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The highly ornate loop handle which extends above the rim is modelled as Triton, a merman bending backwards and clutching his bifurcated foliate tail. A moulded mermaid is applied below the spout, her arms spread as on the prow of a ship.  The body is decorated with applied green foliage set on a magenta ground, two moulded masks and four large oval turquoise panels.  The underside is hollow and clear-glazed, except for a broad foot-rim, with a central metal wing-nut bolting the base to the body."},{"value":"The stand is oval with a wide flared rim. Around the rim are four more moulded masks, holding oak-leaf swags over four slightly convex, plain turquoise ovals.  The circular centre is mid-blue, encircled by a thin band of ochre and a wider band of green foliage on magenta ground. The underside is clear glazed."}],"exhibitions":[{"@link":{"catalogue":"C 19","type":"reference"},"admin":{"id":"exhibition-1072","uid":"adlib-exhibition-1072","uuid":"5f0c5c3b-ca10-352c-8c84-8027304959ff"},"summary_title":"Victorian and Edwardian Decorative Art - The Handley-Read Collection"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1682","uid":"adlib-exhibition-1682","uuid":"4e7148c5-e3d5-3b39-8195-7ad42d347c5f"},"summary_title":"Variations on Ceramic Themes, Big is Beautiful?"}],"identifier":[{"accession_number":"C.40 & A-1972","primary":true,"type":"accession number","value":"C.40 & A-1972"},{"priref":"74920","type":"priref","value":"74920"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74920","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74920"}],"inscription":[{"description":[{"value":"circle with protruding line"}],"location":"underside of stand","method":"impressed","type":"mark"},{"description":[{"value":"A or triangle"}],"location":"underside of stand","method":"impressed","transcription":[{"value":"A"}],"type":"mark"},{"description":[{"value":"smudge"}],"location":"underside of ewer","method":"painted in blue","type":"mark?"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Perceval Fund and grant-in-aid from the Victoria and Albert Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-160895","uid":"adlib-agent-160895","uuid":"a1eb7880-da59-3f1e-96f8-35488a6c8c56"},"summary_title":"Stainton, Thomas"}],"date":[{"earliest":1972,"latest":1972,"value":"1972-10-19"}],"method":{"value":"bought"},"note":[{"value":"Check date of accession in register"}]}],"creation":[{"date":[{"earliest":1856,"era":["CE"],"latest":1856,"note":[{"value":"date mark for 1856"}],"value":"1856"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-153865","uid":"adlib-agent-153865","uuid":"853be336-7cfb-32d1-aa54-fb4dff401cf0"},"summary_title":"Minton & Co."},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-173234","uid":"adlib-agent-173234","uuid":"f45c17a6-8606-3224-b71e-f1a1926aedfd"},"summary_title":"Jeannest, Pierre Emile"}],"note":[{"value":"At least five examples of this shape, designed by Pierre Emile Jeannest (1813-57), are known. This and another have plain turquoise panels. Others have finely painted narrative panels. One of these, now in the Victoria & Albert Museum (no.8107&A-1863), was painted by Thomas Allen with classical gods (after Polidoro da Caravaggio) while the stand shows the Labours of Hercules (after Lebrun). It was shown by Minton at the London International Exhibition of 1862. The shape, however, was in use earlier as indicated by the date-mark, 1856, on the Fitzwilliam example and an early listing in the Minton ornamental shape book 3, c.1854-62, which reads: \u2018616: \u2018Ewer and stand, Jeannest, with Triton handle, H.2\u20196\u201d \u2018. The Greek god Triton, son of Poseidon, was the messenger of the sea; he is typically represented as the merman seen here."