[{"admin":{"added":1592951286000,"created":1312633275000,"id":"publication-3029","indexed":1616539746338,"modified":1312647125000,"processed":1615826072065,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e","version":2},"lifecycle":{"publication":[{"date":[{"value":"1949"}],"place":[{"@link":{"type":"literal"},"name":[{"value":"Colmar, Paris"}],"summary_title":"Colmar, Paris"}]}]},"summary_title":"R\u00e9pertoire de la majolique italienne","title":[{"primary":true,"value":"R\u00e9pertoire de la majolique italienne"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-47188","_score":18.05298,"_source":{"admin":{"added":1592996542000,"created":1312637261000,"flag":"Standard Record","id":"object-47188","indexed":1747332253516,"modified":1747334399000,"processed":1747332251818,"source":"adlib","stream":"fitz-online","uid":"adlib-object-47188","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188","uuid":"f49f9386-a01a-3cd8-b876-aecf6f8c7c3e","version":19},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-181542","uid":"adlib-agent-181542","uuid":"da006a67-b6de-3204-8166-b772b46fcd1c"},"summary_title":"Este, Isabella d'"},{"@link":{"type":"reference"},"admin":{"id":"agent-181541","uid":"adlib-agent-181541","uuid":"cd2d2c81-dd28-3634-b243-32957ae97b81"},"summary_title":"Damiron, Charles"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152828","uid":"adlib-agent-152828","uuid":"bf1eaa77-6bb1-32f5-84b3-31c915eaad0d"},"summary_title":"Peleus"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152819","uid":"adlib-agent-152819","uuid":"4ae7c947-95ea-3b89-9fdf-73e88151f96b"},"summary_title":"Thetis"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"metallic oxide colours"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"30.2"}]},"name":"Rim"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-107486","uid":"adlib-term-107486","uuid":"234fe16e-17e4-3db8-881a-443636aac5ca"},"summary_title":"classical mythology"},{"@link":{"type":"reference"},"admin":{"id":"term-23550","uid":"adlib-term-23550","uuid":"bce302cf-3608-34aa-abf7-dcb9acdd4024"},"summary_title":"heraldry"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish, painted in polychrome with, in the well, the arms of Gonzaga impaling Este, and, on the rim, Peleus and Thetis."},{"value":"Earthenware, tin-glazed overall; the reverse pale beige and speckled. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 56 (Poole 1995). circular with broad, almost flat rim, and deep well; the underside of the rim moulded with three bands of reeding.In the well, within narrow blue and yellow concentric circles, two putti support a shield charged with the arms of Gonzaga impaling Este: argent, a cross patty gules cantoned by four eagles displayed sable (Gonzaga modern granted 1433), an escutcheon overall, quarterly, 1, 4, gules a lion rampant argent (Bohemia), 2, 3, barry of six or and sable (Gonzaga ancient) impaling Este, quarterly, 1, 4, azure three fleurs-de-lis or a bordure indented gules, 2, 3, azure an eagle displayed argent (gules shown orange throughout). Below on a scroll is the impresa `XXVII'. The sides are decorated in bianco sopra bianco with palmettes and scrolls, and a blue line encircles the shoulder. The rim is decorated with Peleus and Thetis. Peleus stands beneath a tree, gazing at Thetis, who sleeps nude on the ground in front of him. Further to the right she is transformed into a swan-like bird as he embraces her, and then into a dragon from which he turns away in horror. Higher up on the right, a goddess appears to Peleus who kneels before an altar. In the distance there is a mountainous landscape and sky. Suspended from the tree there is a shield of testa di cavallo form charged with the impresa of gold rods in a crucible surrounded by flames in a blue ground. The edge is yellow. On the back there is a narrow yellow band round the base and a wider band on the edge."