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W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"in greyish-blue, green, yellow, orange, and manganese"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Earthenware, tin-glazed on both sides; the reverse tinged with green; the base partially glazed. Painted in greyish-blue, green, yellow, orange, and manganese.\nShape 67 with warped rim.\nFour stems, each bearing a large leaf and two fruits, curve over the surface with smaller leaves and spirals in the spaces. The rim is bordered by concentric bands: a broad blue and three narrow manganese, a blue and a reserved white with blue dashes over them, two manganese, and a green. The back is decorated with three pale manganese concentric bands situated midway across the sides."}],"identifier":[{"accession_number":"C.2175-1928","primary":true,"type":"accession number","value":"C.2175-1928"},{"priref":"73174","type":"priref","value":"73174"},{"source":"Glaisher MS Catalogue, vol. 25","type":"old object number","value":"4363"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73174","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73174"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"the Glaisher ceramic collection was entered in the accession register as one item with the date of Dr Glaisher's death"}]}],"creation":[{"date":[{"earliest":1600,"from":{"earliest":1600,"era":["CE"],"latest":1600,"precision":"circa","value":"1600"},"latest":1700,"range":true,"to":{"earliest":1700,"era":["CE"],"latest":1700,"value":"1700"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-209902","uid":"adlib-agent-209902","uuid":"2d6ce5d5-9833-39f1-b9f2-cb25d6b9f4b3"},"summary_title":"Unidentified Montelupo pottery"}],"note":[{"value":"Dishes decorated with leaves and fruit (see also C.2176-1928, C.193-1991 and C.9-1914) are typical of the attractive but summarily painted pottery made in Montelupo for a popular market during the seventeenth century."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106447","uid":"adlib-term-106447","uuid":"c24dda6b-b738-3a7d-bddf-648ede5b5cd4"},"summary_title":"17th Century"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113219","uid":"adlib-term-113219","uuid":"166f4ea1-bd03-3f2e-bc7c-ce2145959ec5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Tuscany"}],"summary_title":"Tuscany","type":"region"}]],"summary_title":"Montelupo"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"25.4"},{"dimension":"Height","units":"cm","value":"5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-39323","uid":"adlib-media-39323","uuid":"9a4bb976-cb41-3040-b08d-5855a4ebff46"},"processed":{"large":{"format":"jpeg","location":"aa\/aa9\/C_2175_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926667113,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa9\/mid_C_2175_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926667113,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa9\/C_2175_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926667113,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa9\/preview_C_2175_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926667113,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-39324","uid":"adlib-media-39324","uuid":"e74e31a3-3b23-3a47-bd85-cb1f534c7fcf"},"processed":{"large":{"format":"jpeg","location":"aa\/aa9\/C_2175_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926321471,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa9\/mid_C_2175_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926321471,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa9\/C_2175_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926321471,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa9\/preview_C_2175_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926321471,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}}],"note":[{"type":"history note","value":"Purchased in *Craon ? Alley, nearly opposite Christie's*, London, for 13s.0d. on 19 March 1924 by Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Painted in greyish-blue, green, yellow, orange, and manganese."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-47188","_score":17.06134,"_source":{"admin":{"added":1592996542000,"created":1312637261000,"flag":"Standard Record","id":"object-47188","indexed":1747332253516,"modified":1747334399000,"processed":1747332251818,"source":"adlib","stream":"fitz-online","uid":"adlib-object-47188","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188","uuid":"f49f9386-a01a-3cd8-b876-aecf6f8c7c3e","version":19},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-181542","uid":"adlib-agent-181542","uuid":"da006a67-b6de-3204-8166-b772b46fcd1c"},"summary_title":"Este, Isabella d'"},{"@link":{"type":"reference"},"admin":{"id":"agent-181541","uid":"adlib-agent-181541","uuid":"cd2d2c81-dd28-3634-b243-32957ae97b81"},"summary_title":"Damiron, Charles"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152828","uid":"adlib-agent-152828","uuid":"bf1eaa77-6bb1-32f5-84b3-31c915eaad0d"},"summary_title":"Peleus"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152819","uid":"adlib-agent-152819","uuid":"4ae7c947-95ea-3b89-9fdf-73e88151f96b"},"summary_title":"Thetis"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"metallic oxide colours"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"30.2"}]},"name":"Rim"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-107486","uid":"adlib-term-107486","uuid":"234fe16e-17e4-3db8-881a-443636aac5ca"},"summary_title":"classical mythology"},{"@link":{"type":"reference"},"admin":{"id":"term-23550","uid":"adlib-term-23550","uuid":"bce302cf-3608-34aa-abf7-dcb9acdd4024"},"summary_title":"heraldry"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish, painted in polychrome with, in the well, the arms of Gonzaga impaling Este, and, on the rim, Peleus and Thetis."