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Property of Baron Lionel de Rothschild.","page":"p. 405","type":"reference"},"admin":{"id":"publication-3192","uid":"adlib-publication-3192","uuid":"df600ce5-9138-3913-b5fb-404b7fa08261"},"summary_title":"Special Exhibition of Works of Art of the Mediaeval, Renaissance and More Recent Periods"},{"@link":{"notes":"Publ. p. 24, no. 14237, ill. opposite","page":"p. 24","type":"reference"},"admin":{"id":"publication-3193","uid":"adlib-publication-3193","uuid":"5edd3161-aca9-3d87-9a81-288cff7b4b50"},"summary_title":"National Art-Collections Fund Annual Report 1946"},{"@link":{"notes":"Publ. Illustrated p. 210","page":"p. 210","type":"reference"},"admin":{"id":"publication-3194","uid":"adlib-publication-3194","uuid":"40d7c2d2-5f47-3670-9eef-dd1f1e3a6ef0"},"summary_title":"Illustrated London News"},{"@link":{"notes":"Publ. pl. 50A & B & p. 18. 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Dated to c. 1515-20","page":"p. 19","type":"reference"},"admin":{"id":"publication-200001033","uid":"adlib-publication-200001033","uuid":"9727fed6-b8e0-39cf-8000-e35d4582fd07"},"summary_title":"Italian maiolica of the fifteenth and sixteenth centuries"},{"@link":{"notes":"Publ. p. 19, no. 9, p. 23, pl. 9 in colour. Dated to c. 1515-20.","page":"p. 19","type":"reference"},"admin":{"id":"publication-3196","uid":"adlib-publication-3196","uuid":"7a25417e-2d47-3a9b-a8f0-7f99f5b5c285"},"summary_title":"Maioliche dal rinascimento ad oggi"},{"@link":{"type":"reference"},"admin":{"id":"publication-3197","uid":"adlib-publication-3197","uuid":"aaa4493d-7900-32b9-9fb8-e16dd2f6a024"},"summary_title":"Maioliche italiane dalle origini al settecento"},{"@link":{"type":"reference"},"admin":{"id":"publication-3198","uid":"adlib-publication-3198","uuid":"dcb97837-bdb0-35ac-bebd-de25a51e7c89"},"summary_title":"L'arte della maiolica in Italia, 2nd edition"},{"@link":{"notes":"Publ. p. 87","page":"p. 87","type":"reference"},"admin":{"id":"publication-3174","uid":"adlib-publication-3174","uuid":"3a015cc1-e590-3208-b91c-020ad96e00a5"},"summary_title":"Ceramica italiana dalle origini a oggi"},{"@link":{"notes":"Publ. p. 83, pl. 67","page":"p. 83","type":"reference"},"admin":{"id":"publication-3050","uid":"adlib-publication-3050","uuid":"3615cab9-e204-3c7a-82af-0107ffd051cd"},"summary_title":"La maiolica di Cafaggiolo"},{"@link":{"notes":"Publ. pp. 40-1, no. 38","page":"pp. 40-1","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"notes":"Publ. pp. 294-303, pl. 1","page":"pp. 294-303","type":"reference"},"admin":{"id":"publication-200001071","uid":"adlib-publication-200001071","uuid":"282c8681-20dc-3aa8-8da1-d21e1819465d"},"summary_title":"Eine Majolika f\u00fcr Willibald Pirckheimer"},{"@link":{"notes":"Publ. p. 12, pls. 16 front & 17 back.","page":"p. 12","type":"reference"},"admin":{"id":"publication-2126","uid":"adlib-publication-2126","uuid":"e68b3970-238f-3462-9f21-6f4e892c9c2c"},"summary_title":"The National Art Collections Fund at the Fitzwilliam Museum, An Exhibition to celebrate The Fund's 85th Anniversary"},{"@link":{"notes":"Publ. p. 12","page":"p. 12","type":"reference"},"admin":{"id":"publication-3199","uid":"adlib-publication-3199","uuid":"4481561d-b2d6-3b7b-8418-44c2f262cd05"},"summary_title":"Maioliche e porcellane italiane"},{"@link":{"notes":"Publ. p. 51, pl. 6","page":"p. 51","type":"reference"},"admin":{"id":"publication-200000993","uid":"adlib-publication-200000993","uuid":"3f4f778b-43c0-32f4-b9ae-5011331b2107"},"summary_title":"Cafaggiolo (1498-1540)"},{"@link":{"notes":"Publ. p. 85, fig. 11","page":"p. 85","type":"reference"},"admin":{"id":"publication-200001072","uid":"adlib-publication-200001072","uuid":"4e2d7328-caed-3579-8f9a-c0aa09993aea"},"summary_title":"The Vulcan painter and the Fall of Phaethon"},{"@link":{"notes":"Publ. pp. 133-5, no. 191. 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In note 2 the author states that the Dini owned the Erbaia farm in the Mugello, near Cafaggiolo. He dates the plate  to c. 1550-60 on the grounds of its similarity to another with a comparable border, decorated in the centre with the impaled arms of Puccini and Bussini of Florence, probably celebrating a marriage in 1569, see p. 148, no. 189. It can be seen from this that the arms on the Fitzwilliam's large basin deviates from the standard Dini