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h\u00f4tel, 1, Place Malesherbes, pp. 96-7, lot 411, illustrated, d. 42.5 cm. 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Painted in blue, green, yellow, orange, beige, brown, manganese, black, and a little white high-lighting. Shape 64. Circular with narrow rim, and wide, shallow well.  The Contest between the Muses and the Pierides. The nine daughters of Pierus stand on the right separated by a stream from the Muses, led by Callipte who holds a harp. Above, a group of nymphs, gods and goddesses, including Apollo and Minerva, serve as judges. In the landscape background there are stunted trees on hills, and on the right, a coastline with buildings and distant mountains. The edge is yellow. The back is inscribed in the middle in blue, 'Ausae Cum Musjs Committere proelja\/Voce Victae nunc Volitant jmmitantes\/omnia pjcae\/Fatto jn Urbino in Botega de Mo (o raised)\/Guido da Casteldurante' (Having dared to have contests with the Muses and defeated by voice, they now fly away as magpies imitating everything). 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Orazio Fontana , Guido da Urbino's son, can be excluded because the painting on the front, and the handwriting on the back are far superior to those on a dish decorated with this subject which bore his monogram, which was formerly in the Schlossmuseum, Berlin but was destroyed during World War II.  Bernard Rackham in 1940 considered that it might have been painted by Camillo Fontana, and in 1987 J.V.G. Mallet proposed Camillo Gatti as a likely executant. Another dish decorated with this subject in the same workshop was formerly in the collection at the H\u00f4tel Lambert, Paris, sold at Sotheby's Paris on 11 October 2022. It is inscribed with the subject, the date, 1539, and 'In Botega de Mo Guido\/de CaSteldurati' (In the workshop of Maestro Guido of Casteldurante). See Documentation."},{"value":"The literary souce for the story of Muses and the Pierides was the Roman poet Ovid's Metamorphoses, Book V, 294-678. The nine daughters of Pierus, King of Emathia, overconfident of their musical talent, challenged the Muses to a singing contest.  After all the contestants had performed, the adjudicating nymphs declared the Muses the winners. The Pierides unwisely clamoured against their decision, and as punishment for their presumption and rudeness were transformed into chattering magpies."},{"value":"The source of the design was an engraving by G.G. Caraglio after 'The Contest between the Muses and the Pierides' by Rosso Fiorentino (1494-1540), probably the painting now in the Louvre in Paris (inv. 595: MR 69 dated to c. 1523-27. The inscription on the back of the dish was taken from the bottom of the print where it appears in capitals, AUSAE CUM MUSIS COMMITTERE PROELIA VOCE VICTAE NUNC VOLITANT IMMITANTES OMNIA PICAE. 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Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white.\nTrilobate bowl, standing on a base composed of three lion's feet with vertical scrolls between them. Between each of the lobes there is a deeply grooved handle, terminating at the top in a grotesque mask with a gaping mouth and curling horns which rest on the rim.\nThe interior is decorated with the Triumph of Amphitrite or Galatea. The goddess reclines in a cockle-shell chariot drawn by two dolphins, surrounded by tritons and sea nymphs, a sea horse, and putti frolicking among the waves. In the background there are buildings close to the shore with mountains beyond. Above, five putti holding foliage play amid clouds. The rim is yellow and orange. On the outside, each lobe is decorated with rocks and buildings in a landscape. 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The others have variants, identified as either the Triumph of Galatea or Amphitrite, who is sometimes accompanied by Neptune. In the upper part of the scenes there are usually putti, holding bows as they do in the print, or wreaths. The demand for such scenes might also have been fostered by Vasari's fresco of 'Water' in the Palazzo Vecchio in Florence, but the fashion for marine fantasies in the second half of the century was an aspect of the Mannerist style which can be paralleled in metalwork in Italy and elsewhere in Europe. 