},{"value":"Earthenware, tin-glazed overall; the reverse pale beige and speckled. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 56 (Poole 1995). circular with broad, almost flat rim, and deep well; the underside of the rim moulded with three bands of reeding.In the well, within narrow blue and yellow concentric circles, two putti support a shield charged with the arms of Gonzaga impaling Este: argent, a cross patty gules cantoned by four eagles displayed sable (Gonzaga modern granted 1433), an escutcheon overall, quarterly, 1, 4, gules a lion rampant argent (Bohemia), 2, 3, barry of six or and sable (Gonzaga ancient) impaling Este, quarterly, 1, 4, azure three fleurs-de-lis or a bordure indented gules, 2, 3, azure an eagle displayed argent (gules shown orange throughout). Below on a scroll is the impresa `XXVII'. The sides are decorated in bianco sopra bianco with palmettes and scrolls, and a blue line encircles the shoulder. The rim is decorated with Peleus and Thetis. Peleus stands beneath a tree, gazing at Thetis, who sleeps nude on the ground in front of him. Further to the right she is transformed into a swan-like bird as he embraces her, and then into a dragon from which he turns away in horror. Higher up on the right, a goddess appears to Peleus who kneels before an altar. In the distance there is a mountainous landscape and sky. Suspended from the tree there is a shield of testa di cavallo form charged with the impresa of gold rods in a crucible surrounded by flames in a blue ground. The edge is yellow. On the back there is a narrow yellow band round the base and a wider band on the edge."}],"exhibitions":[{"@link":{"catalogue":"No. 136","type":"reference"},"admin":{"id":"exhibition-1607","uid":"adlib-exhibition-1607","uuid":"067f0641-1c25-3855-871f-ee848d69bdc9"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"211","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-3944","uid":"adlib-exhibition-3944","uuid":"efb64902-4239-3ac6-accf-83ab547bb095"},"summary_title":"National Treasures: Botticelli in Cambridge"}],"identifier":[{"accession_number":"EC.30-1938","primary":true,"type":"accession number","value":"EC.30-1938"},{"priref":"47188","type":"priref","value":"47188"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188"}],"inscription":[{"description":[{"value":"Rectangular with cut corners, printed in black `UNION\/CENTRALE' and inscribed in faded black ink with `155\/3657' between the two words"}],"location":"on the back","method":"printed in black and inscribed in faded black ink","transcription":[{"value":"'UNION\/1555\/3657\/CENTRALE'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1938,"latest":1938,"value":"1938-06-16"}],"method":{"value":"bought"},"note":[{"value":"accession date was given as the date of the sale, not of the Syndicate"}]}],"creation":[{"date":[{"earliest":1524,"from":{"earliest":1524,"era":["CE"],"latest":1524,"precision":"circa","value":"1524"},"latest":1525,"range":true,"to":{"earliest":1525,"era":["CE"],"latest":1525,"value":"1525"}}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-99016","uid":"adlib-agent-99016","uuid":"d1d63237-ac23-350a-897d-50f3369e87e8"},"summary_title":"Nicola di Gabriele Sbraghe da Urbino"}],"note":[{"value":"The potter, Nicola di Gabriele Sbraghe, known as Nicola da Urbino, was a workshop owner in Urbino from at least 1520 until his death at the end of 1537 or in January 1538. He was also a brilliant maiolica painter, whose work has been identified by comparison with five pieces of istoriato maiolica monogrammed or signed by him. Nicola painted in an exquisitely delicate manner, and was unusually imaginative in his adaptation of printed sources and in the creation of architectural and landscape backgrounds. His output of the 1520s, which includes several armorial services, is regarded as the acme of maiolica decoration."},{"value":"This exquisite dish formed part of a service which belonged to Isabella d'Este (1474-1539), widow of Francesco Gonzaga, fourth Marchese of Mantua (1466-1519).  