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Painted in dark blue, pale blue, green, yellow, orange, red, and black.\nCircular with sloping rim, upturned slightly at the edge; deep sides moulded with oblique reversed gadroons; flat centre with ribs encircling its outer edge and the emplacement for the ewer in the middle; low foot ring on the back. (Poole, 1995, Shape 69) \nThe central medallion contains a landscape in which a fox attempts to wrest a shield from the possession of a bear. The bear holds a sword in its right forepaw and rests its left on the shield, which is of testa di cavallo form, charged with the arms per fess gules and argent, overall a tree eradicated. A scroll above is inscribed, 'E COSI VA CHE TROPO VOLLE' (This is what happens to him who wants too much). The rest of the base is decorated with a battle between male and female satyrs and centaurs. The gadroons on the sides are painted in blue with stylised plants. On the rim there are grotesques reserved in a blue ground, interrupted by eight oval medallions, painted with eight subjects from the Bible and Roman history: Marcus Curtius leaping into the chasm, Dido falling on her sword, David with the head of Goliath, Judith with the head of Holofernes, Mucius Scaevola thrusting his right hand into the fire, a woman with a shield, Horatius defending the bridge and, probably, the suicide of Lucretia.\nThe back is decorated in blue and yellow with a trophy of two crossed quivers, a bow, and an arrow, surrounded by delicate coiling blue stems with blue, orange, and green foliage. The footring is blue with an invected circle within it. The sides and rim are decorated with blue and orange horizontally striped petals between blue bands and there are two blue bands on the outer edge."}],"exhibitions":[{"@link":{"catalogue":"5162","type":"reference"},"admin":{"id":"exhibition-1265","uid":"adlib-exhibition-1265","uuid":"723e9b4e-5a35-3d5f-933e-29f6c9da35fe"},"summary_title":"Special Exhibition of Works of Art of the Mediaeval, Renaissance and More Recent Periods"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1427","uid":"adlib-exhibition-1427","uuid":"b334aefb-5535-3bfc-8a31-25cd4aa669c2"},"summary_title":"The National Art Collections Fund at the Fitzwilliam Museum, An Exhibition to celebrate the Fund's 85th Anniversary"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"63","type":"reference"},"admin":{"id":"exhibition-1789","uid":"adlib-exhibition-1789","uuid":"847b68d6-8267-37e9-868c-223c9328083f"},"summary_title":"Saved! 100 Years of the National Art Collections Fund"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-2573","uid":"adlib-exhibition-2573","uuid":"992d85e4-5168-30d5-8235-23b6ec4bc04e"},"summary_title":"Majolique. 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The dish has been attributed to Jacopo on the grounds of similarities to a dish decorated with an equestrian Judith with the Head of Holofernes, signed 'Japo in chaffagguolo' which is in the Victoria and Albert Museum. Jacopo di Stefano di Filippo died in 1576, and questions have been raised as to whether he and the painter of the dishes was the same man. It is also possible that the dish was made in Montelupo."},{"value":"The source for this scene was one of a set of twelve large woodcuts forming a Triumph of Caesar by Jacob Argentoratensis (Jacob of Strasbourg) to designs by Benedetto Bordon, published in Venice in 1504. The Triumph follows Appian's account of Scipio's entry into Rome at the end of the Second Punic War but details relating to Caesar were incorporated. His horse, for example, was based on Suetonius' description of it as having 'feet that were almost human; for its hoofs were cloven in such a way as to look like toes'. The maiolica painter followed the woodcut closely, including this feature, but omitted the small nude boy behind the horse. Each section of the Triumph is labelled with a letter from A to L, hence the 'H' below the scene. The next section, labelled 'I', occurs on a dish in the Victoria and Albert Museum, also dated 1514, but in Roman numerals. Prints of scenes from the 'Passion of Christ' by Jacob of Strasbourg were also used as sources of designs by maiolica painters, for example. a large dish decorated with the Flagellation  within a border of grotesques in the Hermitage, St Petersburg."