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Peel & Humphries, London."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 58, p. 106, no. 841 & pl. XXVIII","page":"pp. 58, 106","type":"reference"},"admin":{"id":"publication-2999","uid":"adlib-publication-2999","uuid":"4e269c8d-631e-34c3-a9a4-23c5962ea0ab"},"summary_title":"Catalogue of the Collection of Pottery and Porcelain in the Possession of Mr Otto Beit"},{"@link":{"notes":"Publ. lot 61","page":"22","type":"reference"},"admin":{"id":"publication-3300","uid":"adlib-publication-3300","uuid":"f06c2ebc-7eb8-3ccd-b8a3-9007f62102a7"},"summary_title":"Catalogue of important Italian majolica, the property of Sir Alfred Beit Bt, MP"},{"@link":{"notes":"Publ. p. 7 & pl. 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Annual Report for the Year ending 31 December 1964"},{"@link":{"notes":"Publ. p. 137, fig. 7","page":"137","type":"reference"},"admin":{"id":"publication-200001033","uid":"adlib-publication-200001033","uuid":"9727fed6-b8e0-39cf-8000-e35d4582fd07"},"summary_title":"Italian maiolica of the fifteenth and sixteenth centuries"},{"@link":{"notes":"Publ. pp. 374-76, no. 410","page":"pp. 374-6","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 74-5, no. 32","page":"pp. 74-5","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Cf. pp. 168-72, no. 170, a trilobate cistern decorated with the Triumph of Galatea.","page":"168-72","type":"reference"},"admin":{"id":"publication-3388","uid":"adlib-publication-3388","uuid":"de185508-79d7-3c40-b470-36c015e8e566"},"summary_title":"Ceramiche occidentale del Museo Civico Medievale di Bologna"},{"@link":{"type":"reference"},"admin":{"id":"publication-200003058","uid":"adlib-publication-200003058","uuid":"f05b3e5c-d91b-3e31-9f9e-d9a140ad3678"},"summary_title":"Outstanding Maiolica in the Art Museum, Princeton University"},{"@link":{"type":"reference"},"admin":{"id":"publication-3141","uid":"adlib-publication-3141","uuid":"629be7a5-5a0d-375b-ade1-cd4fd3e0c13e"},"summary_title":"L'arte della maiolica in Italia"},{"@link":{"notes":"Cf. pp. 278-9, no. 98, a trilobate cistern decorated with an unusual Marine Triumph of Bacchus. Inv. no. 2.100.368.","page":"278-9","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. pp. 194-5, three coolers, nos. 249a-c, inv. nos. 2M, 8M and 10M, decorated internally with episodes in the Second Punic War between the Romans and the Carthaginians, as told by Livy in his history of Rome, known as Ab Urbe condita.","page":"194-5","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object 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horse"},{"@link":{"type":"literal"},"name":[{"value":"landscape"}],"summary_title":"landscape"},{"@link":{"type":"literal"},"name":[{"value":"mountain"}],"summary_title":"mountain"},{"@link":{"type":"literal"},"name":[{"value":"sea"}],"summary_title":"sea"},{"@link":{"type":"literal"},"name":[{"value":"waves"}],"summary_title":"waves"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-44707","uid":"adlib-term-44707","uuid":"82255e8a-fcea-3881-a4eb-5720c1910b4d"},"summary_title":"cistern"}},"summary_title":"cistern","techniques":[{"description":[{"value":"buff earthenware, tin-glazed creamy-white overall, painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"Triumph of Amphitrite"},{"value":"Triumph of Galatea"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-81370","_score":18.898922,"_source":{"admin":{"added":1592996709000,"created":1312637261000,"flag":"Standard Record","id":"object-81370","indexed":1747246362119,"modified":1723546256000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-81370","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/81370","uuid":"da42761e-fd3e-3671-b3cb-a283ab81d149","version":10},"agents":[{"@link":{"note":[{"value":"Sir Alfred Lane Beit (1903-1994), 2nd Baronet"}],"type":"reference"},"admin":{"id":"agent-179498","uid":"adlib-agent-179498","uuid":"a66203ba-d987-331b-b04a-3ce6ee72d5c0"},"summary_title":"Beit, Alfred, Sir"},{"@link":{"note":[{"value":"Sir Otto John Beit, 1st Baronet, KCMG, FRS (1865-1930)"}],"type":"reference"},"admin":{"id":"agent-206918","uid":"adlib-agent-206918","uuid":"774b6904-36ed-3059-a007-d197ac98fb12"},"summary_title":"Beit, Otto, Sir"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"manganese, dark relief-blue, and a little green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"note":[{"value":"n relief blue, manganese-purple, and green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"11.3"}]},"name":"Mouth"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"11.8"}]},"name":"Base"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"22.5"}]},"name":"Across Handles"},{"name":"Body","techniques":[{"description":[{"value":"buff earthenware, tin-glazed creamy-white on the interior and exterior; most of the rim and base unglazed. Painted in manganese, dark relief-blue, and a little green."