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Painted in dark blue, green, yellow, orange, and manganese-purple. Shape 66. Circular with shallow curved sides, slightly everted at the rim.\nDoge Agostino Barbarigo supervising the loading of Money into a Ship destined for the Relief of Naples. The ship is moored beside a wharf on the right. At the foot of the mast there are six money bags, five of which bear a label inscribed with the name of the coins they contain: `docate papal' (papal ducats), `docate ugar' (Hungarian ducats), `docatti ancon' (Ancona ducats), `docate ve' (Venetian ducats), and `venetia' (Venetian ?). A rectangular notice suspended from the rigging is inscribed `fatte fatte fatte\/et non parole' (deeds, deeds, deeds and not words). The Doge stands in the middle, pointing to the label with his left hand and to the money with his right. Four togati stand behind him and, on the extreme left, a sailor approaches carrying four more bags, two of which are labelled `March' (small silver marchesane or marcelli) and `Troni' (silver lira introduced by Doge Niccol\u00f2 Tron). The foreground is green and the background dark blue with pronounced vertical brush strokes. The back is decorated with a central blue spiral surrounded by concentric circles: wide blue, orange and blue, two narrow blue, and a yellow zig-zag border filled with transverse blue lines. The edge is encircled by a blue band."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-7","uid":"adlib-exhibition-7","uuid":"402373ec-9de7-3594-a5c1-e9a53ff076ce"},"summary_title":"Exhibition of Italian Art 1200-1900"},{"@link":{"catalogue":"no. 218","type":"reference"},"admin":{"id":"exhibition-1665","uid":"adlib-exhibition-1665","uuid":"63658816-1634-3848-a45b-3eee31f953ac"},"summary_title":"Ceramic Art of the Italian Renaissance"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1685","uid":"adlib-exhibition-1685","uuid":"a01642b1-8257-3866-82b5-e1b33c5544d2"},"summary_title":"Christopher Columbus, Ships and the Sea"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1709","uid":"adlib-exhibition-1709","uuid":"e7f4099b-cc56-3b21-a8ae-accb7e1c4eaf"},"summary_title":"I Borgia, l'arte del potere"},{"@link":{"catalogue":"55","type":"reference"},"admin":{"id":"exhibition-2573","uid":"adlib-exhibition-2573","uuid":"992d85e4-5168-30d5-8235-23b6ec4bc04e"},"summary_title":"Majolique. La Fa\u00efence des Humanistes 1480-1530"}],"identifier":[{"accession_number":"C.62-1927","primary":true,"type":"accession number","value":"C.62-1927"},{"priref":"80774","type":"priref","value":"80774"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80774","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80774"}],"inscription":[{"location":"on the front, on the money bags at the foot of the mast","method":"inscribed","transcription":[{"value":"`docate papal' (papal ducats), `docate ugar' (Hungarian ducats), `docatti ancon' (Ancona ducats), `docate ve' (Venetian ducats), and `venetia' (Venetian ?)"}]},{"location":"on the front, on a rectangular notice suspended from the rig","method":"inscribed","transcription":[{"value":"fatte fatte fatte\/et non parole"}]},{"location":"on the front, on two of money bags carried by the sailor","method":"inscribed","transcription":[{"value":"`March' (small silver marchesane or marcelli) and `Troni' (silver lira introduced by Doge Niccol\u00f2 Tron)"}]}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1926,"latest":1926,"value":"1926"}],"method":{"value":"bequeathed"},"note":[{"value":"Previously thought to be bought probably from Raphael Stora, Paris."}]}],"creation":[{"date":[{"earliest":1495,"from":{"earliest":1495,"era":["CE"],"latest":1495,"precision":"circa","value":"1495"},"latest":1520,"range":true,"to":{"earliest":1520,"era":["CE"],"latest":1520,"value":"1520"}}],"maker":[{"@link":{"qualifier":"uncertain","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-149652","uid":"adlib-agent-149652","uuid":"0d4f90dc-b166-3d4b-b0db-25f4118b6e98"},"summary_title":"Unknown"}],"note":[{"value":"This is a rare portrayal on maiolica of a recent historical event. The French had invaded Naples in February 1495 and the ousted Aragonese King, Ferdinand II, appealed to Venice for help. By the end of March, an anti-French treaty known as The Holy League had been concluded. The League was made public on Palm Sunday, 1495 and afterwards money was collected and despatched by sea to Ferdinand II. The sacks on the ship are labelled with their contents: Papal, Hungarian, Ancona, and Venetian ducats. The two carried by the sailor on the left are labelled `March', probably small silver marchesane or marcelli, and `Troni', silver lire introduced by Doge Niccol\u00f2 Tron (1471-4). The notice on the ship's rigging, `fate fate fatte\/et non parole' (action, action, action and not words), indicates that Venice was sending practical assistance and not just vain promises.\nThe attribution of the dish has caused much speculation. The subject is so specifically Venetian that it is only natural to consider that it was painted there soon after the event. However, no firm evidence for the manufacture of maiolica in Venice in 1495 has been published, and istoriato dishes from any centre before 1500 are uncommon. In view of the dish's shape, certain aspects of the figures, and the decoration of the reverse, it is more likely to have been made in Faenza between about 1500 and 1520. If made in Venice or elsewhere it was probably decorated by a painter trained in Faenza."