}],"exhibitions":[{"@link":{"catalogue":"No. 136","type":"reference"},"admin":{"id":"exhibition-1607","uid":"adlib-exhibition-1607","uuid":"067f0641-1c25-3855-871f-ee848d69bdc9"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"211","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-3944","uid":"adlib-exhibition-3944","uuid":"efb64902-4239-3ac6-accf-83ab547bb095"},"summary_title":"National Treasures: Botticelli in Cambridge"}],"identifier":[{"accession_number":"EC.30-1938","primary":true,"type":"accession number","value":"EC.30-1938"},{"priref":"47188","type":"priref","value":"47188"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188"}],"inscription":[{"description":[{"value":"Rectangular with cut corners, printed in black `UNION\/CENTRALE' and inscribed in faded black ink with `155\/3657' between the two words"}],"location":"on the back","method":"printed in black and inscribed in faded black ink","transcription":[{"value":"'UNION\/1555\/3657\/CENTRALE'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1938,"latest":1938,"value":"1938-06-16"}],"method":{"value":"bought"},"note":[{"value":"accession date was given as the date of the sale, not of the Syndicate"}]}],"creation":[{"date":[{"earliest":1524,"from":{"earliest":1524,"era":["CE"],"latest":1524,"precision":"circa","value":"1524"},"latest":1525,"range":true,"to":{"earliest":1525,"era":["CE"],"latest":1525,"value":"1525"}}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-99016","uid":"adlib-agent-99016","uuid":"d1d63237-ac23-350a-897d-50f3369e87e8"},"summary_title":"Nicola di Gabriele Sbraghe da Urbino"}],"note":[{"value":"The potter, Nicola di Gabriele Sbraghe, known as Nicola da Urbino, was a workshop owner in Urbino from at least 1520 until his death at the end of 1537 or in January 1538. He was also a brilliant maiolica painter, whose work has been identified by comparison with five pieces of istoriato maiolica monogrammed or signed by him. Nicola painted in an exquisitely delicate manner, and was unusually imaginative in his adaptation of printed sources and in the creation of architectural and landscape backgrounds. His output of the 1520s, which includes several armorial services, is regarded as the acme of maiolica decoration."},{"value":"This exquisite dish formed part of a service which belonged to Isabella d'Este (1474-1539), widow of Francesco Gonzaga, fourth Marchese of Mantua (1466-1519).  It was made between 1522 and 1525, and may have been the service given to Isabella probably in November 1524 by her daughter, Eleanora, Duchess of Urbino, who thought that she might like to use it in her villa at Porto near Mantua. Twenty-two dishes and one fragmentary dish are known, two decorated with biblical scenes and the rest with subjects from classical mythology or history. Each dish also bears the arms of Gonzaga impaling Este, and one or more of Isabella's imprese (a device or emblem) or her initials YS intertwined. On this dish the arms are surrounded by bianco sopra bianco decoration, and the rim is decorated with the story of Peleus and Thetis from Ovid's Metamorphoses, Book XI. Having found the sea goddess Thetis asleep on the shore, Peleus entreated her to make love, but she refused and escaped by transforming herself into different forms. After praying to the sea god Proteus for advice, Peleus successfully overcame the goddess's scruples and she conceived the ill-fated hero, Achilles. Nicola based the figures on a woodcut illustration in Giovanni dei Bonsignori's Ovidio methamorphoseos vulgare, Venice (Giovanni Rosso da Vercelli for Lucantonio Giunta), 1497 or a later edition. Two imprese are shown: `XXVII' sounding like vinti s\u00e8te, (you are defeated), and gold bars in a crucible, which Isabella's husband adopted in 1495 to signify his integrity after successfully withstanding an accusation of treachery."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-134567","uid":"adlib-term-134567","uuid":"cb330736-31a5-3937-b99b-30a434c36c22"},"summary_title":"1520s"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"3.9"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-187308","uid":"adlib-media-187308","uuid":"4f5247e5-9bd4-331c-a823-07712f3034fc"},"processed":{"large":{"format":"jpeg","location":"aa\/aa30\/EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1021},{"dimension":"width","units":"pixels","value":1024}]},"modified":1702926403667,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa30\/mid_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":499},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926403667,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa30\/EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1021},{"dimension":"width","units":"pixels","value":1024}]},"modified":1702926403667,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa30\/preview_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":249},