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His research into the potential of Japanese raku, whilst a student at the Royal College, began his long-standing exploration of the formal language of the vessel, underpinned by a minimal vocabulary of basic geometric solids and the material qualities of ground and polished ceramic surfaces. He has had a significant career as both artist and educator, exhibiting internationally and working as Head of Ceramics first at Camberwell College of Arts and then at the Royal College of Art, London. He is currently Professor and Senior Research Fellow in the School of Material at the Royal College of Art. 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