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The earliest Derby version of Falstaff is model E4 in Bradshaw's list of Derby figures, see, p. 95. It recurs as no. 231, see pp. 314-6 and, in five different sizes, as no. 291, see p. 339","page":"pp. 314-6","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"Ref. An unglazed fragment of Falstaff's doublet, with the list protruding from the pocket, was found in a kiln dump at the site of the China Works between Nottingham Road and Wood Street, in 1990 (now occupied by playing fields, car park and landscaping of the nearby Derby Technology College). See pp. 229-39, mentioned on pp. 231-2, illustrated p. 232, fig. 6, and a figure on p. 231, fig. 5, an example at Burghley House.","page":"pp. 229-39","type":"reference"},"admin":{"id":"publication-200000898","uid":"adlib-publication-200000898","uuid":"3db35781-cf62-3582-ac9b-54500b67e315"},"summary_title":"A 1770-1790 Kiln Dump of the Derby China Works"},{"@link":{"notes":"Cf. A model in the Victoria and Albert Museum, see p. 65, no. 305, and pl. 35, 13\" high.\nCf. 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Other examples are cited and the reference given to Henry IV, Part I, Act II, Scene IV, in which Prince Hal and Peto investigate the contents of the sleeping Falstaff's pockets and find the itemised bill for food.","page":"p. 50","type":"reference"},"admin":{"id":"publication-984","uid":"adlib-publication-984","uuid":"b49b3bba-0038-3f3d-a4c1-70885283ce9f"},"summary_title":"European Ceramics at Burghley House"},{"@link":{"notes":"Cf. p. 55, of interest but not strictly comparable, B76, probably by Samson of Paris, B77, French or German, 19th century, and B78, Staffordshire pottery, 20th century. Illustrated on p. 54","page":"pp. 54-5","type":"reference"},"admin":{"id":"publication-4683","uid":"adlib-publication-4683","uuid":"c44183d2-20e3-3f22-b143-bf60e169519c"},"summary_title":"The Richard Bebb Collection in the Garrick Club, A Catalogue of Figures, Sculpture and Paintings"},{"@link":{"notes":"Ref. pp. 122-6 prints by James McArdell used for porcelain figures. See p. 122, fig. 55, a mezzotint by Richard Earlom of a self portrait of James McArdell, and pp. 122-6 for his career and the use of his prints as sources for English porcelain figures. Cf. p. 124, fig. 58, the prin of Falstaff, Victoria & Albert Museum S.24-2009, and fig. 59 a Bow, white porcelain Falstaff, dated to c. 1752. 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The unglazed underside has a large central ventialation hole through the glazed interior can be seen. The rectangular base has cut corners and fluted sides, with gold lines on the upper and lower edges. Milton stands on the left, with his left leg forward, leaning on his left elbow on a pile of three books resting on a semi-circular pedestal decorated in relief with the Expulsion from Paradise. He holds his cloak around him with his right hand, and in his left holds a scroll. He has long wavy brown hair, brown eyebrows, ruddy cheeks and a red mouth. He wears a close-fitting jacket with gold decoration down the front, and gold buttons; breeches with gold buttons and a band at the knee, and shoes with gold bows. His long cloak has a pink lining and gold edges. The pedestal has three gold lines round the top and one round the bottom. The books are red and yellow, purple, and dark green and gold. The scroll is inscribed indistinctly in gold capital letters:"}],"identifier":[{"accession_number":"C.49B-1918","primary":true,"type":"accession number","value":"C.49B-1918"},{"priref":"42723","type":"priref","value":"42723"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42723","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42723"}],"inscription":[{"description":[{"value":"a circular medallion with a crown in the centre and 'BLOOR\/ DERBY' around it between concentric circles"}],"location":"on underside of base","method":"stamped in red","transcription":[{"value":"BLOOR\/DERBY"}],"type":"mark"},{"description":[{"value":"Large script N in No. The 1 some distance away"}],"location":"on underside of base","method":"incised","transcription":[{"value":"No 297  and   1"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151196","uid":"adlib-agent-151196","uuid":"70c394ca-7483-3017-9867-b0191829b8bf"},"summary_title":"Griffin, Ralph, MA, FSA"}],"date":[{"earliest":1918,"latest":1918,"value":"1918-08-28"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1825,"from":{"earliest":1825,"era":["CE"],"latest":1825,"precision":"circa","value":"1825"},"latest":1828,"range":true,"to":{"earliest":1828,"era":["CE"],"latest":1828,"value":"1828"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-35888","uid":"adlib-agent-35888","uuid":"0244b335-51c5-3535-a626-9ed7f3d33894"},"summary_title":"Derby Porcelain Factory"},{"@link":{"role":[{"value":"proprietor"}],"type":"reference"},"admin":{"id":"agent-161407","uid":"adlib-agent-161407","uuid":"dbe2e33a-82b9-3f34-9278-afd1dc5c7c03"},"summary_title":"Robert Bloor & Co."},{"@link":{"qualifier":"possibly after","role":[{"value":"sculptor"}],"type":"reference"},"admin":{"id":"agent-122067","uid":"adlib-agent-122067","uuid":"0623380f-4478-3054-9ebb-7572857538ed"},"summary_title":"Scheemakers, Peter"},{"@link":{"qualifier":"probably after","role":[{"value":"sculptor"}],"type":"reference"},"admin":{"id":"agent-26209","uid":"adlib-agent-26209","uuid":"275fe03b-383a-3f79-b9e2-5cbd6508548e"},"summary_title":"Cheere, John"}],"note":[{"value":"This is a late example of a figure which was made on a low scrolled base in the late 1750s,and later on a rectangular base with cut corners and fluted sides. The model for Milton may have been derived from a terracotta by Peter Scheemakers, now lost, but known from his sale catalogue of 8 May 1756, in which it was lot 23. Alternatively it may be an original composition by John Cheere, by whom there is a 20\" high bronzed plaster dated 1749, at York City Art Gallery. See Documentation, Friedman (1974) and Lippert (1987)                                                                                                                       Bone china replaced soft-paste porcelain at Derby at an unknown date between 1810-15, initially for useful wares."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106853","uid":"adlib-term-106853","uuid":"25492eb4-1164-35eb-8dce-3601486f3415"},"summary_title":"19th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-108976","uid":"adlib-term-108976","uuid":"dc8f08bb-8cb5-3af0-a884-9780ec8d0e12"},"summary_title":"George IV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"note":[{"value":"probably"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37633","uid":"adlib-term-37633","uuid":"43c6b916-951a-36c6-a4a7-7342c900a6d7"},"summary_title":"bone china"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"25.5"},{"dimension":"Width","units":"cm","value":"14"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Uncertain before donor, Ralph Griffin, MA, FSA (St John's College, Cambridge)"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-42720","uid":"adlib-object-42720","uuid":"04e69683-2a36-37a5-9f2e-fdae11761544"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75104","uid":"adlib-object-75104","uuid":"61d200d5-38de-3fc2-8b51-2e58cfe15b3a"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Ref. p. 176, this model was included in Haslem's 'Price List of Groups and Single Figures',  no. 297.","page":"176","type":"reference"},"admin":{"id":"publication-2850","uid":"adlib-publication-2850","uuid":"d5dcd4d0-9032-35ca-b870-c7d2cb1b5ca6"},"summary_title":"The Old Derby China Factory"},{"@link":{"notes":"Ref. The Derby and Chelsea sale Catalogue of 29 March - 1 April 1773 mentioned 'A pair of figures, Shakespeare and Milton, enamelled and ornamented with gold 3l. 2s.', see Appendix, p. 45.","page":"p. 45","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"notes":"Ref. For a reproduction of the mark, which according to Bradshaw, 1990, was introduced in 1825, see p. 114, no. 23","page":"p. 114","type":"reference"},"admin":{"id":"publication-2847","uid":"adlib-publication-2847","uuid":"632612a3-b59c-3d9f-934c-2ab43b83b78b"},"summary_title":"Derby Porcelain 1750-1848"},{"@link":{"notes":"Cf. For the first model, see p. 67, D 13. For an earlier enamelled example on rectangular base, accompanied by Shakespeare, see pp. 345-6, no. 297, and pl. 288 (Sotheby's).