u2019 is a feature of all subsequent descriptions of him. Later (in the thirteenth century), a philosopher conjectured that Aesop\u2019s name was based on his country of origin \u2013 Ethiopia, and that he had therefore been a black man. These ideas were combined and solidified in Francis Barlow\u2019s hugely popular 'Aesop's Fables With his Life' (1687, re-published 1703). In it, Aesop is described in (what is by modern standards) a highly racist way, as,  \n\n'...of a Sharp Head, flat nos'd, his back roll'd up in a Bunch or Excrescence, his lips tumerous and pendant, his Complexion black, from which dark Tincture he contracted his name - Aesopus being the same with Aethiops [Ethiopians]...'\n\nAlthough this porcelain figure was made a few decades after the publication of Barlow's book, the modeller of this figure was clearly familiar with this it, as the figure closely resembles this description and some of the illustrations (especially plates 3 and 27). However, although Aesop\u2019s features here are crudely exaggerated, he is portrayed as elegantly and expensively dressed, with gold buttons and a watch hanging from a gold chain. To the eighteenth-century eye, these would have been clear symbols of success. \n\nHis open mouth and expansive gesture suggest that he has been caught mid-speech, and this tallies with a story from his history. According to some early biographies, Aesop was born with a speech impediment so severe that no one could understand what he said. He was cured by the goddess Isis after he showed kindness to one of her priestesses. With his tongue unknotted, he revealed himself to be supremely wise and cunning, winning fame and eventually his freedom. Do we here see an Aesop at the height of his powers, no longer enslaved, words and wit flowing from his open mouth?\n\nThis porcelain figure would have been incredibly expensive when new and therefore only available to very wealthy consumers, who purchased these \u2018ornaments for dessert\u2019 to decorate their dining table, a table that, in some cases, may have been served by a liveried black servant. Although the mid-eighteenth century witnessed the beginnings of the abolitionist movement, this figure is unlikely to be connected to it, except for the fact that \u2018slaves\u2019 in the parlance of the mid-eighteenth century were usually thought of as people of colour. 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The lead in the glass permitted it to fuse at a lower temperature, but also made it prone to warp or collapse during firing. This is shown by many warped waster fragments excavated on the site. For analysis, see M.S. Tite and M. Bimson \u2018A technological study of English porcelains\u2019, Archaeometry, 33, pt 1 (1991), pp.  3-27; Andrew Middleton and Michael Cowell, \u2018Report on the examination and analysis of some porcelains from Longton Hall and West Pans\u2019 in Bernard M. Watney, \u2018Excavations at Longton Hall porcelain manufactory, Part 3: the porcelain and other ceramic finds\u2019, Post-medieval Archaeology, 27 (1993), pp. 94-108. See also Barker, David and Cole, Sam., \u2018William Littler at Longton Hall\u2019, in the same authors eds., Digging for Early Porcelain, The Archaeology of Six 18th-century British porcelain Factories, Stoke-on-Trent, 1998, pp. 4-21, especially pp. 11-15."},{"value":"This figure belongs to the group of early Longton Hall figures described as \u2018snowmen\u2019 because of their thick glaze. It is one of a set of Rustic Seasons, no. 06 in Bradshaw\u2019s list of early Longton Hall Figures, The figure and its companion figure of Summer C.3035A-1928, were copied from Chelsea red anchor period Seasons modelled by Joseph Wllems. When purchased by Dr J.W.L. 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The open underside is unglazed. The high base is made up of rocks at the back, and scrolls at the front.  The female butter seller is seated on the rock with her right leg crossed over her left, leaning on the rock on her right elbow and looking down. She holds out a bowl with a pat of butter in her right hand, and in her left has the handle of a knife (blade missing). A brown basket full of yellow rolls of butter is perched on the rock beside her, and there is a large pink rose beside her waist. A smaller flower lies on her knee. She has black eyebrows, brown eyes with a curved red line over them, and a red mouth. She wears a red hood, a white bodice with a red belt below the breasts, a pale yellow skirt with a black border pattern, pink shoes, and a pink cloak decorated with black dots and stylized flower heads. The scrolls are picked out in pink and gold, and the rock is green."}],"identifier":[{"accession_number":"C.101-1950","primary":true,"type":"accession number","value":"C.101-1950"},{"priref":"39319","type":"priref","value":"39319"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/39319","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/39319"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. 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The base is picked out in puce, pink, turquoise, green and greyish-blue, and gilt. The shield is pale grey."}],"identifier":[{"accession_number":"C.3062-1928","primary":true,"type":"accession number","value":"C.3062-1928"},{"priref":"42599","type":"priref","value":"42599"},{"source":"Glaisher MS Catalogue, vol. 27","type":"old object catalogue","value":"4487"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42599","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42599"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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