},{"value":"Minton, founded in 1793, originally produced blue printed earthenware and, later, creamware, bone china and other products, particularly tableware. Taking over in 1836, Herbert Minton  (1793-1858) revolutionised production methods and introduced new lines in encaustic and printed tiles, figures and ornamental wares. In 1858 the business passed to Herbert\u2019s nephew, Colin Minton Campbell (1827-85), who continued the expansion. The early business traded under various names, from 1845 it was known as Minton & Co. and from 1873 as Mintons Ltd."},{"value":"Pierre-Emile Jeannest, (1813 \u2013 1857) was a French ceramic and silver designer. The son of a sculptor, he worked for Minton c.1846-1852, designing Parian figures, majolica ware and tableware. He later worked for Elkingtons, designing silver, whilst continuing to supply Minton designs as a freelance. He also taught the model class at Stoke School of Design."},{"value":"This is a particularly ambitious example of  mid-nineteenth century ceramics combining Renaissance sources with  innovation. Minton launched wares \u2018coloured in the Majolica style\u2019 at the Great Exhibition of 1851, to great acclaim. The new product took inspiration from  Italian  maiolica, tin-glazed earthenware with finely painted decoration, Della Robbia sculpture, and the brightly coloured lead-glazes favoured by Bernard Palissy. Other factories, including Wedgwood, followed suit, but Minton\u2019s Majolicaware  developed in the late 1840s was notable for an exceptionally wide  palette of glazes developed under the leadership of Art Director L\u00e9on 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C 19","page":"49","type":"reference"},"admin":{"id":"publication-1048","uid":"adlib-publication-1048","uuid":"3731e4a6-d392-3c17-9cbb-1cb7a099cfbb"},"summary_title":"Victorian and Edwardian Decorative Art , The Handley-Read Collection"},{"@link":{"notes":"Publ. pp. 110-11 with ill. and information about Minton majolica.","page":"110-11","type":"reference"},"admin":{"id":"publication-1030","uid":"adlib-publication-1030","uuid":"9cf77d50-a614-3947-8d0e-919f695fe7b0"},"summary_title":"Fitzwilliam Museum Handbooks, English Pottery"},{"@link":{"notes":"Cf. pl. 78 (catalogue P 7) and text, a ewer of similar form with narrative panels painted by Thomas Allen in the  V & A Museum no.8107 & a-1863. Notes survival of a \u2018related drawing\u2019\n See p.17-18 for date mark.","page":"95-7","type":"reference"},"admin":{"id":"publication-2727","uid":"adlib-publication-2727","uuid":"02232f50-fd3b-3b8a-9687-1a8ff3f7c0d1"},"summary_title":"Minton 1798-1910"},{"@link":{"type":"reference"},"admin":{"id":"publication-7708","uid":"adlib-publication-7708","uuid":"30dc90f4-447b-3dfb-894c-45261c4cb67a"},"summary_title":"19th Century Furniture, Sculpture, Ceramics, Silver and Works of Art"},{"@link":{"type":"reference"},"admin":{"id":"publication-5707","uid":"adlib-publication-5707","uuid":"b6b6c845-9e48-324f-aa44-f8d7407d68a2"},"summary_title":"High Victorian Decorative Arts and Design"},{"@link":{"notes":"Cf. p. 78, lot 449, sale 5 October 1993, illustrated, a very similar ewer with similar plain turquoise panels, but without stand. (Estimate \u00a33-5,000).","page":"78","type":"reference"},"admin":{"id":"publication-5708","uid":"adlib-publication-5708","uuid":"fef5aa8d-da71-3073-bede-2444a5eca8d2"},"summary_title":"British Ceramics and Glass, including Welsh Porcelain"},{"@link":{"notes":"Cf. fig.17, the more elaborate version in the V&A collection.","page":"August 1976, p.290","type":"reference"},"admin":{"id":"publication-400000008","uid":"adlib-publication-400000008","uuid":"b8a6f92e-14c2-3ce6-a405-44d348b6b191"},"summary_title":"Connoisseur"},{"@link":{"notes":"Cf. example in the V&A collection.","page":"116-117","type":"reference"},"admin":{"id":"publication-7709","uid":"adlib-publication-7709","uuid":"e854bc20-be5c-3636-9ff2-5c9e26a06261"},"summary_title":"Masterpieces of World Ceramics"},{"@link":{"notes":"Ref. 