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earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"dark blue, pale blue, green, yellow, orange, red, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"},{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"},{"@link":{"type":"reference"},"admin":{"id":"term-23550","uid":"adlib-term-23550","uuid":"bce302cf-3608-34aa-abf7-dcb9acdd4024"},"summary_title":"heraldry"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica basin for ewer, painted in polychrome, with a fox and bear with a shield of arms in a landscape, a battle between centaurs and satyrs, and eight medallions painted with subjects from the Bible and Roman history surrounded by grotesques."},{"value":"Pale buff earthenware, tin-glazed white overall. Painted in dark blue, pale blue, green, yellow, orange, red, and black.\nCircular with sloping rim, upturned slightly at the edge; deep sides moulded with oblique reversed gadroons; flat centre with ribs encircling its outer edge and the emplacement for the ewer in the middle; low foot ring on the back. (Poole, 1995, Shape 69) \nThe central medallion contains a landscape in which a fox attempts to wrest a shield from the possession of a bear. The bear holds a sword in its right forepaw and rests its left on the shield, which is of testa di cavallo form, charged with the arms per fess gules and argent, overall a tree eradicated. A scroll above is inscribed, 'E COSI VA CHE TROPO VOLLE' (This is what happens to him who wants too much). The rest of the base is decorated with a battle between male and female satyrs and centaurs. The gadroons on the sides are painted in blue with stylised plants. On the rim there are grotesques reserved in a blue ground, interrupted by eight oval medallions, painted with eight subjects from the Bible and Roman history: Marcus Curtius leaping into the chasm, Dido falling on her sword, David with the head of Goliath, Judith with the head of Holofernes, Mucius Scaevola thrusting his right hand into the fire, a woman with a shield, Horatius defending the bridge and, probably, the suicide of Lucretia.\nThe back is decorated in blue and yellow with a trophy of two crossed quivers, a bow, and an arrow, surrounded by delicate coiling blue stems with blue, orange, and green foliage. The footring is blue with an invected circle within it. The sides and rim are decorated with blue and orange horizontally striped petals between blue bands and there are two blue bands on the outer edge."}],"exhibitions":[{"@link":{"catalogue":"5162","type":"reference"},"admin":{"id":"exhibition-1265","uid":"adlib-exhibition-1265","uuid":"723e9b4e-5a35-3d5f-933e-29f6c9da35fe"},"summary_title":"Special Exhibition of Works of Art of the Mediaeval, Renaissance and More Recent Periods"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1427","uid":"adlib-exhibition-1427","uuid":"b334aefb-5535-3bfc-8a31-25cd4aa669c2"},"summary_title":"The National Art Collections Fund at the Fitzwilliam Museum, An Exhibition to celebrate the Fund's 85th Anniversary"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"63","type":"reference"},"admin":{"id":"exhibition-1789","uid":"adlib-exhibition-1789","uuid":"847b68d6-8267-37e9-868c-223c9328083f"},"summary_title":"Saved! 100 Years of the National Art Collections Fund"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-2573","uid":"adlib-exhibition-2573","uuid":"992d85e4-5168-30d5-8235-23b6ec4bc04e"},"summary_title":"Majolique. La Fa\u00efence des Humanistes 1480-1530"}],"identifier":[{"accession_number":"EC.19-1946","primary":true,"type":"accession number","value":"EC.19-1946"},{"priref":"48362","type":"priref","value":"48362"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48362","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48362"}],"inscription":[{"transcription":[{"value":"E COSI VA CHE TROPO VOLLE"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Leverton Harris Fund and with a contribution from the National Art Collections Fund (now The Art Fund)."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153300","uid":"adlib-agent-153300","uuid":"d8e1c7e5-a741-32d5-ae02-e8eb6741e59e"},"summary_title":"Spero, Alfred"}],"date":[{"earliest":1946,"latest":1907,"value":"1946-07"}],"method":{"value":"bought"}}],"creation":[{"date":[{"earliest":1520,"from":{"earliest":1520,"era":["CE"],"latest":1520,"precision":"circa","value":"1520"},"latest":1530,"range":true,"to":{"earliest":1530,"era":["CE"],"latest":1530,"value":"1530"}}],"maker":[{"@link":{"qualifier":"attributed to","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-159284","uid":"adlib-agent-159284","uuid":"31b66a23-f412-38fa-9d14-e85378c33d83"},"summary_title":"Vulcan Painter"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th 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for ewer"}],"note":[{"type":"history note","value":"Lionel de Rothschild (1808-79), before 1862; presumably Leopold de Rothschild (1845-1917); Mrs Leopold de Rothschild (n\u00e9e Marie Perugia,1862-1937); Alfred Spero, London."