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926403667,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-1839422729","source":"portfolio","uid":"portfolio-media-1839422729","uuid":"e48eb84d-6cf2-3eec-826f-91f082127699"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/432\/996\/large_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":768},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529198924000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/432\/996\/mid_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":375},{"dimension":"width","units":"pixels","value":500}]},"modified":1529198924000,"resizable":true,"type":"image"},"original":{"location":"EC.30-1938_201407_kly25_mas.tif","modified":1529198924000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/432\/996\/preview_EC_30_1938_201407_kly25_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":188},{"dimension":"width","units":"pixels","value":250}]},"modified":1529198924000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid 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Mentioned and illustrated p. 256, fig. VIII","page":"256","type":"reference"},"admin":{"id":"publication-200000981","uid":"adlib-publication-200000981","uuid":"d52556bc-fa74-31cc-b6dd-a883bfdb7474"},"summary_title":"The Damiron Collection of Italian Maiolica II"},{"@link":{"notes":"Publ. Mentioned on p. 92, and illustrated pl. XXII. Other dishes from the services are listed.","page":"92","type":"reference"},"admin":{"id":"publication-200000982","uid":"adlib-publication-200000982","uuid":"7a02b5b1-63e9-39d9-af7c-eb3225aa4293"},"summary_title":"Ancora nuovi piatti del servizio d'Isabella d'Este-Gonzaga"},{"@link":{"notes":"Publ. Vol. II, p. 16, fig. 120, and see vol. I, p. 30","page":"16","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. See p. 20, fig. 21, and text pp. 18-21.","page":"20","type":"reference"},"admin":{"id":"publication-200000983","uid":"adlib-publication-200000983","uuid":"c0d3d31c-37bc-36b0-a244-af4edd73002b"},"summary_title":"Enqu\u00eate sur le sujet des majoliques"},{"@link":{"notes":"Publ. Illustrated pl. 69, and see text p. 23. Also illustrated on pl. 69 in the first edition of 1952.","page":"23","type":"reference"},"admin":{"id":"publication-3030","uid":"adlib-publication-3030","uuid":"b8528092-cf8f-373a-9fb3-548d79cede63"},"summary_title":"Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3031","uid":"adlib-publication-3031","uuid":"1e6af792-78aa-3c61-9b3d-4a31abe184a3"},"summary_title":"The Concise Encyclopedia of Continental Pottery and Porcelain"},{"@link":{"notes":"Publ. No. 5, and figs. 58,60.  This thesis provides details of the other known pieces, except for a then undiscovered fragmentary dish.","page":"67-8","type":"reference"},"admin":{"id":"publication-3034","uid":"adlib-publication-3034","uuid":"6df14384-a05b-3962-8d7d-12035f415ebf"},"summary_title":"A Maiolica Service for Isabella d'Este"},{"@link":{"notes":"Publ. No. 136.","page":"177-8","type":"reference"},"admin":{"id":"publication-1570","uid":"adlib-publication-1570","uuid":"587a2fe6-cae3-3832-a62b-2a2a1a3714e5"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"notes":"Publ. Illustrated no. 67.3. Cf. p. 160 under no. 116 where other dishes from the service are listed","page":"247","type":"reference"},"admin":{"id":"publication-200000984","uid":"adlib-publication-200000984","uuid":"66e91566-e73d-3cc0-83a5-b0e3ce3bcb1c"},"summary_title":"Xanto and Ariosto"},{"@link":{"notes":"Publ. 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No. 376 for a full description of the dish, its design, coat of arms and imprese, and references to  publications on the other dishes in the service.","page":"304-7","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 58-9, no. 24","page":"58-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ.","page":"135","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"notes":"Publ. p. 28 short text with colour illustration","page":"28","type":"reference"},"admin":{"id":"publication-200001843","uid":"adlib-publication-200001843","uuid":"4fa33587-103a-3608-9de5-1afa6891542b"},"summary_title":"Earth and Fire"},{"@link":{"type":"reference"},"admin":{"id":"publication-7751","uid":"adlib-publication-7751","uuid":"cfa79c6e-ae29-31e3-85fa-3a838db1be3c"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"notes":"Ref. For the myth of Peleus and Thetis, see Book XI, lines 