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Un manoscritto inedito di Giuseppe Fabretti',, p. 305, fig. 6, and reverse fig. 7.On p. 305 the author notes that Fabretti (1787-1869) recorded having seen in a palazzo in via Valle, many pieces of maiolica and 'segnatamente la crocifisione di Cristo con i due ladroni di ottimo disegno semidorato con nel retro la scritta Deruta e la data 1556', which can probably be identified as the Fitzwilliam's panel.","page":"305","type":"reference"},"admin":{"id":"publication-8899","uid":"adlib-publication-8899","uuid":"7dafeb30-f997-369f-b2f1-e01a67ce47a9"},"summary_title":"La maiolica italiana del Rinascimento, Studi e ricerche"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object 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Above and below there is a wide blue band and a dark yellow band between two blue; and on the shoulder, a row of blue chevrons with a blue band above."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"19","type":"reference"},"admin":{"id":"exhibition-2085","uid":"adlib-exhibition-2085","uuid":"647b110e-100c-3af1-b43d-f6ecc911d36e"},"summary_title":"Love and Marriage in Italian Renaissance Art"},{"@link":{"catalogue":"21","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"}],"identifier":[{"accession_number":"C.60-1927","primary":true,"type":"accession number","value":"C.60-1927"},{"priref":"79385","type":"priref","value":"79385"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79385","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79385"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. 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Painted in dark blue, green, yellow, and orange.\nShape 61. Circular with sloping rim, upturned at the edge and wide deep well, standing on a footring in which there are two holes for suspension at the top.\nIn the well, a mounted Turkish lancer gallops to the left. He wears a high-crowned turban and a long gown with a wide falling collar. A scarf or pennant streams out behind him. The landscape background has a low horizon, and the right half of the sky is dark blue and the left half is white. The rim is divided by radial stripes into six panels containing alternately scale pattern and a foliate scroll with formal flowers and fruits. A yellow band encircles the edge. On the back, inside the footring, there is a blue zigzag resembling an M or W with an extra stroke, crossed by a diagonal line, and outside the footring, two blue spirals."}],"exhibitions":[{"@link":{"catalogue":"no. 4\/126","type":"reference"},"admin":{"id":"exhibition-1660","uid":"adlib-exhibition-1660","uuid":"e34e04b5-edf9-32d5-af18-e68d5ffcaf54"},"summary_title":"Europa und der Orient: 800-1900"},{"@link":{"catalogue":"none","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.100-1927","primary":true,"type":"accession number","value":"C.100-1927"},{"priref":"78668","type":"priref","value":"78668"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/78668","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/78668"}],"inscription":[{"description":[{"value":"circular"}],"method":"inscribed in faded ink","transcription":[{"value":"Leverton\/Harris\/Bequest 1926\/M25"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. 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The earliest known example, datable by the arms of Pope Hadrian VI (1522-3) is in the British Museum, and the latest, bearing those of Pius IV (1559-65) is in the Mus\u00e9e Ariana, Geneva. A border of floriated scrolls occurs on a dish with the arms of Clement VII (1523-34), dated 1531, and floriated scrolls with rays and scale panels on a dish with the arms of Cosimo I de'Medici and Eleonora of Toledo (married 1539), at the Mus\u00e9e national de la Renaissance, \u00c9couen.          \nDishes decorated in the well with equestrian Turks may have been introduced at Deruta about the time of the repulse of the Turks from Vienna in 1529. They were also executed with different border patterns. The borders of rays dividing panels of scales and formal plants also occur with different central subjects, a few of which are dated, such as a man shaving an ass, dated 1556, in the Victoria & Albert Museum.\nAlmost identical polychrome dishes with similar marks on the reverse are in the British Museum, and MAK (Museum f\u00fcr Angewandte Kunst), Vienna. Another, with two spirals on the back, is in the Mus\u00e9e Civico, Pesaro. Further equestrian Turk dishes were cited in Poole, 1995, p. 200 (see Documention). Equestrian Turks also appear, but less frequently, on Deruta lustred dishes, for example, in the Wallace Collection, London (III A 44), the Petit Palais, Paris (S.2439), and the Mus\u00e9e des Beaux-Arts, Lyon (D.45, acq. 1880).