[{"admin":{"added":1592951288000,"created":1312633275000,"id":"publication-3211","indexed":1616539746515,"modified":1312671109000,"processed":1615826073021,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-3211","uuid":"fed40c31-3ea0-30bf-83ed-c01c57ecab80","version":2},"lifecycle":{"publication":[{"date":[{"value":"1884"}],"place":[{"@link":{"type":"literal"},"name":[{"value":"London"}],"summary_title":"London"}]}]},"summary_title":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk","title":[{"primary":true,"value":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-80105","_score":18.495766,"_source":{"admin":{"added":1592984334000,"created":1312637261000,"flag":"Standard Record","id":"object-80105","indexed":1747246322965,"modified":1688405593000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-80105","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80105","uuid":"02c2c705-73dc-3d87-8fdc-f507a407f745","version":6},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153079","uid":"adlib-agent-153079","uuid":"fb604d25-5210-3a08-bcf1-26e1390ef020"},"summary_title":"Aeneas"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160448","uid":"adlib-agent-160448","uuid":"78dceac3-1b74-3ea6-8cf2-46f63080729b"},"summary_title":"Achates"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160447","uid":"adlib-agent-160447","uuid":"b06817b2-58fc-3b73-977f-849f6e263d49"},"summary_title":"zephyr"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green, turquoise, yellow, orange, stone, brown, manganese, black, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica plate, painted in polychrome with Aeneas and his Companions on the Coast of Carthage."},{"value":"Buff earthenware, tin-glazed overall; the reverse is pale beige, and has six small flaws. Painted blue, green, turquoise, yellow, orange, stone, brown, manganese, black, and white. Shape approximately 52, with three shallow concentric grooves under the outer edge. Circular with a wide, slightly sloping rim and shallow well.\nAeneas and his Companions on the Coast of Carthage. Aeneas, accompanied by Achates, stands on the left addressing his three comrades, who stand on the right beside a tree. A zephyr's head peers through a bank of clouds in the sky above them. In the foreground there is a shallow rock and grass; in the middle, the prows of two black ships and a headland; and in the distance, a building on a promontory. The edge is yellow. The back is inscribed in the middle in dark greenish-black: `AeVlus inmittit\/Ventos iunone\/precante' (Aeolus sends out the winds at Juno's command), enclosed by a yellow band. A narrow and a wide band encircle the edge."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1674","uid":"adlib-exhibition-1674","uuid":"9562400f-e7c8-39cf-a70b-cc67cd3872b9"},"summary_title":"Burlington Fine Arts Society Winter Exhibition, 1934-5"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.85-1961","primary":true,"type":"accession number","value":"C.85-1961"},{"priref":"80105","type":"priref","value":"80105"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80105","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80105"}],"inscription":[{"location":"on the back","method":"painted in dark greenish-black","transcription":[{"value":"AeVlus inmittit\/Ventos iunone\/precante"}],"type":"inscription"},{"method":"incised","transcription":[{"value":"'af' and '53'"}],"type":"mark"},{"description":[{"value":"rectangular"}],"method":"printed","transcription":[{"value":"21 A FLAT URBINO PLATE, five figures apparently invoking Aeolus for\/the success of their voyage, background water with prows of two black boats, description on the back - 10 7\/8 in.\/No. 1973 of the Bernal Collection."}],"type":"label"},{"description":[{"value":"rectangular with blue printed border"}],"method":"inscribed in ink","transcription":[{"value":"Collection Fount (aine)\/? 6.6.84"}],"type":"label"},{"description":[{"value":"rectangular"}],"method":"printed","transcription":[{"value":"53"}],"type":"label"},{"description":[{"value":"rectangular"}],"method":"printed","transcription":[{"value":"2...at Urbino plate five figures invoking Aeolus, sea\/background and boats 10 7\/8 in (this No. 1973 in the Ber\/nal sale, bringing \u00a312.10s., and Mr. Fountaine the pur\/chaser, a very beautiful plate in perfect and brilliant con\/dition - \u00a360.18s. (Marks)"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1530,"era":["CE"],"latest":1530,"precision":"circa","value":"1530"}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-99016","uid":"adlib-agent-99016","uuid":"d1d63237-ac23-350a-897d-50f3369e87e8"},"summary_title":"Nicola di Gabriele Sbraghe da Urbino"},{"@link":{"qualifier":"possibly","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-160384","uid":"adlib-agent-160384","uuid":"5c6d6814-9356-3ed2-aa15-769c66acb5b6"},"summary_title":"Milan Marsyas Painter"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120009","uid":"adlib-term-120009","uuid":"690a6332-cfc1-3411-a716-4dd4ec7d9a65"},"summary_title":"16th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"note":[{"value":"."