[{"admin":{"added":1592951282000,"created":1312633275000,"id":"publication-2833","indexed":1616539745919,"modified":1312639405000,"processed":1615826068939,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-2833","uuid":"3a94a2ab-fa33-304d-9506-617ebfbd8e2f","version":2},"lifecycle":{"publication":[{"date":[{"value":"1983"}],"place":[{"@link":{"type":"literal"},"name":[{"value":"Philadelphia (Lydia)"}],"summary_title":"Philadelphia (Lydia)"}]}]},"summary_title":"Porcelain, Guides to European Decorative Arts, Philadelphia Museum of Art","title":[{"primary":true,"value":"Porcelain, Guides to European Decorative Arts, Philadelphia Museum of Art"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-42280","_score":20.91609,"_source":{"admin":{"added":1592970269000,"created":1312637261000,"flag":"Standard Record","id":"object-42280","indexed":1747160119867,"modified":1714465352000,"processed":1747159409017,"source":"adlib","stream":"fitz-online","uid":"adlib-object-42280","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42280","uuid":"b9845780-00bf-3893-8582-97af0059dd9a","version":6},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-160485","uid":"adlib-agent-160485","uuid":"5f1ebe39-c0e5-3ff5-ab0a-7b0a1bd75be2"},"summary_title":"Peg Woffington (1718-60)"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain containing bone ash (presumed), figure of a Female Sphinx, press-moulded, and lead-glazed. 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On its back is has a saddle decorated with small incised strokes, and with two small tassels (one missing) hanging from the rear side."}],"identifier":[{"accession_number":"C.24-1973","primary":true,"type":"accession number","value":"C.24-1973"},{"priref":"42280","type":"priref","value":"42280"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42280","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42280"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the L.D. Cunliffe Fund and grant-in-aid from the Victoria and Albert Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-157424","uid":"adlib-agent-157424","uuid":"cf22456c-5195-35f9-91d6-39d0dcccc86d"},"summary_title":"Collection of Dr & Mrs H. 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A white sphinx, p. 183, fig. III, the front, and p. 184, fig. VII, the back. For the slightly later version produced by Bow, see p. 185, figs. X and XI. Coloured and painted in the stlye of the 'Muses Painter' with rather bold expressions.\nFor the likely French origin of the Bow sphinxes, see pp. 183-5\nA comparable model was produced by Chelsea, see p. 184, figs. VI and VIII","page":"pp. 184-5","type":"reference"},"admin":{"id":"publication-200000889","uid":"adlib-publication-200000889","uuid":"ce779f73-b184-3b15-8ceb-62ee3cdc5b30"},"summary_title":"Some Consequences of the Bow Porcelain Special Exhibition, Part I: The Alderman Arnold Period (Nov 1748-March 1750)"},{"@link":{"notes":"Ref. 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This pair is of a true white colour (as opposed to cream) which suggests a date after 1750. It is the earlier of the two versions of this model produced by Bow.","page":"p. 88","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"notes":"Ref. See the portrait of Peg Woffington by P.L. Brookes, dated 1752, colour pl. III, and p. 51, fig. 79, where also are the engravings by McArdell after Pond, fig. 76, and in the role of Phoebe in Charles Coffey's the Beggar's Wedding after Peter Van Bleek,1747, fig. 78.","page":"p. 51","type":"reference"},"admin":{"id":"publication-2761","uid":"adlib-publication-2761","uuid":"3388becd-0e43-3a5d-87ae-2b0d22ec610f"},"summary_title":"Bow Porcelain and the London Theatre: vivitur ingenio"},{"@link":{"notes":"Cf. 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