arms.","page":"146","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107516","uid":"adlib-term-107516","uuid":"146a0bfc-a677-3f01-8f8a-18d01ec5f2f2"},"summary_title":"shield"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-110720","uid":"adlib-term-110720","uuid":"a3c10876-e889-3e8d-a458-73e817c04520"},"summary_title":"coat-of-arms"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-42208","uid":"adlib-term-42208","uuid":"56bdf465-22ee-3b51-a8c4-fe4a29b1ca93"},"summary_title":"sword"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-24787","uid":"adlib-term-24787","uuid":"b14c69fa-2922-37ee-9bc3-cfdee85aba7d"},"summary_title":"fire"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106479","uid":"adlib-term-106479","uuid":"b91b4043-3e4e-39f8-bc64-699b379ca076"},"summary_title":"wolf"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-9852","uid":"adlib-term-9852","uuid":"10f8d89a-5eb7-3934-8931-0f898e99aa9d"},"summary_title":"Fox"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106347","uid":"adlib-term-106347","uuid":"3c781afb-ea37-38e7-bb1a-523369330f0a"},"summary_title":"bear"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-58201","uid":"adlib-term-58201","uuid":"16bd0e86-9f1c-3718-b3c8-1fb4dd03c3a6"},"summary_title":"plant"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-106275","uid":"adlib-term-106275","uuid":"a1bd9046-a422-36ac-a493-60fa7c7f7e91"},"summary_title":"landscape"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-106376","uid":"adlib-term-106376","uuid":"8e94a929-86ca-3f59-91cf-9782d32e1db3"},"summary_title":"bridge"},{"@link":{"type":"literal"},"name":[{"value":"shield"}],"summary_title":"shield"},{"@link":{"type":"literal"},"name":[{"value":"coat-of-arms"}],"summary_title":"coat-of-arms"},{"@link":{"type":"literal"},"name":[{"value":"sword"}],"summary_title":"sword"},{"@link":{"type":"literal"},"name":[{"value":"fire"}],"summary_title":"fire"},{"@link":{"type":"literal"},"name":[{"value":"wolf"}],"summary_title":"wolf"},{"@link":{"type":"literal"},"name":[{"value":"Fox"}],"summary_title":"Fox"},{"@link":{"type":"literal"},"name":[{"value":"bear"}],"summary_title":"bear"},{"@link":{"type":"literal"},"name":[{"value":"plant"}],"summary_title":"plant"},{"@link":{"type":"literal"},"name":[{"value":"landscape"}],"summary_title":"landscape"},{"@link":{"type":"literal"},"name":[{"value":"bridge"}],"summary_title":"bridge"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},"summary_title":"basin","techniques":[{"description":[{"value":"pale buff earthenware, tin-glazed white overall. Painted in dark blue, pale blue, green, yellow, orange, red, and black."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-79992","_score":19.10273,"_source":{"admin":{"added":1592984334000,"created":1312637261000,"flag":"Standard Record","id":"object-79992","indexed":1755021868321,"modified":1714467858000,"processed":1755021865424,"source":"adlib","stream":"fitz-online","uid":"adlib-object-79992","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79992","uuid":"0afccc3e-6f13-3dfe-9750-e7da10ea83f2","version":12},"agents":[{"@link":{"note":[{"value":"Marmaduke Langdale Horn was born on 23 November 1889 at 'Holmwood' at Walkerville in South Australia, and was one of three brothers who served in the Royal Flying Corp during the First World War. He served in an administrative capacity and was awarded the Croix de Guerre with bronze star for his services. After the War he became a director of Horn Trust and Investments and Kuala Selanger Rubber Co. Ltd., and settled in England at Stoke Charity, where he had spent many of his younger years at Old Stoke. During the Second World War he acted as Chuchwarden for St Mary and St Michael, Stoke Charity, and later contributed to the restoration of the church. He became an art collector, and also built up an extensive collection of cigarette cards. He died at Stoke Charity on 18 August 1953. \n\nInformation taken from biography by Chas Schaedel, History Group South Australian Aviation Museum, see https:\/\/www.saam.org.au\/aviatorprofiles.html"}],"type":"reference"},"admin":{"id":"agent-207524","uid":"adlib-agent-207524","uuid":"08f9ec74-320f-3c60-aad1-c985ed27cc46"},"summary_title":"Horn, Marmaduke Langdale (1889-1953)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-156780","uid":"adlib-agent-156780","uuid":"4470d805-70b9-3338-8d75-aa85567e6cd1"},"summary_title":"Orlando"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160419","uid":"adlib-agent-160419","uuid":"9b481813-5e1b-380f-8947-db27e4986cf0"},"summary_title":"Ruggiero"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"}],"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica plate, painted in polychrome with Orlando finds Ruggiero's Charger Frontino, his Armour and Sword on board an abandoned Ship."},{"value":"Pale buff earthenware, tin-glazed overall; there is a fault in the glaze on the left of the front; the reverse is off-white. Painted in blue, green, turquoise-green, yellow, orange, stone, brown, manganese-purple, black, and white.\nShape 52. Circular with a wide, gently sloping rim and shallow well, slightly and unevenly convex in the middle.