It was made between 1522 and 1525, and may have been the service given to Isabella probably in November 1524 by her daughter, Eleanora, Duchess of Urbino, who thought that she might like to use it in her villa at Porto near Mantua. Twenty-two dishes and one fragmentary dish are known, two decorated with biblical scenes and the rest with subjects from classical mythology or history. Each dish also bears the arms of Gonzaga impaling Este, and one or more of Isabella's imprese (a device or emblem) or her initials YS intertwined. On this dish the arms are surrounded by bianco sopra bianco decoration, and the rim is decorated with the story of Peleus and Thetis from Ovid's Metamorphoses, Book XI. Having found the sea goddess Thetis asleep on the shore, Peleus entreated her to make love, but she refused and escaped by transforming herself into different forms. After praying to the sea god Proteus for advice, Peleus successfully overcame the goddess's scruples and she conceived the ill-fated hero, Achilles. Nicola based the figures on a woodcut illustration in Giovanni dei Bonsignori's Ovidio methamorphoseos vulgare, Venice (Giovanni Rosso da Vercelli for Lucantonio Giunta), 1497 or a later edition. Two imprese are shown: `XXVII' sounding like vinti s\u00e8te, (you are defeated), and gold bars in a crucible, which Isabella's husband adopted in 1495 to signify his integrity after successfully withstanding an accusation of 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Mentioned and illustrated p. 256, fig. VIII","page":"256","type":"reference"},"admin":{"id":"publication-200000981","uid":"adlib-publication-200000981","uuid":"d52556bc-fa74-31cc-b6dd-a883bfdb7474"},"summary_title":"The Damiron Collection of Italian Maiolica II"},{"@link":{"notes":"Publ. Mentioned on p. 92, and illustrated pl. XXII. Other dishes from the services are listed.","page":"92","type":"reference"},"admin":{"id":"publication-200000982","uid":"adlib-publication-200000982","uuid":"7a02b5b1-63e9-39d9-af7c-eb3225aa4293"},"summary_title":"Ancora nuovi piatti del servizio d'Isabella d'Este-Gonzaga"},{"@link":{"notes":"Publ. Vol. II, p. 16, fig. 120, and see vol. I, p. 30","page":"16","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. 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This thesis provides details of the other known pieces, except for a then undiscovered fragmentary dish.","page":"67-8","type":"reference"},"admin":{"id":"publication-3034","uid":"adlib-publication-3034","uuid":"6df14384-a05b-3962-8d7d-12035f415ebf"},"summary_title":"A Maiolica Service for Isabella d'Este"},{"@link":{"notes":"Publ. No. 136.","page":"177-8","type":"reference"},"admin":{"id":"publication-1570","uid":"adlib-publication-1570","uuid":"587a2fe6-cae3-3832-a62b-2a2a1a3714e5"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"notes":"Publ. Illustrated no. 67.3. Cf. p. 160 under no. 116 where other dishes from the service are listed","page":"247","type":"reference"},"admin":{"id":"publication-200000984","uid":"adlib-publication-200000984","uuid":"66e91566-e73d-3cc0-83a5-b0e3ce3bcb1c"},"summary_title":"Xanto and Ariosto"},{"@link":{"notes":"Publ. 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Estimate: \u00a390,000-130,000\/E 100,000-150,000","page":"24-26","type":"reference"},"admin":{"id":"publication-6806","uid":"adlib-publication-6806","uuid":"d7c91d4c-4d81-3a56-a39d-2187de2eac4c"},"summary_title":"500 Ans  Arts D\u00e9coratifs Europ\u00e9ens"},{"@link":{"notes":"Cf. p. 124, colour pl., an example in the Victoria & Albert Museum, a broad-rimmed bowl with Hippolytus and Phaedra with arms and devices of Isabella d\u2019Este,  XX\/VII, NEC SPE NEC METU and musical notes. By Nicola da Urbino. D. 27.2 cm. (V. & A. inv. no. C.2229-1910).","page":"124","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 82-7,inv. no. 470-D3, a shallow plate from the same service decorated with Jupiter and Semele and the imprese, NEC SPE NEC METU and XXVII. 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Painted in dark blue, green, yellow, orange, manganese-purple, and black. Modelled in the round; hollow underneath.\nThe old woman faces front, her head inclined to her right. She has a broad, smooth brow, a large nose, high cheek-bones, wide-set eyes and a slight double chin. Her mouth is set in a wide grimace showing the gaps in her teeth. She wears a close-fitting cap, half green, half yellow, with blue zig-zag stitching on the seams and two blue strings hanging down at the back. Her dress has a low neckline edged in yellow, above which is the top of her chemise, edged in blue and orange. The bodice is partly blue and partly green at the front, and partly manganese and partly brown with a black spiralling pattern at the back. Her right sleeve is purple and her left has a geometrical pattern in orange, yellow and black. She has a square jewel on a cord round her brow and a string of beads round her neck."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1680","uid":"adlib-exhibition-1680","uuid":"ae4f21f2-b55b-3cdb-931f-71b62890e666"},"summary_title":"L'art ancien \u00e0 l'exposition de 1878"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-7","uid":"adlib-exhibition-7","uuid":"402373ec-9de7-3594-a5c1-e9a53ff076ce"},"summary_title":"Exhibition of Italian Art 1200-1900"},{"@link":{"catalogue":"B1","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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Clarke"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1955,"latest":1955,"value":"1955"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1490,"from":{"earliest":1490,"era":["CE"],"latest":1490,"precision":"circa","value":"1490"},"latest":1510,"range":true,"to":{"earliest":1510,"era":["CE"],"latest":1510,"value":"1510"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-149652","uid":"adlib-agent-149652","uuid":"0d4f90dc-b166-3d4b-b0db-25f4118b6e98"},"summary_title":"Unknown"}],"note":[{"value":"The commemoration of individuals by realistic portraits, medals or busts became increasingly common