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After he had left for Brussels in 1733, Delvaux left his marble with another sculptor, Peter Scheemakers, who sold it on his behalf in 1734 to John, 4th Duke of Bedford for his country seat, Woburn Abbey, Bedfordshire. Count Fede's marble was identified as Cupid and Psyche, but because of the position of Cupid's head and right arm, later became known as 'Biblis and Caunus' or 'Salmacis and Hermaphroditus'. According to Haskell and Penny (1981) this was because of a restorer (having altered the position of Cupid's head and right hand). Later, these titles were dropped and it reverted to 'Cupid and Psyche', because of its resemblance to the embracing 'Cupid and Psyche' discovered in 1749 and placed in the Capitoline Museum. Rome. Count Fede's marble was also recorded in a red chalk drawing by Pompeo Battoni c. 1727-30, bequeathed by Richard Topham (1671-1730) to Eton College (Topham Collection, Bn3, no. 21). 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Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 56 (Poole 1995). circular with broad, almost flat rim, and deep well; the underside of the rim moulded with three bands of reeding.In the well, within narrow blue and yellow concentric circles, two putti support a shield charged with the arms of Gonzaga impaling Este: argent, a cross patty gules cantoned by four eagles displayed sable (Gonzaga modern granted 1433), an escutcheon overall, quarterly, 1, 4, gules a lion rampant argent (Bohemia), 2, 3, barry of six or and sable (Gonzaga ancient) impaling Este, quarterly, 1, 4, azure three fleurs-de-lis or a bordure indented gules, 2, 3, azure an eagle displayed argent (gules shown orange throughout). Below on a scroll is the impresa `XXVII'. The sides are decorated in bianco sopra bianco with palmettes and scrolls, and a blue line encircles the shoulder. The rim is decorated with Peleus and Thetis. Peleus stands beneath a tree, gazing at Thetis, who sleeps nude on the ground in front of him. Further to the right she is transformed into a swan-like bird as he embraces her, and then into a dragon from which he turns away in horror. Higher up on the right, a goddess appears to Peleus who kneels before an altar. In the distance there is a mountainous landscape and sky. Suspended from the tree there is a shield of testa di cavallo form charged with the impresa of gold rods in a crucible surrounded by flames in a blue ground. The edge is yellow. On the back there is a narrow yellow band round the base and a wider band on the edge."}],"exhibitions":[{"@link":{"catalogue":"No. 136","type":"reference"},"admin":{"id":"exhibition-1607","uid":"adlib-exhibition-1607","uuid":"067f0641-1c25-3855-871f-ee848d69bdc9"},"summary_title":"Splendours of the Gonzaga"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"211","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-3944","uid":"adlib-exhibition-3944","uuid":"efb64902-4239-3ac6-accf-83ab547bb095"},"summary_title":"National Treasures: Botticelli in Cambridge"}],"identifier":[{"accession_number":"EC.30-1938","primary":true,"type":"accession number","value":"EC.30-1938"},{"priref":"47188","type":"priref","value":"47188"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47188"}],"inscription":[{"description":[{"value":"Rectangular with cut corners, printed in black `UNION\/CENTRALE' and inscribed in faded black ink with `155\/3657' between the two words"}],"location":"on the back","method":"printed in black and inscribed in faded black ink","transcription":[{"value":"'UNION\/1555\/3657\/CENTRALE'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1938,"latest":1938,"value":"1938-06-16"}],"method":{"value":"bought"},"note":[{"value":"accession date was given as the date of the sale, not of the Syndicate"}]}],"creation":[{"date":[{"earliest":1524,"from":{"earliest":1524,"era":["CE"],"latest":1524,"precision":"circa","value":"1524"},"latest":1525,"range":true,"to":{"earliest":1525,"era":["CE"],"latest":1525,"value":"1525"}}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-99016","uid":"adlib-agent-99016","uuid":"d1d63237-ac23-350a-897d-50f3369e87e8"},"summary_title":"Nicola di Gabriele Sbraghe da Urbino"}],"note":[{"value":"The potter, Nicola di Gabriele Sbraghe, known as Nicola da Urbino, was a workshop owner in Urbino from at least 1520 until his death at the end of 1537 or in January 1538. He was also a brilliant maiolica painter, whose work has been identified by comparison with five pieces of istoriato maiolica monogrammed or signed by him. Nicola painted in an exquisitely delicate manner, and was unusually imaginative in his adaptation of printed sources and in the creation of architectural and landscape backgrounds. His output of the 1520s, which includes several armorial services, is regarded as the acme of maiolica decoration."},{"value":"This exquisite dish formed part of a service which belonged to Isabella d'Este (1474-1539), widow of Francesco Gonzaga, fourth Marchese of Mantua (1466-1519).  It was made between 1522 and 1525, and may have been the service given to Isabella probably in November 1524 by her daughter, Eleanora, Duchess of Urbino, who thought that she might like to use it in her villa at Porto near Mantua. Twenty-two dishes and one fragmentary dish are known, two decorated with biblical scenes and the rest with subjects from classical mythology or history. Each dish also bears the arms of Gonzaga impaling Este, and one or more of Isabella's imprese (a device or emblem) or her initials YS intertwined. On this dish the arms are surrounded by bianco sopra bianco decoration, and the rim is decorated with the story of Peleus and Thetis from Ovid's Metamorphoses, Book XI. Having found the sea goddess Thetis asleep on the shore, Peleus entreated her to make love, but she refused and escaped by transforming herself into different forms. After praying to the sea god Proteus for advice, Peleus successfully overcame the goddess's scruples and she conceived the ill-fated hero, Achilles. Nicola based the figures on a woodcut illustration in Giovanni dei Bonsignori's Ovidio methamorphoseos vulgare, Venice (Giovanni Rosso da Vercelli for Lucantonio Giunta), 1497 or a later edition. Two imprese are shown: `XXVII' sounding like vinti s\u00e8te, (you are defeated), and gold bars in a crucible, which Isabella's husband adopted in 1495 to signify his integrity after successfully withstanding an accusation of 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Mentioned and illustrated p. 256, fig. VIII","page":"256","type":"reference"},"admin":{"id":"publication-200000981","uid":"adlib-publication-200000981","uuid":"d52556bc-fa74-31cc-b6dd-a883bfdb7474"},"summary_title":"The Damiron Collection of Italian Maiolica II"},{"@link":{"notes":"Publ. Mentioned on p. 92, and illustrated pl. XXII. Other dishes from the services are listed.","page":"92","type":"reference"},"admin":{"id":"publication-200000982","uid":"adlib-publication-200000982","uuid":"7a02b5b1-63e9-39d9-af7c-eb3225aa4293"},"summary_title":"Ancora nuovi piatti del servizio d'Isabella d'Este-Gonzaga"},{"@link":{"notes":"Publ. Vol. II, p. 16, fig. 120, and see vol. I, p. 30","page":"16","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. 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