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Marlay"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, orange, brown, stone, and manganese-purple"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]},{"name":"Suspension Holes","techniques":[{"description":[{"value":"buff earthenware, tin-glazed on the front and outside edges; reverse unglazed. Painted in blue, green, yellow, orange, brown, stone, and manganese-purple."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-26483","uid":"adlib-term-26483","uuid":"c5756b64-2720-3558-9d90-98bd4a27592f"},"summary_title":"piercing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica panel painted in polychrome with the Crucifixion."},{"value":"Buff earthenware, tin-glazed on the front and outside edges; reverse unglazed. Painted in blue, green, yellow, orange, brown, stone, and manganese-purple. Square with a raised edge and a suspension hole in each corner.\nThe Crucifixion. The Cross is in the centre, with Mary Magdalene at its foot and the Virgin and St John to the left, surrounded by Roman cavalry and foot soldiers. A soldier on the left holds a shield charged with a scorpion, and another to the right of the Cross holds a scorpion standard. The crosses of the two malefactors are further back. In the sky above them is the sun on the left, and the moon on the right. The raised edge is yellow. The back is inscribed in greyish-black: 'DIRVTI\/ISSVI'."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1613","uid":"adlib-exhibition-1613","uuid":"14ebcb02-6902-3d77-86f1-2632430766a6"},"summary_title":"The Fine Art and Antiques Fair"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1658","uid":"adlib-exhibition-1658","uuid":"4889ef48-e773-3b77-8070-657c87a2145e"},"summary_title":"Light of the World; Christ's story told through Art"},{"@link":{"catalogue":"plate 86","type":"reference"},"admin":{"id":"exhibition-2806","uid":"adlib-exhibition-2806","uuid":"6e1b65bf-b6bc-3f65-8be7-5ea2aab18496"},"summary_title":"Madonnas and Miracles. 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It is attributed to Giacomo Mancini, known as 'El Frate' (the Friar), who was the most significant exponent of istoriato decoration there in the mid sixteenth century. He was recorded as a painter in 1540, and several lustred and polychrome dishes signed by him between 1541 and 1545 survive and these have enabled others to be attributed to him. By the 1550s his style had matured but several characteristics of his hand remained constant, providing links with his earlier work. One of the most noticeable was his treatment of horses' heads and ears, which can be seen clearly on this panel, as can the tousled hair which many of his figures have. Some of his finest work was done in the 1560s, such as a large dish decorated with Parnassus, dated 1564, in the Mus\u00e9e Alexis-Forel at Morges. He died in or shortly before 1581 when his sons divided the family goods between them.\nThis Crucifixion may have been influenced by two prints, both of which include horses: a Calvary, by a follower of Marcantonio Raimondi and another dated 1541, probably after Francesco Salviati. The sun and moon are shown to express the mourning of the whole universe at Christ's death. The scorpions on the banner and on one shield conventionally that the holders were sinners. They were also symbols of treachery, and therefore also refer to the betrayal of Christ by Judas.\nThe holes in each corner indicate that it was intended to be attached to a wall."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-125332","uid":"adlib-term-125332","uuid":"76f10b5d-9bf4-36d4-b4e3-f4df05af8260"},"summary_title":"16th Century, third 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Briefly mentioned, p. 58","page":"p. 58","type":"reference"},"admin":{"id":"publication-3038","uid":"adlib-publication-3038","uuid":"2e589e20-ae79-381a-b203-3ac54f40b6a7"},"summary_title":"Guide to the European Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 23, fig. 4","page":"p. 23","type":"reference"},"admin":{"id":"publication-200001075","uid":"adlib-publication-200001075","uuid":"57b45045-5cc9-3c3a-b8dc-6c9fd200cbf3"},"summary_title":"Olympian Heights"},{"@link":{"notes":"Publ. pp. 202-3, no. 275, and colour