\nAccording to Bradshaw, p. 408 although Robert Bloor had owned the factory since 1815, it was until 1825, according to that the printed mark on this figure was introduced.","page":"pp. 67, 408","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"Ref. p. 202, no. 1259, a reproduction of the mark","page":"p. 202","type":"reference"},"admin":{"id":"publication-2663","uid":"adlib-publication-2663","uuid":"a2faf0b6-febd-3d16-82e0-6444a2dc48e7"},"summary_title":"Encyclopaedia of British Pottery and Porcelain Marks"},{"@link":{"type":"reference"},"admin":{"id":"publication-2714","uid":"adlib-publication-2714","uuid":"17f1e6d7-5774-3881-a2ae-c2350391ddbb"},"summary_title":"English Porcelain Figures of the Eighteenth Century"},{"@link":{"type":"reference"},"admin":{"id":"publication-2789","uid":"adlib-publication-2789","uuid":"2a3de0a1-d4d4-36b0-9676-6aee72a4b65c"},"summary_title":"The Man at Hyde Park Corner, Sculpture by John Cheere 1709-1787"},{"@link":{"notes":"Cf. A large earthenware model of Milton (C.44-1928), attributed to Enoch Wood or Wood and Caldwell, see p. 26, C9.","page":"p. 26","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Cf. pp. 136-8, no. 27, an earlier example dated c. 1765-1770.  Lippert discusses the probably prototype for the model.","page":"pp. 136-8","type":"reference"},"admin":{"id":"publication-2609","uid":"adlib-publication-2609","uuid":"24853083-2c1a-3ead-ab5d-550c2b3f35fc"},"summary_title":"Eighteenth-Century English Porcelain in the Collection of the Indianapolis Museum of Art"},{"@link":{"notes":"Cf. p. 40, pl. 3a, a pair of figures of Shakespeare and Milton,  dating to c. 1810. Private collection. These are from the Duesbury & Kean period, and the author notes that they illustrate the restrained use of colour after Duesbury\u2019s death (which was in 1796).","page":"36-44","type":"reference"},"admin":{"id":"publication-200003148","uid":"adlib-publication-200003148","uuid":"5fc44348-a524-3747-93b7-779b38b8e284"},"summary_title":"Derby Porcelain Figures the first hundred years c. 1748-1848"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-113751","uid":"adlib-term-113751","uuid":"3b5a8e22-d1c1-3cf4-a733-19d71a3132c2"},"summary_title":"Expulsion from Paradise"},{"@link":{"type":"literal"},"name":[{"value":"Expulsion from Paradise"}],"summary_title":"Expulsion from Paradise"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"bone china (?), slip-cast, lead-glazed, and painted in green, yellow, pink, flesh, red, purple, brown, enamels and gilt. The unglazed underside has a large central ventialation hole through the glazed interior can be seen."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120096","uid":"adlib-term-120096","uuid":"7cc05306-f07e-3189-849f-52addb9e2ca7"},"summary_title":"slip-casting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}],"title":[{"value":"John Milton (1608-74)"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-42667","_score":16.56908,"_source":{"admin":{"added":1592996442000,"created":1312637261000,"flag":"Standard Record","id":"object-42667","indexed":1755194538154,"modified":1730792163000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-42667","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42667","uuid":"a5a3aad3-044b-343e-b65c-d618105db79f","version":7},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157386","uid":"adlib-agent-157386","uuid":"ac6d4929-f0d5-3038-9d78-cc5a1abd4057"},"summary_title":"Time"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150796","uid":"adlib-agent-150796","uuid":"ec5a0c8a-e54c-3735-adea-0fd5dd14f994"},"summary_title":"Cupid"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"in blue (a little), turquoise-green, green (a little), flesh pink, pink, puce, purple, brown, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue (a little), turquoise-green, green (a little), flesh pink, pink, puce, purple, brown, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-102639","uid":"adlib-term-102639","uuid":"2c240716-c1bb-36c4-9594-b0a98f1208c2"},"summary_title":"allegory"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain figure of Time Clipping the Wings of Love, slip-cast, lead-glazed, and painted in blue (a little), turquoise-green, green (a little), flesh pink, pink, puce, purple, brown, and black enamels, and gilt"},{"value":"Soft-paste porcelain Time Clipping the Wings of Love, slip-cast, lead-glazed, and painted in blue (a little), turquoise-green, green (a little), flesh pink, pink, puce, purple, brown, and black enamels, and gilt. The unglazed underside has one obvious patch mark and a central circular ventilation hole. The group is on a high, heavily scrolled base picked out in turquoise-green and gold. Winged and bearded Time is seated on a tree trunk with his right leg forward, the foot resting on a sheaf of arrows. He holds Cupid over his left knee with his left hand and is about to clip Cupid's wing with a pair of small shears held in his right hand. Time wears a purple robe decorated with large and small circular motifs, which is held up by red cross bands. Cupid has a yellow drape. On the base to the viewer's right there is a crown, a sceptre, and an hourglass, and on the left, a globe."}],"exhibitions":[{"@link":{"catalogue":"F19","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"catalogue":"case 14","type":"reference"},"admin":{"id":"exhibition-1077","uid":"adlib-exhibition-1077","uuid":"a9790b74-5102-3534-9d71-e4f0dc4f89f3"},"summary_title":"Tempus, The Art of Time"}],"identifier":[{"accession_number":"C.38-1932","primary":true,"type":"accession number","value":"C.38-1932"},{"priref":"42667","type":"priref","value":"42667"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42667","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42667"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. (Frances Louisa), Mrs"}],"date":[{"earliest":1932,"latest":1932,"value":"1932-06-13"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1932"}]}],"creation":[{"date":[{"earliest":1765,"from":{"earliest":1765,"era":["CE"],"latest":1765,"precision":"circa","value":"1765"},"latest":1780,"range":true,"to":{"earliest":1780,"era":["CE"],"latest":1780,"value":"1780"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-35888","uid":"adlib-agent-35888","uuid":"0244b335-51c5-3535-a626-9ed7f3d33894"},"summary_title":"Derby Porcelain Factory"},{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157812","uid":"adlib-agent-157812","uuid":"d6c503ac-f737-3861-9907-14fd8b4759bf"},"summary_title":"William Duesbury & Co."},{"@link":{"qualifier":"derived from","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-40359","uid":"adlib-agent-40359","uuid":"e690ed3f-a5c9-359c-ab67-e1064cfeabaf"},"summary_title":"Dyck, Anthony van"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-89519","uid":"adlib-agent-89519","uuid":"ea3158a3-a006-3779-8563-872e5de078ec"},"summary_title":"McArdell, James"}],"note":[{"value":"The figure (also known as Time clipping the Wings of Cupid) was derived from the painting of Time Clipping the Wings of Love by Sir Anthony van Dyck (1599-1641), now in the Mus\u00e9e Jacquemart Andr\u00e9, Paris, inv. no. 419, probably after an undated mezzotint of this by the Irish artist, James MacArdell (c. 1729-65), working in London. The print of this subject by Charles Phillips, is dated 1772, and is therefore too late to have been used for the earliest versions of the model. A coloured etching of this subject made c. 1633-4, by Fran\u00e7ois Perrier (1594-1649) bears an inscription derived from Virgil, 'Omnia vincit Amor, vincit mox tempus Amorem'. The theme, however, may have been inspired by a more recent work, Otto van Veen's Amorum Emblemata (1608), which included the verse:\n\t'Loues harrte is euer young\n\tT'is onlie tyme that can the winges of Cupid clip,\n\tAnd make him fly more low than he was wont to doo,\n\tBut Tyme clips not away his good will thereunto,\n\tThe aged carter loves to heare the lashing whip.'"