\nIn 1935 Bernard Rackham, attributed this dish to Giacomo Mancini. More recent scholars have considered that a less cramped crossed M mark on the reverse of some Deruta dishes might refer to the Mancini workshop, but no concrete evidence is known to prove this."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110784","uid":"adlib-term-110784","uuid":"306cbe64-9c29-347d-bae9-6fa7b2d98848"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Umbria"}],"summary_title":"Umbria","type":"region"}]],"summary_title":"Deruta"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"40"},{"dimension":"Height","units":"cm","value":"9.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52701","uid":"adlib-media-52701","uuid":"7ea80561-1e35-39fe-9dd5-da0f48aa0d67"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_100_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1616262877512,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_100_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":508},{"dimension":"width","units":"pixels","value":500}]},"modified":1616262877512,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_100_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1616262877512,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_100_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":254},{"dimension":"width","units":"pixels","value":250}]},"modified":1616262877512,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},{"value":"piatto di pompa"}],"note":[{"type":"history note","value":"unknown"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. colour pl. facing p. 321 & pl.p. 323","page":"p. 321","type":"reference"},"admin":{"id":"publication-200000978","uid":"adlib-publication-200000978","uuid":"81c5d92f-f206-326e-8ca3-2a3610a2d94d"},"summary_title":"Italian Maiolica in the Collection of the Right Hon. 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Leverton Harris, II"},{"@link":{"type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. p. 58 & pl. 14","page":"p. 58","type":"reference"},"admin":{"id":"publication-3038","uid":"adlib-publication-3038","uuid":"2e589e20-ae79-381a-b203-3ac54f40b6a7"},"summary_title":"Guide to the European Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 199-201, no. 273, where other comparable dishes are listed with bibliographical references","page":"pp. 199-201","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 78-9, no. 34","page":"78-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Cf. pp. 80-4, nos. 36-38, three dishes each decorated with a different mounted Turk, of which no. 38 has a comparable border to C.100-1927. See p. 84 note 1 for a brief mention of the Fitzwilliam's dish in a list of comparable dishes","page":"80-84","type":"reference"},"admin":{"id":"publication-5679","uid":"adlib-publication-5679","uuid":"2b220458-5727-3c6a-9df2-0ae5333e653b"},"summary_title":"Italian Maiolica of the Renaissance"},{"@link":{"notes":"Cf. pp. 442-4, no. 259, which appears to be painted by the same hand, has two blue spirals on the back and in the middle a crossed zig-zag.The authors leave open the possibility that it was made in the Mancini workshop, and date it c. 1520-60.","page":"442-4","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"},{"@link":{"notes":"Cf. p. 76, no. 26, a dish with a Turkish horseman riding to the left, with a different border design, dated to c. 1525-60.","page":"76","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Cf. pp. 53-4, no. 17, a similar dish, also with two spirals and crossed zig-zag on the reverse (MAK, KE 7981), dated c. 1520-60. The Fitzwilliam's dish is mentioned. Cf. also these marks on the reverse of a dish decorated with a three-quarter-length warrior, p. 55, no. 18. MAK KHM 49 (old no. 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(Life by its end, day by the evening, is praised), surrounded by a border of leaves and stylized flowers."},{"value":"Earthenware, the front is tin-glazed; the reverse has thick, opaque, dark yellow lead-glaze. Painted in thinly applied dark blue and with pale silver-yellow lustre. Shape 61. Circular, with slightly sloping rim, and wide deep well, standing on a footring pierced by three incorrectly placed suspension holes. In the well, a young woman, half-length with her head in profile to right, faces a coiling scroll, inscribed 'LA VITA.EL.FINE.ELDI.LO DA.LASE RA.X.' (Life by its end, day by the evening, is praised). There are formal flowers in the background, and bound laurel round the edge of the well. On the rim, slanting serrated leaves alternate with stylized flowers. 