in Italy during the fifteenth century. The earliest maiolica busts, excluding those decorated with coloured glazes from the Della Robbia workshop, were probably made between about 1490 and 1510. In the nineteenth century this bust was attributed to Cafaggiolo near Florence, but no evidence for the manufacture of maiolica sculpture there has yet come to light, and it seems more likely that the bust was made in Emilia-Romagna or the Marches. The colouring and glaze are comparable to maiolica relief sculpture attributed to Faenza or Pesaro, such as a large 'Lamentation over the Dead Christ' dated 1487 in the Metropolitan Museum of Art, New York (1904.04.26a,b). The floral and geometrical motifs on the woman's costume are comparable to those on domestic and pharmaceutical pottery from those centres. Two larger maiolica busts of younger women are respectively in the Boston Museum of Fine Arts (54.146), attributed possibly to Montelupo, and the Cleveland Museum of Art (40.344), which has more pronounced modelling, thicker white glaze, and a plain blue bodice, is attributed to Tuscany. A smaller female bust, actually a ewer, was once in the collection of Mrs Maxwell Macdonald of Pollok House, Pollokshaws, Glasgow. The Fitzwilliam's bust stands apart from these three-dimensional belle donne in its candid portrayal of gap-toothed middle age.  The male maiolica busts which have survived from this period are more sculptural in style. An impressive polychrome bust of Christ is in the Getty Museum, Malibu, busts of the young St John the Baptist are n the Ashmolean Museum, Oxford and the Museo di Capodimonte, Naples. An uncoloured bust of Christ, attributed to Sansovino, is in a collection at Arezzo, and one of Pope Paul III is in the Museo Internazionale delle Ceramiche, Faenza."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106437","uid":"adlib-term-106437","uuid":"59e72604-922d-3194-ac46-27c1c5ac76a4"},"summary_title":"15th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, 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Painted in dark blue, light blue, green, yellow, orange, and brownish-red. Shape approximately 67 but shallower. Circular with shallow, concave sides, which have warped in firing, standing on a solid base. Caesar's Horse, from a Triumph of Caesar. On the left are two nude musicians, with bells round their ankles, holding aloft, and blowing, double pipes. Behind them is a hound with bells on its collar, and a harness round its belly. Caesar's horse follows, its right foreleg raised; its harness and blanket with lettered border are bedecked with bells, and it has a unicorn's horn attached to its forehead. A youth holding a branch with a globe on its tip is mounted on its back and a monkey sits behind him. In the foreground there is a stony track and grass, and an 'H'. The background is dark blue and the rim yellow. The back is dated in the middle in blue, '1514' over the alchemical sign for tin, within three narrow concentric circles. Beyond the base there are three narrow, one broad and three narrow concentric circles, repeated nearer to the rim. 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The dish has been attributed to Jacopo on the grounds of similarities to a dish decorated with an equestrian Judith with the Head of Holofernes, signed 'Japo in chaffagguolo' which is in the Victoria and Albert Museum. Jacopo di Stefano di Filippo died in 1576, and questions have been raised as to whether he and the painter of the dishes was the same man. It is also possible that the dish was made in Montelupo."},{"value":"The source for this scene was one of a set of twelve large woodcuts forming a Triumph of Caesar by Jacob Argentoratensis (Jacob of Strasbourg) to designs by Benedetto Bordon, published in Venice in 1504. The Triumph follows Appian's account of Scipio's entry into Rome at the end of the Second Punic War but details relating to Caesar were incorporated. His horse, for example, was based on Suetonius' description of it as having 'feet that were almost human; for its hoofs were cloven in such a way as to look like toes'. The maiolica painter followed the woodcut closely, including this feature, but omitted the small nude boy behind the horse. Each section of the Triumph is labelled with a letter from A to L, hence the 'H' below the scene. The next section, labelled 'I', occurs on a dish in the Victoria and Albert Museum, also dated 1514, but in Roman numerals. Prints of scenes from the 'Passion of Christ' by Jacob of Strasbourg were also used as sources of designs by maiolica painters, for example. a large dish decorated with the Flagellation  within a border of grotesques in the Hermitage, St Petersburg."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110780","uid":"adlib-term-110780","uuid":"17d4199b-8038-380b-b5df-ce198a1dc5db"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Cafaggiolo"},{"@link":{"type":"reference"},"admin":{"id":"term-113219","uid":"adlib-term-113219","uuid":"166f4ea1-bd03-3f2e-bc7c-ce2145959ec5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Montelupo"}]}]},"materials":[{"note":[{"value":"buff"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"5.