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120880","uid":"adlib-term-120880","uuid":"91c8f217-47bf-321d-93f9-504a4a1305f0"},"summary_title":"18th Century, second half"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"33"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17393","uid":"adlib-media-17393","uuid":"51b4348b-8e0b-3f77-af13-f6799110b1a3"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":532}]},"modified":1702926508083,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":714},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926508083,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":532}]},"modified":1702926508083,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_38_1932.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":357},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926508083,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}}],"note":[{"type":"history note","value":"unknown before donor, Mrs W.D. Dickson, Bournemouth"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-76303","uid":"adlib-object-76303","uuid":"d6899cb8-99ec-3317-a78b-4a43ef0ff3e8"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 42, F19, and pl. 28. For an undated mezzotint of of Time Clipping the Wings of Cupid by James MacArdell (c. 1729-65), in the Fitzwilliam, see p. 42, no. F20.","page":"p. 42","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Ref. In his 'Price List of Groups and Single Figures'  Haslem cites  this model as no. 124 in three sizes, but does not give measurements for the first two.","page":"173","type":"reference"},"admin":{"id":"publication-2850","uid":"adlib-publication-2850","uuid":"d5dcd4d0-9032-35ca-b870-c7d2cb1b5ca6"},"summary_title":"The Old Derby China Factory"},{"@link":{"notes":"Publ. pp. 30-1, and pl. 30","page":"pp. 30-1","type":"reference"},"admin":{"id":"publication-1076","uid":"adlib-publication-1076","uuid":"acbefc51-07ab-373a-b40f-e69c780f634a"},"summary_title":"Tempus, The Art of Time"},{"@link":{"notes":"Ref. The porcelain group was mentioned in the catalogue of the first Chelsea and Derby sale held by Mr Christie from 17 to 20 April 1771, on the second day, lot 25: 'A curious figure of Time clipping of (sic) Cupid's wing, finely enamel'd and ornamented with burnish'd gold 1l. 9s'. See Appendix, p.22. lot 25.\nIt was also mentioned in the Christie and Ansell sale of Derby and Chelsea on 17 April 1780, first item 'A fine large figure of Time and Cupid 11s. 6d.' see Appendix, p. 58, no lot number.","page":"pp. 22, 58","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"notes":"Ref. The Louvre has a larger terracotta of this subject by Charles-Louis Corbet which is dated 1776, see Mabille, G\u00e9rard, 'Une terre cuite de Corbet: Le Temps coupant les ailes de l'Amour', La Revue du Louvre et des Mus\u00e9es de France, (2-1977), pp. 89-93, figs. 1-3, the Van Dyck, fig. 5, the Perrier print, fig. 5. This is very close to the painting, and seems likely to have been derived from the English print, which appears not to have been known to Mabille.","page":"pp. 89-93","type":"reference"},"admin":{"id":"publication-200000901","uid":"adlib-publication-200000901","uuid":"21e3beea-e021-3014-96b5-f2908cebb62f"},"summary_title":"Une terre cuite de Corbet: Le Temps coupant les ailes de l'Amour"},{"@link":{"notes":"Cf. An example in the Victoria and Albert Museum, see p. 70, no. 343","page":"p. 70","type":"reference"},"admin":{"id":"publication-1013","uid":"adlib-publication-1013","uuid":"e6774d16-9d42-373b-a20c-90a966447f48"},"summary_title":"Victoria and Albert Museum Department of Ceramics, Catalogue of English Porcelain, Earthenware, Enamels and Glass collected by Charles Schreiber Esq., M.P.,  and the Lady Charlotte Elizabeth Schreiber, and presented to the Museum in 1884, Volume I, Porcelain"},{"@link":{"notes":"Cf. A biscuit example with a clock by Benjamin Vuilliamy at Buckingham Palace, see p. 230, fig. 1.","page":"p. 230","type":"reference"},"admin":{"id":"publication-200000902","uid":"adlib-publication-200000902","uuid":"e84b4948-0c02-3cd5-b916-fed190e294b6"},"summary_title":"A Masterpiece of Clockmaking"},{"@link":{"notes":"Cf. p. 133, fig. 50 a clock by Benjamin Vulliamy with a biscuit group. No. 124, 1786. Overall height 307 cm. Royal Colelction Trust (the clock at Buckingham Palace discussed by L.G.G. Ramsay, mentioned above).","page":"115-34","type":"reference"},"admin":{"id":"publication-200003199","uid":"adlib-publication-200003199","uuid":"3fd59f1f-718c-3694-8f5b-23e23cc5064a"},"summary_title":"The Neo-classical style and Derby Biscuit figures 1771-1800"},{"@link":{"type":"reference"},"admin":{"id":"publication-2847","uid":"adlib-publication-2847","uuid":"632612a3-b59c-3d9f-934c-2ab43b83b78b"},"summary_title":"Derby Porcelain 1750-1848"},{"@link":{"notes":"Cf. p. 127, pl. 81, and pp. 47, and 193, no. 81. Dated after 1770.","page":"47, 127, 193","type":"reference"},"admin":{"id":"publication-2679","uid":"adlib-publication-2679","uuid":"f7491494-53a3-3a8d-a975-b85790bad8ed"},"summary_title":"Derby Porcelain: The Golden Years, 1750-1770"},{"@link":{"notes":"Cf. 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See p. 122, fig. 55, a mezzotint by Richard Earlom of a self portrait of James McArdell, and pp. 122-6 for his career and the use of his prints as sources for porcelain figures","page":"122-6","type":"reference"},"admin":{"id":"publication-200003303","uid":"adlib-publication-200003303","uuid":"be044a32-e81a-3295-a9c7-86235aefc75d"},"summary_title":"'The Dublin Group' of mezzotint engravers and their imprint on early English porcelain and enamels"},{"@link":{"type":"reference"},"admin":{"id":"publication-2855","uid":"adlib-publication-2855","uuid":"6e415068-4bd7-344c-9a4b-cbd3dc0d1d96"},"summary_title":"Christie's Sale Catalogue"},{"@link":{"notes":"Cf. p. 25, lot 77 (unsold)","page":"p. 25","type":"reference"},"admin":{"id":"publication-2649","uid":"adlib-publication-2649","uuid":"9b08eb7f-6008-36b1-b224-09eb83b97d17"},"summary_title":"British Ceramics"},{"@link":{"notes":"Cf. p. 59, lot 325. H. 32 cm. 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The underside is partially glazed and has a central small circular ventilation hole. The circular low mound base has scrolls in relief round the front, and at the back has a low tree stump with a short forked branch bearing applied white flowers and leaves on each side. The girl stands in front of it with her left foot advanced a little. She holds up the remains of a floral spray in her left hand, and with her right, holds up her apron which full of blue flowers and leaves. She has black hair and wears a yellow broad-brimmed hat with a purple underside to the brim, a turquoise bodice, with a red stomacher, a yellow skirt, a petticoat scattered with yellow and puce circular motifs, and black shoes with a red pom-pom on each. On the ground on each side of her there is a group of leaves and white flowers with yellow centres. 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The slightly concave underside is glazed, and has a large central ventilation hole, and three large patch marks. The circular, high mound-shaped base is decorated all over the sides with applied seaweed, and seashells of different kinds in naturalistic colours. On the top there is a large white ribbed shell picked out in gold on which is a large dolphin from whose mouth a stream of water flows down to the edge of the base. In front of a dolphin Neptune stands on his left leg with his right extended behind him. His head is turned to his left, and he looks downwards. His left arm is raised to hold a iron trident with traces of gilding (see notes), and his right arm is held across his body. With his right hand he holds up a drape which billows out behind him. He has long brown hair, and a beard, and wears a white, gold, and red crown on his head. His drape has a purple ground, and reserves edged in red and gold, containing gold foliage and flowers, and is lined in pink. The dolphin has large black eyes, encircled in turquoise, red fins, a pink tail, and a mainly green body with black scales. A pair with EC.16B-1938"}],"identifier":[{"accession_number":"EC.16A-1938","primary":true,"type":"accession number","value":"EC.16A-1938"},{"priref":"42668","type":"priref","value":"42668"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42668","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42668"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Cecil E. 