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Painted in thick relief-blue with manganese outlines.\nOvoid with flat base, short slightly flaring neck, and two small strap handles, each formed of two vertical strips pressed together, so that there is a depression running vertically down the middle.\nOn each side, a long-tailed bird stands in profile to right, surrounded by sprays of oak leaves with dots and stars in the background. On each side of the handles there are three vertical manganese lines. Round the lower part of the body, there are two horizontal manganese bands. On the neck, between pairs of manganese bands, there is a wavy manganese stem with roughly V-shaped leaves in the spaces above and below it. On the handles there are horizontal manganese lines and, on one, two pairs of blue splodges, and on the other, one pair. 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On the spout there is a floral spray, and on the handle are horizontal lines. The cover is decorated with trees and fences and the knob has manganese lines radiating from a spot on the top. 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The mark on the base, a crossed circle with the letter G beneath, was used by the Gualtieri factory in Albissola.  It closely resembles an example in the Museum of the Bargello in Florence."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106400","uid":"adlib-term-106400","uuid":"3e80c102-1483-3c39-b2f4-67e333d653d8"},"summary_title":"18th 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W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"blue, several shades of green, yellow, and brown, with manganese outlines"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish, painted in polychrome with the Judgement of Paris."},{"value":"Dish. Earthenware, tin-glazed creamy-white on both sides, more thickly than elsewhere round the remains of the foot. Painted in blue, several shades of green, yellow, and brown, with manganese outlines.\nCircular with narrow rim and wide, shallow centre; the whole slightly warped. In the middle of the underside there is a circular depression containing the remains of a foot.\nThe Judgement of Paris. The three scantily draped goddesses are in the foreground, Juno and Venus standing and Minerva kneeling beside her armour. Further back on a hill, Paris, dressed as a shepherd, is seated with his bagpipes resting on his knee, holding in his right hand an apple inscribed `pulcrior\/l.donu' (a gift for the more beautiful). A dog lies at his feet. The landscape background is filled with gambolling goats and sheep, and a horse. On the rim there is a border of stylised leaves between pairs of blue bands. The edge is green."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.2230-1928","primary":true,"type":"accession number","value":"C.2230-1928"},{"priref":"73268","type":"priref","value":"73268"},{"source":"Glaisher MS Catalogue number","type":"old object number","value":"4801"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73268","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73268"}],"inscription":[{"description":[{"value":"when purchased the dish bore a label from a Christie's sale catalogue"}],"transcription":[{"value":"156 A flat tazza, without foot painted in different colours, crudely painted with the judgement of Paris who sits with an apple inscribed \"Pulchrior\/l dono\" on a hill with cattle grazing; in the front two goddesses standing and one kneeling, the armour of Minerva lying on the ground. 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Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 56 (Poole 1995). circular with broad, almost flat rim, and deep well; the underside of the rim moulded with three bands of reeding.In the well, within narrow blue and yellow concentric circles, two putti support a shield charged with the arms of Gonzaga impaling Este: argent, a cross patty gules cantoned by four eagles displayed sable (Gonzaga modern granted 1433), an escutcheon overall, quarterly, 1, 4, gules a lion rampant argent (Bohemia), 2, 3, barry of six or and sable (Gonzaga ancient) impaling Este, quarterly, 1, 4, azure three fleurs-de-lis or a bordure indented gules, 2, 3, azure an eagle displayed argent (gules shown orange throughout). Below on a scroll is the impresa `XXVII'. The sides are decorated in bianco sopra bianco with palmettes and scrolls, and a blue line encircles the shoulder. The rim is decorated with Peleus and Thetis. Peleus stands beneath a tree, gazing at Thetis, who sleeps nude on the ground in front of him. Further to the right she is transformed into a swan-like bird as he embraces her, and then into a dragon from which he turns away in horror. Higher up on the right, a goddess appears to Peleus who kneels before an altar. In the distance there is a mountainous landscape and sky. Suspended from the tree there is a shield of testa di cavallo form charged with the impresa of gold rods in a crucible surrounded by flames in a blue ground. The edge is yellow. 