}],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"27.9"},{"dimension":"Height","units":"cm","value":"2.8"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}}],"note":[{"type":"history note","value":"Ralph Bernal; Christie's, 23 March 1855, Catalogue of the celebrated collection of works of art from the Byzantine period to that of Louis Seize of that distinguished collector, Ralph Bernal, Esq., deceased, lot 1973; Andrew Fountaine IV (1808-73); his heir; Christie's, 16 June 1884, Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels . . ., removed from Narford Hall, Norfolk, lot 21; Murray Marks; Sir Francis Oppenheimer, KCMG; Sotheby's, 19 December 1941, Catalogue of Oriental and European ceramics, enamels and works of art . . . the property of Sir Francis Oppenheimer, KCMG, lot 45; Louis C.G. Clarke (1881-1960)."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-3257","uid":"adlib-publication-3257","uuid":"e9500838-86b4-31f5-8fb0-069cfd055e46"},"summary_title":"Catalogue of the celebrated collection of works of art from the Byzantine period to that of Louis Seize of that distinguished collector, Ralph Bernal, Esq., deceased, 5 March - 30 April 1855"},{"@link":{"type":"reference"},"admin":{"id":"publication-3211","uid":"adlib-publication-3211","uuid":"fed40c31-3ea0-30bf-83ed-c01c57ecab80"},"summary_title":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk"},{"@link":{"type":"reference"},"admin":{"id":"publication-3258","uid":"adlib-publication-3258","uuid":"b93bd340-5086-3715-aa05-e1c253aa4d9b"},"summary_title":"Catalogue of Oriental and European ceramics, enamels and works of art . . . the property of Sir Francis Oppenheimer, KCMG"},{"@link":{"type":"reference"},"admin":{"id":"publication-3030","uid":"adlib-publication-3030","uuid":"b8528092-cf8f-373a-9fb3-548d79cede63"},"summary_title":"Italian Maiolica"},{"@link":{"notes":"Publ. p. 5 & pl. XII","page":"p. 5","type":"reference"},"admin":{"id":"publication-1970","uid":"adlib-publication-1970","uuid":"2b9703ad-8c20-31c6-894a-c7fea3ad953e"},"summary_title":"Fitzwilliam Museum, Cambridge. Annual Report for the Year ending 31 December 1961"},{"@link":{"notes":"Publ. p. 136, p. 137, fig. 8","page":"pp. 136-7","type":"reference"},"admin":{"id":"publication-200001033","uid":"adlib-publication-200001033","uuid":"9727fed6-b8e0-39cf-8000-e35d4582fd07"},"summary_title":"Italian maiolica of the fifteenth and sixteenth centuries"},{"@link":{"notes":"Publ. p. 444","page":"p. 444","type":"reference"},"admin":{"id":"publication-200001086","uid":"adlib-publication-200001086","uuid":"508c33f0-935b-3dda-bc6b-02d7f8119b1b"},"summary_title":"The Fountaine collection of maiolica"},{"@link":{"notes":"Publ. pp. 311-14, no. 379","page":"pp. 311-14","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. p. 49, no. 352-1, the print of Neptune calming the Tempest raised by Aeolus against Aeneas' Fleet (known the Quos Ego).","page":"49","type":"reference"},"admin":{"id":"publication-3394","uid":"adlib-publication-3394","uuid":"dd8e222b-3319-39b2-990e-9846708e02b5"},"summary_title":"The Illustrated Bartsch 27 formerly volume 14 (Part 2)"},{"@link":{"notes":"Cf. p. 135, no. 89, a dish in Schloss Pillntiz, Dresden (inv. no. 38080), where the examples of this subject in the Fitzwilliam and the Herzog Anton-Ulrich Museum, Braunschweig are mentioned.","page":"135","type":"reference"},"admin":{"id":"publication-6261","uid":"adlib-publication-6261","uuid":"445cc21f-ed97-3c1d-acba-fce0d4f1733c"},"summary_title":"G\u00f6tter, Helden und Grotesken, Das Goldene Zeitalter der Majolika"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-80826","uid":"adlib-term-80826","uuid":"0aa155f8-d4d1-3df9-9bd8-a3b54c4d9618"},"summary_title":"ship"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-58471","uid":"adlib-term-58471","uuid":"ce00216e-da4e-37b3-974c-c2b6377d6c19"},"summary_title":"tree"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-31121","uid":"adlib-term-31121","uuid":"1dde7ee9-e8e5-36ec-8138-143772ba3557"},"summary_title":"rock"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-106791","uid":"adlib-term-106791","uuid":"38e58881-ef97-35f9-8ab2-519e0591420a"},"summary_title":"cloud"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-107653","uid":"adlib-term-107653","uuid":"f0e5411f-000d-3b82-a00f-64dfe2eb617f"},"summary_title":"grass"},{"@link":{"type":"literal"},"name":[{"value":"ship"}],"summary_title":"ship"},{"@link":{"type":"literal"},"name":[{"value":"tree"}],"summary_title":"tree"},{"@link":{"type":"literal"},"name":[{"value":"rock"}],"summary_title":"rock"},{"@link":{"type":"literal"},"name":[{"value":"cloud"}],"summary_title":"cloud"},{"@link":{"type":"literal"},"name":[{"value":"grass"}],"summary_title":"grass"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate","techniques":[{"description":[{"value":"buff earthenware, tin-glazed overall; the reverse is pale beige, and has six small flaws. Painted blue, green, turquoise, yellow, orange, stone, brown, manganese, black, and white."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"Aeneas and his Companions on the Coast of Carthage"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-76333","_score":18.495766,"_source":{"admin":{"added":1592970427000,"created":1312637261000,"flag":"Standard Record","id":"object-76333","indexed":1756836094141,"modified":1725555732000,"processed":1756836091182,"source":"adlib","stream":"fitz-online","uid":"adlib-object-76333","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76333","uuid":"07464e7b-b6d4-3c7f-8824-efdfbea6df42","version":7},"agents":[{"@link":{"note":[{"value":"Gualtieri was appointed a cardinal in 1706."