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A plaster model of 'A Neptune on a Fountain' was in the Duke of Buckingham's collection in 1635. Patricia Wengraf has suggested that this could have provided the model from which the Derby modeller worked. 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The underside is unglazed, and slightly rought with three patch marks, and has a small ventilation hole at the back. The base is roughly circular with a frilled scroll on the viewer's left, a shell at the front, and an acanthus leaf on the right. It rises up at the back into a rock, which is pierced by a circular hole to take an attachment, probably a candle branch. The woman sits, leaning forward slightly, and holding her lute in both hands. She a white round cap trimmed with turquoise ribbon, a white open robe with a multicolour floral pattern, yellow lining and robings, and white ruffles at the elbows, a mauve stomacher, and a white petticoat with a pattern of small mauve flowers, and foliage, and pale mauve shoes. A narrow gold line runs round the hem.The base is picked out in puce, and turquoise, and there are touches of gold on the top of the shell."}],"identifier":[{"accession_number":"C.36-1992","primary":true,"type":"accession number","value":"C.36-1992"},{"priref":"82745","type":"priref","value":"82745"},{"date":[{"earliest":1970,"latest":1970,"value":"1970"}],"source":"Statham Loan","type":"old loan number","value":"Statham Loan 22-1970"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82745","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82745"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bequeathed by Miss Statham, accepted by H.M. 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The model was adapted from an earlier dry-edge model of Taste, derived from a Meissen lady in a group by Kaendler."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Derbyshire"}],"summary_title":"Derbyshire","type":"region"}]],"summary_title":"Derby"}]}]},"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"13.5"},{"dimension":"Width","units":"cm","value":"9.3"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Dr and Mrs Hugh Statham; died respectively 1967 and 1970; their daughter Miss Beryl Statham, by whom lent anonymously in 1970; bequeathed by Miss Beryl Statham, 1990; accepted by H.M. 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This model is D26 in Bradsahw's list of 'Pale Family Derby Models, 1756-9'. Cf. pl. 49 (private collection). The costume, but not the pose of the upper part of the body resembles the dry-edge period figure of Taste, see p. 49, B34, illustrated p. 50, pl. 38.","page":"66, 49","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"type":"reference"},"admin":{"id":"publication-5889","uid":"adlib-publication-5889","uuid":"43650803-df2e-39d5-a8de-27a32a2309be"},"summary_title":"The Dr. Peter Bradshaw Collection of English Porcelain Figures"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-93646","uid":"adlib-term-93646","uuid":"5bd4985b-15e4-3561-a5d5-49837cc0297d"},"summary_title":"lute"},{"@link":{"type":"literal"},"name":[{"value":"lute"}],"summary_title":"lute"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"soft-paste porcelain, slip-cast, lead-glazed, and painted onglaze in blue, turquoise, green, yellow, pink, brownish-red, mauve, grey, and black enamels, and lightly gilt. 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Glaisher"}],"component":[{"materials":[{"note":[{"value":"pale yellow, flesh pink, pink, red, purple, brown, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in pale yellow, flesh pink, pink, red, purple, brown, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Figure of John Wilkes accompanied by a putto, soft-paste porcelain, painted in enamels and gilt."},{"value":"Soft-paste porcelain, slip-cast, covered in bluish lead-glaze, which has pooled where it lies thickly, and has crazed. Painted overglaze in pale yellow, flesh pink, pink, red, purple, brown, and black enamels, and gilt. The partly glazed underside has a central circular ventilation hole, and four large patchmarks. The roughly oval, shaped base has at the front two upward scrolling feet, separated by a downward scroll or wave motif, and is almost flat on top. Wilkes stands on the viewer's right of the base with his right knee relaxed, his left hand on his waist, and his right resting on top of a rectangular pedestal, on which is a sheet of paper inscribed 'BILL OF RIGHTS', and a scroll inscribed 'MAGNA CARTA'. A putto is seated in front of the pedestal, holding up a cap of Liberty on a stick in his left hand, and steadying a book with his right hand. Wilkes is undecorated apart from his naturalistically painted face, a black bow on his queue, gold borders and bows on his jacket, breeches, and shoes, and a pink cloak. The putto has a pale yellow drape, and a brown stick, and the book is red. The inscriptions on the scrolls are in purple. The pedestal has gilded borders, and is inscribed on the front in gold, 'Ino.\/WILKES\/Esq.r' in gold. 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The unglazed underside has a circular ventilation hole under the figure. On the viewer's left of the circular, low mound base, is a table with two pots of flowers under it.  On the right, Smell represented by an elegant Chinese woman stands on her left leg with her right leg forward, holding a flower in his left hand which she raises towards her face. Her right arm is extended to the side She wears a two-tiered pointed hat with a wavy edge, and a long gown with a short jacket over it which is tied round the waist with a sash. A Chinese boy sits on the table with his back to the viewer. He looks up towards the woman and holds up his right arm. He is bareheaded and barefooted, and wears a floppy collar, a jacket, and wide-legged short trousers. A pot of flowers is perched precariously on his lap"}],"exhibitions":[{"@link":{"catalogue":"E19","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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The sex of the main figure is uncertain. 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He describes the figure representing Smell as a woman; see p. 76, pl. 4b, a coloured example of Smell  in the Lady Ludlow Collection, formerly at Luton Hoo,  and belonging to the National Art Collections Fund. Cf. p. 73, pl. 1 a white Feeling, p. 74, pl. 2 a coloured Taste, (C.103-1938) both  in the Victoria & Albert Museum; p. 75, a coloured Hearing, Christie's photograph.","page":"73-76. 178","type":"reference"},"admin":{"id":"publication-3667","uid":"adlib-publication-3667","uuid":"13bec947-8c84-361b-8481-7f6f99b8dfcd"},"summary_title":"Derby Porcelain, The Golden Years 1750-1770"},{"@link":{"notes":"Cf.  Lot 254, a white example of Smell. Dated c. 1752-55. Estimate \u00a38-12,000; \u00a320,900","page":"77","type":"reference"},"admin":{"id":"publication-2070","uid":"adlib-publication-2070","uuid":"a50dbd51-87b2-373a-9a6d-3ad0194779ba"},"summary_title":"Fine British Ceramics"},{"@link":{"notes":"Ref.The set is B33 in Bradshaw's list of dry-edge Derby models. 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The underside is unglazed and rough, and has a large circular ventilation hole through which the interior fo the figure is visible.  The roughly square base is edged by frilled scrolls flanking a pierced shell asymmetrically placed at the front. At the back it rises up into a tree stump which is pierced by a circular hole to take an attachment, probably a candle branch. Applied to the top of the base there is a group of three flowers and three leaves, and a group of two flowers and two leaves.  