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He was also a brilliant maiolica painter, whose work has been identified by comparison with five pieces of istoriato maiolica monogrammed or signed by him. Nicola painted in an exquisitely delicate manner, and was unusually imaginative in his adaptation of printed sources and in the creation of architectural and landscape backgrounds. His output of the 1520s, which includes several armorial services, is regarded as the acme of maiolica decoration."},{"value":"This exquisite dish formed part of a service which belonged to Isabella d'Este (1474-1539), widow of Francesco Gonzaga, fourth Marchese of Mantua (1466-1519).  It was made between 1522 and 1525, and may have been the service given to Isabella probably in November 1524 by her daughter, Eleanora, Duchess of Urbino, who thought that she might like to use it in her villa at Porto near Mantua. Twenty-two dishes and one fragmentary dish are known, two decorated with biblical scenes and the rest with subjects from classical mythology or history. Each dish also bears the arms of Gonzaga impaling Este, and one or more of Isabella's imprese (a device or emblem) or her initials YS intertwined. On this dish the arms are surrounded by bianco sopra bianco decoration, and the rim is decorated with the story of Peleus and Thetis from Ovid's Metamorphoses, Book XI. Having found the sea goddess Thetis asleep on the shore, Peleus entreated her to make love, but she refused and escaped by transforming herself into different forms. After praying to the sea god Proteus for advice, Peleus successfully overcame the goddess's scruples and she conceived the ill-fated hero, Achilles. Nicola based the figures on a woodcut illustration in Giovanni dei Bonsignori's Ovidio methamorphoseos vulgare, Venice (Giovanni Rosso da Vercelli for Lucantonio Giunta), 1497 or a later edition. Two imprese are shown: `XXVII' sounding like vinti s\u00e8te, (you are defeated), and gold bars in a crucible, which Isabella's husband adopted in 1495 to signify his integrity after successfully withstanding an accusation of 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This thesis provides details of the other known pieces, except for a then undiscovered fragmentary dish.","page":"67-8","type":"reference"},"admin":{"id":"publication-3034","uid":"adlib-publication-3034","uuid":"6df14384-a05b-3962-8d7d-12035f415ebf"},"summary_title":"A Maiolica Service for Isabella d'Este"},{"@link":{"notes":"Publ. No. 136.","page":"177-8","type":"reference"},"admin":{"id":"publication-1570","uid":"adlib-publication-1570","uuid":"587a2fe6-cae3-3832-a62b-2a2a1a3714e5"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"notes":"Publ. Illustrated no. 67.3. Cf. p. 160 under no. 116 where other dishes from the service are listed","page":"247","type":"reference"},"admin":{"id":"publication-200000984","uid":"adlib-publication-200000984","uuid":"66e91566-e73d-3cc0-83a5-b0e3ce3bcb1c"},"summary_title":"Xanto and Ariosto"},{"@link":{"notes":"Publ. 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Illustrated fig. 1.","page":"14","type":"reference"},"admin":{"id":"publication-200000986","uid":"adlib-publication-200000986","uuid":"d741d506-4041-3c33-993e-041dbf2a711d"},"summary_title":"Ceramiche italiane a Cambridge\/Italian Pottery in Cambridge"},{"@link":{"notes":"Publ. p. 46, partially illustrated in article advertising the Fitzwilliam's maiolica exhibition of 1995","page":"46","type":"reference"},"admin":{"id":"publication-200002224","uid":"adlib-publication-200002224","uuid":"ad924f7e-133c-3af2-8d5d-3c5d891d1d38"},"summary_title":"Potted History"},{"@link":{"notes":"Publ. No. 376 for a full description of the dish, its design, coat of arms and imprese, and references to  publications on the other dishes in the service.","page":"304-7","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 58-9, no. 24","page":"58-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ.","page":"135","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"notes":"Publ. p. 28 short text with colour illustration","page":"28","type":"reference"},"admin":{"id":"publication-200001843","uid":"adlib-publication-200001843","uuid":"4fa33587-103a-3608-9de5-1afa6891542b"},"summary_title":"Earth and Fire"},{"@link":{"type":"reference"},"admin":{"id":"publication-7751","uid":"adlib-publication-7751","uuid":"cfa79c6e-ae29-31e3-85fa-3a838db1be3c"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"notes":"Ref. For the myth of Peleus and Thetis, see Book XI, lines 217-65.","page":"134-9","type":"reference"},"admin":{"id":"publication-3032","uid":"adlib-publication-3032","uuid":"424dff59-c2f4-34e7-b563-5ecaa3f39497"},"summary_title":"Ovid in Six Volumes IV Metamorphoses with an English translation by Frank Justus Miller, II, Books IX-XV"},{"@link":{"type":"reference"},"admin":{"id":"publication-3033","uid":"adlib-publication-3033","uuid":"dc9c073e-004e-3afd-a79a-6958c5c6642b"},"summary_title":"Ovidio