}],"type":"reference"},"admin":{"id":"agent-207521","uid":"adlib-agent-207521","uuid":"2e1d55f1-29ee-3c2e-969c-d8ec824063bd"},"summary_title":"Gualtieri, Filippo Antonio (1660-1728)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153162","uid":"adlib-agent-153162","uuid":"bf8c2e94-bc1b-37ca-8924-7466546163ba"},"summary_title":"Madonna"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160752","uid":"adlib-agent-160752","uuid":"8aa6316a-4aea-37a0-94f1-af69f4610c71"},"summary_title":"Christ Child"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152774","uid":"adlib-agent-152774","uuid":"de99f35f-cc87-3d6f-95a7-70a6d0601039"},"summary_title":"putti"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, orange, manganese-purple, black, white, and grey"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish with broad rim. Painted in polychrome with, in the middle the Madonna and infant Christ, surrounded on the side of the well and the rim by a shield, putti, grotesques, and cameos."},{"value":"Pale buff earthenware, tin-glazed creamy-white overall. Painted in blue, green, yellow, orange, manganese-purple, black, white, and grey. Shape 59 with wider rim. Circular with broad, sloping rim and wide, deep well, standing on a footring.\nIn the middle, encircled by simulated beading, the Madonna sits on a bank of clouds with the infant Christ standing on her knee. On the side of the well are two putti separated by grotesques and above, a band of yellow and orange simulated beading. The rim is decorated with grotesques and cameos interrupted at the top by a cartouche containing an oval shield charged with the arms bendy or and azure, ensigned by a cross and a green hat, and flanked by three rows of green tassels. The yellow edge is decorated with orange, brown and white petals. The back is encircled by yellow bands: two on the footring, one outside it, three at the shoulder, and two by the edge."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.90-1961","primary":true,"type":"accession number","value":"C.90-1961"},{"priref":"76333","type":"priref","value":"76333"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76333","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76333"}],"inscription":[{"location":"on back","method":"incised","transcription":[{"value":"af    13"}],"type":"collector's mark"},{"description":[{"value":"rectangular paper label"}],"location":"on back","method":"inscribed in faded black ink","transcription":[{"value":"Lot 198\/-Fountaine Collection\/Urbino dish. The\/Contarini arms.\/surmounted by Cardinals\/hat."}],"type":"label"},{"description":[{"value":"small rectangular paper label"}],"location":"on back","method":"inscribed","transcription":[{"value":"Croydon Lodge"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"For the first two probable owners, see Documentation, Poole, 2003, p. 93 and 97."}]}],"creation":[{"date":[{"earliest":1600,"era":["CE"],"latest":1600,"precision":"circa","value":"1600"}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-104572","uid":"adlib-agent-104572","uuid":"cb89605d-e2c6-3f69-80a6-2631c5d36181"},"summary_title":"Patanazzi family"}],"note":[{"value":"Symmetrical grotesque decoration painted on a white ground was fashionable on maiolica services during the late sixteenth and early seventeenth century. Initially it was used for the borders of istoriato scenes, and by the last decade of the century often occupied much of the surfaces of dishes and other vessels. This dish belonged to an armorial service of which at least nine other pieces are extant. Four circular dishes have a Saint in the middle and the arms on the rim above: St Paul, in the Walters Art Museum, Baltimore (48.1516); St Thomas, formerly in the Bak collection; St Mark formerly in the Pringsheim and Hannaford collections; and St John, formerly in the Ridout collection. A fifth with the arms in the well was sold anonymously by Sotheby's in 1980 and is now in the Gardiner Museum, Toronto (G83.1.405). Four oval dishes decorated respectively with a figure representing Spring, Summer, Autumn, and Winters, are in the  Museo d'Arti Applicate, Milan (inv. nos. 234, 240, 239 and 236). The service was probably made around 1600 because the style of its grotesque decoration is close to a dish in the Louvre, Paris, bearing the arms of Cardinal Paolo Emilio Zacchia (Cardinal 1598-1605), and attributed to the Patanazzi workshop in Urbino. The best-known family who bore the arms on this dish - bendy or and azure - was the Contarini of Venice. Possible members of the family who were either an archbishop or a bishop, indicated by the green hat and cross above the arms, were Tommaso Contarini who was Archbishop of Crete (1597-1605), or a less notable cleric, Gerolamo Contarini who was Bishop of Capo d'Istria (1600-20).                                                                                                                  \nThe dish is historically interesting because its ownership can be traced back to 1712 when it was sold with the dishes mentioned above  by Girolamo Talpa (1654-1739) of San Severino (Marche) to Cardinal Filippo Antonio Gualtieri (1660-1728). Five, including the Fitzwilliam's were later in the collection of Sir Andrew Fountaine of Narford Hall, Norfolk, and were sold by Christie, Manson & Woods in 1884."