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The moulding round the apertures and the stem of the finial are gilded.\nA pair with C.13.1 & A-1947."}],"identifier":[{"accession_number":"C.13.2 & A-1947","primary":true,"type":"accession number","value":"C.13.2 & A-1947"},{"priref":"82542","type":"priref","value":"82542"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82542","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82542"}],"inscription":[{"description":[{"value":"interlaced L's enclosing A with a crown above"}],"location":"on base of vase in centre","method":"painted in blue enamel","type":"factory mark"},{"location":"on base of vase","method":"incised","transcription":[{"value":"3"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1947,"latest":1910,"value":"1947-10"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1947-10. 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This vase and its pair may have been the two mentioned in a garde robe of the H\u00f4tel de Pompadour in the probate inventory of Madame de Pompadour in 1764, see Documentation."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113744","uid":"adlib-term-113744","uuid":"da105475-9705-3ee7-94ad-24892e6217d4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Val-de-Marne"}],"summary_title":"Val-de-Marne","type":"region"}]],"summary_title":"Vincennes"}]}]},"materials":[{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"14.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-53537","uid":"adlib-media-53537","uuid":"38f24616-63dd-3d5b-9ce4-017ab1e3bed6"},"processed":{"large":{"format":"jpeg","location":"aa\/aa23\/C_13_1_20_26_2013_2_20_26_20A_1947.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":627},{"dimension":"width","units":"pixels","value":760}]},"modified":1742584207052,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa23\/mid_C_13_1_20_26_2013_2_20_26_20A_1947.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":413},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584207052,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa23\/C_13_1_20_26_2013_2_20_26_20A_1947.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":627},{"dimension":"width","units":"pixels","value":760}]},"modified":1742584207052,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa23\/preview_C_13_1_20_26_2013_2_20_26_20A_1947.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":206},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584207052,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89257","uid":"adlib-term-89257","uuid":"2707da46-9e7a-3109-9af7-6b0e5d567eee"},"summary_title":"pot-pourri vase"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107478","uid":"adlib-term-107478","uuid":"81002e74-5083-37b8-a429-4a303fc40695"},"summary_title":"cover"}},{"type":"factory name","value":"pot-pourri Pompadour"}],"note":[{"type":"history note","value":"The late Duke of Kent; Christie's, 13 March 1947, Old English Furniture and Fine Porcelain, the property of Her Royal Highness the Duchess of Kent, p. 13, lot 163. Purchased from the Antique Porcelain Company, October, 1947 for \u00a3140."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-82541","uid":"adlib-object-82541","uuid":"44300eb1-d90f-33ec-a965-2e745b14e5db"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89257","uid":"adlib-term-89257","uuid":"2707da46-9e7a-3109-9af7-6b0e5d567eee"},"summary_title":"pot-pourri vase"}},"summary_title":"pot-pourri vase"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 13, lot 163","page":"p. 13","type":"reference"},"admin":{"id":"publication-3649","uid":"adlib-publication-3649","uuid":"b128d330-e62e-36f9-a7a3-560e5e353508"},"summary_title":"Old English Furniture and Fine Porcelain, the property of Her Royal Highness the Duchess of Kent"},{"@link":{"notes":"Publ. pp. 36-49, on p. 42, both bases","page":"pp. 36-49","type":"reference"},"admin":{"id":"publication-200001236","uid":"adlib-publication-200001236","uuid":"9b874fca-2cd8-30bb-bbf8-947f03505897"},"summary_title":"Madame de Pompadour et Vincennes\/S\u00e8vres, Chronologie d'une Passion"},{"@link":{"notes":"Ref. For the shape Pot-pourri Pompadour, see pp. 93-4, nos. 226-233, examples with different decoration.","page":"pp. 93-4","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Ref. For the shape's history and other examples, see I, pp. 127-134, the Fitzwilliam Museum example mentioned on p. 129 as possibly from the garde-robe of the Hotel de Pompadour, and on p. 132, under Shape A, third size, (g). The Wallace examples C.239-40 are 1756 with later decoration.","page":"pp. 127-34","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. An example painted with blue floral sprays, marked with interlaced Ls and dot, and with later ormolu mounts, formerly in the Wilfred J. Sainsbury Collection, see p. 5, fig. VI without mounts, and fig. VII with mounts.","page":"3-8","type":"reference"},"admin":{"id":"publication-200001233","uid":"adlib-publication-200001233","uuid":"b1537651-1d4d-344c-a2b9-f900cb24d80d"},"summary_title":"Vincennes Porcelain"},{"@link":{"notes":"Cf. p. 38, lot 144, the property of W.J. Sainsbury, the mounted vase with monochrome blue flowers (see also Vincennes Porcelain, 1954). From the Burdett Coutts Collection, The Fitzwilliam's vases were mentioned.","page":"38","type":"reference"},"admin":{"id":"publication-3650","uid":"adlib-publication-3650","uuid":"a6c9b778-9484-30c5-8834-65c60bb2e6ba"},"summary_title":"Important Continental Porcelain and Pottery"},{"@link":{"notes":"Cf. p. 137, no. 42, with different decoration.","page":"p. 137","type":"reference"},"admin":{"id":"publication-3651","uid":"adlib-publication-3651","uuid":"b6570ad2-e4e9-30b7-8f3d-5e91ee060031"},"summary_title":"S\u00e8vres des Origines \u00e0 nos Jours"},{"@link":{"notes":"Cf. pp. 99-101, no. 57 a pot-pourri Pompadour painted in blue enamel with garlands of flowers and birds, marked with crossed Ls, c. 1752-4. The Fitzwilliam's examples are mentioned on p. 99 as possibly the pair from the garde robe of Madame de Pompadour.","page":"99-101","type":"reference"},"admin":{"id":"publication-2724","uid":"adlib-publication-2724","uuid":"e1cfd19f-1a09-348b-8813-f71b68d85f84"},"summary_title":"French Eighteenth-Century Porcelain at the Wadsworth Atheneum, The J. Pierpont Morgan Collection"},{"@link":{"notes":"Cf. p. 262, lot 428, a pot-pourri Pompadour of the third size, painted in blue of c. 1752 with slightly later mounts. Estimate $4-6,000. This vase is the one from the W.J. Sainsbury collection. The Fitzwilliam's pair are mentioned.","page":"262","type":"reference"},"admin":{"id":"publication-5821","uid":"adlib-publication-5821","uuid":"94ff8ef3-49fd-3381-b39f-ee376ddc0509"},"summary_title":"The Collections of Hanns and Elisabeth Weinberg and the Antique Company of New York, Important European Ceramics and Objects of Vertu"},{"@link":{"type":"reference"},"admin":{"id":"publication-7713","uid":"adlib-publication-7713","uuid":"13ecce43-21cf-3376-aa97-9167d26f86b9"},"summary_title":"An examination of Vincennes and early S\u00e8vres date letters. A transcript of the talk given at the French Porcelain Society Study Day on 17 June 2014"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107622","uid":"adlib-term-107622","uuid":"523e46be-6c51-3455-8391-3ea334aab2f0"},"summary_title":"flowers"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-108450","uid":"adlib-term-108450","uuid":"2abaabcd-7ef8-3781-b95a-52e78269140a"},"summary_title":"carnation"},{"@link":{"type":"literal"},"name":[{"value":"flowers"}],"summary_title":"flowers"},{"@link":{"type":"literal"},"name":[{"value":"carnation"}],"summary_title":"carnation"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89257","uid":"adlib-term-89257","uuid":"2707da46-9e7a-3109-9af7-6b0e5d567eee"},"summary_title":"pot-pourri vase"}},"summary_title":"pot-pourri vase","techniques":[{"description":[{"value":"soft-paste porcelain, thrown, pierced, painted overglaze in blue enamel and gilded; the flower finial hand-modelled."