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106437","uid":"adlib-term-106437","uuid":"59e72604-922d-3194-ac46-27c1c5ac76a4"},"summary_title":"15th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, 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Leverton Harris."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pp. 132-3 & pls. Ia & b","page":"132-3","type":"reference"},"admin":{"id":"publication-200001147","uid":"adlib-publication-200001147","uuid":"d762ce91-ba01-312d-94f5-4a5a84759168"},"summary_title":"L'insigne \"Piatto Leverton\" con un episodio della spedizione di Carlo VIII in Italia"},{"@link":{"notes":"Publ. pp. 278-83 & pl. VB","page":"pp. 278-83","type":"reference"},"admin":{"id":"publication-200001148","uid":"adlib-publication-200001148","uuid":"ea3146ff-64c6-33d8-82f8-7917ef36d5bd"},"summary_title":"An Italian maiolica plate"},{"@link":{"notes":"Publ. 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Painted in dark blue, light blue, green, yellow, orange, and brownish-red. Shape approximately 67 but shallower. Circular with shallow, concave sides, which have warped in firing, standing on a solid base. Caesar's Horse, from a Triumph of Caesar. On the left are two nude musicians, with bells round their ankles, holding aloft, and blowing, double pipes. Behind them is a hound with bells on its collar, and a harness round its belly. Caesar's horse follows, its right foreleg raised; its harness and blanket with lettered border are bedecked with bells, and it has a unicorn's horn attached to its forehead. A youth holding a branch with a globe on its tip is mounted on its back and a monkey sits behind him. In the foreground there is a stony track and grass, and an 'H'. The background is dark blue and the rim yellow. The back is dated in the middle in blue, '1514' over the alchemical sign for tin, within three narrow concentric circles. Beyond the base there are three narrow, one broad and three narrow concentric circles, repeated nearer to the rim. 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The dish has been attributed to Jacopo on the grounds of similarities to a dish decorated with an equestrian Judith with the Head of Holofernes, signed 'Japo in chaffagguolo' which is in the Victoria and Albert Museum. Jacopo di Stefano di Filippo died in 1576, and questions have been raised as to whether he and the painter of the dishes was the same man. It is also possible that the dish was made in Montelupo."},{"value":"The source for this scene was one of a set of twelve large woodcuts forming a Triumph of Caesar by Jacob Argentoratensis (Jacob of Strasbourg) to designs by Benedetto Bordon, published in Venice in 1504. The Triumph follows Appian's account of Scipio's entry into Rome at the end of the Second Punic War but details relating to Caesar were incorporated. His horse, for example, was based on Suetonius' description of it as having 'feet that were almost human; for its hoofs were cloven in such a way as to look like toes'. The maiolica painter followed the woodcut closely, including this feature, but omitted the small nude boy behind the horse. Each section of the Triumph is labelled with a letter from A to L, hence the 'H' below the scene. The next section, labelled 'I', occurs on a dish in the Victoria and Albert Museum, also dated 1514, but in Roman numerals. Prints of scenes from the 'Passion of Christ' by Jacob of Strasbourg were also used as sources of designs by maiolica painters, for example. a large dish decorated with the Flagellation  within a border of grotesques in the Hermitage, St Petersburg."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110780","uid":"adlib-term-110780","uuid":"17d4199b-8038-380b-b5df-ce198a1dc5db"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Cafaggiolo"},{"@link":{"type":"reference"},"admin":{"id":"term-113219","uid":"adlib-term-113219","uuid":"166f4ea1-bd03-3f2e-bc7c-ce2145959ec5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Montelupo"}]}]},"materials":[{"note":[{"value":"buff"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"5.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17667","uid":"adlib-media-17667","uuid":"45bcb9d2-eb25-3571-9bc7-7537bb58abd2"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581231393,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":498},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581231393,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":757},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581231393,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_86_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":249},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581231393,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"},"type":"category"}],"note":[{"type":"history note","value":"Auguste Ricard de Montferrande; sold Christie's, 14-16 November 1859, Catalogue of the very extensive and valuable collection of majolica ware, the property of that well-known amateur, Monsieur Auguste Ricard de Montferrand of St Petersburgh . . .; p. 18, lot 283 (\u00a393.9); Alexander Barker; Sir Francis Cook, Bt.;Wyndham F. Cook; Humphrey Wyndham Cook; sold Christie's, 7 July 1925, Catalogue of an important collection of objects of art of the Middle Ages and Renaissance, the property of Humphrey W. Cook, Esq., and removed from 8 Cadogan Square, S.W., being a portion of the celebrated collection formed by the late Sir Francis Cook, Bart., p. 9, lot 21; The Right  Hon. F. Leverton Harris."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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