\nOrlando finds Ruggiero's Charger Frontino, his Armour and Sword on board an abandoned Ship. Oliver stands on the right holding Ruggiero's armour. Brandimarte is aboard the ship, holding out his arms towards Frontino, who is partly hidden by three shields and an awning. Orlando, girt with the sword Balisarda, sits with his back to the viewer on a rock in the foreground. Hanging from the mast is a shield, charged with the Pucci arms argent, a moor's head proper wearing a headband argent charged with three hammers sable, with behind, a papal ombrellino. In the background to left there is a tree, and on the right, a rocky island. The edge is yellow. The back is inscribed in the middle in dark blue: `.1532.\/Nel agitato Legno truova\/Orlando di Ruggier' l'armi\/Nel.XXXVII. cato del furioso d\/.M.L. Ariosto.\/fra: Xato .A.\/da Rouigoi \/Urbino.' (In the tossing vessel Orlando finds Ruggiero's arms, In the 37th canto of the furioso of Messer Ludovico Ariosto. Francesco Xanto Avelli da Rovigo in Urbino.)."}],"exhibitions":[{"@link":{"catalogue":"5247","type":"reference"},"admin":{"id":"exhibition-1265","uid":"adlib-exhibition-1265","uuid":"723e9b4e-5a35-3d5f-933e-29f6c9da35fe"},"summary_title":"Special Exhibition of Works of Art of the Mediaeval, Renaissance and More Recent Periods"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.10-1953","primary":true,"type":"accession number","value":"C.10-1953"},{"priref":"79992","type":"priref","value":"79992"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79992","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79992"}],"inscription":[{"location":"on base","method":"inscribed in dark blue","transcription":[{"value":".1532.\/Nel agitato Legno truova\/Orlando di Ruggier' l'armi\/Nel.XXXVII. cato del furioso d\/.M.L. Ariosto.\/fra: Xato .A.\/da Rouigoi \/Urbino."}],"type":"inscription"},{"description":[{"value":"rectangular"}],"method":"typed","transcription":[{"value":"From the Pucco [sic] service"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"M.L. Horn Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153306","uid":"adlib-agent-153306","uuid":"ffdbdb9b-fb52-37d0-befe-c60f946304c6"},"summary_title":"Horn, Marmaduke Langdale"}],"date":[{"earliest":1953,"latest":1953,"value":"1953-10-22"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1532,"era":["CE"],"latest":1532,"note":[{"value":"dated"}],"value":"1532"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-5335","uid":"adlib-agent-5335","uuid":"abbd62ad-dff5-32f6-8881-6cc828e21322"},"summary_title":"Avelli, Francesco Xanto"},{"@link":{"qualifier":"after","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"}],"note":[{"value":"The dish was painted by Francesco Xanto Avelli, a native of Rovigo, near Padua, and was recorded in Urbino between 1530 and 1542. During that period he marked or signed numerous dishes and panels, many of which are also inscribed with their subject and its literary source. Xanto's reference on the back of this dish to canto 37 (stanzas 25-9) of Orlando Furioso, shows that he used the first edition, published in 1516 and reprinted in 1521, 1524, and each year until 1531. In the second edition of 1532 and subsequent editions, the action takes place in canto 41 (stanzas 25-9). These editions had no illustrations to serve as a basis for the illustration on the dish. So Xanto followed his usual practice of constructing a scene with figures taken from prints, in this case just one, the Abduction of Helen, engraved by Marcantonio Raimondi after Raphael. The first illustrated Orlando Furioso with a simple woodcut to each canto had been published in 1530, but it was not until 1542 that really lively illustrations appeared in the edition by Gabrielli Giolito de' Ferrari of Venice."},{"value":"This is one of thirty-six dishes surviving from a service bearing the arms of a member of the Pucci family of Florence. Thirty-four are dated 1532 and two, 1533. The identity of the owner of the service is uncertain. Piero Maria Pucci of Florence (b. 1467) is one member of the family who has been suggested. Another was Roberto Pucci, whose wife having died in 1526,  entered the Church, becoming Bishop of Pistoia in 1541, and a Cardinal in 1542, after which he impaled the Farnese arms with Pucci. He died aged eighty-three in 1547. Most of the dishes are decorated with scenes from classical mythology or history, but this dish and another in the British Museum differ in having scenes from one of the greatest romantic epic poems, Orlando Furioso by Ludovico Ariosto (1474-1533). The action shown on the Fitzwilliam's dish takes place after the hero, Ruggiero, had abandoned his ship in a storm off the coast of Egypt, leaving on board his horse, Frontino, his armour and his magic sword, Belisarda. 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