methamorphoseos vulgare"},{"@link":{"notes":"Ref. For Isabella d'Este's imprese, and citations of earlier literature.","page":"65-6","type":"reference"},"admin":{"id":"publication-200000987","uid":"adlib-publication-200000987","uuid":"3fec68e9-fd46-3068-bf23-7a791ff224ce"},"summary_title":"The Gonzaga Devices"},{"@link":{"notes":"Ref. For documentary evidence for the identification of Nicola da Urbino as Nicola di Gabriele Sbraghe","page":"13-20","type":"reference"},"admin":{"id":"publication-200000988","uid":"adlib-publication-200000988","uuid":"e96beca4-b04a-3029-acbb-38b39618029c"},"summary_title":"Nicol\u00f2 Pellipario: ceramista fantasma"},{"@link":{"notes":"Cf. pp. 24-26, lot 50, a plate with central arms musical notes below, Atalanta's race against Hippomenes, NEC SPE\/NEC METV, lottery tickets on shield, and XXV\/II on pedestal on extreme right, d. 27.5 cm. Estimate: \u00a390,000-130,000\/E 100,000-150,000","page":"24-26","type":"reference"},"admin":{"id":"publication-6806","uid":"adlib-publication-6806","uuid":"d7c91d4c-4d81-3a56-a39d-2187de2eac4c"},"summary_title":"500 Ans  Arts D\u00e9coratifs Europ\u00e9ens"},{"@link":{"notes":"Cf. p. 124, colour pl., an example in the Victoria & Albert Museum, a broad-rimmed bowl with Hippolytus and Phaedra with arms and devices of Isabella d\u2019Este,  XX\/VII, NEC SPE NEC METU and musical notes. By Nicola da Urbino. D. 27.2 cm. (V. & A. inv. no. C.2229-1910).","page":"124","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 82-7,inv. no. 470-D3, a shallow plate from the same service decorated with Jupiter and Semele and the imprese, NEC SPE NEC METU and XXVII. See p. 84 for a list of all the 23 plates by shape, size and title, and the one recorded ewer","page":"82-7","type":"reference"},"admin":{"id":"publication-8435","uid":"adlib-publication-8435","uuid":"6bb1d864-ca6a-3640-a048-6288582518f7"},"summary_title":"Italian Maiolica in the Collection of the National Gallery of Victoria"},{"@link":{"notes":"Publ. in Sannipoli, Ettore A.,  'Note sugli storiati \"a due orizzonti\", pp. 205-30, on p. 217, fig. 37, as an example of a design in which the deep well of the dish is occupied by a coat-of-arms.","page":"217","type":"reference"},"admin":{"id":"publication-8899","uid":"adlib-publication-8899","uuid":"7dafeb30-f997-369f-b2f1-e01a67ce47a9"},"summary_title":"La maiolica italiana del Rinascimento, Studi e ricerche"},{"@link":{"notes":"Cf. pp. 180-3, no 78, part of a plate with the 'Fall of Phaeton'. On pp. 181-2, the author lists the other known pieces from the service, in which the Fitzwilliam's dish is no. 3 of the 23 known.","page":"180-3","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Cf. pp. 74-6, no. 37, a plate with Hippomenes and Atalanta, surrounding the arms of Gonzaga impaling Este, and the mottoes and devices: NEC SPE NEC METU, XXVII, a bundle of lottery tickets, and a band of musical notation.","page":"74-6","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"notes":"Ref. p. 187, no. 241 a large dish decorated with the martyrdom of St Cecilia, and signed NICOLO in monogram above 'Ihistoria de sancta Cicilia la qualle e fata in botega de guido da castello durante\/In Urbino1528..","page":"187","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-125761","uid":"adlib-term-125761","uuid":"bce2de03-432e-3676-bb62-4a5042d2c1d3"},"summary_title":"dining"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-110720","uid":"adlib-term-110720","uuid":"a3c10876-e889-3e8d-a458-73e817c04520"},"summary_title":"coat-of-arms"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-103604","uid":"adlib-term-103604","uuid":"257ec14c-a4ba-357a-9e8d-7f14d7201851"},"summary_title":"impresa"},{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-110721","uid":"adlib-term-110721","uuid":"f0f47e45-6e74-3a04-b1ef-baefeff1abd8"},"summary_title":"Peleus and Thetis"},{"@link":{"type":"literal"},"name":[{"value":"coat-of-arms"}],"summary_title":"coat-of-arms"},{"@link":{"type":"literal"},"name":[{"value":"impresa"}],"summary_title":"impresa"},{"@link":{"type":"literal"},"name":[{"value":"Peleus and Thetis"}],"summary_title":"Peleus and Thetis"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, tin-glazed overall; the reverse pale beige and speckled. 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Leverton Harris Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1926,"latest":1926,"value":"1926"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1927"}]}],"creation":[{"date":[{"earliest":1524,"era":["CE"],"latest":1524,"precision":"dated","value":"1524"}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-160294","uid":"adlib-agent-160294","uuid":"e7481a09-8063-3b03-b6b2-04e7e9154df5"},"summary_title":"Maestro Giorgio Andreoli"},{"@link":{"qualifier":"uncertain","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-159932","uid":"adlib-agent-159932","uuid":"8e09fac5-9ce5-3a1f-8d07-45f48dec536a"},"summary_title":"uncertain"}],"note":[{"value":"Either Urbino, lustred at Gubbio in the workshop of Maestro Giorgio Andreoli, or more probably, made and lustred at Gubbio, dated 1524."