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William Duesbury listed partridges among items decorated in his London studio.","page":"13, 14, 31","type":"reference"},"admin":{"id":"publication-2762","uid":"adlib-publication-2762","uuid":"69ec0f01-d173-3d54-bbb1-dc3c36479dba"},"summary_title":"William Duesbury's London Account Book 1751-1753"},{"@link":{"notes":"Ref. 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A pair of polychrome partridges with raised anchor mark (no red enamel), in the Metropolitan Museum of Art, pl. 7 and pp. 32-3, fig. 23, where several other examples are listed.","page":"32-3","type":"reference"},"admin":{"id":"publication-2614","uid":"adlib-publication-2614","uuid":"bd0c2e2e-8e28-3664-bf00-fe50da012352"},"summary_title":"Chelsea and other English Porcelain, Pottery and Enamel in the Irwin Untermyer Collection"},{"@link":{"notes":"Ref. and Cf. p. 54, pl. 37 The White Partridge from George Edwards, vol. 2, 1747, pl. 72, and pl. 58, a pair of Chelsea White Partridges c. 1749-52, in the Shreiber collection in the V. & A. 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The figure is on a shallow square base with cut-corners, decorated with an incised diamond diaper pattern, and having at centre back a broken pedestal with a stepped base. The underside of the base is rough and has a deep depression under the pedestal. The edges have been flattened and wiped free of glaze; the central area is glazed. The actor is clean-shaven and has long hair drawn into a waist-length queue with a bow at the bottom. He stands with his feet wide apart, the left behind the right, and his hands concealed beneath the uplifted skirts of his waistcoat. He wears a tricorn hat with fringing at the corners, a full-skirted coat, a long waistcoat trimmed with bobbles, shoes with straps and buckles, and a low-slung sword."}],"exhibitions":[{"@link":{"catalogue":"F13","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"}],"identifier":[{"accession_number":"C.3026B-1928","primary":true,"type":"accession number","value":"C.3026B-1928"},{"priref":"41511","type":"priref","value":"41511"},{"source":"Glaisher MS Catalogue","type":"old object number","value":"4491A"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41511","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/41511"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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Glaisher."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-41984","uid":"adlib-object-41984","uuid":"dcbd4a4f-4506-3e64-8a02-7dbac9f6801e"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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The few coloured examples may have been enamelled by William Duesbury, whose London Account Book for the period November 1751 to August 1753 mentions on 24 June 1751 a 'Mr. Woodward' and a 'Mrs. Clive' at 3s. 0d. each, see p.12.","page":"p. 12","type":"reference"},"admin":{"id":"publication-2762","uid":"adlib-publication-2762","uuid":"69ec0f01-d173-3d54-bbb1-dc3c36479dba"},"summary_title":"William Duesbury's London Account Book 1751-1753"},{"@link":{"notes":"Cf. O15 The drawing of Henry Woodward. by Francis Hayman.","page":"p. 248","type":"reference"},"admin":{"id":"publication-2341","uid":"adlib-publication-2341","uuid":"9f995346-7a8d-3fd8-910c-b973dd37873b"},"summary_title":"Rococo: Art and Design in Hogarth's England"},{"@link":{"notes":"Ref. This model  is A2 in Bradshaw's list of Bow figures.                                                                                                            Cf. A white example with Kitty Clive in the National Museum of Ireland, see p. 61, pl. 2.","page":"pp. 61, 88","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"notes":"Ref. For the drawing by Francis Hayman (1708-76) and engraving, and a discussion of the details of the figure, see pp. 27-31; the drawing, p. 28, fig. 41; the mezzotint, p. 29, fig. 42.\nCf. A white example in the Yarborough Collection, see, p. 28, cat. 4.","page":"pp. 27-31","type":"reference"},"admin":{"id":"publication-2761","uid":"adlib-publication-2761","uuid":"3388becd-0e43-3a5d-87ae-2b0d22ec610f"},"summary_title":"Bow Porcelain and the London Theatre: vivitur ingenio"},{"@link":{"notes":"Cf. 