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110780","uid":"adlib-term-110780","uuid":"17d4199b-8038-380b-b5df-ce198a1dc5db"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Cafaggiolo"},{"@link":{"type":"reference"},"admin":{"id":"term-113219","uid":"adlib-term-113219","uuid":"166f4ea1-bd03-3f2e-bc7c-ce2145959ec5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Montelupo"}]}]},"materials":[{"note":[{"value":"buff"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"5.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17667","uid":"adlib-media-17667","uuid":"45bcb9d2-eb25-3571-9bc7-7537bb58abd2"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581231393,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":498},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581231393,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581231393,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":249},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581231393,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"},"type":"category"}],"note":[{"type":"history note","value":"Auguste Ricard de Montferrande; sold Christie's, 14-16 November 1859, Catalogue of the very extensive and valuable collection of majolica ware, the property of that well-known amateur, Monsieur Auguste Ricard de Montferrand of St Petersburgh . . .; p. 18, lot 283 (\u00a393.9); Alexander Barker; Sir Francis Cook, Bt.;Wyndham F. Cook; Humphrey Wyndham Cook; sold Christie's, 7 July 1925, Catalogue of an important collection of objects of art of the Middle Ages and Renaissance, the property of Humphrey W. Cook, Esq., and removed from 8 Cadogan Square, S.W., being a portion of the celebrated collection formed by the late Sir Francis Cook, Bart., p. 9, lot 21; The Right  Hon. F. Leverton Harris."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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The author envisages these dishes as having been made in Montelupo. Cf. pp. 50-1, a dish in the Hermitage, St Petersburg, decorated with the Flagellation of Christ after a print by Jacobus Argentoratensis (Jacob of Strasbourg).","page":"60-1","type":"reference"},"admin":{"id":"publication-8848","uid":"adlib-publication-8848","uuid":"f98aa5bd-aba9-3b47-aaeb-3d71c381bbe8"},"summary_title":"Il pittore della processione papale. 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Painted in dark blue, light blue, green, yellow, orange, and brownish-red"}],"note":[{"value":"uncertain"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"Caesar's Horse from a Triumph of Caesar"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-48389","_score":17.667469,"_source":{"admin":{"added":1592996564000,"created":1312637261000,"flag":"Standard Record","id":"object-48389","indexed":1747246339818,"modified":1737738184000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-48389","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48389","uuid":"af007ac1-7bf6-35e4-b986-2ea5b6e66c39","version":6},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110730","uid":"adlib-term-110730","uuid":"dae0f074-4d74-3f73-9137-7e8bbb36a2ce"},"summary_title":"high-temperature colour"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Renaissance, maiolica bowl with broad rim, painted in blue with, in the middle, a spotted duck."},{"value":"Cream earthenware, thinly tin-glazed overall; three spur marks in the well. Painted in blue.\nShape approximately 58, thickly potted, and heavy for its size. Circular with wide, sloping rim and deep well.\nIn the middle, a spotted duck with a long beak swims to the left within a cusped lozenge-shaped frame surrounded by foliate scrolls. The rim is decorated alla porcellana with four pairs of lozenges filled with dots, separated by four symmetrical arrangements of foliate scrolls. The back is inscribed in the middle in blue,  `J o: chafagguolo', and on the rim and sides of the well there are four foliated spirals."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.4-1960","primary":true,"type":"accession number","value":"C.4-1960"},{"priref":"48389","type":"priref","value":"48389"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48389","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48389"}],"inscription":[{"location":"in the centre","transcription":[{"value":"Jo: chafagguolo"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Leverton Harris Fund."