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113220","uid":"adlib-term-113220","uuid":"e8b02414-1477-3046-8f2a-947e5c159b21"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Umbria"}],"summary_title":"Umbria","type":"region"}]],"summary_title":"Gubbio"},{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"summary_title":"Urbino"}]}]},"materials":[{"note":[{"value":"beige on the back"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"note":[{"value":"buff"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"25.5"},{"dimension":"Height","units":"cm","value":"2.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52833","uid":"adlib-media-52833","uuid":"00b16b83-d68f-35c9-8e24-541d0b8fb45d"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_80_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":758},{"dimension":"width","units":"pixels","value":760}]},"modified":1616238179752,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_80_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":499},{"dimension":"width","units":"pixels","value":500}]},"modified":1616238179752,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_80_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":758},{"dimension":"width","units":"pixels","value":760}]},"modified":1616238179752,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_80_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":249},{"dimension":"width","units":"pixels","value":250}]},"modified":1616238179752,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}}],"note":[{"type":"history note","value":"Robert Napier from at least 1859 to 1877; Christie's, 5 June 1877, Catalogue of the celebrated assemblage of works of art and vertu known as the Shandon Collection, formed during the last half-century by that well-known amateur Robert Napier, Esq. deceased, late of Glasgow, lot 2660, sold to Wetterhan. Durlacher Bros, London, from whom purchased by F. Leverton Harris."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 8, no. 3","page":"p. 8","type":"reference"},"admin":{"id":"publication-3240","uid":"adlib-publication-3240","uuid":"855ec8fd-6142-322a-9c55-740ba385094e"},"summary_title":"Catalogue of the 'Majolica' or Ancient Italian Painted Pottery in the Collection of Robert Napier Esq., of West Shandon, Dumbartonshire"},{"@link":{"notes":"Publ. p. 211, no. 2873","page":"p. 211","type":"reference"},"admin":{"id":"publication-3241","uid":"adlib-publication-3241","uuid":"1d47fb56-e7df-39de-ba96-738952ca03e4"},"summary_title":"Catalogue of the Works of Art forming the Collection of Robert Napier of West Shandon, Dumbartonshire"},{"@link":{"type":"reference"},"admin":{"id":"publication-3242","uid":"adlib-publication-3242","uuid":"e6ddaa84-4421-37e9-a7f8-48125efeefd2"},"summary_title":"Catalogue of the celebrated assemblage of works of art and vertu known as the Shandon Collection, formed during the last half-century by that well-known amateur Robert Napier, Esq. deceased, late of Glasgow, 4-7 June 1877"},{"@link":{"notes":"Publ. pp. 193-4","page":"pp. 193-4","type":"reference"},"admin":{"id":"publication-1581","uid":"adlib-publication-1581","uuid":"47b3939f-cdb4-3f27-a7cd-629598b4736e"},"summary_title":"Maiolica"},{"@link":{"notes":"Publ. p. 321 & pl. p. 322","page":"pp. 321-2","type":"reference"},"admin":{"id":"publication-200000978","uid":"adlib-publication-200000978","uuid":"81c5d92f-f206-326e-8ca3-2a3610a2d94d"},"summary_title":"Italian Maiolica in the Collection of the Right Hon. F. Leverton Harris, II"},{"@link":{"notes":"Publ. p. 8 & pls. XIIIA, XVI","page":"p. 8","type":"reference"},"admin":{"id":"publication-200000991","uid":"adlib-publication-200000991","uuid":"8abfbba2-051f-3c8e-8476-30efa10336a6"},"summary_title":"Italian maiolica in the collection of the Right Hon. F. Leverton Harris - III"},{"@link":{"notes":"Publ. p. 45, no. 138, figs. 136, 284R","page":"p. 45","type":"reference"},"admin":{"id":"publication-3045","uid":"adlib-publication-3045","uuid":"05085ba5-2e8e-35b6-9d0a-6ae7122cd0ad"},"summary_title":"Corpus della maiolica italiana, I, Le maioliche datate al l530"},{"@link":{"notes":"Publ. p. 60, pl. 16","page":"p. 60","type":"reference"},"admin":{"id":"publication-3038","uid":"adlib-publication-3038","uuid":"2e589e20-ae79-381a-b203-3ac54f40b6a7"},"summary_title":"Guide to the European Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 188 & pl. 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colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"},{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"},{"@link":{"type":"reference"},"admin":{"id":"term-23550","uid":"adlib-term-23550","uuid":"bce302cf-3608-34aa-abf7-dcb9acdd4024"},"summary_title":"heraldry"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica basin for ewer, painted in polychrome, with a fox and bear with a shield of arms in a landscape, a battle between centaurs and satyrs, and eight medallions painted with subjects from the Bible and Roman history surrounded by grotesques."