The young man is seated on the stump with his right leg extended to the side and his left foot forward. He turns his head to his left, and with his left hand caresses the head of a dog which has its front paws on his left thigh. He holds his other hand over his right thigh. He has brown hair and eyes, pale pink cheeks, and a pale red mouth. His hair is tied back with a purple bow with long tails. He wears a shirt with a ruffled neck and sleeves, a yellow waistcoat with purple buttons, a white jacked decorated with floral bouquets and sprigs, a yellow collar, and purple buttons, and matching breeches with red bands and a yellow flower on each knee. He has white stockings, and yellow shoes with a puce and white flower on each. The dog is white with brown patches. The scrolls and shell round the base are picked out in puce."}],"identifier":[{"accession_number":"C.3069-1928","primary":true,"type":"accession number","value":"C.3069-1928"},{"priref":"43376","type":"priref","value":"43376"},{"source":"Glaisher MS Catalogue, vol. 28","type":"old object number","value":"4535"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/43376","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/43376"}],"inscription":[{"location":"on underside of base","method":"painted in red","transcription":[{"value":"11"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. W. L. 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L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"The entire Glaisher Collection was entered in the accession register on the date of Glaisher's death"}]}],"creation":[{"date":[{"earliest":1755,"from":{"earliest":1755,"era":["CE"],"latest":1755,"precision":"circa","value":"1755"},"latest":1760,"note":[{"value":"previously c. 1758-60"}],"range":true,"to":{"earliest":1760,"era":["CE"],"latest":1760,"value":"1760"}}],"maker":[{"@link":{"type":"reference"},"admin":{"id":"agent-199126","uid":"adlib-agent-199126","uuid":"5386152b-a76d-3f67-b736-bab822d22be1"},"summary_title":"Unidentified English Porcelain Factory"}],"note":[{"value":"This figure belongs to a very small group which was attributed to Derby by Arthur Lane (1961), and described by him as 'Transitional Derby', but have very different characteristics from either the early Derby dry-edge figures, or later models. The other figures include, a girl on a horse, a seated man similar to this one, but wearing a hat and holding a bird,  a seated girl companion with a lamb, a dancer, an exotic pheasant, a candlestick with rabbits, and a candlestick with a dog chasing a cat up a tree.  Dr Dennis Rice (1983, dubbed them  'Girl-on-a-Horse' group, after the figure in his own collection. Their unidentified maker has also been described as the 'Compass Factory'. Dr Rice described their characteristics as \u2018light in weight\u2019 with a paste which is \u2018rather opaque, a glaze that is somewhat dirty and speckled, and a rough unglazed dirty surface under a base which is scrolled and rococo in form\u2019 Some are marked on the base with an incised circle containing a triangle and a stroke with a shorter stroke resembling a y. The pale colouring is distinctive, and different from early Derby figures.  Bradshaw (1990) described the modelling as crude, but that seems unduly critical. This figure is na\u00efve by the standards of sculpture, but is daintily modelled with a small head and limbs."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"15.2"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Sotheby's, 1 May 1925,Chinese blue and white porcelain; European pottery and porcelain, lot 85. Purchased by Hunt for \u00a36 for Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Vol. I, p. 389, no. 3069, Vol. II, pl. 251D.","page":"p. 389","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 15 and pl. 26.","page":"p. 15","type":"reference"},"admin":{"id":"publication-2847","uid":"adlib-publication-2847","uuid":"632612a3-b59c-3d9f-934c-2ab43b83b78b"},"summary_title":"Derby Porcelain 1750-1848"},{"@link":{"notes":"Publ. colour pl. 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He did not consider that they came from a different factory, as proposed by Rice,  1983, pp. 33-7.","page":"pp. 53-55","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"Cf. Second page, a similar model with red waistcoat, which fetched \u00a37000 at Gorringe's Lewes sale of the collection of the late Dr Dennis G. Rice on 23 March 2019. 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The underside is unglazed and rough, and has a large circular ventilation hole through which the interior fo the figure is visible."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120096","uid":"adlib-term-120096","uuid":"7cc05306-f07e-3189-849f-52addb9e2ca7"},"summary_title":"slip-casting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Seated Gentleman with Dog"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-43354","_score":16.446205,"_source":{"admin":{"added":1592960814000,"created":1312637261000,"flag":"Standard Record","id":"object-43354","indexed":1752602702860,"modified":1714465373000,"processed":1752602690710,"source":"adlib","stream":"fitz-online","uid":"adlib-object-43354","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/43354","uuid":"17511555-c928-3b5a-8e1b-315e98f30c8c","version":7},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150445","uid":"adlib-agent-150445","uuid":"cd439c8d-0fd9-39e7-9062-341b662b8069"},"summary_title":"Apollo"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37642","uid":"adlib-term-37642","uuid":"8f36efe3-4fe1-3da2-9944-000db5687ad7"},"summary_title":"porcelain"},{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. 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On the ground on the viewer\u2019s right is a heap of three books, a lyra da braccio, and a trumpet, and on the left, a painter\u2019s palette and brushes, a hammer and another instrument. An object above these has been broken off."}],"identifier":[{"accession_number":"C.3065-1928","primary":true,"type":"accession number","value":"C.3065-1928"},{"priref":"43354","type":"priref","value":"43354"},{"source":"Glaisher MS Catalogue, vol. 24","type":"old object number","value":"4229"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/43354","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/43354"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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Glaisher"}],"component":[{"materials":[{"note":[{"value":"blue, two shades of green, yellow, flesh pink, red, lilac, brown, grey, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue, two shades of green, yellow, flesh pink, red, lilac, brown, grey, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"materials":[{"note":[{"value":"blue-tinted"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Surface","techniques":[{"note":[{"value":"blue-tinted"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}]},{"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"8.7"},{"dimension":"Width","units":"cm","value":"8.9"}]},"name":"Base"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98182","uid":"adlib-term-98182","uuid":"f474eb43-f5e1-3400-ae2d-2825dbaf5997"},"summary_title":"portraits"}]},"department":{"value":"Applied Arts"},"description":[{"value":"lead-glazed earthenware painted in polychrome enamels"},{"value":"White earthenware coated with slightly blue tinted lead-glaze, and painted in blue, green, yellow, pink, flesh pink, brownish-red, lilac, brown, grey and black enamels; yellow is used to imitate gilding. The model is supported on a shallow straight-sided square base which has chamfered sides on the closed underside and an off-centre ventilation hole. The  factory mark 'WOOD & CALDWELL' is impressed diagonally across it. Falstaff stands on a circular based with rococo scrolls at the front, and a green tree stump decorated with applied flowers at the back. The corpulent actor has his weight on his right foot and holds a sword in his right hand (all but its handle missing). An oval shield decorated with a yellow sunburst is  strapped to his left upper arm. He has shoulder length black hair, a black beard a ruddy complexion and a paunch.  