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Renaissance maiolica two-handled pharmacy jar, painted in manganese, dark relief blue and green with hounds, 'oak leaves', dots and dashes."},{"value":"Buff earthenware, tin-glazed creamy-white on the interior and exterior; most of the rim and base unglazed. Painted in manganese, dark relief-blue, and a little green. Shape 42. Ovoid with flat base, short cylindrical neck and two strap handles.\nOn one side there is a hound running to the left and, on the other, a hound running to the right, surrounded by sprays of oak leaves with dots and dashes in the background. On each side of the handles, there are three vertical manganese lines, on the outside of which are short horizontal manganese strokes separated by blue spots. Round the lower part of the body there are two horizontal manganese bands; round the neck, alternating manganese chevrons and blue spots between pairs of manganese bands. The handles are decorated with a crutch with a green shaft, a series of horizontal manganese lines, and blue spots. Below each handle are two manganese six-armed asterisks with blue dots at the end of the strokes."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1218","uid":"adlib-exhibition-1218","uuid":"8a44c344-f4e9-3612-8308-51f40c783c33"},"summary_title":"Saving Bodies, Saving Souls: Hospitals in History"}],"identifier":[{"accession_number":"C.75-1961","primary":true,"type":"accession number","value":"C.75-1961"},{"priref":"81370","type":"priref","value":"81370"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/81370","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/81370"}],"inscription":[{"description":[{"value":"circular with serrated edge, 62 crossed out"}],"method":"inscribed in pencil","transcription":[{"value":"62"}],"type":"label"},{"location":"on base","method":"inscribed in red","transcription":[{"value":"736"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1427,"from":{"earliest":1427,"era":["CE"],"latest":1427,"precision":"circa","value":"1427"},"latest":1431,"range":true,"to":{"earliest":1431,"era":["CE"],"latest":1431,"value":"1431"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-53048","uid":"adlib-agent-53048","uuid":"37eb6b31-d7c3-3551-a4ec-83c121497444"},"summary_title":"Giunta di Tugio"},{"@link":{"qualifier":"perhaps","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-159224","uid":"adlib-agent-159224","uuid":"d953aadb-4750-35e2-a71f-95c9e37ed06f"},"summary_title":"Maso and Miniato di Domenico"}],"note":[{"value":"This jar is decorated in manganese and relief-blue (zaffera a rilievo), a glaze-like, upstanding pigment containing cobalt. Archaeological evidence recovered since 1975 indicates that it was probably introduced in Tuscany during the last third of the fourteenth century, as fragments found during excavations in Florence and nearby towns, such as Prato, Pistoia, and Montelupo, can be dated to the end of the century. Others have been found with fragments of Italo-Moresque type which suggests that relief-blue decoration continued until the 1460s.By the early fifteenth century it was well-established and in addition to two-handled jars, it was used on jugs, albarelli, ewers, and, more rarely, on dishes.  It was also adopted in the Romagna, Lazio, and Umbria during the same period. It may be the blue referred to in two recipes, one for blue pigment for the decoration of maiolica, and the other for relief-blue 'in the Florentine manner' included in a MS now in the Library of the University of Bologna (MS 2861), and formerly in the convent of San Salvatore in Bologna.                \nThe best-known examples of relief-blue decoration outside Italy are Tuscan two-handled storage jars. These have been attributed to Florence and Montelupo, and were probably made elsewhere, such as at Baccheretto. Typically they have borders creating a panel on each side which is occupied by a central motif surrounded by stylized oak foliage. The main motifs include heraldic and other animals, fleurs-de-lis, and mythical or human figures. Some jars, however, are decorated overall with foliage, scales, or undulating lines. These motifs appear to have been derived from local and Islamic art, including heraldry, woven textiles and ceramics.                                                                                      This is one of at least twenty-one 'oak leaf jars' whose handles bear the crutch emblem of the hospital of Santa Maria Nuova in Florence. The hospital's archives record the purchase of large numbers of jars for its pharmacy in 1427 from Maso and Miniato di Domenico. But it seems more likely that they were among  about 1,000 ordered in 1431 from Giunta di Tugio, whose workshop was in the Oltrarno district of the ciity, because the record mentioned orciuoli (two handled jars) for the new pharmacy. The meaning of the two asterisks is uncertain. They may be the mark of a decorator, because one, two or three asterisks occur on other jars of this kind. An excavation in 1975 on the site of the Giunta di Tugio's workshop in Florence confirmed that maiolica with relief-blue decoration was made there and that an asterisk mark was used, and this was confirmed by a further excavation in 2015."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-129010","uid":"adlib-term-129010","uuid":"674154af-c0f1-32b3-87cb-985607daa8cb"},"summary_title":"15th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106508","uid":"adlib-term-106508","uuid":"f7f1399b-d092-3a3d-8f96-c3aee3ad8fd5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Tuscany"}],"summary_title":"Tuscany","type":"region"}]],"summary_title":"Florence"}]}]},"materials":[{"note":[{"value":"most of rim and base unglazed"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"20"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-53284","uid":"adlib-media-53284","uuid":"faca1ea5-2e87-3b48-b0f6-14913ef9a450"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":702}]},"modified":1616286200198,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":541},{"dimension":"width","units":"pixels","value":500}]},"modified":1616286200198,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":702}]},"modified":1616286200198,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":271},{"dimension":"width","units":"pixels","value":250}]},"modified":1616286200198,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110759","uid":"adlib-term-110759","uuid":"c6bf6c5a-3fdd-3aa2-b2e9-0c0c31ea4a68"},"summary_title":"two-handled jar"}},{"value":"oak-leaf jar"}],"note":[{"type":"history note","value":"Sir Otto Beit (1865-1930); Sir Alfred Beit (1903-94);  Sotheby's, 16 October 1942, Catalogue of important Italian majolica, the property of Sir Alfred Beit Bt, MP., lot 5; Louis C.G. Clarke (1881-1960)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 76, no. 736","page":"p. 76","type":"reference"},"admin":{"id":"publication-2999","uid":"adlib-publication-2999","uuid":"4e269c8d-631e-34c3-a9a4-23c5962ea0ab"},"summary_title":"Catalogue of the Collection of Pottery and Porcelain in the Possession of Mr Otto Beit"},{"@link":{"notes":"Publ. pp. 96-9, no. 154, and colour pl. 4; other jars with the crutch emblem are cited","page":"pp. 96-9","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 20-1, no. 5","page":"20-1","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-7534","uid":"adlib-publication-7534","uuid":"d5d2f60c-8706-39e5-b0a9-af7a3064ed71"},"summary_title":"Museo Nazionale di Firenze, Palazzo del Bargello, Catalogo delle maioliche"},{"@link":{"notes":"Cf. p. 8, a jar with a hound running to the right, in the author's collection; formerly in the De Osma, Pringsheim, E.L. Paget and Kolkhorst collections","page":"8","type":"reference"},"admin":{"id":"publication-8909","uid":"adlib-publication-8909","uuid":"642c40cb-6430-3ad0-b922-62805196bde1"},"summary_title":"Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3158","uid":"adlib-publication-3158","uuid":"eed5e193-4e6d-3560-95ff-0891e31704e2"},"summary_title":"Storia della maiolica di Firenze e del contado secoli XIV e XV"},{"@link":{"notes":"Cf. pp. 64-5, no. 6, a jar with two hounds addorsed on each side in the Bargello, Florence; p. 256, no. 73, a jar with a hound chasing a hare, and the crutch emblem on the handles, in the Gemeentemuseum, The Hague; p. 256, no. 75, a jar with one hound on each side, formerly in the Scott-Taggart collection; p. 256, no. 76, a jar with one hound on each side in the Rijksmuseum, Amsterdam.  