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II, pp. 151, 152","page":"pp. 151-2","type":"reference"},"admin":{"id":"publication-2753","uid":"adlib-publication-2753","uuid":"423f4104-66db-3533-a727-6aa42225c265"},"summary_title":"The Ceramic Art of Great Britain"},{"@link":{"type":"reference"},"admin":{"id":"publication-200001302","uid":"adlib-publication-200001302","uuid":"72da1997-49a7-3cea-bdde-4e5e80a561b7"},"summary_title":"Tickenhall Pottery"},{"@link":{"notes":"Ref. p. 47","page":"p. 47","type":"reference"},"admin":{"id":"publication-200001303","uid":"adlib-publication-200001303","uuid":"201a0fb6-5200-33e8-b2e1-5d1743a45cf7"},"summary_title":"The Ticknall Parish Documents"},{"@link":{"notes":"Ref. p. 3","page":"p. 3","type":"reference"},"admin":{"id":"publication-200001304","uid":"adlib-publication-200001304","uuid":"293b6eaf-cfa8-35fa-bdb2-c921e10e810d"},"summary_title":"Ticknall - A Tale of Two Churches"},{"@link":{"notes":"Ref. p. 148","page":"p. 148","type":"reference"},"admin":{"id":"publication-200001305","uid":"adlib-publication-200001305","uuid":"bda7bebe-f1fd-3883-a58d-6bf66473b427"},"summary_title":"Calke and Ticknall"},{"@link":{"notes":"Ref. pp. 11-31","page":"pp. 11-31","type":"reference"},"admin":{"id":"publication-200001306","uid":"adlib-publication-200001306","uuid":"d1f26ce0-ec44-37b1-a6b2-a0ce9dd5d6b6"},"summary_title":"Ticknall Pottery"},{"@link":{"notes":"Ref. for Ticknall. This pot mentioned on p. 91.","page":"91","type":"reference"},"admin":{"id":"publication-5652","uid":"adlib-publication-5652","uuid":"8bc4efd2-8079-3b59-b0ae-a4cc7dd243a5"},"summary_title":"Ticknall Pots  & Potters from the Late Fifteenth Century to 1888"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91210","uid":"adlib-term-91210","uuid":"3f27459f-afab-35ad-8a66-7908fbec574d"},"summary_title":"posset pot"}},"summary_title":"posset pot","techniques":[{"note":[{"value":"except lower part of pot and base"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-41196","_score":17.28938,"_source":{"admin":{"added":1592984186000,"created":1312637261000,"flag":"Standard Record","id":"object-41196","indexed":1755194537320,"modified":1714465334000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-41196","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41196","uuid":"406c5b1c-e6cc-3b7e-8969-58d4bc5ea8de","version":8},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"pink, yellow, blue, green and grey"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in pink, yellow, blue, green and grey enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Hybrid hard-paste porcelain porcelain, moulded, and painted in polychrome enamles with flowers, and gilt."},{"value":"Hybrid hard-paste porcelain (probably), moulded, and painted overglaze in pink, yellow, blue, green and grey enamels, and gilt. The quatrefoil oval dish has rounded sides, and stands on a low wedge-shaped footring. It is painted with a large 'Turk's-Cap Lily' or Martagon Lily spray, the rim banded in gold."}],"exhibitions":[{"@link":{"catalogue":"97","type":"reference"},"admin":{"id":"exhibition-1514","uid":"adlib-exhibition-1514","uuid":"286101af-8f2b-30fe-a77e-088cf4d218fa"},"summary_title":"Don Pottery 1801-1893"},{"@link":{"catalogue":"182","type":"reference"},"admin":{"id":"exhibition-1515","uid":"adlib-exhibition-1515","uuid":"7a831b90-bcc5-3214-948d-58400faa7ba4"},"summary_title":"A Celebration of Yorkshire Pots"}],"identifier":[{"accession_number":"C.10-1952","primary":true,"type":"accession number","value":"C.10-1952"},{"priref":"41196","type":"priref","value":"41196"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41196","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41196"}],"inscription":[{"location":"on base","method":"printed and inscribed","transcription":[{"value":"Midland Counties Works of Art Exhibition, Derby, 1970 [printed] 'no.2101' and 'Jewitt L.' [inscribed]"}],"type":"label"},{"description":[{"value":"unidentified auction sale catalogue extract with illustration, lot 173"}],"location":"on base","method":"printed in black","type":"label"},{"description":[{"value":"97 - printed"}],"location":"on base","transcription":[{"value":"Doncaster Museum and Art Gallery Exhibition, Don Pottery, 1983, 97"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Bernard Rackham in memory of Mr and Mrs J. 