He wears a black hat with pale red and white plumes round its brim, a frilled collar, a sleeveless lilac coat with yellow edges and buttons, a red, and black striped and patterned waistcoat with yellow trimming and buttons, a black belt, red breeches, and black boots with grey tops."}],"identifier":[{"accession_number":"C.906-1928","primary":true,"type":"accession number","value":"C.906-1928"},{"priref":"76340","type":"priref","value":"76340"},{"source":"Glaisher MS Catalogue, vol. 2 and Typed Catalogue","type":"old object number","value":"2329"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76340","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76340"}],"inscription":[{"location":"on underside of base","method":"impressed","transcription":[{"value":"WOOD & CALDWELL"}],"type":"factory mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. 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yellow is used to imitate gilding"}],"note":[{"value":"in parts"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}],"title":[{"value":"James Quin in the role of Sir John Falstaff"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-42720","_score":16.446205,"_source":{"admin":{"added":1592984186000,"created":1312637261000,"flag":"Standard Record","id":"object-42720","indexed":1755194538093,"modified":1714465361000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-42720","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42720","uuid":"04e69683-2a36-37a5-9f2e-fdae11761544","version":5},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157827","uid":"adlib-agent-157827","uuid":"01c4480f-d6cb-3397-b079-e97da98c7085"},"summary_title":"Shakepeare, William"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152721","uid":"adlib-agent-152721","uuid":"dba97931-3dd3-3db8-9ffd-fc65662eae01"},"summary_title":"Henry V"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-161336","uid":"adlib-agent-161336","uuid":"655e1c34-8534-3880-a675-b0ce6bbc902b"},"summary_title":"Richard III"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157532","uid":"adlib-agent-157532","uuid":"cf3a6b2c-1c88-3f1f-b92b-ed17312a4aa6"},"summary_title":"Elizabeth I"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37633","uid":"adlib-term-37633","uuid":"43c6b916-951a-36c6-a4a7-7342c900a6d7"},"summary_title":"bone china"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113183","uid":"adlib-term-113183","uuid":"d0b2833e-0e65-3606-934e-193dc9d8511d"},"summary_title":"Ralph Griffin"}],"component":[{"materials":[{"note":[{"value":"green, yellow, pink, flesh, red, purple, and brown"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in green, yellow, pink, flesh, red, purple, and brown enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Bone china figure of William Shakespeare standing beside a pedestal painted in enamels and gilded"},{"value":"Bone china (?) figure of William Shakespeare, slip-cast, and painted overglaze in green, yellow, pink, flesh, red, purple, and brown enamels, and gilt. The unglazed underside has a large central ventilation hole through which the partly glazed interior can be seen.  The base is rectangular with cut corners, and fluted sides, which have a gold line round the top and bottom edges. The poet stands with his right leg crossed over his left, leaning on his right elbow on a pile of three books resting on top of a three-sided pedestal. With his left hand he points to an inscription on a scroll handing down from below the books. His hair and beard are brown, and he has ruddy cheeks, and red lips.  He wears a close-fitting jacket, with gold decoration on the front, and gold buttons; breeches with gold buttons and a band at the knee; a long cloak with a pink lining and gold edges, and shoes with gold ties on top. The pedestal is decorated on the angles with heads of Henry V, Richard III, and Queen Elizabeth with volutes below. The books are red and gold, green and purple, and purple and yellow. The scroll is inscribed in gold in capital letters:\nTHE CLOUD CAPPED TOW[ERS] . . .\nTHE GORGEOUS PALACES\nTHE SOLEMN TEMPLES\nTHE GREAT GLOBE itself \u2026.\nYEA, ALL WHICH [IT INHERIT] \u2026\u2026\nSHALL DISSOLVE\n[LIKE] THE [BASELESS]\n[FABRIC OF A] VISION\n[LEA]VE NOT A WRECK\nBEHIND"}],"exhibitions":[{"@link":{"catalogue":"C8","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"}],"identifier":[{"accession_number":"C.49A-1918","primary":true,"type":"accession number","value":"C.49A-1918"},{"priref":"42720","type":"priref","value":"42720"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42720","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42720"}],"inscription":[{"description":[{"value":"a circular with a crown in the centre and 'BLOOR\/ DERBY' around it between concentric circles"}],"location":"on the underside of base","method":"stamped in red","transcription":[{"value":"BLOOR\/DERBY"}],"type":"mark"},{"description":[{"value":"large script N"}],"location":"on underside of base","method":"incised","transcription":[{"value":"No 305"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151196","uid":"adlib-agent-151196","uuid":"70c394ca-7483-3017-9867-b0191829b8bf"},"summary_title":"Griffin, Ralph, MA, FSA"}],"date":[{"earliest":1918,"latest":1918,"value":"1918-08-28"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1825,"from":{"earliest":1825,"era":["CE"],"latest":1825,"precision":"circa","value":"1825"},"latest":1828,"range":true,"to":{"earliest":1828,"era":["CE"],"latest":1828,"value":"1828"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-35888","uid":"adlib-agent-35888","uuid":"0244b335-51c5-3535-a626-9ed7f3d33894"},"summary_title":"Derby Porcelain Factory"},{"@link":{"role":[{"value":"proprietor"}],"type":"reference"},"admin":{"id":"agent-161407","uid":"adlib-agent-161407","uuid":"dbe2e33a-82b9-3f34-9278-afd1dc5c7c03"},"summary_title":"Robert Bloor & Co."},{"@link":{"qualifier":"after","role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-71062","uid":"adlib-agent-71062","uuid":"2f423ecd-5b84-36a6-bc84-e05031a6fd3f"},"summary_title":"Kent, William"},{"@link":{"qualifier":"after","role":[{"value":"sculptor"}],"type":"reference"},"admin":{"id":"agent-122067","uid":"adlib-agent-122067","uuid":"0623380f-4478-3054-9ebb-7572857538ed"},"summary_title":"Scheemakers, Peter"},{"@link":{"qualifier":"possibly","role":[{"value":"cast maker"}],"type":"reference"},"admin":{"id":"agent-26209","uid":"adlib-agent-26209","uuid":"275fe03b-383a-3f79-b9e2-5cbd6508548e"},"summary_title":"Cheere, John"}],"note":[{"value":"Bone china replaced soft-paste porcelain at Derby at an unknown date between 1810-15, initially for useful wares."},{"value":"This is a late example of a model which was introduced on a low scrolled base in the late 1750s, and later on a rectangular base with cut corners and fluted sides. The model was derived from the monument in Westminster Abbey, designed by William Kent (1685-1748) and executed in marble by Peter Scheemakers (1681-1761) in 1740. Its direct prototype was probably a reduced-size plaster, such as one of those stocked by John Cheere in London. See Documentation, Friedman (1974) and Lippert ( 1987) . It was often sold as a pair with Milton, see C.49B-1918. The inscription is taken from one of Prospero's speeches in the Tempest, Act IV, Scene I, but is not identical to the accepted modern text, and also differs from the inscription on the Fitzwilliam's earlier biscuit Shakespeare."