},{"value":"Pale buff earthenware, tin-glazed white overall. Painted in dark blue, pale blue, green, yellow, orange, red, and black.\nCircular with sloping rim, upturned slightly at the edge; deep sides moulded with oblique reversed gadroons; flat centre with ribs encircling its outer edge and the emplacement for the ewer in the middle; low foot ring on the back. (Poole, 1995, Shape 69) \nThe central medallion contains a landscape in which a fox attempts to wrest a shield from the possession of a bear. The bear holds a sword in its right forepaw and rests its left on the shield, which is of testa di cavallo form, charged with the arms per fess gules and argent, overall a tree eradicated. A scroll above is inscribed, 'E COSI VA CHE TROPO VOLLE' (This is what happens to him who wants too much). The rest of the base is decorated with a battle between male and female satyrs and centaurs. The gadroons on the sides are painted in blue with stylised plants. On the rim there are grotesques reserved in a blue ground, interrupted by eight oval medallions, painted with eight subjects from the Bible and Roman history: Marcus Curtius leaping into the chasm, Dido falling on her sword, David with the head of Goliath, Judith with the head of Holofernes, Mucius Scaevola thrusting his right hand into the fire, a woman with a shield, Horatius defending the bridge and, probably, the suicide of Lucretia.\nThe back is decorated in blue and yellow with a trophy of two crossed quivers, a bow, and an arrow, surrounded by delicate coiling blue stems with blue, orange, and green foliage. The footring is blue with an invected circle within it. The sides and rim are decorated with blue and orange horizontally striped petals between blue bands and there are two blue bands on the outer edge."}],"exhibitions":[{"@link":{"catalogue":"5162","type":"reference"},"admin":{"id":"exhibition-1265","uid":"adlib-exhibition-1265","uuid":"723e9b4e-5a35-3d5f-933e-29f6c9da35fe"},"summary_title":"Special Exhibition of Works of Art of the Mediaeval, Renaissance and More Recent Periods"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1427","uid":"adlib-exhibition-1427","uuid":"b334aefb-5535-3bfc-8a31-25cd4aa669c2"},"summary_title":"The National Art Collections Fund at the Fitzwilliam Museum, An Exhibition to celebrate the Fund's 85th Anniversary"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"63","type":"reference"},"admin":{"id":"exhibition-1789","uid":"adlib-exhibition-1789","uuid":"847b68d6-8267-37e9-868c-223c9328083f"},"summary_title":"Saved! 100 Years of the National Art Collections Fund"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-2573","uid":"adlib-exhibition-2573","uuid":"992d85e4-5168-30d5-8235-23b6ec4bc04e"},"summary_title":"Majolique. La Fa\u00efence des Humanistes 1480-1530"}],"identifier":[{"accession_number":"EC.19-1946","primary":true,"type":"accession number","value":"EC.19-1946"},{"priref":"48362","type":"priref","value":"48362"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48362","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48362"}],"inscription":[{"transcription":[{"value":"E COSI VA CHE TROPO VOLLE"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Leverton Harris Fund and with a contribution from the National Art Collections Fund (now The Art Fund)."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153300","uid":"adlib-agent-153300","uuid":"d8e1c7e5-a741-32d5-ae02-e8eb6741e59e"},"summary_title":"Spero, 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for ewer"}],"note":[{"type":"history note","value":"Lionel de Rothschild (1808-79), before 1862; presumably Leopold de Rothschild (1845-1917); Mrs Leopold de Rothschild (n\u00e9e Marie Perugia,1862-1937); Alfred Spero, London."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 405, no. 5162. Property of Baron Lionel de Rothschild.","page":"p. 405","type":"reference"},"admin":{"id":"publication-3192","uid":"adlib-publication-3192","uuid":"df600ce5-9138-3913-b5fb-404b7fa08261"},"summary_title":"Special Exhibition of Works of Art of the Mediaeval, Renaissance and More Recent Periods"},{"@link":{"notes":"Publ. p. 24, no. 14237, ill. opposite","page":"p. 24","type":"reference"},"admin":{"id":"publication-3193","uid":"adlib-publication-3193","uuid":"5edd3161-aca9-3d87-9a81-288cff7b4b50"},"summary_title":"National Art-Collections Fund Annual Report 1946"},{"@link":{"notes":"Publ. Illustrated p. 210","page":"p. 210","type":"reference"},"admin":{"id":"publication-3194","uid":"adlib-publication-3194","uuid":"40d7c2d2-5f47-3670-9eef-dd1f1e3a6ef0"},"summary_title":"Illustrated London News"},{"@link":{"notes":"Publ. pl. 50A & B & p. 18. Dated to c. 1515-20","page":"p. 