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}},{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Pot-pourri Pompadour"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-93572","_score":16.76931,"_source":{"admin":{"added":1592964809000,"created":1312637261000,"flag":"Standard Record","id":"object-93572","indexed":1755194527496,"modified":1610455030000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-93572","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93572","uuid":"c112be41-68c5-37dc-902b-241d2e1f7c96","version":7},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"},{"@link":{"type":"reference"},"admin":{"id":"term-113690","uid":"adlib-term-113690","uuid":"207e9fd2-c0ad-3831-8ed1-f68ea34e9a50"},"summary_title":"teaware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. 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Clarke"}],"component":[{"materials":[{"note":[{"value":"dark blue, greyish-green, pink, red, brown, and grey"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in dark blue, greyish-green, pink, red, brown, and grey enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Length","units":"cm","value":"10.7"}]},"name":"Handle-spout"},{"name":"Body","techniques":[{"description":[{"value":"Soft-paste porcelain painted in enamels, and gilded."}],"note":[{"value":"?"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]},{"name":"Feet","techniques":[{"note":[{"value":"feet separately"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}]},{"name":"Handle","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain milk jug, decorated with a pink pointill\u00e9 ground, a reserve painted in enamels with a marine trophy, garlands and swags of leaves and berries, and gilding"},{"value":"Soft-paste porcelain painted in dark blue, greyish-green, pink, red, brown, and grey enamels, and gilded. The jug stands on three branch feet. Its bulbous body contracts at the neck and flares upwards and outwards towards the notched rim which is elongated at the front to form a lip. The crabstock handle rises up from the rim and curves upwards and then outwards and downwards until it meets the most bulbous part of the body. Small sprays of flowers and leaves in relief sprout from the junctions of the legs and handle with the body. The jug has a pink pointill\u00e9 ground, with one large rounded reserve on the front and two smaller oval reserves on the sides linked by curved channels all edged by a continuous gold band. The reserves enclose by garlands of green leaves and blue berries linked by swags of the same within the curved channels.The large reserve is painted within the garland with a marine trophy comprising an anchor, seaweed, coral, a fishing rod and a shell overflowing with water. The rim is edged by a gold band, and the relief sprays, and the details of the handle and feet are gilded."}],"identifier":[{"accession_number":"C.36-1961","primary":true,"type":"accession number","value":"C.36-1961"},{"priref":"93572","type":"priref","value":"93572"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93572","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93572"}],"inscription":[{"description":[{"value":"interlaced Ls"}],"location":"on the underside of the foot beneath the handle","method":"painted in green enamel","type":"factory mark"},{"description":[{"value":"narrow rectangular white paper label now discoloured to beige"}],"location":"on the bottom","method":"inscribed in faded black ink, now brown","transcription":[{"value":"Collection of\/Viscount Harcourt"}],"type":"label"},{"description":[{"value":"a circular label printed in pink with a coronet and monogram (missing by June 2007)"}],"location":"on the bottom","method":"printed in pink","transcription":[{"value":"COLLECTION\/NO"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1770,"era":["CE"],"latest":1770,"note":[{"value":"no date letter"}],"precision":"circa","value":"1770"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"}],"note":[{"value":"This form, inspired by silver milk jugs, and described as a 'pot \u00e0 lait \u00e0 trois pieds' was in production by October 1752. The second size was being made by March 1753, and a third size was added in 1756. This one is of  the second size which was from 9.2 to 10.4 cm high.  The decorative format of a pink or blue pointill\u00e9 ground with painted reserves was popular in the early 1770s. 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Part of a dejeuner."},{"value":"Soft-paste porcelain, moulded, decorated with underglaze bleu lapis ground, painting overglaze in blue, several shades of green, dark yellow, pink, red, pale purple, and several shades of brown enamels, and gilding. Rectangular tray with shallow, sloping sides, standing on four short, tapering feet. There is a suspension hole in the base in the middle of the lower edge. The sides have a bleu lapis ground caillout\u00e9 in gold, with a gold scroll and diaper motif in each corner. The flat area is white pointill\u00e9 in gold. In the centre there is an oval reserve with an elaborate frame, comprising scrolls, rocaille shells and two panels of two different trellis diaper pattenrs, and painted in polychrome with a genre scene in the style of Teniers. Two men and two women are seated at a table in front of a cottage, while a standing man behind them holds out a jug for refilling to a woman standing inside the house. There are doves and a dovecote on the left-hand wall of the cottage and a landscape behind it. A narrow gold line and a wider gold line run round the edge of the flat area, and there is a gold band over the upper edge, dentilated on the exterior.\n\nPart of a dejeuner with a milk jug, cup and saucer, and covered sugar basin"}],"identifier":[{"accession_number":"C.20.1-1961","primary":true,"type":"accession number","value":"C.20.1-1961"},{"priref":"93555","type":"priref","value":"93555"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93555","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93555"}],"inscription":[{"location":"on base","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls enclosing G with a dot below the Ls"}],"type":"factory mark"},{"location":"on base","method":"painted in blue enamel","transcription":[{"value":"a horizontal line above the mark, with three evenly dispersed dots"}],"type":"painter's mark"},{"location":"on base","method":"incised","transcription":[{"value":"6c"}],"type":"incised mark"},{"description":[{"value":"rectangular white paper label with cut corners, now discoloured brownish"}],"location":"on base","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"SEVRES, printed, Painter Viellard\/Date 1759, handwritten"}],"type":"label"},{"description":[{"value":"rectangular white paper label, now discoloured brownish"}],"location":"on base","method":"hand-written in faded black ink","transcription":[{"value":"Sucrier & cover\/Cream jug (? )\/Cup & saucer."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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Oval with four lobes on the long sides, and flattened ends to which are attached handles with foliated terminals. There are two suspension holes in the footring at right angles to each other (at bottom of scene and right when back is facing viewer).                                                                      