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1960,"latest":1960,"value":"1960-10-13"}],"method":{"value":"bought"}}],"creation":[{"date":[{"earliest":1510,"from":{"earliest":1510,"era":["CE"],"latest":1510,"precision":"circa","value":"1510"},"latest":1525,"range":true,"to":{"earliest":1525,"era":["CE"],"latest":1525,"value":"1525"}}],"maker":[{"@link":{"qualifier":"attributed to","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-67585","uid":"adlib-agent-67585","uuid":"d827ffd5-e9ea-32dd-ae92-4315a5a184be"},"summary_title":"Jacopo di Stefano di Filippo"}],"note":[{"value":"This is one of nine recorded plates of tondino form decorated 'alla porcellana' in blue and inscribed 'Jo (o raised) chafagguolo' on the back. With one exception all have borders of lozenges and foliated arabesques, and, on the back, three or four foliated coiling stems surrounding the inscription on the base. None of the dishes is dated but their style indicates that they were made during the first quarter of the sixteenth century. The first two letters of the inscription are probably a short form of Jacopo, and resemble the writing on a plate in the Victoria and Albert Museum decorated with an equestrian 'Judith with the Head of Holofernes' on the front, and signed 'Japo' (o raised) in chaffaguolo' on the reverse."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110780","uid":"adlib-term-110780","uuid":"17d4199b-8038-380b-b5df-ce198a1dc5db"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Tuscany"}],"summary_title":"Tuscany","type":"region"}]],"summary_title":"Cafaggiolo"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"24.2"},{"dimension":"Height","units":"cm","value":"4.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-18132","uid":"adlib-media-18132","uuid":"d6002ed9-6ed3-3e23-88b9-61add08de67e"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":742}]},"modified":1742581292890,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":512},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581292890,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":742}]},"modified":1742581292890,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":256},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581292890,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},{"value":"bowl with broad rim"},{"value":"tondino"}],"note":[{"type":"history note","value":"Charles Damiron; Sotheby's, 16 June 1938, Catalogue of the very choice collection of old Italian majolica and Hispano-Moresque ware, the property of Monsieur Damiron, 8 rue Vaubecour, Lyons, lot 74; F.D. Lycett Green; Sotheby's, 14 October 1960, Catalogue of Italian maiolica, works of art, etc. including the property of . . . the late F.D. Lycett Green, Esq., lot 10."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. II, p. 7, figs. 54-5","page":"p. 7","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. p. 5, pl. III","page":"p. 5","type":"reference"},"admin":{"id":"publication-3200","uid":"adlib-publication-3200","uuid":"f497a637-bb32-3363-9555-50e9040eaf4a"},"summary_title":"Fitzwilliam Museum, Cambridge. Annual Report for the Year ending 31 December 1960"},{"@link":{"notes":"Publ. p. 75","page":"p. 75","type":"reference"},"admin":{"id":"publication-3047","uid":"adlib-publication-3047","uuid":"9050aba6-9b8c-3277-8b3e-b218b9ee26ea"},"summary_title":"Maioliche italiane del Rinascimento"},{"@link":{"notes":"Publ. p. 62, no. 43","page":"p. 63","type":"reference"},"admin":{"id":"publication-3050","uid":"adlib-publication-3050","uuid":"3615cab9-e204-3c7a-82af-0107ffd051cd"},"summary_title":"La maiolica di Cafaggiolo"},{"@link":{"notes":"Publ. pp. 132-3, no. 190","page":"pp. 132-3","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 42, no. 16","page":"p. 42","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Cf. pp. 27-32, nos. 1 and 2","page":"27-32","type":"reference"},"admin":{"id":"publication-3405","uid":"adlib-publication-3405","uuid":"149226c4-048a-322f-8c61-d34a6d83136c"},"summary_title":"Maioliche marcate di Cafaggiolo, Museo Nazionale del Bargello"},{"@link":{"notes":"Cf. pp. 66-8, no. 21","page":"66-8","type":"reference"},"admin":{"id":"publication-3406","uid":"adlib-publication-3406","uuid":"ee93d199-384f-3541-8f42-9dc713432bb9"},"summary_title":"Italian Maiolica, Catalogue of the Collections"},{"@link":{"notes":"Cf. p. 141, no. 94, a plate with a ship in the centre, surrounded by a border, and decoration on the reverse, similar to the Fitzwilliam's plate. 