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 405, no. 5162. Property of Baron Lionel de Rothschild.","page":"p. 405","type":"reference"},"admin":{"id":"publication-3192","uid":"adlib-publication-3192","uuid":"df600ce5-9138-3913-b5fb-404b7fa08261"},"summary_title":"Special Exhibition of Works of Art of the Mediaeval, Renaissance and More Recent Periods"},{"@link":{"notes":"Publ. p. 24, no. 14237, ill. opposite","page":"p. 24","type":"reference"},"admin":{"id":"publication-3193","uid":"adlib-publication-3193","uuid":"5edd3161-aca9-3d87-9a81-288cff7b4b50"},"summary_title":"National Art-Collections Fund Annual Report 1946"},{"@link":{"notes":"Publ. Illustrated p. 210","page":"p. 210","type":"reference"},"admin":{"id":"publication-3194","uid":"adlib-publication-3194","uuid":"40d7c2d2-5f47-3670-9eef-dd1f1e3a6ef0"},"summary_title":"Illustrated London News"},{"@link":{"notes":"Publ. pl. 50A & B & p. 18. Dated to c. 1515-20","page":"p. 18","type":"reference"},"admin":{"id":"publication-3030","uid":"adlib-publication-3030","uuid":"b8528092-cf8f-373a-9fb3-548d79cede63"},"summary_title":"Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3195","uid":"adlib-publication-3195","uuid":"7d3d3df8-9035-3f78-8664-cd31737033b9"},"summary_title":"La maiolica italiana sino alla comparsa della porcellana europea"},{"@link":{"type":"reference"},"admin":{"id":"publication-15","uid":"adlib-publication-15","uuid":"a688918a-bb81-3998-99cc-81244715767d"},"summary_title":"The Fitzwilliam Museum, An Illustrated Survey"},{"@link":{"notes":"Publ. p. 73. Dated to 1515-20","page":"p. 73","type":"reference"},"admin":{"id":"publication-3047","uid":"adlib-publication-3047","uuid":"9050aba6-9b8c-3277-8b3e-b218b9ee26ea"},"summary_title":"Maioliche italiane del Rinascimento"},{"@link":{"notes":"Publ.p. 19, no. 9. 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In note 2 the author states that the Dini owned the Erbaia farm in the Mugello, near Cafaggiolo. He dates the plate  to c. 1550-60 on the grounds of its similarity to another with a comparable border, decorated in the centre with the impaled arms of Puccini and Bussini of Florence, probably celebrating a marriage in 1569, see p. 148, no. 189. 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Painted in dark blue, green, yellow, orange, and manganese-purple. Shape 66. Circular with shallow curved sides, slightly everted at the rim.\nDoge Agostino Barbarigo supervising the loading of Money into a Ship destined for the Relief of Naples. The ship is moored beside a wharf on the right. At the foot of the mast there are six money bags, five of which bear a label inscribed with the name of the coins they contain: `docate papal' (papal ducats), `docate ugar' (Hungarian ducats), `docatti ancon' (Ancona ducats), `docate ve' (Venetian ducats), and `venetia' (Venetian ?). A rectangular notice suspended from the rigging is inscribed `fatte fatte fatte\/et non parole' (deeds, deeds, deeds and not words). The Doge stands in the middle, pointing to the label with his left hand and to the money with his right. Four togati stand behind him and, on the extreme left, a sailor approaches carrying four more bags, two of which are labelled `March' (small silver marchesane or marcelli) and `Troni' (silver lira introduced by Doge Niccol\u00f2 Tron). The foreground is green and the background dark blue with pronounced vertical brush strokes. The back is decorated with a central blue spiral surrounded by concentric circles: wide blue, orange and blue, two narrow blue, and a yellow zig-zag border filled with transverse blue lines. 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The French had invaded Naples in February 1495 and the ousted Aragonese King, Ferdinand II, appealed to Venice for help. By the end of March, an anti-French treaty known as The Holy League had been concluded. The League was made public on Palm Sunday, 1495 and afterwards money was collected and despatched by sea to Ferdinand II. The sacks on the ship are labelled with their contents: Papal, Hungarian, Ancona, and Venetian ducats. The two carried by the sailor on the left are labelled `March', probably small silver marchesane or marcelli, and `Troni', silver lire introduced by Doge Niccol\u00f2 Tron (1471-4). The notice on the ship's rigging, `fate fate fatte\/et non parole' (action, action, action and not words), indicates that Venice was sending practical assistance and not just vain promises.\nThe attribution of the dish has caused much speculation. The subject is so specifically Venetian that it is only natural to consider that it was painted there soon after the event. However, no firm evidence for the manufacture of maiolica in Venice in 1495 has been published, and istoriato dishes from any centre before 1500 are uncommon. In view of the dish's shape, certain aspects of the figures, and the decoration of the reverse, it is more likely to have been made in Faenza between about 1500 and 1520. 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