18","type":"reference"},"admin":{"id":"publication-3030","uid":"adlib-publication-3030","uuid":"b8528092-cf8f-373a-9fb3-548d79cede63"},"summary_title":"Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3195","uid":"adlib-publication-3195","uuid":"7d3d3df8-9035-3f78-8664-cd31737033b9"},"summary_title":"La maiolica italiana sino alla comparsa della porcellana europea"},{"@link":{"type":"reference"},"admin":{"id":"publication-15","uid":"adlib-publication-15","uuid":"a688918a-bb81-3998-99cc-81244715767d"},"summary_title":"The Fitzwilliam Museum, An Illustrated Survey"},{"@link":{"notes":"Publ. p. 73. Dated to 1515-20","page":"p. 73","type":"reference"},"admin":{"id":"publication-3047","uid":"adlib-publication-3047","uuid":"9050aba6-9b8c-3277-8b3e-b218b9ee26ea"},"summary_title":"Maioliche italiane del Rinascimento"},{"@link":{"notes":"Publ.p. 19, no. 9. 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In note 2 the author states that the Dini owned the Erbaia farm in the Mugello, near Cafaggiolo. He dates the plate  to c. 1550-60 on the grounds of its similarity to another with a comparable border, decorated in the centre with the impaled arms of Puccini and Bussini of Florence, probably celebrating a marriage in 1569, see p. 148, no. 189. 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The dish has been attributed to Jacopo on the grounds of similarities to a dish decorated with an equestrian Judith with the Head of Holofernes, signed 'Japo in chaffagguolo' which is in the Victoria and Albert Museum. Jacopo di Stefano di Filippo died in 1576, and questions have been raised as to whether he and the painter of the dishes was the same man. It is also possible that the dish was made in Montelupo."},{"value":"The source for this scene was one of a set of twelve large woodcuts forming a Triumph of Caesar by Jacob Argentoratensis (Jacob of Strasbourg) to designs by Benedetto Bordon, published in Venice in 1504. The Triumph follows Appian's account of Scipio's entry into Rome at the end of the Second Punic War but details relating to Caesar were incorporated. His horse, for example, was based on Suetonius' description of it as having 'feet that were almost human; for its hoofs were cloven in such a way as to look like toes'. The maiolica painter followed the woodcut closely, including this feature, but omitted the small nude boy behind the horse. Each section of the Triumph is labelled with a letter from A to L, hence the 'H' below the scene. The next section, labelled 'I', occurs on a dish in the Victoria and Albert Museum, also dated 1514, but in Roman numerals. Prints of scenes from the 'Passion of Christ' by Jacob of Strasbourg were also used as sources of designs by maiolica painters, for example. a large dish decorated with the Flagellation  within a border of grotesques in the Hermitage, St Petersburg."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110780","uid":"adlib-term-110780","uuid":"17d4199b-8038-380b-b5df-ce198a1dc5db"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Cafaggiolo"},{"@link":{"type":"reference"},"admin":{"id":"term-113219","uid":"adlib-term-113219","uuid":"166f4ea1-bd03-3f2e-bc7c-ce2145959ec5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Montelupo"}]}]},"materials":[{"note":[{"value":"buff"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"5.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17667","uid":"adlib-media-17667","uuid":"45bcb9d2-eb25-3571-9bc7-7537bb58abd2"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581231393,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":498},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581231393,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581231393,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":249},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581231393,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"},"type":"category"}],"note":[{"type":"history note","value":"Auguste Ricard de Montferrande; sold Christie's, 14-16 November 1859, Catalogue of the very extensive and valuable collection of majolica ware, the property of that well-known amateur, Monsieur Auguste Ricard de Montferrand of St Petersburgh . . .; p. 18, lot 283 (\u00a393.9); Alexander Barker; Sir Francis Cook, Bt.;Wyndham F. Cook; Humphrey Wyndham Cook; sold Christie's, 7 July 1925, Catalogue of an important collection of objects of art of the Middle Ages and Renaissance, the property of Humphrey W. Cook, Esq., and removed from 8 Cadogan Square, S.W., being a portion of the celebrated collection formed by the late Sir Francis Cook, Bart., p. 9, lot 21; The Right  Hon. F. Leverton Harris."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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(Life by its end, day by the evening, is praised), surrounded by a border of leaves and stylized flowers."