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106402","uid":"adlib-term-106402","uuid":"7466a5d6-293f-3bbc-9672-fa9dd41712be"},"summary_title":"16th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-106607","uid":"adlib-term-106607","uuid":"61babb74-f8fd-3e53-abf6-c2c2f5dd351b"},"summary_title":"17th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"probably"}],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"33.4"},{"dimension":"Height","units":"cm","value":"5.6"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-47457","uid":"adlib-media-47457","uuid":"a01be7b9-9ba9-3d54-aa8a-a426dc57433e"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_90_1961_283_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":753}]},"modified":1742583575819,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_90_1961_283_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":505},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583575819,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_90_1961_283_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":753}]},"modified":1742583575819,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_90_1961_283_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":252},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583575819,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-47456","uid":"adlib-media-47456","uuid":"4e3d25a9-3bd1-3d81-8989-3652034c0b77"},"processed":{"large":{"format":"jpeg","location":"aa\/aa9\/C_90_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583634673,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa9\/mid_C_90_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583634673,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa9\/C_90_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583634673,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa9\/preview_C_90_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583634673,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},{"value":"dish with broad rim"}],"note":[{"type":"history note","value":"Probably Girolamo Talpa (1654-1739),San Severino (Marche); sold by him to Cardinal Filippo Antonio Gualtieri (1660-1728), Orvieto and Rome. Andrew Fountaine IV; his heir; Christie's, 17 June 1884, Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels . . ., removed from Narford Hall, Norfolk, lot 198; M. Colnaghi. Stephenson Clarke (1824-91);  Louis C.G. Clarke, LL.D., (1881  -1960), Leckhampton, Cambridge."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-3211","uid":"adlib-publication-3211","uuid":"fed40c31-3ea0-30bf-83ed-c01c57ecab80"},"summary_title":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk"},{"@link":{"notes":"Publ. p. 445","page":"p. 445","type":"reference"},"admin":{"id":"publication-200001086","uid":"adlib-publication-200001086","uuid":"508c33f0-935b-3dda-bc6b-02d7f8119b1b"},"summary_title":"The Fountaine collection of maiolica"},{"@link":{"notes":"Publ. pp. 403-05, no. 434, colour plate 46","page":"pp. 403-05","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 98-9, no. 44","page":"98-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. p. 97 and pl. 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A dish from the same armorial service with a standing figure of St Paul in the well.","page":"35","type":"reference"},"admin":{"id":"publication-8275","uid":"adlib-publication-8275","uuid":"541ba1f4-8f5f-3ddc-a49b-24ca89955104"},"summary_title":"Catalogue of the Italian Majolica in the Walters Art Gallery"},{"@link":{"notes":"Cf. pp. 232-5, nos. 239-42, four oval dishes decorated with grotesques and the same arms over a central oval panel enclosing respectively a standing figure emblematic of Spring, Summer, Autumn, and Winter.","page":"232-5","type":"reference"},"admin":{"id":"publication-3413","uid":"adlib-publication-3413","uuid":"8c672f50-56ae-3905-934c-aeda20f7cede"},"summary_title":"Milan, Museo d'Arti Applicate, Le ceramiche, Tomo primo"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-125761","uid":"adlib-term-125761","uuid":"bce2de03-432e-3676-bb62-4a5042d2c1d3"},"summary_title":"dining"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107516","uid":"adlib-term-107516","uuid":"146a0bfc-a677-3f01-8f8a-18d01ec5f2f2"},"summary_title":"shield"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-4371","uid":"adlib-term-4371","uuid":"549d8bb0-3523-3835-85b8-eb453d057037"},"summary_title":"grotesque"},{"@link":{"type":"literal"},"name":[{"value":"shield"}],"summary_title":"shield"},{"@link":{"type":"literal"},"name":[{"value":"grotesque"}],"summary_title":"grotesque"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"pale buff earthenware, tin-glazed creamy-white overall. 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Painted in polychrome with The Judgement of Paris."},{"value":"Pale buff earthenware, tin-glazed overall; the reverse beige and speckled. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 78 with a groove around the edge of the foot. Circular with shallow upturned sides and flat centre, standing on a low foot.