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Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white.\nShape 64, with three faint concentric grooves under the edge. Circular with a narrow rim and wide flat centre; the base uneven.\nHoratius Cocles holding the Bridge against the Etruscans. On the right, three men are breaking down the bridge with picks. In the middle, Horatius, mounted on a rearing charger, brandishes his sword at a group of ten attackers. Below the bridge, there is another mounted Roman, whose horse's rump has been pierced by an arrow fired by a bowman on the left. Both he and Horatius bear shields charged with the arms per fess argent and azure the base of a column proper. In the foreground there are rocks, a broken-down fence and the river Tiber; in the background to left, the tents of the Etruscan camp, and to right, Rome and distant mountains. The rim is yellow. The back is inscribed in the middle, in dark blue: '.M.D.XXXVIII.\/Vedi su'l pontei trepido, e, feroce\/Oratio sol cotra Thoscana tutta\/Che ne ferro, e, ne fuoco a vertu nuoce.\/.Xato.' (Behold on the bridge the intrepid, and, fierce Horatius alone against all the Etruscans Who neither with iron nor fire harm his valour. .Xanto.)  A narrow black band and a wider yellow band encircle the edge."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.55-1927","primary":true,"type":"accession number","value":"C.55-1927"},{"priref":"75499","type":"priref","value":"75499"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75499","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75499"}],"inscription":[{"description":[{"value":"circular museum label"}],"method":"inscribed in ink","transcription":[{"value":"M 76"}],"type":"label"},{"description":[{"value":"circular"}],"method":"inscribed in ink","transcription":[{"value":"244\/az"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. 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Horatio is also shown on horseback on a dish inscribed with the same line from Petrarch, and dated 1541, in the Palazzo di Venezia, Rome. As was his usual habit, Xanto created the scene partly by drawing the figures from several different printed sources: the 'Abduction of Helen',  engraved by Marcantonio Raimondi after Raphael; 'I Modi' engraved by Marcantonio Raimondi; the' Battle of the Romans and Carthaginians' by Marco Dente (?) after Raphael or Giulio Romano; the 'Battle with a Cutlass' by Marco Dente (?) 'and, possibly, the 'Slaying of Cerberus' by G.G. Caraglio after Rosso Fiorentino, and 'St George and the Dragon' by Master I.B. with Bird. The city in the background features anachronistically two obelisks, which Xanto incorporated into other scenes to indicate a location in Rome or elsewhere in the Ancient World. For details of the prints, see the Documentation, Poole, 1995."},{"value":"The story of Horatius defending the bridge against the Etruscans is related by the Roman historians, Livy in Ab urbe condita, II, X,  and by Valerius Maximus, in Facta et dicta memorabilia, III, ii, 1,  which was certainly known to Xanto, probably in the translation by Agostino de Taie da Portese, Valerio Masimo volgare nuovamente correcto, Venice, 1509, or a later edition, such as by G. Gregori, Venice, 1526. However, the inscription on the back of the dish was not drawn from either of these classical sources, but partly from Petrarch's Trionfo della fama, I, 41-2. Xanto used an edition with commentary by Ilicino, who provided a very brief description of Horatius' bravery. In that text, 'Oratio sol contra Thoscana tutta\/ Che ne foco, ne ferro a vertu noce' follows 'Mutio che la sua dextra errante coce' versions of which appear on dishes decorated by Xanto with Mucius Scaevola scorching his right hand in front of Lars Porsenna, such as the Fitzwilliam's dish C.12-1953."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th 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XVIIIv, or in one of the Latin or Italian editions published in 1505, 1508, 1509, 1513, and 1517."