The ground is bleu nouveau vermicul\u00e9 d'or. The central oval reserve is framed by a gold band with tooled striations, and painted in polychrome with a scene depicting a woman, a merchant, and sailors on a wharf, with cliffs and the sea in the background. One box on the left below the mast is inscribed 'J A' and another '1759'. The box with a jar on top is inscribed 'R' with a six-armed cross formed by two triangles beside it. The large bale on the right is inscribed on the left of its end: interlaced Cs with below, '2' with reversed 'S' beside it, upside down when the scene is the correct way up; and on the right side of the end with a double lined cross and on either side of the cord, 'XX'. On the left of its top 'JV' and top right an 'H' with to its left another not legible sign. There is a band of gilding round the edge of the rim, and footring, and touches of gilding on the handles and leaf terminals."}],"identifier":[{"accession_number":"C.25-1961","primary":true,"type":"accession number","value":"C.25-1961"},{"priref":"73644","type":"priref","value":"73644"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73644","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73644"}],"inscription":[{"description":[{"value":"interlaced L's enclosing L"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"the mark of the painter Jean-Louis Morin (1732-87)"}],"location":"on base, above the factory mark","method":"painted in blue enamel","transcription":[{"value":"M"}],"type":"painter's mark"},{"location":"on base","method":"incised","transcription":[{"value":"25"}],"type":"incised mark"},{"location":"on base","method":"incised","transcription":[{"value":"14"}],"type":"mark"},{"description":[{"value":"square white paper, now discoloured brown"}],"location":"on base","method":"hand-written in black ink","transcription":[{"value":"Quay Scene\/by Morin\/1764"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1764,"era":["CE"],"latest":1764,"note":[{"value":"The tray bears the date letter for 1764"}],"value":"1764"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-95505","uid":"adlib-agent-95505","uuid":"7328c5c0-b03c-38b9-a24e-9c8130bc3201"},"summary_title":"Morin, Jean-Louis"}],"note":[{"value":"Forms described as H\u00e9bert were named after the marchand-mercier, Thomas-Joachim H\u00e9bert, or possibly another H\u00e9bert, secr\u00e9taire du roi, who had been involved in the transfer of the factory from the Charles Adam company to the Eloi Brichard company in 1752. (see Documentation, Savill, 1988, III) The plateau H\u00e9bert, which was used to support a tea set (dejeuner)  was made in two forms, with or without handles. One version, had four lobes of equal size on each side and flattened ends, as this one does, and the other had four large lobes with much smaller ones between them. The handles were also of two forms, one plain with foliated terminals, and the other reeded with looped and foliated terminals. This tray has the former type. The trays  were being made by November 1752 and a second size was in production in 1753. Models for both survive at the factory. The overglaze bleu nouveau ground colour was introduced in 1763."},{"value":"Jean-Louis Morin (1732-87) was employed at the factory from 1754 until 1787. He became a specialist in painting in military, seascape, and harbour scenes, from the end of the  1750s, having worked earlier on cherubs, birds in landscapes, trophies and, from about 1758-63, Teniers scenes. 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Clarke by whom lent to the Fitzwilliam Museum in 1948; bequeathed on his death on 13 December 1960"}],"objects":[{"@link":{"cascade":true,"role":[{"value":"similar incised mark"}],"type":"reference"},"admin":{"id":"object-75708","uid":"adlib-object-75708","uuid":"c6e4dc98-60e5-35f2-b93d-571a58a81c2c"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90921","uid":"adlib-term-90921","uuid":"743cd8b7-9f18-3c65-9283-a5a0c17e68c4"},"summary_title":"sauce boat"}},"summary_title":"sauce boat"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-93486","uid":"adlib-object-93486","uuid":"de6e3e2b-cb87-3bc9-a116-5691ff858a83"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group"},{"@link":{"cascade":true,"role":[{"value":"similar incised mark"}],"type":"reference"},"admin":{"id":"object-93753","uid":"adlib-object-93753","uuid":"3492b7ed-cc00-3957-9d14-40d5dce182fd"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89328","uid":"adlib-term-89328","uuid":"7426f28e-0b60-31b2-bfb8-3502da83b1da"},"summary_title":"\u00e9cuelle"}},"summary_title":"\u00e9cuelle"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Ref. for the form, see p. 67, no. 32","page":"67","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Ref. pp. 332-3 for biography and work of Morin. For examples of his work, see nos. 12, 24-5, 29, 33, 35, 36, 40, 43, 48, 49, 54, 60, 62, 69, 72, and 109.","page":"332-3","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. Vol. III, pp. 982-3 for H\u00e9bert and pp. 1051-2, for the biography and work of Morin.","page":"982-3 and 1051-2","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. For the form and title, see p. 181,under  no. 85 and p. 184, under no. 86.The author illustrates two moulds for the handled version on p. 184, fig. 86-1 and 86-2. 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The base has an eight-lobed edge decorated with eight moulded cockle shells alternately face up and face down. The foot of the vase has an eight-lobed edge and rises into an incurved stem which expands into the shallow bulb-shaped lower part of the vase. The sides of the vase are trumpet-shaped, and it has eight scallops round the rim.  On each side, is a handle rising from the foot into an elaborate scroll, joined to the widest part of the bulb and rising above to form a hollow foliated projection. The decoration is of alternating areas of bleu lapis lightly marbled with gilding and white panels painted on each side of the upper part with a spray of flowers which ignores the blue divisions. On the stem the white panels are decorated underglaze in blue with  four trefoil-shaped leaves with three dots above.The edges of the bleu lapis areas, the edges of the handles, the upper part of the base and the edges of the shells are gilded. A non-identical pair with C.9-1961"}],"identifier":[{"accession_number":"C.8-1961","primary":true,"type":"accession number","value":"C.8-1961"},{"priref":"82587","type":"priref","value":"82587"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82587","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82587"}],"inscription":[{"location":"on base","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls with a spot in the centre"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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The 'vase Duplessis' was made in four sizes, and in three main shapes, differing in details.  One, represented by the Fitzwilliam\u2019s pair, has a lobed foot and rim, and stands on either a low rocky base or a shell base. The body, rim, and handles but not the foot conform to an unsigned  drawing at the factory (R.1, liasse 3, dossier 6, fol. 2; fol. 1 shows outline minus handles).  