\nThe Judgement of Paris. Venus, Juno and Minerva stand beside a gnarled tree on the left, accompanied by Cupid who tugs at Venus' drapery as she extends her left arm to receive the apple of discord from Paris, seated at the base of a rocky cliff on the right. He holds a crook upside down in his left hand and offers Venus the apple with his right. In the foreground there is grass and a tree stump; in the background, the sea shore and a hill town. Suspended from the branch of a tree growing out of the rocks above Paris, there is a shield of Tuscan form bearing the arms vert, a fess or, a chief party per pale gules (shown orange) and argent two rosettes counterchanged flanked by `Eli:' and `PYA'. The edge is yellow.  The reverse is inscribed in dark blue near the edge with 'IVDITIVM PARIDIS.MANET ALTA MENTE REPOSITVM' and in the centre '.1531.Per cui Troia superba fu\/combusta.\/Favola.\/Fra(n)cesco Xanto,Avelli da\/Rovigo,i Urbino\/pi(n)se."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"33","type":"reference"},"admin":{"id":"exhibition-1952","uid":"adlib-exhibition-1952","uuid":"82f70ee8-9b4e-30cf-8868-e605626a3991"},"summary_title":"Xanto: Pottery-Painter, Poet, Man of the Renaissance"}],"identifier":[{"accession_number":"C.86-1961","primary":true,"type":"accession number","value":"C.86-1961"},{"priref":"76242","type":"priref","value":"76242"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76242","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76242"}],"inscription":[{"location":"on reverse in middle","method":"inscribed in dark blue","transcription":[{"value":".1531.\/Per cui Troia superba fu\/combusta\/.favola.\/Fracesco Xanto, Avelli da\/Rovigo,i  Urbino\/Pise."}],"type":"inscription"},{"location":"reverse, on the sides","transcription":[{"value":".IVDITIVM PARIDIS.MANET ALTA MENTE REPOSITVM."}],"type":"inscription"},{"description":[{"value":"square"}],"method":"inscribed in black ink","transcription":[{"value":"175\/An Urbino Dish the\/Judgement of Paris, landscape\/and buildings, arms\/suspended from a tree,\/description & date 1531\/on back, by F. Xanto -\/10 1\/4in.\/Signed Fracesco Xanto\/Avelli da Rovigo, Urbino\/\u00a357."}],"type":"label"},{"location":"on the back","method":"incised","transcription":[{"value":"'af' and '30'"}]}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961"}],"method":{"value":"bequeathed"},"note":[{"value":"The incised Fountaine collection number corresponds with its number in the inventory compiled between 1855 and 1873 by Andrew Fountaine IV, which is in the `Family Book', Part I, at Narford Hall, Norfolk. 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The goddesses were adapted from Muses in the Contest between the Muses and the Pierides by G.G. Caraglio after Rosso Fiorentino. Paris was adapted from Apollo in Parnassus by Marcantonio after Raphael. 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Pierpont Morgan (d. 31 March 1913); collection purchased by Joseph Duveen, 1916;  Dr Alfred Israel Pringsheim; Sotheby's, 7 June 1939, Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich, lot 33."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 23, no. 75","page":"p. 23","type":"reference"},"admin":{"id":"publication-3207","uid":"adlib-publication-3207","uuid":"7f9d6c5f-57ad-39b0-b07d-dfd208164647"},"summary_title":"Di un'insigne raccolta di maioliche depinte delle fabbriche di Pesaro e della provincia metaurense"},{"@link":{"type":"reference"},"admin":{"id":"publication-3211","uid":"adlib-publication-3211","uuid":"fed40c31-3ea0-30bf-83ed-c01c57ecab80"},"summary_title":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk"},{"@link":{"type":"reference"},"admin":{"id":"publication-3208","uid":"adlib-publication-3208","uuid":"2d1daf51-dd10-376d-ac43-c117e18076c0"},"summary_title":"Collection Charles Mannheim, objets d'art"},{"@link":{"notes":"Publ. p. 33 & pl. 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He served in an administrative capacity and was awarded the Croix de Guerre with bronze star for his services. After the War he became a director of Horn Trust and Investments and Kuala Selanger Rubber Co. Ltd., and settled in England at Stoke Charity, where he had spent many of his younger years at Old Stoke. During the Second World War he acted as Chuchwarden for St Mary and St Michael, Stoke Charity, and later contributed to the restoration of the church. He became an art collector, and also built up an extensive collection of cigarette cards. He died at Stoke Charity on 18 August 1953. \nInformation from biography by Chas Schaedel, History Group South Australian Aviation Museum, see https:\/\/www.saam.org.au\/aviatorprofiles.html"}],"type":"reference"},"admin":{"id":"agent-207524","uid":"adlib-agent-207524","uuid":"08f9ec74-320f-3c60-aad1-c985ed27cc46"},"summary_title":"Horn, Marmaduke Langdale (1889-1953)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160362","uid":"adlib-agent-160362","uuid":"44ce5876-ae4f-3a12-adf7-bda70173856e"},"summary_title":"Ulysses"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160360","uid":"adlib-agent-160360","uuid":"f08ddf1e-3622-3c74-adf8-61c8a09dfc58"},"summary_title":"Circe"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica bowl with broad rim, painted in polychrome with Ulysses commanding Circe to restore his Companions to their Rightful Forms."