See also Alessandro Alinari and Fausto Berti, 'Zaffera fiorentina pe lo speziale e la mensa' pp. 47-55, for the interpretation and attribution of the asterisk marks on oak leaf jars for the hospital nof Santa Maria Nuova.","page":"256","type":"reference"},"admin":{"id":"publication-8825","uid":"adlib-publication-8825","uuid":"4e2519bc-4201-3705-987f-b0f95b5ffc2d"},"summary_title":"Zaffera e similia nella maiolica italiana"},{"@link":{"notes":"Ref. For a discussion of the influences on heraldic and other animal motifs on 'oak leaf' jars","page":"477-500","type":"reference"},"admin":{"id":"publication-400002321","uid":"adlib-publication-400002321","uuid":"0c7391ff-38b2-3fe0-9958-39b69b884cd4"},"summary_title":"Florentine \"zaffera a rilievo\" maiolica: a new look at the Oriental influence"},{"@link":{"notes":"Ref.  For a discussion of the origins of oak leaf decoration including architectural ornament, sculpture, MS illumination, and maiolica arcaica, which downplays the influence of Islamic ceramics, whereas Alinari and Berti, in Conti, 1991, pp. 47-52, retained the view that Islamic and Spanish ceramics were significant, especially in the use of contour panels.","page":"128-32","type":"reference"},"admin":{"id":"publication-200003216","uid":"adlib-publication-200003216","uuid":"34cfdd5d-0192-3d41-8bdf-de6edb987113"},"summary_title":"La foglia di quercia le sue origini ed il suo sviluppo"},{"@link":{"notes":"Cf. pp. 32-37 no. 83, a jar with a hound going to the left.","page":"32-37","type":"reference"},"admin":{"id":"publication-6085","uid":"adlib-publication-6085","uuid":"9e9f66b5-9967-3864-a61a-19e7c8db8cf5"},"summary_title":"Le maioliche rinascimentali nelle collezioni della Fondazione Cassa di Risparmio di Perugia, Vol. II"},{"@link":{"notes":"Cf. inv. no.  3649-D3, a jar decorated with a hound on each side, and the crutch emblem on its handles, dated c. 1430","page":"pp. 36-9","type":"reference"},"admin":{"id":"publication-8435","uid":"adlib-publication-8435","uuid":"6bb1d864-ca6a-3640-a048-6288582518f7"},"summary_title":"Italian Maiolica in the Collection of the National Gallery of Victoria"},{"@link":{"notes":"Cf. pp 24-5, no. 1, an oak leaf jar with a plant motif amidst oak leaves, and having the crutch emblem of Santa Maria Nuova on the handle, with two asterisks below with a blob of blue on the end of each arm. Dated to  c. 1431, and attributed probably to the workshop of Giunta di Tugio.","page":"24-5","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Cf. pp. 46-7, no. 12, a pharmacy jar decorated with scale pattern and having the crutch emblem of the hospital of Santa Maria Nuova on its handle. 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Painted in dark blue, pale blue, pale green, yellow, orange, and opaque white. There are three small spur marks in the well. Shape approximately 59 (Poole 1995), slightly convex in the middle. Circular with a broad rim, and deep curved well, slightly convex in the middle.\nThe central medallion contains a landscape in which a stream of arrows speeds towards a young man who is bound to a stake, while a young woman is either tying him up or releasing him. The sides are decorated with bianco sopra bianco and orange Vs between rows of simulated beading. On the rim are grotesques reserved in a dark blue ground: four labels inscribed `1520', each flanked by cornucopiae and scrolls and surmounted by a winged putto's head, alternating with four grotesque masks, each flanked by dolphin scrolls and surmounted by a palmette. The rim is yellow.\nThe middle of the back is painted in blue with three concentric circles, crossed by two lines. One quarter contains a small circle, the other three an arrow pointing towards the centre. Radiating from the base are two rows of blue petals, the inner row transversely striped in blue and the outer in orange. 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