},{"value":"Earthenware, the front is tin-glazed; the reverse has thick, opaque, dark yellow lead-glaze. Painted in thinly applied dark blue and with pale silver-yellow lustre. Shape 61. Circular, with slightly sloping rim, and wide deep well, standing on a footring pierced by three incorrectly placed suspension holes. In the well, a young woman, half-length with her head in profile to right, faces a coiling scroll, inscribed 'LA VITA.EL.FINE.ELDI.LO DA.LASE RA.X.' (Life by its end, day by the evening, is praised). There are formal flowers in the background, and bound laurel round the edge of the well. On the rim, slanting serrated leaves alternate with stylized flowers. 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Similar young women appear in paintings by Pinturicchio (1454-1513) such as in the' Visitation' in the Borgia apartments of the Vatican, but Deruta maiolica painters were more likely to have seen or had access to drawings after local works in nearby Perugia. It was a popular prototype for the decoration of large dishes decorated with busts or half-length figures of women, known today as bella donna dishes. These are thought to have been presented to women by their betrothed or husband, and a few examples show a couple together. At least thirty-five examples based on the same prototype are known, the majority showing the girl facing to the left, and a few to the right, as here, and in the Cleveland Museum of Art, Ohio (1951.327), the Metropolitan Museum of Art, New York (1953.225.87), and the Chigi-Saraceni collection, Siena (FAC.Inv. no. 61). There are no dated examples decorated with similar designs, but it seems probable that this slender, chaste ideal of womanhood con\u00actinued to be represented by Deruta painters until at least the 1520s. \n\nMany of these dishes have a scrolling ribbon or label behind the girl, bearing a name followed by Bella or another adjective, or have a proverb, saying, or quotation from the bible or literature. The inscription on this dish was taken from Petrarch's, Le Rime, XXIII, 31, `La vita el fin e 'l di loda la sera' ' (Life by its end, day by the evening, is praised). Variants of this line occur on dishes with the same girl in the the Metropolitan Museum of Art, New York  (94.4.320), and the Mus\u00e9e National de la Renais\u00acsance, \u00c9couen (E.C1.2430), and on a dish decora\u00acted with a different girl, in the Museo Nazionale di Ravenna.\n\nThe dishes had a wide variety of border patterns. 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Vol. I, p. 285, no. 2191; vol. II, pl. 167. This dish was not collected by Dr J.W.L. Glaisher but was included in the Catalogue of the collection because it was purchased with money which he bequeathed.","page":"285","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. Mentioned p. 53, illustrated pl. 15.","page":"53","type":"reference"},"admin":{"id":"publication-3038","uid":"adlib-publication-3038","uuid":"2e589e20-ae79-381a-b203-3ac54f40b6a7"},"summary_title":"Guide to the European Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"type":"reference"},"admin":{"id":"publication-3031","uid":"adlib-publication-3031","uuid":"1e6af792-78aa-3c61-9b3d-4a31abe184a3"},"summary_title":"The Concise Encyclopedia of Continental Pottery and Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-3030","uid":"adlib-publication-3030","uuid":"b8528092-cf8f-373a-9fb3-548d79cede63"},"summary_title":"Italian Maiolica"},{"@link":{"notes":"Publ. p. 58, colour pl. 45.","page":"p. 58","type":"reference"},"admin":{"id":"publication-3051","uid":"adlib-publication-3051","uuid":"9c094253-840a-33c8-854b-cbf4b0ed9f4e"},"summary_title":"Ceramic Art of the World, XXII, European Ceramics"},{"@link":{"notes":"Publ. No. 44","page":"42","type":"reference"},"admin":{"id":"publication-1119","uid":"adlib-publication-1119","uuid":"8b3701d3-a6b9-3cdf-8f20-d50dda99c46c"},"summary_title":"Treasures from the Fitzwilliam: ''The Increase of Learning and other great Objects of that Noble Foundation''"},{"@link":{"notes":"Publ. pp. 166-8, no. 237, and colour pl. 16","page":"166-8","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 36-7, no. 13","page":"36-7","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. Illustrated on p. 152, fig. 9 and see p. 145. The authors note 'This is the only case in which the source of the legend on belle has been identified.' The book was edited by Mann, Nicholas and Syson, Luke.","page":"145, 152","type":"reference"},"admin":{"id":"publication-200000989","uid":"adlib-publication-200000989","uuid":"51da1066-fdce-3067-a0d4-7a0aaa2f135e"},"summary_title":"When is a portrait not a portrait,? Belle Donne on Maiolica and the Renaissance Praise of Local Beauties"},{"@link":{"notes":"Ref. For the inscription on the scroll","page":"26","type":"reference"},"admin":{"id":"publication-3039","uid":"adlib-publication-3039","uuid":"ebecdd55-fb60-378f-af2b-fb84d4f45892"},"summary_title":"Le Rime"},{"@link":{"notes":"Ref. For a translation of the inscription on the