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A white example in the Metropolitan Museum of Art, New York, see pp. 166-70, fig. 241, and pl. 77.","page":"pp. 166-70","type":"reference"},"admin":{"id":"publication-2614","uid":"adlib-publication-2614","uuid":"bd0c2e2e-8e28-3664-bf00-fe50da012352"},"summary_title":"Chelsea and other English Porcelain, Pottery and Enamel in the Irwin Untermyer Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-2638","uid":"adlib-publication-2638","uuid":"b726d173-c02a-3b14-9d59-e12ad49bbf8a"},"summary_title":"English Ceramics 1580-1830, A Commemorative Catalogue to Celebrate the 50th Anniversary of the English Ceramic Circle 1927-1977"},{"@link":{"notes":"Cf. A coloured example with a Kitty Clive in the Godden collection, colour pl. H. See 2nd edition, 1991, colour pl. H, and p. 124\nA biscuit example formerly in the Mackenna Collection was, in 1981, in the Mrs. S. J. Katz collection, mentioned, p. 135, note 6.","page":"pp. 124, 135","type":"reference"},"admin":{"id":"publication-2688","uid":"adlib-publication-2688","uuid":"2634db86-6ad0-3838-a637-0970bac11a83"},"summary_title":"Bow Porcelain"},{"@link":{"notes":"Cf. An example with some cold-fired gilding, p. 122, no. 187.","page":"p. 122","type":"reference"},"admin":{"id":"publication-2678","uid":"adlib-publication-2678","uuid":"d747a7ce-aa62-3337-b66f-befcaea7a0d9"},"summary_title":"Bow Porcelain: The Collection formed by Geoffrey Freeman"},{"@link":{"notes":"Cf. A white example with Kitty Clive, p. 195, lot 385; previously sold Sotheby's, 21 February 1971, lot 167. Estimate: \u00a320-30,000; fetched \u00a335,200.","page":"p. 195","type":"reference"},"admin":{"id":"publication-2581","uid":"adlib-publication-2581","uuid":"1028337b-2c06-329b-ac8e-30af68e34013"},"summary_title":"Ceramics from the Rous Lench Collection including British Pottery and Porcelain, Dutch Delft . . ."},{"@link":{"type":"reference"},"admin":{"id":"publication-2150","uid":"adlib-publication-2150","uuid":"0f45160a-fce9-37ca-a7d6-244f0e99e110"},"summary_title":"English and Continental Ceramics"},{"@link":{"notes":"Cf. A white example, with Kitty Clive, at Belton House (National Trust), mentioned, p. 41","page":"p. 41","type":"reference"},"admin":{"id":"publication-2764","uid":"adlib-publication-2764","uuid":"2597edfa-ec10-3442-9909-3974ca7303b4"},"summary_title":"Belton House, Lincolnshire"},{"@link":{"notes":"Cf. A white example, no. 72.","page":"85","type":"reference"},"admin":{"id":"publication-2842","uid":"adlib-publication-2842","uuid":"e7ad7690-e595-3b11-86e7-09cf962c8dae"},"summary_title":"Made at New Canton, Bow Porcelain from the Collection of the London Borough of Newham"},{"@link":{"notes":"Cf. p. 91, pl. 4.1 an example with a figure of Kitty Clive, in the Folger Shakespeare Library, and see text p. 90-1.","page":"87-105","type":"reference"},"admin":{"id":"publication-200002950","uid":"adlib-publication-200002950","uuid":"c611b982-085b-3d03-a70e-bf7ad5f22567"},"summary_title":"Marketing Celebrity: Porcelain and Theatrical Display"},{"@link":{"notes":"Cf. p. 140, fig. 20 the drawing of Woodward by Hayman, and the print after it by McArdell, with an example of the Bow figure in the Raymond Yarbrough collection.","page":"140","type":"reference"},"admin":{"id":"publication-200003155","uid":"adlib-publication-200003155","uuid":"b94626a1-e8f4-38e6-b36c-c26d7a1f84da"},"summary_title":"John De Lanauze and others associated with the Bow factory"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-110517","uid":"adlib-term-110517","uuid":"d21bf5a3-90b7-321c-a277-52dd639bd321"},"summary_title":"acting"},{"@link":{"type":"literal"},"name":[{"value":"acting"}],"summary_title":"acting"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"soft-paste porcelain containing bone ash, press-moulded and hand-modelled, with clear, iron-speckled glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}},{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Henry Woodward as 'The Fine Gentleman' in Lethe"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":3,"total":3}]