It does not conform exactly to any of the three plaster models which survive, although its basic outline is similar to 'vase \u00e0 fleurs Duplessis uni' (see Documentation, Troude), The other versions were known as 'vase Duplessi enfants' and 'vase a fleurs Duplessis orn\u00e9' For illustrations of all three forms, see  Documentation, Roth and Corbeiller. \n\nExamples of the  'vase Duplessis' were fired in 1748  and in 1751 the posthumous inventory of the director, Jean-Henry-Louis Orry de Fulvy (1703-51) begun on 26 May 1751 mentions seven vases whose descriptions appear to corre\u00acspond to it, and which were described twice, once as part of his own estate and again on 15 September when it had been found that they belonged to the factory. Four sizes were mentioned among glazed and fire pieces in the inventory of 1 October 1752, of which the first size was the largest, and in the sale room there were nine decorated with a lapis ground and flowers but defective and only valued at 60 livres each. (MNS I 7 Inventaire g\u00e9neraux\/de la Manufacture 1752, p. 23-4 and p. 39).The first mention of the sale of a vase Duplessis in the marchand-mercier, Lazare Duvaux\u2019s 'Livre Journal' was on 16 January, 1752 to a M. Leonor La Resnaye, for 84 livres. The factory's sale ledger's record sales of vases Duplessis with a lapis (bleu lapis) ground and floral decoration on 25 January 1753  (Vy 1, p. 7 verso). three of the first size on 9 April 1753 (Vy 1, p. 11 recto), two of the first size on 19 July 1753, and three of the first size on 14 October 1754. \n\nIn addition to this one, seven vases Duplessis with bleu lapis grounds and scalloped rims are known, each decorated slightly differently with regard to the areas of ground colour and the shape of the handles and base: one in the Fitzwilliam Museum (C.9-1961) one in the Louvre (OA 7610) two in the Mineappolis Museum of Art (82.2.1 and 82.2.2), one in the Hermitage (3\u042423291), one in the Belvedere Collection (Catalogue no. 86), one with Adrian Sassoon, London, in Summer 2008 (inv. no. 979). A smaller and later example of 1759-60  with a plain rim, and a large floral reserve on each side, is in the Victoria & Albert Museum (C.1363-1919)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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The base has an eight-lobed edge decorated with eight moulded cockle shells alternately face up and face down. The foot of the vase has an eight-lobed edge and rises into an incurved stem which expands into the shallow bulb-shaped lower part of the vase. The sides of the vase are trumpet-shaped, and it has eight scallops round the rim.  On each side, is a handle rising from the foot into an elaborate scroll, joined to the widest part of the bulb and rising above to form a hollow foliated projection. The decoration is of alternating areas of bleu lapis lightly marbled with gilding and white panels painted on each side of the upper part with a spray of flowers which ignores the blue divisions. On the stem the white panels are decorated underglaze in blue with  four trefoil-shaped leaves with three dots above.The edges of the bleu lapis areas, the edges of the handles, the upper part of the base and the edges of the shells are gilded. 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The ewer stands on a domed quatrefoil foot. The body swells out above the foot and then contracts in a concave curve before flaring upwards and outwards at the front to form the lip, and up and over in a wave-like curve in the same direction on the opposite side. The handle is approximately ear-shaped with a moulded scroll at the junction with the body at the top just below the wave, and at the lower end just above the widest point. On each side there is a pear-shaped reserve painted in polychrome with two flying birds, the lower of the two holding a branch in its claws, and framed by gilded palms, flowers and foliage . Beneath the lip is an elaborate scroll and swag design in gold, and round the foot, a garland of flowers and foliage with tooled details. There are two bands of gilding round the outer edge of the foot, and just below the rim, following its contours, a single band. with a decorative motif and a garland of flowers below the lip. On the edge of the rim there is a dentilated band. The handle is white with lines of gilding down the sides and a form leaf spray at the top.\nPart of a set with C.7A-1961"}],"identifier":[{"accession_number":"C.7-1961","primary":true,"type":"accession number","value":"C.7-1961"},{"priref":"82524","type":"priref","value":"82524"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82524","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82524"}],"inscription":[{"description":[{"value":"very thick and smudgy"}],"location":"on base of ewer","method":"underglaze in dark blue","transcription":[{"value":"interlaced Ls enclosing A"}],"type":"factory mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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This ewer known as a 'pot \u00e0 la Romaine' in the factory but often referred to elsewhere as a' pot \u00e0 l\u2019eau \u00e0 la Romaine, was designed by Jean-Claude Chambellan Duplessis (b. c. 1690-5; working 1748-1774) before October 1751.The ewer was made in two versions, 'uni' or plain, represented by this example, and with relief decoration described as \u2018\u00e0 ornements\u2019, but the factory\u2019s records do not always distinguish between them. The basins also differ, one having a smooth interior and the other relief moulded foliage. A plaster model for the pot \u00e0 la Romaine \u00e0 ornements survives at the factory but not a model for the basin. The factory's stock  inventory of 1 October 1752 mentions moulds for both versions, biscuit, and glazed examples, but no decorated ewer and basin sets.  The first known sale  of a set, decorated with flowers, was on 15  December 1752 to M. H\u00e9bert.\n\nDark blue underglaze grounds were being used at Vincennes by 1751, and are now usually termed bleu lapis. The very brilliant dark blue ground on this ewer and its basin may be the 'bleu antique' or 'bleu de M. Gagny' which was introduced about October 1752.  However, the term lapis continued to be used in sales records. The dark blue ground was often combined with bird painting in gold or colours in reserves surrounded by lavish and delicately chased gilding which concealed the edges of the reserves, and produced a most luxurious and sophisticated effect.\n\nThis ewer and its basin bear the date letter A introduced in 1753 and spanning the years 1753-1754.  It might therefore have been one of three recorded sales  of sets with bleu lapis grounds and polychrome bird decoration during those years. One  was bought by Monsieur de Betz for 300 livres  on 26 December 1753 (AMNS Vy 1, fol. 24) , another set was sold to the Parisian marchand-mercier, Lazare Duvaux, on 31 December 1753 for 220 livres (AMNS Vy 1 fol. 29), and a third was sold by to Madame la Marquise de Pompadour by Lazare Duvaux on 23 June 1754 (Livre Journal, no. 1818). 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The basin is oval in plan with undulating curved sides and rim, slightly higher at one end than the other. On each side there is a depression to facilitate handling. The middle of the base has been ground down to flatten it, and there is a small suspension hole. nInside there are two circular and two oval reserves, each painted in enamels with two flying birds, two framed by gilt garlands of flowers, and foliage, and two by palms, flowers, and foliage, . In two of the reserves one bird holds a branch in its claws, and in one reserve, one bird holds a branch in its beak. In the centre there is an arrangement of gold flowers and foliage. There is a dentilated gold band round the edge and on the exterior, two sprays of gold flowers on each side. 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Another was sold to the Parisian marchand-mercier, Lazare Duvaux on 31 December 1753 for 220 livres, and a third was sold to Madame la Marquise de Pompadour by Lazare Duvaux on 23 June 1754. This does not appear to have been the set he bought earlier. His Livre Journal entry does not state whether the birds were gold or coloured, but the price was the same as M. de Betz\u2019s set which had coloured birds. 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Circular with a wide rim, and deep well, standing on a fooring with a suspension hole.  The dish is heavy for its size. The well has a turquoise (bleu c\u00e9leste) ground with a central circular reserve framed by a chased gold band. Within it is a wreath made up of branches of laurel and myrtle,  tied with a gold bow at the bottom.  