217-65.","page":"134-9","type":"reference"},"admin":{"id":"publication-3032","uid":"adlib-publication-3032","uuid":"424dff59-c2f4-34e7-b563-5ecaa3f39497"},"summary_title":"Ovid in Six Volumes IV Metamorphoses with an English translation by Frank Justus Miller, II, Books IX-XV"},{"@link":{"type":"reference"},"admin":{"id":"publication-3033","uid":"adlib-publication-3033","uuid":"dc9c073e-004e-3afd-a79a-6958c5c6642b"},"summary_title":"Ovidio methamorphoseos vulgare"},{"@link":{"notes":"Ref. For Isabella d'Este's imprese, and citations of earlier literature.","page":"65-6","type":"reference"},"admin":{"id":"publication-200000987","uid":"adlib-publication-200000987","uuid":"3fec68e9-fd46-3068-bf23-7a791ff224ce"},"summary_title":"The Gonzaga Devices"},{"@link":{"notes":"Ref. 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Those seeking protection from the disease often directed their prayers to Saints Roch and Sebastian. Sebastian, who had survived multiple arrow wounds unharmed, drew the \u2018arrows\u2019 of misfortune and illness away from the devout. Roch was a pilgrim and plague victim (as indicated by the ulcer in his thigh), who survived and was believed to offer miraculous cures. The saints appear in many altarpieces, but also in numerous objects and images made for the home, indicating their widespread appeal."},{"value":"he cult of St Roch (c. 1350-80) as a protector against plague developed slowly in Italy during the late fourteenth and fifteenth centuries. By the sixteenth century he was established as one of the most popular saints.  He was frequently depicted in art: alone or accompanied by a dog, in scenes from his life, or with other Saints, especially St Sebastian who was also invoked against pestilence. He is usually dressed as a pilgrim leaning on a staff and indicating the plague boil on his thigh. Apart from being hatless and beardless, the figure on this dish is reminiscent of the St Roch in a detached fresco of 1475, attributed to Fiorenzo di Lorenzo (1965), or to Perugino (1989), formerly in San Francesco, Deruta, and now in the Pinacoteca there. Despite the prevalence of plague, and a particularly virulent outbreak in 1527, Deruta piatti da pompa decorated with St Roch are uncommon in comparison with those decorated with St Francis, the Virgin or other religious subjects. Another lustred dish decorated with St Roch was compared by Galeazzi and Valentini to the style of Spagna (active c. 1504, died 1528) a pupil of Perugino."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-113222","uid":"adlib-term-113222","uuid":"f48e32b1-88de-389d-beac-3989a8b2b34b"},"summary_title":"16th Century, first 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Two larger maiolica busts of younger women are respectively in the Boston Museum of Fine Arts (54.146), attributed possibly to Montelupo, and the Cleveland Museum of Art (40.344), which has more pronounced modelling, thicker white glaze, and a plain blue bodice, is attributed to Tuscany. A smaller female bust, actually a ewer, was once in the collection of Mrs Maxwell Macdonald of Pollok House, Pollokshaws, Glasgow. The Fitzwilliam's bust stands apart from these three-dimensional belle donne in its candid portrayal of gap-toothed middle age.  The male maiolica busts which have survived from this period are more sculptural in style. An impressive polychrome bust of Christ is in the Getty Museum, Malibu, busts of the young St John the Baptist are n the Ashmolean Museum, Oxford and the Museo di Capodimonte, Naples. 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The back is inscribed in the middle in blue,  `J o: chafagguolo', and on the rim and sides of the well there are four foliated spirals."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.4-1960","primary":true,"type":"accession number","value":"C.4-1960"},{"priref":"48389","type":"priref","value":"48389"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48389","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48389"}],"inscription":[{"location":"in the centre","transcription":[{"value":"Jo: chafagguolo"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Leverton Harris Fund."