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17667","uid":"adlib-media-17667","uuid":"45bcb9d2-eb25-3571-9bc7-7537bb58abd2"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581231393,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":498},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581231393,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581231393,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":249},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581231393,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"},"type":"category"}],"note":[{"type":"history note","value":"Auguste Ricard de Montferrande; sold Christie's, 14-16 November 1859, Catalogue of the very extensive and valuable collection of majolica ware, the property of that well-known amateur, Monsieur Auguste Ricard de Montferrand of St Petersburgh . . .; p. 18, lot 283 (\u00a393.9); Alexander Barker; Sir Francis Cook, Bt.;Wyndham F. Cook; Humphrey Wyndham Cook; sold Christie's, 7 July 1925, Catalogue of an important collection of objects of art of the Middle Ages and Renaissance, the property of Humphrey W. Cook, Esq., and removed from 8 Cadogan Square, S.W., being a portion of the celebrated collection formed by the late Sir Francis Cook, Bart., p. 9, lot 21; The Right  Hon. F. Leverton Harris."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Similar young women appear in paintings by Pinturicchio (1454-1513) such as in the' Visitation' in the Borgia apartments of the Vatican, but Deruta maiolica painters were more likely to have seen or had access to drawings after local works in nearby Perugia. It was a popular prototype for the decoration of large dishes decorated with busts or half-length figures of women, known today as bella donna dishes. These are thought to have been presented to women by their betrothed or husband, and a few examples show a couple together. At least thirty-five examples based on the same prototype are known, the majority showing the girl facing to the left, and a few to the right, as here, and in the Cleveland Museum of Art, Ohio (1951.327), the Metropolitan Museum of Art, New York (1953.225.87), and the Chigi-Saraceni collection, Siena (FAC.Inv. no. 61). There are no dated examples decorated with similar designs, but it seems probable that this slender, chaste ideal of womanhood con\u00actinued to be represented by Deruta painters until at least the 1520s. \n\nMany of these dishes have a scrolling ribbon or label behind the girl, bearing a name followed by Bella or another adjective, or have a proverb, saying, or quotation from the bible or literature. The inscription on this dish was taken from Petrarch's, Le Rime, XXIII, 31, `La vita el fin e 'l di loda la sera' ' (Life by its end, day by the evening, is praised). Variants of this line occur on dishes with the same girl in the the Metropolitan Museum of Art, New York  (94.4.320), and the Mus\u00e9e National de la Renais\u00acsance, \u00c9couen (E.C1.2430), and on a dish decora\u00acted with a different girl, in the Museo Nazionale di Ravenna.\n\nThe dishes had a wide variety of border patterns. 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Vol. I, p. 285, no. 2191; vol. II, pl. 167. This dish was not collected by Dr J.W.L. Glaisher but was included in the Catalogue of the collection because it was purchased with money which he bequeathed.","page":"285","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. 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The authors note 'This is the only case in which the source of the legend on belle has been identified.' The book was edited by Mann, Nicholas and Syson, Luke.","page":"145, 152","type":"reference"},"admin":{"id":"publication-200000989","uid":"adlib-publication-200000989","uuid":"51da1066-fdce-3067-a0d4-7a0aaa2f135e"},"summary_title":"When is a portrait not a portrait,? Belle Donne on Maiolica and the Renaissance Praise of Local Beauties"},{"@link":{"notes":"Ref. For the inscription on the scroll","page":"26","type":"reference"},"admin":{"id":"publication-3039","uid":"adlib-publication-3039","uuid":"ebecdd55-fb60-378f-af2b-fb84d4f45892"},"summary_title":"Le Rime"},{"@link":{"notes":"Ref. For a translation of the inscription on the scroll.","page":"60","type":"reference"},"admin":{"id":"publication-3040","uid":"adlib-publication-3040","uuid":"a1f32e33-9c74-3112-aec9-2939ba1855b9"},"summary_title":"Petrarch's Lyric Poems, The Rime sparse and other Lyrics"},{"@link":{"notes":"Ref. For sources of designs on Deruta maiolica. See especially, p. 30, fig. 11, The Visitation by Pinturicchio in the Borgia apartments of the Vatican.","page":"25-57","type":"reference"},"admin":{"id":"publication-200000990","uid":"adlib-publication-200000990","uuid":"83e461c6-3315-3ef8-aa39-d54f88469112"},"summary_title":"Fonti iconografiche e stilistiche della decorazione nella maiolica rinascimentale"},{"@link":{"notes":"Cf. pp. 164-66, no. 29, a dish with a similar girl facing to the right with a scroll in front of her inscribed 'DIAMANTE BELLA'. The unusual border comprises almond-shaped motifs alternating witha slanting bulbous floral motif resembling a spinning top.","page":"164-66","type":"reference"},"admin":{"id":"publication-3381","uid":"adlib-publication-3381","uuid":"36d2d285-968d-3211-9f4b-18c2552c65d1"},"summary_title":"Monte dei Paschi di Siena, Collezione Chigi Saracini, 5, Maioliche Italiane"},{"@link":{"notes":"Publ. p. 110, no. 