pl. 20","page":"pp. 202-3","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 80-1, no. 35","page":"80-1","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. pp. 88-9, plate 86; illustrated on p. 89, and p. 178, no. 86, brief description.","page":"88-9","type":"reference"},"admin":{"id":"publication-8422","uid":"adlib-publication-8422","uuid":"849d6b11-70f3-3a5b-9261-5930e598885c"},"summary_title":"Madonnas and Miracles. The Holy Home in Renaissance Italy"},{"@link":{"notes":"Publ. p. 305, figs 6 front and fig 7 inscription in Menganna, Clara, \"Alcuni cenni storici delle maioliche di Deruta\". Un manoscritto inedito di Giuseppe Fabretti, pp. 301-13.","page":"305","type":"reference"},"admin":{"id":"publication-8772","uid":"adlib-publication-8772","uuid":"bd461463-aec2-3adc-aaea-b54665a347c6"},"summary_title":"La maiolica italiana del Rinasciment, Studie e Ricerche, Atti del convegno internazionale, Assisi 9-11 settembre 2016"},{"@link":{"notes":"Ref. For a panel of the Virgin and Child with Sts Anthony Abbot and Seabastian in the Museo Internazionale delle Ceramiche, Faenza, and for listing of other plaques and dishes to the Mancini workshop","page":"403-16","type":"reference"},"admin":{"id":"publication-200003017","uid":"adlib-publication-200003017","uuid":"55be5fba-f179-3c73-9753-81615c69144d"},"summary_title":"Una targa della collezione Cora attribuibile alla bottega del Frate da Deruta"},{"@link":{"notes":"Ref. pp. 5-9 for late work of El Frate. The Fitzwilliam's panel is mentioned.","page":"5-9","type":"reference"},"admin":{"id":"publication-200003018","uid":"adlib-publication-200003018","uuid":"6d3f0def-3d22-3fbd-8e3f-dd8ab89da2ad"},"summary_title":"Aspetti dell'istoriato Derutese: l'opera tarda di Giacomo Mancini dett \"il Frate\" e della sua bottega"},{"@link":{"notes":"Cf. p. 286, no. 182 a votive panel dated 1548 and a devotional panel  of the Virgin and Child with Sts Anthony Abbot and Sebastian of c. 1560-70, which like the Fitzwilliams have raised yellow edges, but with two suspension holes at top centre instead of four in the corners.","page":"286","type":"reference"},"admin":{"id":"publication-3209","uid":"adlib-publication-3209","uuid":"fa981d4b-c07a-38f6-89c8-3a3c93acc139"},"summary_title":"La ceramica di Deruta dal XIII al XVIII secolo"},{"@link":{"type":"reference"},"admin":{"id":"publication-200003019","uid":"adlib-publication-200003019","uuid":"f39e0a47-c534-3811-874b-e711f70047d1"},"summary_title":"Targhe devozionali e votive"},{"@link":{"notes":"Ref. p. 69, record of 'il Frate' being employed as a painter with others to work on the triumphal arch erected for the entry of Pope Paul III into Deruta in 1540, see transcription of document on pp. 104-05. See also p. 70 for further information about him and his sons, Filippo, Andrea and Africano, who were also potters.","page":"54-81","type":"reference"},"admin":{"id":"publication-200003020","uid":"adlib-publication-200003020","uuid":"01de52c7-1854-32f8-b36b-b355ee4fc933"},"summary_title":"I Mancini e i maestri ceramisti di Deruta nel Rinascimento"},{"@link":{"notes":"Publ. pp. 301-09, Menganna, Clara,' \"Alcuni cenni storici delle maioliche di Deruta\". 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Pierpont Morgan (d. 31 March 1913); collection purchased by Joseph Duveen, 1916;  Dr Alfred Israel Pringsheim; Sotheby's, 7 June 1939, Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich, lot 33."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 23, no. 75","page":"p. 23","type":"reference"},"admin":{"id":"publication-3207","uid":"adlib-publication-3207","uuid":"7f9d6c5f-57ad-39b0-b07d-dfd208164647"},"summary_title":"Di un'insigne raccolta di maioliche depinte delle fabbriche di Pesaro e della provincia metaurense"},{"@link":{"type":"reference"},"admin":{"id":"publication-3211","uid":"adlib-publication-3211","uuid":"fed40c31-3ea0-30bf-83ed-c01c57ecab80"},"summary_title":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk"},{"@link":{"type":"reference"},"admin":{"id":"publication-3208","uid":"adlib-publication-3208","uuid":"2d1daf51-dd10-376d-ac43-c117e18076c0"},"summary_title":"Collection Charles Mannheim, objets d'art"},{"@link":{"notes":"Publ. p. 33 & pl. 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