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-124749","uid":"adlib-term-124749","uuid":"3cb14eef-9414-324c-8abb-f4e5e0d52ff1"},"summary_title":"16th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113220","uid":"adlib-term-113220","uuid":"e8b02414-1477-3046-8f2a-947e5c159b21"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Umbria"}],"summary_title":"Umbria","type":"region"}]],"summary_title":"Gubbio"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"26.0"},{"dimension":"Height","units":"cm","value":"2.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52749","uid":"adlib-media-52749","uuid":"0c2fbb50-d667-3a36-9a33-9ed30afddf85"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_79_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":732}]},"modified":1742584121408,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_79_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":519},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584121408,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_79_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":732}]},"modified":1742584121408,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_79_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":260},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584121408,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}}],"note":[{"type":"history note","value":"Henry T. Hope, Deepdene, Surrey; his daughter, Henrietta Adela Hope, who married in 1861 the Earl of Lincoln, later 6th Duke of Newcastle-under-Lyme (1834-1979); by descent to the 7th Duke of Newcastle-under-Lyme (1864-1928); sold by Christie's, 7 July 1921, Catalogue of fine old English silver-gilt plate, Limoges enamels, old Italian majolica and porcelain, the property of his grace the Duke of Newcastle, and removed from Clumber, Worksop, lot 120; George A. Lockett; Christie's, 11 June 1942, The choice collection of objects of art and furniture formed by the late George A. Lockett Esq., lot 217; Alfred Spero (\u00a3556); from 1943, L.C.G. Clarke, Leckhampton, MA, LL.D., Cambridge (1881-1960) by whom bequeathed"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. lot 120","page":"25","type":"reference"},"admin":{"id":"publication-3407","uid":"adlib-publication-3407","uuid":"19cc80c0-e6e7-3fd0-9660-ce60875a0f41"},"summary_title":"Catalogue of fine old English silver-gilt plate, Limoges enamels, old Italian majolica and porcelain, the property of His Grace the Duke of Newcastle, and removed from Clumber, Worksop"},{"@link":{"notes":"Publ. lot 217","page":"24","type":"reference"},"admin":{"id":"publication-3221","uid":"adlib-publication-3221","uuid":"d6ca23eb-f1e5-32c4-b618-396e4ae4ca33"},"summary_title":"The choice collection of objects of art and furniture formed by the late George A. Lockett Esq."},{"@link":{"notes":"Publ. pp. 127-8 & pls. 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The back is decorated in blue with a central `M' crossed surrounded by asterisks and dots, and twelve slanting stems of stylised foliage and dentated half-moon flowers radiating from the base to the edge."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1661","uid":"adlib-exhibition-1661","uuid":"3aef1439-39c4-32f7-9634-abce9839b111"},"summary_title":"Loan Exhibition of the J. 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Andrew Fountaine IV (1808-73); his heir; Christie's, 16 June 1884, Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels . . ., removed from Narford Hall, Norfolk, lot 45; Charles Mannheim; J. Pierpont Morgan (d. 31 March 1913); collection purchased by Joseph Duveen, 1916;  Dr Alfred Israel Pringsheim; Sotheby's, 7 June 1939, Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich, lot 33."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 23, no. 75","page":"p. 23","type":"reference"},"admin":{"id":"publication-3207","uid":"adlib-publication-3207","uuid":"7f9d6c5f-57ad-39b0-b07d-dfd208164647"},"summary_title":"Di un'insigne raccolta di maioliche depinte delle fabbriche di Pesaro e della provincia metaurense"},{"@link":{"type":"reference"},"admin":{"id":"publication-3211","uid":"adlib-publication-3211","uuid":"fed40c31-3ea0-30bf-83ed-c01c57ecab80"},"summary_title":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk"},{"@link":{"type":"reference"},"admin":{"id":"publication-3208","uid":"adlib-publication-3208","uuid":"2d1daf51-dd10-376d-ac43-c117e18076c0"},"summary_title":"Collection Charles Mannheim, objets d'art"},{"@link":{"notes":"Publ. p. 33 & pl. 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