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-113730","uid":"adlib-term-113730","uuid":"a884ca20-4502-3c0d-953d-73c3c38d0c15"},"summary_title":"Bloor Period"},{"@link":{"type":"reference"},"admin":{"id":"term-106853","uid":"adlib-term-106853","uuid":"25492eb4-1164-35eb-8dce-3601486f3415"},"summary_title":"19th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-108976","uid":"adlib-term-108976","uuid":"dc8f08bb-8cb5-3af0-a884-9780ec8d0e12"},"summary_title":"George IV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37633","uid":"adlib-term-37633","uuid":"43c6b916-951a-36c6-a4a7-7342c900a6d7"},"summary_title":"bone china"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"25.2"},{"dimension":"Width","units":"cm","value":"13.9"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Uncertain before donor, Ralph Griffin, MA, FSA (St John's College, Cambridge)"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-42723","uid":"adlib-object-42723","uuid":"2e609fe1-d566-30b9-a42e-4f735a70876f"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 26, C8, illustrated p. 25","page":"26","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Ref. This model was included in Haslem's 'Price List of Groups and Single Figures', no. 305, 10\u00bd in.","page":"176","type":"reference"},"admin":{"id":"publication-2850","uid":"adlib-publication-2850","uuid":"d5dcd4d0-9032-35ca-b870-c7d2cb1b5ca6"},"summary_title":"The Old Derby China Factory"},{"@link":{"notes":"Ref. The Derby and Chelsea sale Catalogue of 29 March - 1 April 1773 mentioned 'A pair of figures, Shakespeare and Milton, enameled and ornamented with gold 3l. 2s.', see Appendix, p. 45.","page":"p. 45","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"notes":"Ref. 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For a reproduction of the mark, which according to Bradshaw, 1990, was introduced in 1825, p. 202, no. 1259","page":"p. 202","type":"reference"},"admin":{"id":"publication-2663","uid":"adlib-publication-2663","uuid":"a2faf0b6-febd-3d16-82e0-6444a2dc48e7"},"summary_title":"Encyclopaedia of British Pottery and Porcelain Marks"},{"@link":{"type":"reference"},"admin":{"id":"publication-2714","uid":"adlib-publication-2714","uuid":"17f1e6d7-5774-3881-a2ae-c2350391ddbb"},"summary_title":"English Porcelain Figures of the Eighteenth Century"},{"@link":{"type":"reference"},"admin":{"id":"publication-2789","uid":"adlib-publication-2789","uuid":"2a3de0a1-d4d4-36b0-9676-6aee72a4b65c"},"summary_title":"The Man at Hyde Park Corner, Sculpture by John Cheere 1709-1787"},{"@link":{"notes":"Ref. For a full discussion of the Derby figure and its derivation, see  pp. 130-133, under no. 26, an earlier glazed model of about 1765 with a scrolled base. On p. 132, fig. 27, she illustrates the reduced size bronzed plaster Shakespeare by John Cheere, now on loan to York City Art Gallery from the York Castle Museum.","page":"130-3","type":"reference"},"admin":{"id":"publication-2609","uid":"adlib-publication-2609","uuid":"24853083-2c1a-3ead-ab5d-550c2b3f35fc"},"summary_title":"Eighteenth-Century English Porcelain in the Collection of the Indianapolis Museum of Art"},{"@link":{"notes":"Cf. p. 233, lot 567, a Shakespeare on straight-sided fluted base, late 18th or early 19th century. H. 30 cm. Estimate \u00a3300-500.","page":"233","type":"reference"},"admin":{"id":"publication-3453","uid":"adlib-publication-3453","uuid":"ba33eb89-28e4-3bf0-966a-759d0f445cf7"},"summary_title":"The Contents of Fulbeck Hall, Lincolnshire"},{"@link":{"notes":"p. 40, pl. 3a, a pair of figures of Shakespeare and Milton, dating from c. 1810. Private collection. These are from the Duesbury & Kean period, and the author notes that they illustrate the restrained use of colour after Duesbury\u2019s death (which was in 1796).","page":"36-44","type":"reference"},"admin":{"id":"publication-200003148","uid":"adlib-publication-200003148","uuid":"5fc44348-a524-3747-93b7-779b38b8e284"},"summary_title":"Derby Porcelain Figures the first hundred years c. 1748-1848"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"bone china, slip-cast and painted overglaze  in green, yellow, pink, flesh, red, purple, and brown enamels, and gilt. 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The flat underside is unglazed except for a few small areas, and has a large circular ventilation hole off centre, and three large patch marks. The shallow irregularly shaped base has a rock on the left, and a tree stump on the right, which supports the base of the peep show box, which stands on four wooden legs. The boy showman stands on the right, leaving on the box on his right arm, and holding his left arm in front of him. A girl kneels on the rock, peering into the box. A basket of eggs (?) is on the rock in front of her. A little boy stands behind her.\nThe boy showman wears a yellow hat, a turquoise jacket with gold edging, pink sash, yellow breeches with a puce floral pattern, and black shoes with yellow bows. The girl wears a white blouse, a turquoise bodice with gold edging, a white skirt with puce flowers, a yellow over skirt, and black shoes. The small boy has a white shirt and pink beeches. All the figures have greyish-black hair and ruddy cheeks. The base is painted in pale green and brown, and has applied flowers and leaves scattered all over it. The flowers are red and yellow, blue and white, and yellow and white."}],"exhibitions":[{"@link":{"catalogue":"H34","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"}],"identifier":[{"accession_number":"C.1-1965","primary":true,"type":"accession number","value":"C.1-1965"},{"priref":"42704","type":"priref","value":"42704"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42704","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42704"}],"inscription":[{"location":"underside of base","method":"incised","transcription":[{"value":"94"}],"type":"mark"},{"description":[{"value":"circular printed with a black border with lettering in reserve"}],"transcription":[{"value":"FRANCES L. 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The original of this group, La Lanterne Magique or La Curiosit\u00e9, was modelled by Etienne-Maurice Falconet (1716-91; director of sculpture at S\u00e8vres 1757-66) after part of the etching,  La Lanterne Magique montr\u00e9e \u00e0 la Foire par le Savoyard, ou La Curiosit\u00e9, also known as Foire de Campagne by C.N. Cochin fils (1715-90) after Fran\u00e7ois Boucher (1703-77). It was mentioned in the factory's sales records in 1757. A pendant group, La Lotterie or Le Tourniquet present\u00e9 \u00e0 la foire par le marchand de plaisirs, was modelled after another part of the same print. 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(Frances Louisa) Dickson, Bournemouth"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 56, H34","page":"p. 56","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Publ. p. 248, pl. 201, illustrating no. 94, where the source of the design is noted\nCf. A 19th century version of the group,  p. 249, pl. 202","page":"pp. 248-9","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"Ref. The group is described as 'Group of three Figures at a Raree Show', in Haslem's Price List of Groups and Single Figures, no. 94, height 6 in, price \u00a31.1s.0d., Haslem did not give a date for the price list.","page":"172","type":"reference"},"admin":{"id":"publication-2850","uid":"adlib-publication-2850","uuid":"d5dcd4d0-9032-35ca-b870-c7d2cb1b5ca6"},"summary_title":"The Old Derby China Factory"},{"@link":{"notes":"Ref. The group was mentioned in the Chelsea Sale Catalogue of 18 February 1778, see appendix,      p. 50,' One group of a galantee-show, and one ditto playing at hazard, in biscuit 1l. 12s.","page":"p. 50","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"notes":"Cf. 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Winter stands on a base with four scroll feet. He stands on his right leg with his left slightly bent at the knee beside it. He folds his arms in front of him and the upper part of his torso leans to the left while his head is tilted sideways to the right. He wears a puce cloak with fur lining touched with purple and yellow. A bowl-shaped brazier stands on the base to the right and behind his right foot. Cupid stands on his left, facing outwards. He is nude, and wields a purple axe. The flames of the brazier are red. The base is touched with yellow and green CHECK."