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Painted in dark relief-blue with manganese outlines. Poole, 1995, Shape 42. Ovoid with flat base, short cylindrical neck and two strap handles.\nOn each side, a long-tailed bird struts in profile to right, surrounded by sprays of oak leaves with dots in the background. On each side of the handles there are three vertical manganese lines, blue undulations and manganese scalloped lines. Round the lower part of the body there are two horizontal manganese bands; on the neck, alternating chevrons and blue spots between pairs of manganese bands. On each handle there are horizontal manganese lines and blue spots, with below, an inverted oak leaf and dots, and above, three spots and dots. On one handle the spots are linked by lines to form an asterisk."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.71-1927","primary":true,"type":"accession number","value":"C.71-1927"},{"priref":"48153","type":"priref","value":"48153"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48153","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48153"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. 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The pigment was made by mixing imported cobalt-blue and lead, which did not sink into the tin-glaze, and produced a glossy upstanding effect when fired."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120931","uid":"adlib-term-120931","uuid":"75155fcc-cd26-395a-8b9d-ac9a11175d8e"},"summary_title":"15th Century, first half"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106508","uid":"adlib-term-106508","uuid":"f7f1399b-d092-3a3d-8f96-c3aee3ad8fd5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"district of Florence"}],"summary_title":"Florence"}]}]},"materials":[{"note":[{"value":"except base"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"20"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110759","uid":"adlib-term-110759","uuid":"c6bf6c5a-3fdd-3aa2-b2e9-0c0c31ea4a68"},"summary_title":"two-handled jar"}},{"value":"two-handled storage jar"},{"value":"two-handled pharmacy jar"}],"note":[{"type":"history note","value":"Private collection, London; Alfred Spero, London, from whom purchased on 7 May 1925 by F. 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Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white.\nTrilobate bowl, standing on a base composed of three lion's feet with vertical scrolls between them. Between each of the lobes there is a deeply grooved handle, terminating at the top in a grotesque mask with a gaping mouth and curling horns which rest on the rim.\nThe interior is decorated with the Triumph of Amphitrite or Galatea. The goddess reclines in a cockle-shell chariot drawn by two dolphins, surrounded by tritons and sea nymphs, a sea horse, and putti frolicking among the waves. In the background there are buildings close to the shore with mountains beyond. Above, five putti holding foliage play amid clouds. The rim is yellow and orange. On the outside, each lobe is decorated with rocks and buildings in a landscape. The lion's feet base, scrolls and mask-handles are coloured yellow and orange."}],"identifier":[{"accession_number":"C.1-1964","primary":true,"type":"accession number","value":"C.1-1964"},{"priref":"71521","type":"priref","value":"71521"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71521","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71521"}],"inscription":[{"description":[{"value":"circular with serrated edge"}],"method":"inscribed in pencil","transcription":[{"value":"841"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Cecil C. 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None of the examples with istoriato decoration are dated, but on stylistic grounds they appear to have been introduced in the late 1540s or early 1550s. The latest dated example, in the British Museum, is decorated with grotesques, and was made in the workshop of Francesco Patanazzi in 1608. This cistern was probably made in the workshop of Guido Durantino (Fontana) and his son Orazio, or if made between 1565-70 possibly in Orazio Fontana's workshop.\nThe decoration of trilobate cisterns with marine deities, nereids and tritons frolicking in the sea was appropriate for their function as containers for water. These lively designs were inspired by Marcantonio Raimondi's engraving of the Triumph of Galatea after Raphael's fresco in the Villa Farnese in Rome, although, only one of the extant examples, in the Wallace Collection, is decorated internally with a close copy of it. The others have variants, identified as either the Triumph of Galatea or Amphitrite, who is sometimes accompanied by Neptune. In the upper part of the scenes there are usually putti, holding bows as they do in the print, or wreaths. The demand for such scenes might also have been fostered by Vasari's fresco of 'Water' in the Palazzo Vecchio in Florence, but the fashion for marine fantasies in the second half of the century was an aspect of the Mannerist style which can be paralleled in metalwork in Italy and elsewhere in Europe. 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