At the top the branches meet on either side of a gold Imperial crown. Within the wreath is a large script E made up of pink and blue flowers in monogram with 'II' in gold, for Ekaterina II. The rim has white inner and outer borders decorated with small floral sprays separated by husks. Beween them is a broad turquoise band decorated with finely tooled gold foliated scrolls, interupted by three small oval reserves and three larger horizontal oval reserves, each painted en grisaille on a reddish-brown ground to imitate cameos. The small reserves enclose profile heads, respectively of a young woman, a young man, and Pan. The larger reserves enclose mythological scenes from Ovid's Metamorphoses: Apollo and Daphne from Book 1; The competition between Apollo and Marsyas, and the Flaying of Marsyas from Book 6. 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which have been dispersed during the last fifty years which (by order of the Executors), lot 95, 108 guineas. D.M. Currie; Mrs Alistair Currie, sold Christie's, 13 June 1946,  Catalogue of Old French Furniture and S\u00e8vres Porcelain . .. p. 7,, lot 55 sold for 78 guineas to  F. Partridge for L.C.G. Clarke, MA, Leckhampton, Cambridge (1881-1960)."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same service"}],"type":"reference"},"admin":{"id":"object-93592","uid":"adlib-object-93592","uuid":"38f70bab-d288-34f4-8dd0-c0fbf534c2d1"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-6030","uid":"adlib-publication-6030","uuid":"493da1ea-dbf5-35b7-b1c3-1b4dac45a4cd"},"summary_title":"Catalogue of\/the Splendid Collection formed by the Right Honourable the late Earl of Dudley from the most celebrated cabinets which have been dispersed during the last fifty years which (by order of the Executors),Will be sold by Auction by Messrs. Christie, Manson & Woods at their Great Rooms 8 King Street, St James\u2019s Square"},{"@link":{"notes":"Publ. Illustrated, pp. 377-83, on p. 381, fig. 13","page":"p. 381","type":"reference"},"admin":{"id":"publication-200000779","uid":"adlib-publication-200000779","uuid":"23351138-8d80-3072-8cc1-3cf4e9f33fdc"},"summary_title":"Louis Clarke as a Collector"},{"@link":{"notes":"Publ. p. 29, short text with colour illustration","page":"29","type":"reference"},"admin":{"id":"publication-200001843","uid":"adlib-publication-200001843","uuid":"4fa33587-103a-3608-9de5-1afa6891542b"},"summary_title":"Earth and Fire"},{"@link":{"notes":"Publ. p. 162, illustrated with short text","page":"162","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"notes":"Ref. p. 36, no. 11 where the whole service is listed","page":"36","type":"reference"},"admin":{"id":"publication-4634","uid":"adlib-publication-4634","uuid":"d0262d0c-496d-3bf6-a95b-8c6d7ada2ceb"},"summary_title":"Les Grands Services de S\u00e8vres"},{"@link":{"notes":"Cf. pp. 322-7, M. Kasakevitch, 'Le Service de Porcelain de Catherine II de Russie',  where the entire service is listed n p. 325, and catalogue nos. 232-55.","page":"322-7","type":"reference"},"admin":{"id":"publication-5983","uid":"adlib-publication-5983","uuid":"a8deeedb-4869-3a50-a871-c3d2d0f2fbc7"},"summary_title":"Versailles et les Tables Royales en Europe XVII\u00e8me - XIX\u00e8me si\u00e8cles"},{"@link":{"notes":"Ref. and mention, vol. III, pp. 601-06, service  79-13, for the Empress Catherine of Russia:  the commission, components, date of manufacture and delivery,  painters and gilders employed on it, current locations and sales of pieces from the service. The Fitzwilliam's dish is mentioned on p. 604, with an incorrect accession number C.19-1961.","page":"601-06","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"},{"@link":{"notes":"Ref. pp. 130-52, nos. 129-811 for the pieces which remain in the Hermitage. Cf. Plates nos. 472-811,  one illustrated on p. 149.","page":"130-52","type":"reference"},"admin":{"id":"publication-5976","uid":"adlib-publication-5976","uuid":"7c4b2d91-bb08-3697-bd4d-29880542e1ac"},"summary_title":"Mus\u00e9e de l\u2019Ermitage, La porcelaine de S\u00e8vres du XVIII si\u00e8cle, Catalogue de la Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-3880","uid":"adlib-publication-3880","uuid":"2a919a18-5edb-3d2e-9336-3d08e969cd38"},"summary_title":"The Soft Porcelain of S\u00e8vres"},{"@link":{"notes":"Ref. pp. 88-9, for the Empress Catherine Service, and pl. on p. 91","page":"88-9, 91","type":"reference"},"admin":{"id":"publication-3671","uid":"adlib-publication-3671","uuid":"5a0e7ed7-b0be-33c8-a7b3-4b7dca0fda70"},"summary_title":"La Manufacture de Porcelaine de S\u00e8vres"},{"@link":{"type":"reference"},"admin":{"id":"publication-3655","uid":"adlib-publication-3655","uuid":"b008e74d-7bac-33c4-ad80-37f31f9fe1ce"},"summary_title":"European Ceramic Art"},{"@link":{"notes":"Ref. Frontispiece to the plates, a plate similar to the Fitzwilliams, and pl. 82, two ice cups and a sucrier, cover, and stand, and pp. 217-18, text for all which were in a private collection.","page":"217-18","type":"reference"},"admin":{"id":"publication-3688","uid":"adlib-publication-3688","uuid":"6e82b986-e237-3d96-8b61-f057ec352107"},"summary_title":"S\u00e8vres, Le XVIIIe Si\u00e8cle"},{"@link":{"notes":"Ref. For the mark of Niquet","page":"33","type":"reference"},"admin":{"id":"publication-3653","uid":"adlib-publication-3653","uuid":"a5169280-301b-31bd-9138-472d4d94a3ca"},"summary_title":"Les Marques de S\u00e8vres"},{"@link":{"notes":"Ref.pp. 317-18 for Boulanger, p\u00e8re, pp. 323-4, for Charles-Nicolas Dodin","page":"323-4, 317-1","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. pp. 18-19, and fig. 5, an oval dish in the Forsyth Wickes Collection at the Museum of Fine Arts, Boston","page":"18-19","type":"reference"},"admin":{"id":"publication-5244","uid":"adlib-publication-5244","uuid":"aabb51b8-9c78-33ab-90e3-873bfea9593d"},"summary_title":"S\u00e8vres"},{"@link":{"notes":"Cf. p. 295, no. 18.9.34, a plate from a different service with the incised mark '33'.","page":"295","type":"reference"},"admin":{"id":"publication-200001937","uid":"adlib-publication-200001937","uuid":"f7f00645-7544-35c8-ac44-54048c5c3b48"},"summary_title":"French Pottery and Porcelains"},{"@link":{"notes":"Cf. p. 198 and 199, nos. 223 and 224.","page":"198-9","type":"reference"},"admin":{"id":"publication-3651","uid":"adlib-publication-3651","uuid":"b6570ad2-e4e9-30b7-8f3d-5e91ee060031"},"summary_title":"S\u00e8vres des Origines \u00e0 nos Jours"},{"@link":{"notes":"Ref. Information on painters of the services and the sources of their designs","page":"667","type":"reference"},"admin":{"id":"publication-200001276","uid":"adlib-publication-200001276","uuid":"f85e7326-af51-3e34-a9bb-dce3271e7358"},"summary_title":"S\u00e8vres Artists and their Sources I: Paintings and Drawings"},{"@link":{"notes":"Cf. p. 6, lot 6, with colour illustration, a plate, 1782","page":"6","type":"reference"},"admin":{"id":"publication-4651","uid":"adlib-publication-4651","uuid":"9ed2d142-68df-3f5b-8081-f5f150d9cc57"},"summary_title":"Continental Porcelain"},{"@link":{"notes":"Cf. p. 8, lot 8, illustrated, a compotier, marked with interlaced Ls, AA, painter's mark for Foure in blue enamel, 2000 in gold for Henry-Fran\u00e7ois Vincent jeune, 20 incised. Estimate \u00a3600-800","page":"8","type":"reference"},"admin":{"id":"publication-4652","uid":"adlib-publication-4652","uuid":"020af38a-73b1-3989-a119-c13fe9b7ea18"},"summary_title":"Important Italian Maiolica and Continental Pottery and Porcelain"},{"@link":{"notes":"Cf. p. 128, no. 101, a cup and saucer of 1778 from the service.","page":"128","type":"reference"},"admin":{"id":"publication-5985","uid":"adlib-publication-5985","uuid":"0003a292-18c8-307d-a8db-1cb02302b5be"},"summary_title":"La  porcelaine fran\u00e7aise du XVIIIe si\u00e8cle dans les mus\u00e9es Nord-Pas-de-Calais"},{"@link":{"type":"reference"},"admin":{"id":"publication-8495","uid":"adlib-publication-8495","uuid":"39d527d2-aa40-398e-b10b-eb9f3b02e036"},"summary_title":"A thing of Beauty is a Joy For Ever. Vincennes and S\u00e8vres Porcelain from a Private Collection"},{"@link":{"notes":"Cf. Vol. II, pp. 762-82, two wine-bottle coolers, and four ice-cream coolers from the Empress Catherine Service, nos. 474-5 and 476-9. The author