23. Cf. p. 108, no. 21, dish with similar girl facing to left, in the National Gallery of Art, Washington, inv. 1942.9.322; p. 109, no. 22, another with girl facing to left in the Mus\u00e9e de la Renaissance, Ecouen, inv. Cluny, 2430; p. 111, no. 24 another with girl facing to left, without a scroll, in the V. & A., inv. C.2172-1910. . See p. 106, Perugino's Eritrean Sybil in the sala dell'Udienza, Collegio del Cambio, Perugia. Ref. for Deruta maiolica.","page":"110","type":"reference"},"admin":{"id":"publication-4837","uid":"adlib-publication-4837","uuid":"8a5d258d-09cf-35d0-a64a-b1bca54fa905"},"summary_title":"La ceramica umbra al tempo di Perugino"},{"@link":{"notes":"Publ. p. 32, no. 5,  and cf. p. 33, a copy by contemporary Deruta potter, Fernando Calzolari.","page":"32","type":"reference"},"admin":{"id":"publication-6388","uid":"adlib-publication-6388","uuid":"1f1298ea-c28b-3905-ad2b-fa59db7d742c"},"summary_title":"Fati di Ceramica nelle Marche dal Trecento al Novecento"},{"@link":{"notes":"Publ. p. 182, Figure 4.13. See pp. 179-82, 4.2.5. Prototype Five: Women Who Bear God in Their Minds: The Sibyls and Allegorical Figures from the Collegio del Cambio.  See pp. 180-2, note 65 for 36 known examples of Deruta dishes with images of women based on the Eritrean Sibyl.","page":"179-82","type":"reference"},"admin":{"id":"publication-9107","uid":"adlib-publication-9107","uuid":"f6eb9f5b-29cf-3b09-b6ca-bae2334d6e73"},"summary_title":"Ideal Brides: Deruta Bella Donna Plates 1500-1550. Courtship, Marriage and Decorative Art in Renaissance Italy"},{"@link":{"notes":"Cf. Vol. I, pp. 158, nos. 475-8, vol. II, pl.75, nos. 475-8. On all the dishes, the girl faces to the left, and, with the exception of no. 477, has an inscription on a scroll in front of her.","page":"158","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Cf. p. 83, no. 59, a dish with the same inscription ending with ISCHU [RA], accompanying a different young woman. Inv. no. 1855. The Fitzwilliam's dish is mentioned in the text.","page":"83","type":"reference"},"admin":{"id":"publication-400002304","uid":"adlib-publication-400002304","uuid":"d0b2b57b-546a-36c7-8b81-e61f2ad9859b"},"summary_title":"Le maioliche del Museo Nazionale di Ravenna"},{"@link":{"notes":"Cf. pp. 65-6, no. 7, a dish with the same inscription ending with ISCHU[RA], accompanying a different young woman. inv. no. 1855.","page":"65-6","type":"reference"},"admin":{"id":"publication-400002305","uid":"adlib-publication-400002305","uuid":"6d47fd97-3aed-3278-9bb2-8cb912488eed"},"summary_title":"Ceramiche dalle Collezioni del Museo Nazionale di Ravenna"},{"@link":{"notes":"Cf. p. 162, no. 301, a dish decorated with a warrior surrounded by a border similar to the Fitzwilliam's dish. Inv. no. E 2110.","page":"162","type":"reference"},"admin":{"id":"publication-400002306","uid":"adlib-publication-400002306","uuid":"fd430150-18ab-30e6-9438-eb2a24c2f1c0"},"summary_title":"Kataloge des Kunstgewerbemuseums der Stadt K\u00f6ln, II, Majolika"},{"@link":{"notes":"Cf. pp. 242-3, no. 83, a dish painted with a similar girl facing to left, and the same quotation without the final X. inv. no. 94.4.320","page":"242-3","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. pp. 106-07, no, 40, a dish with the same girl facing to the left; fig. 17 shows the head of a Sibyl from the fresco in the Sala dell'Udienza, Collegio del Cambio, Perugia. Inscription on ribbon OFACIES.OCUVLIS. INSIDIOSA.MEIS (O face that is an ambush for my eyes) from Ovid's Heroides, XV.","page":"106-07","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, the front is tin-glazed; the reverse has thick, opaque, dark yellow lead-glaze. Painted on the front in thinly applied dark blue and with pale silver-yellow lustre"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-73247","_score":17.06134,"_source":{"admin":{"added":1592999608000,"created":1312637261000,"flag":"Standard Record","id":"object-73247","indexed":1762970549180,"modified":1762951259000,"processed":1762970547113,"source":"adlib","stream":"fitz-online","uid":"adlib-object-73247","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73247","uuid":"a1d67ed8-fe1e-3959-85e0-65b684cf061d","version":16},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green which has run, yellow, and orange, with manganese-purple outlines"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish, painted in blue, green, yellow, and orange in Isnik style with sprays of foliage and flowers on either side of a saz leaf."},{"value":"Pale yellowish-cream earthenware, tin-glazed overall; the reverse scattered with pin holes and tinged with green. Painted in blue, green which has run, yellow, and orange, with manganese-purple outlines. Circular with wide, slightly concave sloping rim and small curved well, standing on a footring. (Poole, 1995, Shape 62). Sprays of foliage and flowers including roses, hyacinths, carnations, tulips and lilies on either side of a saz leaf, all springing from the same point at the bottom of the rim. At the top, the initials 'G:D:\/B:' are inscribed in a rectangular scrolled frame. Round the rim there are two narrow blue bands, continuous scrolls and another blue band. The back is painted in blue with four elongated Ss separated by four squiggles each resembling a '3' with an extra backward stroke at the top."