},{"value":"Buff earthenware, tin-glazed overall; the reverse pale beige and tinged with green. Painted in blue, turquoise-green, yellowish-green, yellow, orange, beige, brown, manganese, black, and white. Shape 58. Circular with a wide, slightly sloping rim and small, deep well.\nUlysses commanding Circe to restore his Companions to their Rightful Forms. Ulysses stands on the left, his head turned towards Circe, and his left arm pointing to one of his companions with a swine's hind limbs and head, who reclines in the foreground. In the middle, two of his men with swine's hind legs bear vessels to Circe; the one on the left has a covered dish and the other a ewer and basin. Behind them is a doorway with the date `1532' inscribed in a panel above it. On the right, Circe sits on a throne, holding a sceptre or wand in her right hand. Above her, imposed on a draped curtain is a shield charged with the arms of Pucci of Florence: argent, a moor's head proper wearing a headband argent charged with three hammers sable, with behind, a papal ombrellino. The edge is yellow. The back is inscribed in the middle in dark blue: `.1532.\/Vlisse chiede a Circe\/i suoi compagni\/Nel .XIIII. Li d  Ouidio Met:\/.fra: Xanto.A.\/da Rovi...i \/ Urbi . . .' (Ulysses asks Circe for his companions In the 14th Book of Ovid's Metamorphoses:.francesco Xanto.Avelli of Rovigo in Urbino)."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.11-1953","primary":true,"type":"accession number","value":"C.11-1953"},{"priref":"71355","type":"priref","value":"71355"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71355","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71355"}],"inscription":[{"location":"on the back","method":"incised","transcription":[{"value":"'af' and '83'"}],"type":"mark"},{"location":"in the middle of the back","method":"painted in","transcription":[{"value":"1532.\/Vlisse chiede a Circe\/i suoi compagni\/Nel .XIIII. Li d  Ouidio Met:\/.fra: Xanto.A.\/da Rovi...i \/ Urbi . . .'"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"M.L. Horn Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153306","uid":"adlib-agent-153306","uuid":"ffdbdb9b-fb52-37d0-befe-c60f946304c6"},"summary_title":"Horn, Marmaduke Langdale"}],"date":[{"earliest":1953,"latest":1953,"value":"1953-10-22"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1532,"era":["CE"],"latest":1532,"precision":"dated","value":"1532"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-5335","uid":"adlib-agent-5335","uuid":"abbd62ad-dff5-32f6-8881-6cc828e21322"},"summary_title":"Avelli, Francesco Xanto"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-182276","uid":"adlib-agent-182276","uuid":"cb8a3144-a25c-3442-a37f-b502434af8e9"},"summary_title":"Monogrammist I. 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The two servants were adapted and transposed from the servants at the banquet given in Aeneas' honour by Dido, in the lowest right panel of the 'Quos Ego' engraved by Marcantonio Raimondi. The man with a swine's head in the foreground was probably derived from a figure in the 'Battle of the Romans and Carthaginians' engraved by Marco Dente after Raphael or Giulio Romano."},{"value":"This plate belongs to a service made for a member of the Pucci family of Florence, which comprises a salt,  thirty-four dishes dated 1532, and two dishes dated 1533. The plate is decorated with the story of Ulysses and Circe which is told in Ovid's Metamorphoses, Book XIV, 248-307, the incident portrayed on the dish in lines 293-8.  Circe had transformed Ulysses' companions into swine after giving them poisoned wine at a feast in her palace. Only one, Eurylochus, refrained from drinking and escaped to tell Ulysses. When the latter arrived at the palace he refused the poisoned cup offered by Circe and threatened her with his sword. Then, having made a marriage pact with her, he demanded as a wedding gift that she return his companions to their rightful forms. This subject also occurs on a dish of 1533 in the Louvre, which has the same figures of Ulysses and Circe, but is otherwise rendered differently."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120009","uid":"adlib-term-120009","uuid":"690a6332-cfc1-3411-a716-4dd4ec7d9a65"},"summary_title":"16th Century, second 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Fr\u00e8res et dont la vente aura lieu \u00e0 Cologne dans la grande salle du casino (Augustinerplatz 7) du mercredi 19 au jerdi 27 octobre 1904, lot 93; Dr Alfred Pringsheim; Sotheby's, 20 July 1939, Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich, lot 390; Marmaduke Langdale Horn (1890-1953)."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-79992","uid":"adlib-object-79992","uuid":"0afccc3e-6f13-3dfe-9750-e7da10ea83f2"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 14, no. 