describes the history, design, and composition of the service,  and the techniques employed, including the method of transfer printing the painted cameos. A sheet of heads in reverse, including Pan, is illustrated on p. 765. The Fitzwilliam's plate is mentioned on pp. 767 and 781","page":"762-82","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. A similar plate, with text on the commissioning, design, and history of the service, with particular reference to the plates.","page":"141-4","type":"reference"},"admin":{"id":"publication-3616","uid":"adlib-publication-3616","uuid":"7ae45eaf-b5a1-314c-856f-7e3419f1a94e"},"summary_title":"French Porcelain, A Catalogue of the British Museum Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002992","uid":"adlib-publication-200002992","uuid":"4f8caf6e-00d1-3283-8a36-0392e6257e5d"},"summary_title":"Catherine the Great & Classical Imagery: An Analysis of her S\u00e8vres Porcelain Service of 1779"},{"@link":{"notes":"Cf. pp. 24-5, lot 25. a plate, estimate FF 75,000-120,000 . Provenance, Robert Napier of Shandon, Christie's, London, 11 April 1877, lot 160 or 161; L. Thomson, probably for the Earl of Dudley; Earl of Dudley, sold Christie's, London, 21 May 1886, lot 96 or 97; sold to Grindely.","page":"24-5","type":"reference"},"admin":{"id":"publication-4838","uid":"adlib-publication-4838","uuid":"a6f6fa46-1bdb-30fe-b7f7-d3226b96004a"},"summary_title":"Porcelain et Fa\u00efence Fran\u00e7aises, Mobilier et Objets d'Art, 8 December 1990"},{"@link":{"notes":"Cf. p. 87, lot 289, a plate from the collection of the late Robert Clarke, dated AA for 1778 with painter's mark of Dodin and FB for Fran\u00e7ois-Marie Barrat. D. 16.5 cm. Estimate \u00a310,000-15,000; fetched \u00a3","page":"87","type":"reference"},"admin":{"id":"publication-4653","uid":"adlib-publication-4653","uuid":"25e7f7aa-fbc2-385e-9976-1240f2a3c855"},"summary_title":"Continental and British Ceramics: including Meissen porcelain from Korthaus Collection: properties of the St. Germans 1962 Settlement, the late Robert Clarke"},{"@link":{"notes":"Ref.","page":"48-54","type":"reference"},"admin":{"id":"publication-200001798","uid":"adlib-publication-200001798","uuid":"ae666f1f-7c30-31c2-a3ca-921a644de069"},"summary_title":"The S\u00e8vres Porcelain Service of Catherine II of Russia: The Truth Concerning Payment"},{"@link":{"notes":"Cf. p. 66, no. 18, illustrated in colour on p. 67, a bronze-mounted ice cup. No year mark. Painter's mark HP for Henri Martin Pr\u00e9vost (active 1757-97). Inv. no. FAS PE 188.","page":"66","type":"reference"},"admin":{"id":"publication-4655","uid":"adlib-publication-4655","uuid":"4c795466-ef5c-3139-af87-252991660c24"},"summary_title":"K\u00f6nigliches Porzellan aus Frankreich, Sammlerst\u00fccke und Service der Manufaktur Vincennes\/S\u00e8vres"},{"@link":{"type":"reference"},"admin":{"id":"publication-7524","uid":"adlib-publication-7524","uuid":"9aae2908-1105-3fa5-8365-0c981a52dccf"},"summary_title":"Treasures of France from the Sun King to the Belle Epoque"},{"@link":{"notes":"Cf. pp. 281-3, no. 144, a S\u00e8vres factory replica with date letter for 1785 (1917.1095), which differs in having a shaped rim and being slightly smaller, 23.8 cm instead of about 26.5 cm.","page":"281-3","type":"reference"},"admin":{"id":"publication-2724","uid":"adlib-publication-2724","uuid":"e1cfd19f-1a09-348b-8813-f71b68d85f84"},"summary_title":"French Eighteenth-Century Porcelain at the Wadsworth Atheneum, The J. Pierpont Morgan Collection"},{"@link":{"notes":"Cf. p. 182-3, lot 265, a plate described as 'une replique' of the 18th century, 23.5 diameter with date letters ee for 1783,  painter's mark of Tandart, and gilder's mark of Chauvaux. Estimate E 15,245-18,295; fetched E","page":"182-3","type":"reference"},"admin":{"id":"publication-4654","uid":"adlib-publication-4654","uuid":"d85cfd87-80cb-3509-b001-361acbb42605"},"summary_title":"Collection Charles-Otto Zieseniss"},{"@link":{"notes":"Cf. Lot 99, a reproduction plate probably made by the Imperial Porcelain Manufactory in the late 19th century. D. 26 cm. Estimate \u00a32-3,000.","page":"73","type":"reference"},"admin":{"id":"publication-4699","uid":"adlib-publication-4699","uuid":"6cacf516-5595-300d-b383-656e14e2a766"},"summary_title":"Russian Works of Art, Faberg\u00e9 and Icons"},{"@link":{"notes":"Cf. p. 24, lot 38, a plate from the Empress Catherine Service with the date letter for 1778 and painter's mark for Dodin. Estimate \u00a323-31,000; E25-35,000. Cf also p. 23, lot 37 a tassa \u00e0 glaze from the service with marks of the painter Buteux cadet and gilder Pr\u00e9vost. Estimate \u00a327-45,000; E 30-50,000","page":"23-4","type":"reference"},"admin":{"id":"publication-8611","uid":"adlib-publication-8611","uuid":"19cabd61-c687-331c-99fc-fedcd318d801"},"summary_title":"500 Ans, Arts D\u00e9coratifs Europ\u00e9ans"},{"@link":{"notes":"Ref. for the career and work of Dodin. Cf. pp. 151-3, no. 63, twelve pieces from the Empress Catherine Service, from the Hermitage Museum. 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The elongated, lobed oval vase stands on a low foot, and has a slightly concave back and a bowed front. The rim is curved and rises at either end to form handles, moulded from half way up the sides with acanthus leaves. The glaze on the interior has areas of blue and grey speckling. There are two suspension holes in the footring.                                                     The ground is bluish-green with an oval reserve on the front and back framed by wide bands of gilding tooled with short lines crossed at intervals by crossed ribbons, and flanked by rectangular vertical panels filled by four vertical rows of gold dotted circles. The reserve on the curved side is painted in polychrome enamels with a harbour scene featuring two sailors leaning on a barrel beside a fire, and behind them three others working on the rigging of a ship. The shore on the right is backed by  high cliffs, and on the left, the sea extends to the horizon. The reserve on the back is painted with a spray of flowers with a flying bird on each side The handles are white with touches of gilding on the moulded leaves. There is a band of gilding round the foot and a dentilated band round the rim."}],"identifier":[{"accession_number":"C.35-1961","primary":true,"type":"accession number","value":"C.35-1961"},{"priref":"74645","type":"priref","value":"74645"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74645","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74645"}],"inscription":[{"location":"on base","method":"painted in manganese-purple  enamel","transcription":[{"value":"interlaced L's enclosing O"}],"type":"factory mark"},{"description":[{"value":"a quaver"}],"location":"on base, at one side of factory mark","method":"painted in violet enamel","type":"painter's mark"},{"description":[{"value":"vertical line with a circle at the top, and running through shape"}],"location":"on base","method":"incised","type":"incised mark"},{"description":[{"value":"rectangular discoloured white paper label"}],"location":"on base","method":"inscribed in black ink","transcription":[{"value":"From the collections of\/Lord Willoughby D'Eresbyof\/Marquess of Lincolnshire"}],"type":"label"},{"location":"on base","method":"printed in black and hand-written in black ink","transcription":[{"value":"SEVRES (printed) Date\/1767\/PtR. CORNAILE"}],"type":"label"},{"description":[{"value":"small rectangular buff paper label"}],"location":"on base","method":"printed","transcription":[{"value":"39"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Lord Carrington married for the second time to Charlotte Augusta Annabella, 2nd and youngest surviving sister, and coheir of Alberic, Lord Willoughby d'Eresby. On her death, their son Charles Robert Carrington inherited a moiety of the office of Joint Hereditary Great Chamberlain of England, held by his maternal grandfather and maternal uncle, both Lords Willoughby d'Eresby. Hence this name appearing on the label with Marquess of Lincolnshire. 