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"10","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"}],"identifier":[{"accession_number":"C.22-1932","primary":true,"type":"accession number","value":"C.22-1932"},{"priref":"73247","type":"priref","value":"73247"},{"date":[{"earliest":1932,"latest":1932,"value":"1932"}],"type":"Glaisher additions number","value":"Gl.Add.40-1932"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73247","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73247"}],"inscription":[{"location":"on front of rim","method":"painted in blue","transcription":[{"value":"G:D:\/B:"}],"type":"initials"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1932,"latest":1932,"value":"1932-05-20"}],"method":{"value":"bought"},"note":[{"value":"This object was included as no. 2212 in Rackham's Catalogue of the Glaisher Collection (1935) because it was bought with the Glaisher Fund. This has sometimes resulted in it being referred to incorrectly as C.2212-1932 instead of C.22-1932. It was also given a Glaisher Additions no. Gl. Add.40-1932."}]}],"creation":[{"date":[{"earliest":1610,"from":{"earliest":1610,"era":["CE"],"latest":1610,"precision":"circa","value":"1610"},"latest":1705,"note":[{"value":"probably mid 17th century"}],"range":true,"to":{"earliest":1705,"era":["CE"],"latest":1705,"value":"1705"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-192946","uid":"adlib-agent-192946","uuid":"a9557f5c-2b5c-3868-92a2-06a2cab3d14e"},"summary_title":"Unidentified Paduan pottery"},{"@link":{"qualifier":"probably","role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-160729","uid":"adlib-agent-160729","uuid":"979fe7f5-c091-3c4c-ba65-8f24f9387ed8"},"summary_title":"Manardi Factory"}],"note":[{"value":"This unusually large dish is decorated in the style of Isnik pottery of about 1570-1600, which featured exuberant floral designs in blue, emerald green, black and vivid 'sealing-wax red'. Exports of this splendid Ottoman ware to Italy must have been considerable, because it was there that many pieces were found by nineteenth century collectors such as Charles Drury Fortnum.\nDated dishes show that maiolica influenced by this class of Isnik pottery was being made by the second decade of the seventeenth century, probably at Padua. The earliest known dated example is of 1613. The earliest dish with a large central 'saz' leaf in the design and blue squiggles on the back resembling those on the Fitzwilliam's dish, is dated 1633. This dish, now in the Mus\u00e9e National de C\u00e9ramique at S\u00e8vres, is inscribed `S. Chandiana', for a nun, Suora (sister) Chandiana. The first nineteenth century publications of that dish missed out the `h' and consequently the whole class became known as `Candiana ware' and was thought to come from Crete, known earlier as Candia. The latest recorded dish, in the Ca' Rezzonico, Venice, is dated 1705. Isnik style decoration has also been recorded on ewers, bowls and vases.\nThe discovery of fragments of Isnik style maiolica including wasters, during an excavation in 1982 on the site of the Manardi factory at Bassano del Grappa, indicate that it was also made there during the second half of the seventeenth century."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106447","uid":"adlib-term-106447","uuid":"c24dda6b-b738-3a7d-bddf-648ede5b5cd4"},"summary_title":"17th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-106655","uid":"adlib-term-106655","uuid":"ee8a7821-8b3c-3059-913f-eca0d91befec"},"summary_title":"18th Century, 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Harland; Mrs Bryan Harland; Sotheby's, 20 May 1932, Catalogue of Fine Tapestries and Spanish Carpets, Boxwood Figures, Alabaster Carvings, European Faience, Old English Furniture etc. comprising the property of Mrs Bryan Harland . . . . ,  p. 3, lot 3; sold for \u00a350 to the Fitzwilliam Museum"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 3, lot 3","page":"p. 3","type":"reference"},"admin":{"id":"publication-3336","uid":"adlib-publication-3336","uuid":"db61c5a2-6c32-3107-8d1d-a46ac021325f"},"summary_title":"Catalogue of continental pottery"},{"@link":{"type":"reference"},"admin":{"id":"publication-200001140","uid":"adlib-publication-200001140","uuid":"9030e8dc-656e-31d3-93a7-a3a612a2036d"},"summary_title":"Maioliche dette \"Candiane\" in Inghilterra"},{"@link":{"notes":"Publ. 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Below the handle is the mark SP in monogram with a stroke through the tail of the P."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.43-1931","primary":true,"type":"accession number","value":"C.43-1931"},{"priref":"48334","type":"priref","value":"48334"},{"date":[{"earliest":1931,"latest":1931,"value":"1931"}],"source":"The Fitzwilliam Museum","type":"Glaisher Additions number","value":"C.34-1931"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48334","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48334"}],"inscription":[{"description":[{"value":"SP with a paraph through the tail of the P"}],"location":"below the handle","method":"in monogram","transcription":[{"value":"SP"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher Fund."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-159245","uid":"adlib-agent-159245","uuid":"c70577a3-5b2d-3b73-99f8-f597d1d597de"},"summary_title":"Cecil Leitch & Kerin Ltd."