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251R","page":"p. 21","type":"reference"},"admin":{"id":"publication-3247","uid":"adlib-publication-3247","uuid":"22d81b28-1e7d-397d-8b1a-ca77d4f27d2b"},"summary_title":"Corpus della maiolica italiana, II, Le maioliche datate dal l53l al l535"},{"@link":{"type":"reference"},"admin":{"id":"publication-3210","uid":"adlib-publication-3210","uuid":"eaaf753e-ee13-36ac-9da2-fe5a45660bbb"},"summary_title":"Catalogue of the renowned collection of Italian majolica, the property of Dr Alfred Pringsheim of Munich"},{"@link":{"notes":"Publ. p. 444","page":"p. 444","type":"reference"},"admin":{"id":"publication-200001086","uid":"adlib-publication-200001086","uuid":"508c33f0-935b-3dda-bc6b-02d7f8119b1b"},"summary_title":"The Fountaine collection of maiolica"},{"@link":{"notes":"Publ. p. 267-9, no. 26 and pl. LIIa and b.","page":"26-9","type":"reference"},"admin":{"id":"publication-200001098","uid":"adlib-publication-200001098","uuid":"15fd53b4-8d44-3674-849b-a3a5edc2b2c4"},"summary_title":"Francesco Xanto Avelli's Pucci Service (1532-1533): Part Two"},{"@link":{"notes":"Ref.pp. 32-43 for information about the service","page":"32-43","type":"reference"},"admin":{"id":"publication-200001155","uid":"adlib-publication-200001155","uuid":"7f5c49e5-d61a-3b67-a370-15c67ad64021"},"summary_title":"Francesco Xanto's Pucci Service (1532-1533): Part One"},{"@link":{"notes":"Publ. p. 254, no. 80.13","page":"p. 254","type":"reference"},"admin":{"id":"publication-200000984","uid":"adlib-publication-200000984","uuid":"66e91566-e73d-3cc0-83a5-b0e3ce3bcb1c"},"summary_title":"Xanto and Ariosto"},{"@link":{"notes":"Publ. pp. 338-340, no. 391; for the printed sources see p. 318, fig. 19, p. 313, fig. 17, p. 328, fig. 24, and p. 339, fig. 31","page":"pp. 338-340","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. p. 10-18, for a discussion of whether or not Monogrammist IB can be identified with Georg Pencz. Landau's view is that they are not the same person.","page":"10-18","type":"reference"},"admin":{"id":"publication-1466","uid":"adlib-publication-1466","uuid":"c8db8cda-c826-3edb-912e-3bf5c48be1cc"},"summary_title":"Catalogo completo dell'opera grafica di Georg Pencz"},{"@link":{"type":"reference"},"admin":{"id":"publication-7213","uid":"adlib-publication-7213","uuid":"b9763f84-28b0-37a4-9c6b-acae3494b9b2"},"summary_title":"The Art of the Italian Potter, Maiolica and Porcelain from a Private Collection"},{"@link":{"notes":"Cf. pp. 182-3, no. 57, a large dish from the Pucci service decorated with the Woman of Sestos.","page":"182-3","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. pp. 188-9, a dish from the Pucci service in the McEwan Collection, Polesden Lacy, Surrey (National Trust). It is 26.1 cm in diameter and is decorated with Bacchus transforming the Thracian Maenads into oak trees, as a punishment for murdering Orpheus. The base is inscribed '1532\/Le Baccanti Coverse i\/verdi frasche.\/Nel XI libro d Ovidio Meth:\/fra. Xanto A.\/da Rovigo I\/Urbino'","page":"188-9","type":"reference"},"admin":{"id":"publication-8407","uid":"adlib-publication-8407","uuid":"c2ab7f09-de03-38d7-b05a-2d9deb284d12"},"summary_title":"Ceramics. 400 Years of British Collecting in 100 Masterpieces"},{"@link":{"notes":"Cf. pp. 242-4, no. 105, and 245, no. 106, two plates from the Pucci Service, both dated 1532, respectively 'Anchises, Ascanius, Aeneas, and Creusa', and 'Aesacus and Hesperia'","page":"242-5","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Ref.  The author discusses Xanto's use of prints after Raphael, and illustrates several dishes and prints","page":"21-35","type":"reference"},"admin":{"id":"publication-200003336","uid":"adlib-publication-200003336","uuid":"b2a62799-cb4f-339b-875e-ded0ff83c2f4"},"summary_title":"Ancora sul ruolo di Raffaello nell'opera di Xanto Avelli"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-88137","uid":"adlib-term-88137","uuid":"eeab1777-4158-31f4-8f8a-0015cb1910f7"},"summary_title":"ewer"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-69145","uid":"adlib-term-69145","uuid":"784af795-5401-382f-b51a-79b0f2b2dab1"},"summary_title":"curtains"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107516","uid":"adlib-term-107516","uuid":"146a0bfc-a677-3f01-8f8a-18d01ec5f2f2"},"summary_title":"shield"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-110720","uid":"adlib-term-110720","uuid":"a3c10876-e889-3e8d-a458-73e817c04520"},"summary_title":"coat-of-arms"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-108479","uid":"adlib-term-108479","uuid":"f2ffb61a-dbec-3e42-b692-d0a04263041a"},"summary_title":"swine"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-3818","uid":"adlib-term-3818","uuid":"e63ad2a0-36b3-3768-9da4-45eb7c2f7a61"},"summary_title":"interior"},{"@link":{"type":"literal"},"name":[{"value":"dish"}],"summary_title":"dish"},{"@link":{"type":"literal"},"name":[{"value":"ewer"}],"summary_title":"ewer"},{"@link":{"type":"literal"},"name":[{"value":"basin"}],"summary_title":"basin"},{"@link":{"type":"literal"},"name":[{"value":"curtains"}],"summary_title":"curtains"},{"@link":{"type":"literal"},"name":[{"value":"shield"}],"summary_title":"shield"},{"@link":{"type":"literal"},"name":[{"value":"coat-of-arms"}],"summary_title":"coat-of-arms"},{"@link":{"type":"literal"},"name":[{"value":"swine"}],"summary_title":"swine"},{"@link":{"type":"literal"},"name":[{"value":"interior"}],"summary_title":"interior"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-125345","uid":"adlib-term-125345","uuid":"044a81eb-350e-3229-9e5e-72ab4fb784aa"},"summary_title":"bowl with broad rim"}},"summary_title":"bowl with broad rim","techniques":[{"description":[{"value":"buff earthenware, tin-glazed overall; the reverse pale beige and tinged with green. 