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Similar young women appear in paintings by Pinturicchio (1454-1513) such as in the' Visitation' in the Borgia apartments of the Vatican, but Deruta maiolica painters were more likely to have seen or had access to drawings after local works in nearby Perugia. It was a popular prototype for the decoration of large dishes decorated with busts or half-length figures of women, known today as bella donna dishes. These are thought to have been presented to women by their betrothed or husband, and a few examples show a couple together. At least thirty-five examples based on the same prototype are known, the majority showing the girl facing to the left, and a few to the right, as here, and in the Cleveland Museum of Art, Ohio (1951.327), the Metropolitan Museum of Art, New York (1953.225.87), and the Chigi-Saraceni collection, Siena (FAC.Inv. no. 61). There are no dated examples decorated with similar designs, but it seems probable that this slender, chaste ideal of womanhood con\u00actinued to be represented by Deruta painters until at least the 1520s. \n\nMany of these dishes have a scrolling ribbon or label behind the girl, bearing a name followed by Bella or another adjective, or have a proverb, saying, or quotation from the bible or literature. The inscription on this dish was taken from Petrarch's, Le Rime, XXIII, 31, `La vita el fin e 'l di loda la sera' ' (Life by its end, day by the evening, is praised). Variants of this line occur on dishes with the same girl in the the Metropolitan Museum of Art, New York  (94.4.320), and the Mus\u00e9e National de la Renais\u00acsance, \u00c9couen (E.C1.2430), and on a dish decora\u00acted with a different girl, in the Museo Nazionale di Ravenna.\n\nThe dishes had a wide variety of border patterns. 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Vol. I, p. 285, no. 2191; vol. II, pl. 167. This dish was not collected by Dr J.W.L. Glaisher but was included in the Catalogue of the collection because it was purchased with money which he bequeathed.","page":"285","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. Mentioned p. 53, illustrated pl. 15.","page":"53","type":"reference"},"admin":{"id":"publication-3038","uid":"adlib-publication-3038","uuid":"2e589e20-ae79-381a-b203-3ac54f40b6a7"},"summary_title":"Guide to the European Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"type":"reference"},"admin":{"id":"publication-3031","uid":"adlib-publication-3031","uuid":"1e6af792-78aa-3c61-9b3d-4a31abe184a3"},"summary_title":"The Concise Encyclopedia of Continental Pottery and Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-3030","uid":"adlib-publication-3030","uuid":"b8528092-cf8f-373a-9fb3-548d79cede63"},"summary_title":"Italian Maiolica"},{"@link":{"notes":"Publ. p. 58, colour pl. 45.","page":"p. 58","type":"reference"},"admin":{"id":"publication-3051","uid":"adlib-publication-3051","uuid":"9c094253-840a-33c8-854b-cbf4b0ed9f4e"},"summary_title":"Ceramic Art of the World, XXII, European Ceramics"},{"@link":{"notes":"Publ. No. 44","page":"42","type":"reference"},"admin":{"id":"publication-1119","uid":"adlib-publication-1119","uuid":"8b3701d3-a6b9-3cdf-8f20-d50dda99c46c"},"summary_title":"Treasures from the Fitzwilliam: ''The Increase of Learning and other great Objects of that Noble Foundation''"},{"@link":{"notes":"Publ. pp. 166-8, no. 237, and colour pl. 16","page":"166-8","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 36-7, no. 13","page":"36-7","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. Illustrated on p. 152, fig. 9 and see p. 145. The authors note 'This is the only case in which the source of the legend on belle has been identified.' The book was edited by Mann, Nicholas and Syson, Luke.","page":"145, 152","type":"reference"},"admin":{"id":"publication-200000989","uid":"adlib-publication-200000989","uuid":"51da1066-fdce-3067-a0d4-7a0aaa2f135e"},"summary_title":"When is a portrait not a portrait,? Belle Donne on Maiolica and the Renaissance Praise of Local Beauties"},{"@link":{"notes":"Ref. For the inscription on the scroll","page":"26","type":"reference"},"admin":{"id":"publication-3039","uid":"adlib-publication-3039","uuid":"ebecdd55-fb60-378f-af2b-fb84d4f45892"},"summary_title":"Le Rime"},{"@link":{"notes":"Ref. For a translation of the inscription on the scroll.","page":"60","type":"reference"},"admin":{"id":"publication-3040","uid":"adlib-publication-3040","uuid":"a1f32e33-9c74-3112-aec9-2939ba1855b9"},"summary_title":"Petrarch's Lyric Poems, The Rime sparse and other Lyrics"},{"@link":{"notes":"Ref. For sources of designs