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1960,"latest":1960,"value":"1960-10-13"}],"method":{"value":"bought"}}],"creation":[{"date":[{"earliest":1510,"from":{"earliest":1510,"era":["CE"],"latest":1510,"precision":"circa","value":"1510"},"latest":1525,"range":true,"to":{"earliest":1525,"era":["CE"],"latest":1525,"value":"1525"}}],"maker":[{"@link":{"qualifier":"attributed to","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-67585","uid":"adlib-agent-67585","uuid":"d827ffd5-e9ea-32dd-ae92-4315a5a184be"},"summary_title":"Jacopo di Stefano di Filippo"}],"note":[{"value":"This is one of nine recorded plates of tondino form decorated 'alla porcellana' in blue and inscribed 'Jo (o raised) chafagguolo' on the back. With one exception all have borders of lozenges and foliated arabesques, and, on the back, three or four foliated coiling stems surrounding the inscription on the base. None of the dishes is dated but their style indicates that they were made during the first quarter of the sixteenth century. The first two letters of the inscription are probably a short form of Jacopo, and resemble the writing on a plate in the Victoria and Albert Museum decorated with an equestrian 'Judith with the Head of Holofernes' on the front, and signed 'Japo' (o raised) in chaffaguolo' on the reverse."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110780","uid":"adlib-term-110780","uuid":"17d4199b-8038-380b-b5df-ce198a1dc5db"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Tuscany"}],"summary_title":"Tuscany","type":"region"}]],"summary_title":"Cafaggiolo"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"24.2"},{"dimension":"Height","units":"cm","value":"4.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-18132","uid":"adlib-media-18132","uuid":"d6002ed9-6ed3-3e23-88b9-61add08de67e"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":742}]},"modified":1742581292890,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":512},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581292890,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":742}]},"modified":1742581292890,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":256},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581292890,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},{"value":"bowl with broad rim"},{"value":"tondino"}],"note":[{"type":"history note","value":"Charles Damiron; Sotheby's, 16 June 1938, Catalogue of the very choice collection of old Italian majolica and Hispano-Moresque ware, the property of Monsieur Damiron, 8 rue Vaubecour, Lyons, lot 74; F.D. Lycett Green; Sotheby's, 14 October 1960, Catalogue of Italian maiolica, works of art, etc. including the property of . . . the late F.D. Lycett Green, Esq., lot 10."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. II, p. 7, figs. 54-5","page":"p. 7","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. p. 5, pl. III","page":"p. 5","type":"reference"},"admin":{"id":"publication-3200","uid":"adlib-publication-3200","uuid":"f497a637-bb32-3363-9555-50e9040eaf4a"},"summary_title":"Fitzwilliam Museum, Cambridge. Annual Report for the Year ending 31 December 1960"},{"@link":{"notes":"Publ. p. 75","page":"p. 75","type":"reference"},"admin":{"id":"publication-3047","uid":"adlib-publication-3047","uuid":"9050aba6-9b8c-3277-8b3e-b218b9ee26ea"},"summary_title":"Maioliche italiane del Rinascimento"},{"@link":{"notes":"Publ. p. 62, no. 43","page":"p. 63","type":"reference"},"admin":{"id":"publication-3050","uid":"adlib-publication-3050","uuid":"3615cab9-e204-3c7a-82af-0107ffd051cd"},"summary_title":"La maiolica di Cafaggiolo"},{"@link":{"notes":"Publ. pp. 132-3, no. 190","page":"pp. 132-3","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 42, no. 16","page":"p. 42","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Cf. pp. 27-32, nos. 1 and 2","page":"27-32","type":"reference"},"admin":{"id":"publication-3405","uid":"adlib-publication-3405","uuid":"149226c4-048a-322f-8c61-d34a6d83136c"},"summary_title":"Maioliche marcate di Cafaggiolo, Museo Nazionale del Bargello"},{"@link":{"notes":"Cf. pp. 66-8, no. 21","page":"66-8","type":"reference"},"admin":{"id":"publication-3406","uid":"adlib-publication-3406","uuid":"ee93d199-384f-3541-8f42-9dc713432bb9"},"summary_title":"Italian Maiolica, Catalogue of the Collections"},{"@link":{"notes":"Cf. p. 141, no. 94, a plate with a ship in the centre, surrounded by a border, and decoration on the reverse, similar to the Fitzwilliam's plate. Dated c. 1500-1515, and attributed  'probably by the painter Jacopo'. German private collection.","page":"141","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"notes":"Cf. p. 141, no. 181a-b, two plates of similar design, no. 181a with a sea monster in the centre, and 181b with a couple of pears. Inv. nos. 481M and 484 M, attributed to Cafaggiolo, decorated by Jacopo, and dated end of the 15th or beginning of 16th century. The bases of both plates have the same inscription as the Fitzwilliam's with minor differences.","page":"141","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},"summary_title":"bowl","techniques":[{"description":[{"value":"Cream earthenware, thinly tin-glazed overall; three spur marks in the well. 