}],"date":[{"earliest":1931,"latest":1931,"value":"1931-10-18"}],"method":{"value":"bought"},"note":[{"value":"This object was included in Rackham's Catalogue of the Glaisher Collection (1935) because it was bought with the Glaisher Fund. This has sometimes resulted in it being referred to incorrectly as C.2172-1931 instead of C.43-1931. It was also given a Glaisher Additions no. Gl. 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The Fitzwilliam's example is compared with it.","page":"186-7","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug","techniques":[{"note":[{"value":"except base"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71534","_score":16.660662,"_source":{"admin":{"added":1592999565000,"created":1312637261000,"flag":"Standard Record","id":"object-71534","indexed":1754330632556,"modified":1754303256000,"processed":1754330623485,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71534","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71534","uuid":"dddfab2d-770f-356d-83e6-46c141e03333","version":6},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-133049","uid":"adlib-term-133049","uuid":"27ea352c-0896-3764-9551-d715e2d65aa8"},"summary_title":"Siderolith Ware"}],"department":{"value":"Applied Arts"},"description":[{"value":"Pale red earthenware, press-moulded in two halves with integral relief decoration, and covered in dark brown lacquer. 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The jug imitates English relief-moulded stoneware jugs of the second half of the 19th century"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, Late"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-116877","uid":"adlib-term-116877","uuid":"1be6355d-0bad-3dca-8642-ecee55c82479"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Bohemia"}],"summary_title":"Bohemia","type":"country"}]],"note":[{"value":"Bodenbach is now Podmokly in the Czech Republic"}],"summary_title":"Bodenbach"}]}]},"materials":[{"note":[{"value":"?"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-31499","uid":"adlib-term-31499","uuid":"32bb5d6c-9a2c-3e8f-b998-5f9468b062b8"},"summary_title":"lacquer"}},{"note":[{"value":"pale 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circular medallion containing the Sacred Monogram, 'ihs' in gothic letters"},{"value":"Buff earthenware, thrown, tin-glazed, and painted in cobalt-blue and brownish reduced-pigment copper-lustre. The jug has a swelling ovoid body with a short neck which is pinched at the front to form a lip. The strap handle is small and rounded, and its lower end runs down the body for a short distance. The front is decorated with a circular medallion containing the Sacred Monogram, 'ihs', in lustred gothic letters. The sides are divided into seven panels by vertical blue lines, each filled with branching stems of bryony flowers and parlsey leaves. The neck is decorated with a horizontal stem of the same motifs, and round the lower part of the body there are three horizontal lustre bands. The inside of the neck is decorated with lustred roundels and fern-like motifs"}],"exhibitions":[{"@link":{"catalogue":"plate 84","type":"reference"},"admin":{"id":"exhibition-2806","uid":"adlib-exhibition-2806","uuid":"6e1b65bf-b6bc-3f65-8be7-5ea2aab18496"},"summary_title":"Madonnas and Miracles. The Holy Home in Renaissance Italy"}],"identifier":[{"accession_number":"C.21-1934","primary":true,"type":"accession number","value":"C.21-1934"},{"priref":"73132","type":"priref","value":"73132"},{"date":[{"earliest":1934,"latest":1934,"value":"1934"}],"source":"The Fitzwilliam Museum","type":"Glaisher additions number","value":"G.Add.48-1934"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73132","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73132"}],"inscription":[{"location":"on front","method":"painted in gothic letters","transcription":[{"value":"ihs"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149932","uid":"adlib-agent-149932","uuid":"86dcd948-71e5-311d-99f3-33ae36f683d5"},"summary_title":"Christie's"}],"date":[{"earliest":1934,"latest":1934,"value":"1934-02-22"}],"method":{"value":"bought"},"note":[{"value":"This jug was included as no. 2097  in Rackham's Catalogue of the Glaisher Collection (1935) because it was bought with the Glaisher Fund. This has sometimes resulted in it being referred to incorrectly as C.2097-1934 instead of C.21-1932. It was also given a Glaisher Additions no., Gl. Add..48-1934."}]}],"creation":[{"date":[{"earliest":1430,"from":{"earliest":1430,"era":["CE"],"latest":1430,"precision":"circa","value":"1430"},"latest":1480,"range":true,"to":{"earliest":1480,"era":["CE"],"latest":1480,"value":"1480"}}],"maker":[{"@link":{"role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-195314","uid":"adlib-agent-195314","uuid":"18c0e9fc-3490-358d-b991-66b0f024e027"},"summary_title":"Unidentified Manises pottery"}],"note":[{"value":"Label text from the exhibition \u2018Madonnas and Miracles: The Holy Home in Renaissance Italy\u2019, on display at The Fitzwilliam Museum from 7 March until 4 June 2017: This jar, decorated with the IHS (a form of Christ\u2019s name), is similar to the one in the painting by Joos van Cleve displayed nearby. 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