on Deruta maiolica. See especially, p. 30, fig. 11, The Visitation by Pinturicchio in the Borgia apartments of the Vatican.","page":"25-57","type":"reference"},"admin":{"id":"publication-200000990","uid":"adlib-publication-200000990","uuid":"83e461c6-3315-3ef8-aa39-d54f88469112"},"summary_title":"Fonti iconografiche e stilistiche della decorazione nella maiolica rinascimentale"},{"@link":{"notes":"Cf. pp. 164-66, no. 29, a dish with a similar girl facing to the right with a scroll in front of her inscribed 'DIAMANTE BELLA'. The unusual border comprises almond-shaped motifs alternating witha slanting bulbous floral motif resembling a spinning top.","page":"164-66","type":"reference"},"admin":{"id":"publication-3381","uid":"adlib-publication-3381","uuid":"36d2d285-968d-3211-9f4b-18c2552c65d1"},"summary_title":"Monte dei Paschi di Siena, Collezione Chigi Saracini, 5, Maioliche Italiane"},{"@link":{"notes":"Publ. p. 110, no. 23. Cf. p. 108, no. 21, dish with similar girl facing to left, in the National Gallery of Art, Washington, inv. 1942.9.322; p. 109, no. 22, another with girl facing to left in the Mus\u00e9e de la Renaissance, Ecouen, inv. Cluny, 2430; p. 111, no. 24 another with girl facing to left, without a scroll, in the V. & A., inv. C.2172-1910. . See p. 106, Perugino's Eritrean Sybil in the sala dell'Udienza, Collegio del Cambio, Perugia. Ref. for Deruta maiolica.","page":"110","type":"reference"},"admin":{"id":"publication-4837","uid":"adlib-publication-4837","uuid":"8a5d258d-09cf-35d0-a64a-b1bca54fa905"},"summary_title":"La ceramica umbra al tempo di Perugino"},{"@link":{"notes":"Publ. p. 32, no. 5,  and cf. p. 33, a copy by contemporary Deruta potter, Fernando Calzolari.","page":"32","type":"reference"},"admin":{"id":"publication-6388","uid":"adlib-publication-6388","uuid":"1f1298ea-c28b-3905-ad2b-fa59db7d742c"},"summary_title":"Fati di Ceramica nelle Marche dal Trecento al Novecento"},{"@link":{"notes":"Publ. p. 182, Figure 4.13. See pp. 179-82, 4.2.5. Prototype Five: Women Who Bear God in Their Minds: The Sibyls and Allegorical Figures from the Collegio del Cambio.  See pp. 180-2, note 65 for 36 known examples of Deruta dishes with images of women based on the Eritrean Sibyl.","page":"179-82","type":"reference"},"admin":{"id":"publication-9107","uid":"adlib-publication-9107","uuid":"f6eb9f5b-29cf-3b09-b6ca-bae2334d6e73"},"summary_title":"Ideal Brides: Deruta Bella Donna Plates 1500-1550. Courtship, Marriage and Decorative Art in Renaissance Italy"},{"@link":{"notes":"Cf. Vol. I, pp. 158, nos. 475-8, vol. II, pl.75, nos. 475-8. On all the dishes, the girl faces to the left, and, with the exception of no. 477, has an inscription on a scroll in front of her.","page":"158","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Cf. p. 83, no. 59, a dish with the same inscription ending with ISCHU [RA], accompanying a different young woman. Inv. no. 1855. The Fitzwilliam's dish is mentioned in the text.","page":"83","type":"reference"},"admin":{"id":"publication-400002304","uid":"adlib-publication-400002304","uuid":"d0b2b57b-546a-36c7-8b81-e61f2ad9859b"},"summary_title":"Le maioliche del Museo Nazionale di Ravenna"},{"@link":{"notes":"Cf. pp. 65-6, no. 7, a dish with the same inscription ending with ISCHU[RA], accompanying a different young woman. inv. no. 1855.","page":"65-6","type":"reference"},"admin":{"id":"publication-400002305","uid":"adlib-publication-400002305","uuid":"6d47fd97-3aed-3278-9bb2-8cb912488eed"},"summary_title":"Ceramiche dalle Collezioni del Museo Nazionale di Ravenna"},{"@link":{"notes":"Cf. p. 162, no. 301, a dish decorated with a warrior surrounded by a border similar to the Fitzwilliam's dish. Inv. no. E 2110.","page":"162","type":"reference"},"admin":{"id":"publication-400002306","uid":"adlib-publication-400002306","uuid":"fd430150-18ab-30e6-9438-eb2a24c2f1c0"},"summary_title":"Kataloge des Kunstgewerbemuseums der Stadt K\u00f6ln, II, Majolika"},{"@link":{"notes":"Cf. pp. 242-3, no. 83, a dish painted with a similar girl facing to left, and the same quotation without the final X. inv. no. 94.4.320","page":"242-3","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. pp. 106-07, no, 40, a dish with the same girl facing to the left; fig. 17 shows the head of a Sibyl from the fresco in the Sala dell'Udienza, Collegio del Cambio, Perugia. Inscription on ribbon OFACIES.OCUVLIS. INSIDIOSA.MEIS (O face that is an ambush for my eyes) from Ovid's Heroides, XV.","page":"106-07","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, the front is tin-glazed; the reverse has thick, opaque, dark yellow lead-glaze. 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