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W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"dark blue, orange, and a little pale green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"note":[{"value":"in dark blue, orange, and a little pale green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"10.3"}]},"name":"Foot"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"11"}]},"name":"Rim"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"21"}]},"name":"Across Handles"},{"name":"Body","techniques":[{"description":[{"value":"buff earthenware, tin-glazed on the exterior and interior. 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The neck expands towards the carinated rim, and has on each side a handle which scrolls inwards at the top and outwards at the bottom.\nOn each side of the neck is a garland of leaves and berries, one enclosing a bust of a youth, the other a bust of a girl, both in profile to right and flanked by formal plants on a dotted background. Below the shoulder are horizontal bands of formal leaves and geometrical ornament. The top of the foot is encircled by a garland of leaves and berries on a dotted ground, and the edge by a border of lozenges. The handles are decorated with lozenges and horizontal stripes."}],"identifier":[{"accession_number":"EC.21-1939","primary":true,"type":"accession number","value":"EC.21-1939"},{"priref":"78823","type":"priref","value":"78823"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/78823","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/78823"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1939,"latest":1939,"value":"1939-06-07"}],"method":{"value":"bought"},"note":[{"value":"The vase was entered in the accession register on or after 14 June 1939 having been purchased directly for the museum at the sale on 7 June 1939."}]}],"creation":[{"date":[{"earliest":1490,"from":{"earliest":1490,"era":["CE"],"latest":1490,"precision":"circa","value":"1490"},"latest":1520,"range":true,"to":{"earliest":1520,"era":["CE"],"latest":1520,"value":"1520"}}],"maker":[{"@link":{"role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-149652","uid":"adlib-agent-149652","uuid":"0d4f90dc-b166-3d4b-b0db-25f4118b6e98"},"summary_title":"Unknown"}],"note":[{"value":"This charming vase was attributed to Siena by Falke and Chompret, and was reattri\u00acbuted to Deruta by Bernard Rackham (1876-1964), Keeper of Ceramics at the Victoria and Albert Museum. 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Hope, Deepdene, Surrey; his daughter, Henrietta Adela Hope, who married in 1861 the Earl of Lincoln, later 6th Duke of Newcastle-under-Lyme (1834-1979); by descent to the 7th Duke of Newcastle-under-Lyme (1864-1928); sold by Christie's, 7 July 1921, Catalogue of fine old English silver-gilt plate, Limoges enamels, old Italian majolica and porcelain, the property of his grace the Duke of Newcastle, and removed from Clumber, Worksop, lot 120; George A. Lockett; Christie's, 11 June 1942, The choice collection of objects of art and furniture formed by the late George A. Lockett Esq., lot 217; Alfred Spero (\u00a3556); from 1943, L.C.G. 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Charles Damiron; Sotheby's, 16 June 1938, Catalogue of the very choice collection of old Italian majolica and Hispano-Moresque ware, the property of Monsieur Damiron, 8 rue Vaubecour, Lyons, lot 41; H.S. Reitlinger (d.1950); the Reitlinger Trust, Maidenhead, from which transferred in 1991."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 45, no. 210 & pl. 69","page":"p. 45","type":"reference"},"admin":{"id":"publication-200001134","uid":"adlib-publication-200001134","uuid":"c18d0e32-a87c-37e5-b534-14ac05b59fd4"},"summary_title":"Sammlung R. von Passavant-Gontard"},{"@link":{"notes":"Publ. p. 60, fig. 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