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Given to Bernard Rackham by Mrs Calder, April 18 1949; given by Bernard Rackham in memory of Mr and Mrs J. Calder of Bath."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pp. 523-4, where he illustrates this and another piece of Don porcelain from his collection.","page":"pp. 523-4","type":"reference"},"admin":{"id":"publication-2753","uid":"adlib-publication-2753","uuid":"423f4104-66db-3533-a727-6aa42225c265"},"summary_title":"The Ceramic Art of Great Britain"},{"@link":{"notes":"Publ. p. 21, no. 97","page":"p. 21","type":"reference"},"admin":{"id":"publication-2755","uid":"adlib-publication-2755","uuid":"bd66352a-1739-3457-a2d3-4ea491f581cc"},"summary_title":"Don Pottery 1801-1893"},{"@link":{"notes":"Publ. 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Glaisher"}],"component":[{"materials":[{"note":[{"value":"yellow, pink, red, shades of brown, grey, black, and dark reddish-brown"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108168","uid":"adlib-term-108168","uuid":"0fcc3e04-2ff3-3bde-810f-0474bbfa0943"},"summary_title":"ceramic printing colour"}}],"name":"Decoration","techniques":[{"note":[{"value":"in yellow, pink, re, shades of brown, grey, black and dark reddish-brown enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27527","uid":"adlib-term-27527","uuid":"c2872f47-1ee0-3d35-8eef-dc4434baeef1"},"summary_title":"transfer printing"}}]},{"name":"Body","techniques":[{"description":[{"value":"white lead-glazed earthenware, transfer-printed in black, and painted in yellow, pink, red, shades of brown, grey, and black enamels, and banded in dark reddish-brown enamel"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"white lead-glazed earthenware, transfer-printed in black and painted in enamels"},{"value":"White lead-glazed earthenware decorated with transfer prints in black filled in with yellow, pink, red, shades of brown, grey and black enamels, and banded with dark reddish-brown enamel. Ovoid body with short cylindrical neck, projecting spout, and scroll handle with slightly projecting thumbpiece. Decorated on both sides with a figure of a stout elderly man wearing a red coat and pink waistcoat, standing facing towards the viewer's right, holding up his hat in his left hand. On the hat is a ticket inscribed 'Milton'. Below the spout is a trompe l'oeil torn parchment inscribed 'The Figure there is no mistaking\/It is the famous Man for breaking\/Oh! that instead of Horse & Mare\/ He had broken Crockery Ware\/Each grateful Potter in a Bumper\/ Might drink the Health of Orange Jumper.\u2019 The rim and the sides of the handle are banded in dark maroon"}],"identifier":[{"accession_number":"C.1084-1928","primary":true,"type":"accession number","value":"C.1084-1928"},{"priref":"71289","type":"priref","value":"71289"},{"source":"Glaisher MS Catalogue, vol. 1","type":"old object number","value":"923"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71289","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71289"}],"inscription":[{"location":"on base","method":"painted in red","transcription":[{"value":"Don.Pottery."}],"type":"factory mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"On 20 July 1906 Dr Jackson wrote to Glaisher telling him that The jug was given to me by my mother in, or about, 1875. During a period of more than 75 years beginning in 1800, my grandfather, my father, and my brother, successively practised as surgeons at 1 St James's Row, Sheffield. In all probability my grandfather bought this jug - with another, like it, which is now in the possession of my sister-in-law, Mrs Arthur Jackson - at the time of the Yorkshire Election. If so, it had only three homes before it found a place in your collection: first, 1, St James's Row, Sheffield; next, my house, Croft Cottage, Cambridge; then after I left Croft Cottage in 1890, my rooms in Neville's Court [Trinity] It was the late Master of Trinity, W.H. 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