scroll.","page":"60","type":"reference"},"admin":{"id":"publication-3040","uid":"adlib-publication-3040","uuid":"a1f32e33-9c74-3112-aec9-2939ba1855b9"},"summary_title":"Petrarch's Lyric Poems, The Rime sparse and other Lyrics"},{"@link":{"notes":"Ref. For sources of designs on Deruta maiolica. See especially, p. 30, fig. 11, The Visitation by Pinturicchio in the Borgia apartments of the Vatican.","page":"25-57","type":"reference"},"admin":{"id":"publication-200000990","uid":"adlib-publication-200000990","uuid":"83e461c6-3315-3ef8-aa39-d54f88469112"},"summary_title":"Fonti iconografiche e stilistiche della decorazione nella maiolica rinascimentale"},{"@link":{"notes":"Cf. pp. 164-66, no. 29, a dish with a similar girl facing to the right with a scroll in front of her inscribed 'DIAMANTE BELLA'. The unusual border comprises almond-shaped motifs alternating witha slanting bulbous floral motif resembling a spinning top.","page":"164-66","type":"reference"},"admin":{"id":"publication-3381","uid":"adlib-publication-3381","uuid":"36d2d285-968d-3211-9f4b-18c2552c65d1"},"summary_title":"Monte dei Paschi di Siena, Collezione Chigi Saracini, 5, Maioliche Italiane"},{"@link":{"notes":"Publ. p. 110, no. 23. Cf. p. 108, no. 21, dish with similar girl facing to left, in the National Gallery of Art, Washington, inv. 1942.9.322; p. 109, no. 22, another with girl facing to left in the Mus\u00e9e de la Renaissance, Ecouen, inv. Cluny, 2430; p. 111, no. 24 another with girl facing to left, without a scroll, in the V. & A., inv. C.2172-1910. . See p. 106, Perugino's Eritrean Sybil in the sala dell'Udienza, Collegio del Cambio, Perugia. Ref. for Deruta maiolica.","page":"110","type":"reference"},"admin":{"id":"publication-4837","uid":"adlib-publication-4837","uuid":"8a5d258d-09cf-35d0-a64a-b1bca54fa905"},"summary_title":"La ceramica umbra al tempo di Perugino"},{"@link":{"notes":"Publ. p. 32, no. 5,  and cf. p. 33, a copy by contemporary Deruta potter, Fernando Calzolari.","page":"32","type":"reference"},"admin":{"id":"publication-6388","uid":"adlib-publication-6388","uuid":"1f1298ea-c28b-3905-ad2b-fa59db7d742c"},"summary_title":"Fati di Ceramica nelle Marche dal Trecento al Novecento"},{"@link":{"notes":"Publ. p. 182, Figure 4.13. See pp. 179-82, 4.2.5. Prototype Five: Women Who Bear God in Their Minds: The Sibyls and Allegorical Figures from the Collegio del Cambio.  See pp. 180-2, note 65 for 36 known examples of Deruta dishes with images of women based on the Eritrean Sibyl.","page":"179-82","type":"reference"},"admin":{"id":"publication-9107","uid":"adlib-publication-9107","uuid":"f6eb9f5b-29cf-3b09-b6ca-bae2334d6e73"},"summary_title":"Ideal Brides: Deruta Bella Donna Plates 1500-1550. Courtship, Marriage and Decorative Art in Renaissance Italy"},{"@link":{"notes":"Cf. Vol. I, pp. 158, nos. 475-8, vol. II, pl.75, nos. 475-8. On all the dishes, the girl faces to the left, and, with the exception of no. 477, has an inscription on a scroll in front of her.","page":"158","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Cf. p. 83, no. 59, a dish with the same inscription ending with ISCHU [RA], accompanying a different young woman. Inv. no. 1855. The Fitzwilliam's dish is mentioned in the text.","page":"83","type":"reference"},"admin":{"id":"publication-400002304","uid":"adlib-publication-400002304","uuid":"d0b2b57b-546a-36c7-8b81-e61f2ad9859b"},"summary_title":"Le maioliche del Museo Nazionale di Ravenna"},{"@link":{"notes":"Cf. pp. 65-6, no. 7, a dish with the same inscription ending with ISCHU[RA], accompanying a different young woman. inv. no. 1855.","page":"65-6","type":"reference"},"admin":{"id":"publication-400002305","uid":"adlib-publication-400002305","uuid":"6d47fd97-3aed-3278-9bb2-8cb912488eed"},"summary_title":"Ceramiche dalle Collezioni del Museo Nazionale di Ravenna"},{"@link":{"notes":"Cf. p. 162, no. 301, a dish decorated with a warrior surrounded by a border similar to the Fitzwilliam's dish. Inv. no. E 2110.","page":"162","type":"reference"},"admin":{"id":"publication-400002306","uid":"adlib-publication-400002306","uuid":"fd430150-18ab-30e6-9438-eb2a24c2f1c0"},"summary_title":"Kataloge des Kunstgewerbemuseums der Stadt K\u00f6ln, II, Majolika"},{"@link":{"notes":"Cf. pp. 242-3, no. 83, a dish painted with a similar girl facing to left, and the same quotation without the final X. inv. no. 94.4.320","page":"242-3","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. pp. 106-07, no, 40, a dish with the same girl facing to the left; fig. 17 shows the head of a Sibyl from the fresco in the Sala dell'Udienza, Collegio del Cambio, Perugia. Inscription on ribbon OFACIES.OCUVLIS. INSIDIOSA.MEIS (O face that is an ambush for my eyes) from Ovid's Heroides, XV.","page":"106-07","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, the front is tin-glazed; the reverse has thick, opaque, dark yellow lead-glaze. Painted on the front in thinly applied dark blue and with pale silver-yellow lustre"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":20,"total":20}]