}],"exhibitions":[{"@link":{"catalogue":"H16","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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(Frances Louisa), Mrs"}],"date":[{"earliest":1932,"latest":1932,"value":"1932"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1932-10-14"}]}],"creation":[{"date":[{"earliest":1770,"era":["CE"],"latest":1770,"precision":"circa","value":"1770"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-35888","uid":"adlib-agent-35888","uuid":"0244b335-51c5-3535-a626-9ed7f3d33894"},"summary_title":"Derby Porcelain Factory"},{"@link":{"role":[{"value":"proprietor"}],"type":"reference"},"admin":{"id":"agent-157812","uid":"adlib-agent-157812","uuid":"d6c503ac-f737-3861-9907-14fd8b4759bf"},"summary_title":"William Duesbury & Co."},{"@link":{"qualifier":"after","role":[{"value":"modeller"}],"type":"reference"},"admin":{"id":"agent-40614","uid":"adlib-agent-40614","uuid":"1583983d-2e84-362c-9346-9b0956849899"},"summary_title":"Eberlein, Johann Friedrich"}],"note":[{"value":"The figure was derived from a Meissen model which belonged to a set of Seasons by J.F. Eberlein (1696-1748)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-121186","uid":"adlib-term-121186","uuid":"044f9714-accc-390c-a380-1bbe4f979798"},"summary_title":"18th Century, second half"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"},{"@link":{"type":"reference"},"admin":{"id":"term-110409","uid":"adlib-term-110409","uuid":"2040047c-eefc-3538-8b3d-60185614825b"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Meissen"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"23.8"},{"dimension":"Width","units":"cm","value":"12.2"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"unknown before donor, Mrs W.D. 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A Meissen Winter, p. 125, no. 129d, for the other Seasons, see p. 124, no. 129a Spring, 129b Summer, 129c Autumn.","page":"125","type":"reference"},"admin":{"id":"publication-2777","uid":"adlib-publication-2777","uuid":"6e5539b6-4129-3e7c-a647-a86e9412660b"},"summary_title":"Fig\u00fcrliches Porzellan"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"concept","type":"reference"},"admin":{"id":"term-2514","uid":"adlib-term-2514","uuid":"051cb387-cba7-32ca-8ef0-4a8f72dc0f57"},"summary_title":"winter"},{"@link":{"type":"literal"},"name":[{"value":"winter"}],"summary_title":"winter"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"soft-paste porcelain, slip-cast and painted overglaze in green, yellow, puce, purple, red, flesh pink, brown, and gilt"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120096","uid":"adlib-term-120096","uuid":"7cc05306-f07e-3189-849f-52addb9e2ca7"},"summary_title":"slip-casting"}},{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Winter with Cupid from The Four Classical Seasons"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-43508","_score":16.446205,"_source":{"admin":{"added":1592996462000,"created":1312637261000,"flag":"Standard Record","id":"object-43508","indexed":1755194538800,"modified":1714465380000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-43508","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/43508","uuid":"8e30b12e-e390-3ba3-95b1-3b0fa6ed25d3","version":6},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157991","uid":"adlib-agent-157991","uuid":"52199fb1-fb4f-3e02-aab1-6cbd5e8d5f8f"},"summary_title":"three graces"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150796","uid":"adlib-agent-150796","uuid":"ec5a0c8a-e54c-3735-adea-0fd5dd14f994"},"summary_title":"Cupid"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"polychrome"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Decoration","techniques":[{"note":[{"value":"in polychrome enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoation"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain, slip-cast, and painted overglaze in polychrome enamels, and gilt."}],"exhibitions":[{"@link":{"catalogue":"F26","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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(Frances Louisa), Mrs"}],"date":[{"earliest":1932,"latest":1910,"value":"1932-10"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1932"}]}],"creation":[{"date":[{"earliest":1780,"era":["CE"],"latest":1780,"precision":"circa","value":"1780"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-35888","uid":"adlib-agent-35888","uuid":"0244b335-51c5-3535-a626-9ed7f3d33894"},"summary_title":"Derby Porcelain Factory"},{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-130164","uid":"adlib-agent-130164","uuid":"6ae50eb0-8b26-37cb-8aeb-d73fc843224b"},"summary_title":"Stephan, Pierre"}],"note":[{"value":"The group was an adaptation after the stipple engraving dated 17 March 1777 by William Wynne Ryland (1732-83) after Three Nymphs Distressing Cupid, by Angelica Kauffman (1741-1807), titled in Latin 'Etiam Amor Criminibus Plectitur' (Even Love is punished for his sins). Examples of the print are in the Victoria and Albert Museum, Print Room (Est 4,26581) and the British Museum Print Room (1868-8, 8, 2980, untitled). A comparison between print and group, shows that the modeller, probably Pierre Stephan, who worked for the Derby factory 1770-73, compressed the scene in order to create a group which was satisfactory when viewed from several different angles. It may have been intended to form a garniture de chemin\u00e9e with groups entitled 'Two Bacchantes adorning Pan', and 'Two Virgins awaking Cupid', which are similar in style and composition."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110521","uid":"adlib-term-110521","uuid":"b57fb046-bca3-3371-a721-2093adc3a282"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Derby"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"38.8"},{"dimension":"Width","units":"cm","value":"18.8"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}}],"note":[{"type":"history note","value":"unknown before donor, Mrs W.D. (Frances Louisa) Dickson, Bournemouth"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. F26, p. 43","page":"p. 43","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Ref. This group is no. 235 in Haslem's 'Price List of Groups and Single Figures', produced in two sizes, 1st 14 3\/4 in and the 2nd size not given. The first size enamelled and gilt cost \u00a33.13.6, The price list is not dated.","page":"175","type":"reference"},"admin":{"id":"publication-2850","uid":"adlib-publication-2850","uuid":"d5dcd4d0-9032-35ca-b870-c7d2cb1b5ca6"},"summary_title":"The Old Derby China Factory"},{"@link":{"notes":"Ref. Appendix, p. 70. The group  was mentioned in the Catalogue of the Derby and Chelsea sale held by Christie and Ansell on  7-11 May 1782, 'A beautiful group the 3 Graces distressing Cupid, in biscuit 2l. 3s', no lot number given.","page":"p. 70","type":"reference"},"admin":{"id":"publication-2576","uid":"adlib-publication-2576","uuid":"870654a9-2aff-3144-bcc3-8758472e4399"},"summary_title":"Contributions towards the History of Early English Porcelain from Contemporary Sources"},{"@link":{"notes":"Cf. pp. 108-117, on p. 114, under no. 14, Two Bacchantes adorning Pan.","page":"pp. 108-117","type":"reference"},"admin":{"id":"publication-200000906","uid":"adlib-publication-200000906","uuid":"72c4950f-5794-34d9-b888-14cf052b1a95"},"summary_title":"Derby Biscuit"},{"@link":{"notes":"Cf. p. 121, fig. 12 a biscuit example attributed to modeller, Pierre Stephan, and dated c. 1782-5, in the Victoria & Albert Museum. 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For the modeller, Pierre Stephan, see pp. 458-9.","page":"pp. 318-9, 4","type":"reference"},"admin":{"id":"publication-2845","uid":"adlib-publication-2845","uuid":"aed83438-5cba-3d3d-914c-0603afed5d46"},"summary_title":"Derby Porcelain Figures 1750-1848"},{"@link":{"notes":"A biscuit example in Derby Museum and Art Gallery, see p. 319, pl. 263.","page":"p. 319","type":"reference"},"admin":{"id":"publication-2847","uid":"adlib-publication-2847","uuid":"632612a3-b59c-3d9f-934c-2ab43b83b78b"},"summary_title":"Derby Porcelain 1750-1848"},{"@link":{"notes":"Cf. An enamelled example, Victoria and Albert Museum, C.194-1926, see p. 121, no. 132. Dated c. 1775. Numbered '235' and has large 'B' patch marks. See p. 40 for the attribution to Pierre Stephan.\nA biscuit example in the Victoria and Albert Museum (C.768-1936), see p. 121, no. 131. H. 36.4 cm. 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