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This example is of the third size which ranged from height 10 to 11.3 cm and length 23.7 to 24.4 cm. The moulds and models for three sizes were mentioned in the work of 1754 in the inventory of January 1755 (MNS, Inventaire de 1755 I 7, pp. 6, 8), A design survives  which shows outlines of two sizes of the plan, and three sizes of the elevation (MNS R.1, liasse 3, dossier 1, fol. 3). The drawing was illustrated by Rosalind Savill in her 'Catalogue of the Wallace Collection '(see Documention). She provided an extensive list of examples of the various sizes, including under the third size the Fitzwilliam\u2019s, and examples in the Frick Collection, New York, the British Museum, London, the Walters Art Gallery, Baltimore, and the Louvre, Paris. \n\nThis example is a genuine piece of S\u00e8vres soft paste, and bears an incised mark which also appears one of a pair of caisse \u00e0  fleurs at Waddesdon Manor,  and on two of a set of three cuvettes \u00e0 tombeau, in the Wadsworth Atheneum (1917.1047 and 1917.1049), It also occurs on a milk jug of c. 1756-60 in the Fitzwilliam\u2019s collection (C.43-1961). But although the vase bears the musical quaver note mark of Cornaille, a specialist flower painter, the quality and design of the floral panel is very poor, and the painted decoration and gilding must have been executed outside the factory, probably in the early 19th century. The quay scene might have been by Morin or one of the other paintings painting harbour scenes but the colouring is not typical, and its quality does not compare well with the quay  scenes on S\u00e8vres vases in the Royal Collection (see Documentation). Another point indicating later decoration is that on both sides the oval reserves overlap the vertical moulding on either side of them, which was not normal practice, although their gilded frames sometimes did so.  The decoration must have been executed before 1864 when the vase was recorded as no. 15 in an inventory and valuation ceramics in the possession of Lord Carrington at 8 Whitehall, London.\n\nDuring the late 18th and early 19th century the Manufacture Royale at S\u00e8vres sold large quantities of soft-paste porcelain \u2018seconds\u2019, both white (rebut blanc), and partially decorated which were decorated outside the factory in Paris and elsewhere.  Revealing discussions of this practice are given by Savill (1988) and Bellaigue (2009), see Documentation."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-113159","uid":"adlib-term-113159","uuid":"4bdfb4a7-b307-3dfa-a3d6-8ada4683271e"},"summary_title":"18th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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The urn-shaped vase stands on a circular pedestal foot with a moulding round the foot. The ogee-domed cover is surmounted by a finial in the shape of a large and a small carnation on a stem. The shoulder of the vase, and the cover, are each pierced with six oval apertures surrounded by stylised foliage in low relief. The shoulder of the vase is at a slightly lower level that the rest of the body and is divided from it by a gold band with curves below the apertures. The white ground is decorated with sprays of flowers in bleu cama\u00efeu, and the carnation finial is touched with blue. There are two bands of gilding round the foot and serrated bands round the junction of the foot and body and round the lip and on  the edge of the cover. The moulding round the apertures and the stem of the finial are gilded.\nA pair with C.13.2 & A-1947."}],"identifier":[{"accession_number":"C.13.1 & A-1947","primary":true,"type":"accession number","value":"C.13.1 & A-1947"},{"priref":"82541","type":"priref","value":"82541"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82541","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82541"}],"inscription":[{"location":"on base of vase","method":"in blue enamel","transcription":[{"value":"interlaced Ls enclosing A with a crown above"}],"type":"factory mark"},{"location":"on base of vase","method":"incised","transcription":[{"value":"3"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1947,"latest":1947,"value":"1947"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1947-10"}]}],"creation":[{"date":[{"earliest":1753,"from":{"earliest":1753,"era":["CE"],"latest":1753,"value":"1753"},"latest":1754,"note":[{"value":"The date letter A assigned in 1845 to 1753, more recently to  1753 and part of 1754, and in 2014 proposed by Peters as  indicating 1754"}],"range":true,"to":{"earliest":1754,"era":["CE"],"latest":1754,"value":"1754"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-140732","uid":"adlib-agent-140732","uuid":"1cccf6bc-5e51-3e11-a849-d05785821974"},"summary_title":"Vincennes Porcelain Manufactory"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-161376","uid":"adlib-agent-161376","uuid":"8a52f5ad-6cc1-379e-a293-b3015f8543de"},"summary_title":"Duplessis, Jean-Claude Chambellan, p\u00e8re"}],"note":[{"value":"This is a pot-pourri Pompadour of the third size. The form was designed by the goldsmith and bronze-founder, Jean-Claude Duplessis, who worked for Vincennes and S\u00e8vres between c. 1748 and 1774.This vase and its pair may have been the two mentioned in a garde robe of the H\u00f4tel de Pompadour in the probate inventory of Madame de Pompadour in 1764, see Documentation."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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5","type":"reference"},"admin":{"id":"publication-135","uid":"adlib-publication-135","uuid":"20a25284-199c-3f18-91f0-7734d47d8962"},"summary_title":"Friends of the Fitzwilliam, Thirty-ninth Annual Report, for the Year 1947"},{"@link":{"notes":"Publ. pp. 36-49, on p. 42, both vases.","page":"pp. 36-49","type":"reference"},"admin":{"id":"publication-200001236","uid":"adlib-publication-200001236","uuid":"9b874fca-2cd8-30bb-bbf8-947f03505897"},"summary_title":"Madame de Pompadour et Vincennes\/S\u00e8vres, Chronologie d'une Passion"},{"@link":{"notes":"Ref. For the pair of vases which were in the garde robe of the Hotel de Pompadour, see p. 39, no. 381.","page":"39","type":"reference"},"admin":{"id":"publication-3676","uid":"adlib-publication-3676","uuid":"0658d0bc-de4e-387a-8012-3833a87db6d5"},"summary_title":"Inventaire des biens de Madame de Pompadour r\u00e9dig\u00e9 apr\u00e8s son d\u00e9c\u00e8s"},{"@link":{"notes":"Ref. pp. 93-4, for the shape pot-pourri Pompadour, and see nos. 226-233, examples with different decoration.","page":"pp. 93-4","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Ref. For the shape's history and other examples, see I, pp. 127-134, the Fitzwilliam Museum example mentioned on pp. 128 and 129 as possibly from a garde-robe of the Hotel de Pompadour, and on p. 132, under Shape A, third size, (g). The Wallace examples C.239-40 are 1756 with later decoration.","page":"pp. 127-34","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. One with blue floral sprays and ormolu mounts, formerly in the Burdett Coutts collection, and later Wilfred J. Sainsbury Collection, see p. 5,  fig. VI without mounts, and fig. VII with mounts. Mark interlaced Ls and dot","page":"3-8","type":"reference"},"admin":{"id":"publication-200001233","uid":"adlib-publication-200001233","uuid":"b1537651-1d4d-344c-a2b9-f900cb24d80d"},"summary_title":"Vincennes Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-3650","uid":"adlib-publication-3650","uuid":"a6c9b778-9484-30c5-8834-65c60bb2e6ba"},"summary_title":"Important Continental Porcelain and Pottery"},{"@link":{"notes":"Cf. pp. 99-101, a pot-pourri Pompadour of the third size decorated in blue cama\u00efeu floral garlands and birds. The authors provide information about the form, and the sales of vases decorated in blue camaieu in 1754 and 1755. The Fitzwilliam's pair are mentioned on p. 99 as possibly those listed in the garderobe of Madame de Pompadour","page":"99-101","type":"reference"},"admin":{"id":"publication-2724","uid":"adlib-publication-2724","uuid":"e1cfd19f-1a09-348b-8813-f71b68d85f84"},"summary_title":"French Eighteenth-Century Porcelain at the Wadsworth Atheneum, The J. Pierpont Morgan Collection"},{"@link":{"notes":"Cf. p. 262, lot 428, a pot-pourri Pompadour of the third size painted in blue, c. 1752, and mounted in ormolu slightly later. Estimate $4-6,000. This is the example from the Sainsbury Collection mentioned above. 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A transcript of the talk given at the French Porcelain Society Study Day on 17 June 2014"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107622","uid":"adlib-term-107622","uuid":"523e46be-6c51-3455-8391-3ea334aab2f0"},"summary_title":"flowers"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-108450","uid":"adlib-term-108450","uuid":"2abaabcd-7ef8-3781-b95a-52e78269140a"},"summary_title":"carnation"},{"@link":{"type":"literal"},"name":[{"value":"flowers"}],"summary_title":"flowers"},{"@link":{"type":"literal"},"name":[{"value":"carnation"}],"summary_title":"carnation"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89257","uid":"adlib-term-89257","uuid":"2707da46-9e7a-3109-9af7-6b0e5d567eee"},"summary_title":"pot-pourri vase"}},"summary_title":"pot-pourri vase","techniques":[{"description":[{"value":"soft-paste porcelain, thrown, pierced, lead-glazed, painted in blue enamel and gilded; the flower finial hand-modelled"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Pot-pourri Pompadour"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-75632","_score":16.660667,"_source":{"admin":{"added":1592984317000,"created":1312637261000,"flag":"Standard Record","id":"object-75632","indexed":1768327321313,"modified":1487333540000,"processed":1768327318468,"source":"adlib","stream":"fitz-online","uid":"adlib-object-75632","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75632","uuid":"967f3464-e849-3b10-92fa-80c8e6023d54","version":9},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. 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Clarke"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, pink, a small amount of crimson, brown, and  violet"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"note":[{"value":"yellow"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113756","uid":"adlib-term-113756","uuid":"79bc070a-703b-3bad-a71d-db930b9fccf0"},"summary_title":"ground colour"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"blue, green, yellow, pale pink, a small amount of crimson, brown, and  violet enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120423","uid":"adlib-term-120423","uuid":"49c03045-1936-389b-82bc-13662efdec88"},"summary_title":"ground laying"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"12.3"},{"dimension":"Height","units":"cm","value":"2.8"}]},"name":"Saucer","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"5.7"}]},"name":"Cup Rim"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"6.0"}]},"name":"Cup","techniques":[{"description":[{"value":"soft-paste porcelain thrown, lead-glazed,  painted overglaze in blue, green, yellow, pale pink, a small amount of crimson, brown, and  violet enamels, and gilded."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"7.5"}]},"name":"Cup With Handle"}],"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain cup and saucer, with bright yellow ground, decorated with landscapes in violet enamels, and gilded."},{"value":"Soft-paste porcelain decorated with a yellow ground, painting in blue, green, yellow, pale pink, a small amount of crimson, brown, and  violet enamels, and gilding. Cylindrical cup with double-curved handle. Circular saucer with flat central area and sloping sides. There is a suspension hole in the footring of the saucer. Both pieces have a bright yellow ground decorated with continuous landscapes in violet enamel, with above and below borders of crimson zig-zags, curving gilt lines and blue dots on a reserved white ground. The cup has one large and two small circular reserves, painted in polychrome with landscapes, each framed by a gilt band and a blue band dotted with gold. The large reserve has a windmill beside a house in the background and a seated man in the foreground. There are two gold bands round the foot and rim, gold lines down the sides of the handle and three stylised leaves separated by dots down its back. The saucer has a circular reserve in the centre and three small circular reserves on the sides, each painted with a landscape with buildings and framed with a gilt band and a blue band dotted with gold. There are two gilt bands round the rim."}],"identifier":[{"accession_number":"C.61 & A-1961","primary":true,"type":"accession number","value":"C.61 & A-1961"},{"priref":"75632","type":"priref","value":"75632"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75632","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75632"}],"inscription":[{"location":"on base of both pieces","method":"painted in blue enamel","transcription":[{"value":"interlaced L's"}],"type":"factory mark"},{"description":[{"value":"horizontal line with three dots evenly dispersed above"}],"location":"on base of both pieces, below the factory mark","method":"painted in blue enamel","type":"painter's mark"},{"location":"on base of both pieces, below painter's mark","method":"painted in blue enamel","transcription":[{"value":"KK"}],"type":"date"},{"location":"on base of the cup by the edge","method":"incised","transcription":[{"value":"41"}],"type":"incised mark"},{"location":"on base of the cup","method":"incised","transcription":[{"value":"11"}],"type":"mark"},{"description":[{"value":"indistinct perhaps 40 or 49"}],"location":"on base of the saucer to left of suspension hole","method":"incised","type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1787,"era":["CE"],"latest":1787,"note":[{"value":"The date letter KK should have indicated 1788 but was apparently used in 1787 (see Documentation, Savill)."}],"value":"1787"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"possibly","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-140351","uid":"adlib-agent-140351","uuid":"c7d542ac-aafe-3e9f-9375-9cd93cfe24b6"},"summary_title":"Vielliard, Andr\u00e9-Vincent"},{"@link":{"qualifier":"possibly","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-175213","uid":"adlib-agent-175213","uuid":"ef88a7ff-b4dc-3a0c-b82a-4c1f09d97ffa"},"summary_title":"Vielliard, Pierre-Joseph-Andr\u00e9"}],"note":[{"value":"See other examples of landscape decoration by Vieilliard in The Fitzwilliam Museum: Cup and Saucer C.8 & A-1956, 1788 and C.62 & A-1961, 1789, and \u00c9cuelle ronde, C.60 & A-1961, 1788."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux 1991, Savill, 1988,  Bellaigue 2009). This is a gobelet litron et soucoupe of the third size with Savill's handle B."},{"value":"The incised mark 41 occurs mainly on cups and saucer after 1780"},{"value":"Yellow grounds were not very common at S\u00e8vres prior to 1775, after which they were popular, especially after 1787. Vielliard p\u00e8re, seems to have been made a speciality of painting landscapes on coloured grounds at the end of the 1780s, but there is a possiblity that this cup and saucer may have been painted by his son Andr\u00e9-Vincent Vielliard, fils, who worked at the factory from 1783-93, and adopted a style similar to his father. Roth & Corbeiller (see Documentation 2000), note that on 30 June 1787 Vielliard fils, was recorded as having been paid for painting two cups and saucers with yellow ground, landscapes, and friezes, at 9 livres each set (AMNS, Vj'4, fol. 261). 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