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In 1884 he was the proprietor of the London art dealer, Colnaghi. He was the buyer of at least fourteen lots at the Fountaine sale, see Westgarth, 2009, p. 82."}],"type":"reference"},"admin":{"id":"agent-207578","uid":"adlib-agent-207578","uuid":"2d4b736d-af47-3add-b7a5-ed1412c08ec5"},"summary_title":"Colnaghi, Martin (1821\u20131908)"},{"@link":{"note":[{"value":"Stephenson Clarke (1824-1891) inherited the shipping firm, Stephenson Clarke Shipping Ltd, from his father in 1849, and also built up a highly remunerative coal distribution business. See Obituary in the 'Croydon Advertiser and East Surrey Reporter', 4 April 1891. Father of the Fitzwilliam's Director 1937-46, Louis C.G. Clarke, and of his elder sister, Mrs Dendy Marshall, who donated two Limoges enamels, and several pieces of lace to the Fitzwilliam in 1954."}],"type":"reference"},"admin":{"id":"agent-179456","uid":"adlib-agent-179456","uuid":"9b692350-6f66-36f2-a448-08610bee7624"},"summary_title":"Clarke, Stephenson"},{"@link":{"note":[{"value":"Born Adela Rose Clarke (1872\/3-1955), Mrs Marshall was the daughter of an immensely wealthy coal factor, Stephenson Clarke (1824-91), who had inherited the shipping firm, Stephenson Clarke & Co. from his father, and lived at West Hoathly, Sussex, and Croyden Lodge, Surrey. Mrs Marshall was the widow of the railway historian, Chapman Dendy Marshall (1872\u20131945), of Chinthurst Lodge, Wonersh, near Guildford. Her younger  brother, Louis Colville Grey Clarke (1881-1960), was Curator of the Cambridge University Museum of Archaeology and Anthropology, 1922-37, and Director of the Fitzwilliam Museum, 1937-1946. See a letter from her about the two Passion plaques  (M.3 and M.4-1954) which she had inherited from her father, written to his successor, Carl Winter, Fitzwilliam Museum Archives, 00345."}],"type":"reference"},"admin":{"id":"agent-169195","uid":"adlib-agent-169195","uuid":"d3a5738f-cc77-3a50-84bf-79659d5eb388"},"summary_title":"Marshall, Dendy, Mrs"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149696","uid":"adlib-agent-149696","uuid":"c1d7b5bf-63d4-3ba4-a080-9810b80bf16c"},"summary_title":"Christ"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-179457","uid":"adlib-agent-179457","uuid":"6a898a2d-3230-3e44-a5e6-0c3f5c494407"},"summary_title":"moneylender"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"},{"@link":{"type":"reference"},"admin":{"id":"term-125750","uid":"adlib-term-125750","uuid":"2b10ac09-63c3-34ed-87d5-487058c1c344"},"summary_title":"Limoges painted enamels"}],"component":[{"materials":[{"note":[{"value":"dark mulberry-brown appearing black, white, pale pink; clear counter-enamel"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"description":[{"value":"rectangular very convex copper plaque, enamelled en grisaille and with pale pink on a black ground, and gilded. The black appears dark mulberry-brown round the edges.The technique of enlevage was used to model the figures. The reverse has cloudy, and bubbly translucent counter-enamel with many pin holes of different sizes, and red oxydization spots."}],"note":[{"value":"dark mulberry-brown appearing black, white, pale pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28662","uid":"adlib-term-28662","uuid":"dd47e505-ccda-3f2b-b576-6104109430e8"},"summary_title":"enamelling"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39588","uid":"adlib-term-39588","uuid":"b17ff981-06b2-30a2-b9a9-b514fe84a191"},"summary_title":"copper"}}],"name":"Plaque"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-107707","uid":"adlib-term-107707","uuid":"cbae1ed2-5069-35db-a029-700dc23ada11"},"summary_title":"Christian religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"copper, enamelled in grisaille with Christ driving the Moneylenders from the Temple, and gilded. Signed \u2018M.D.\u2019 with a dot inside the D."},{"value":"Rectangular very convex copper plaque, enamelled in grisaille and with pale pink on a black ground, and gilded. The black appears dark mulberry-brown round the edges. The technique of enlevage was used to model the figures. The reverse has cloudy, and bubbly translucent counter-enamel with many pin holes of different sizes, and red oxidization spots.                                 \nThe action takes place inside the temple. On the left is a doorway with a horizontal architrave, and on the right, an archway with a circular window above it. To left of centre there is a row of receding cylindrical columns and to the right on the wall, a sconce with a lighted candle. Christ stands in front of the columns, whielding a twisted rope in his right hand to drive the money lenders away. His back is turned to the viewer and he looks down towards a money lender who lies on his back on the ground at his feet, with an upturned stool table, a bag of money and a heap of gold coins beside him. Two men flee towards the arch on the right, in which are three other men, and a priest who is looking towards the action. On the left is an upturned stool, a man holding a sacrificial sheep, and three partly visible figures, one a woman, standing beside the doorway. Above the circular window there is a tabella ansata bearing the initials \u2018M.D.\u2019 with a dot inside the D. The gilding is restricted to the heap of coins, Christ\u2019s aureole, the candle flame, and a line round the edge of the scene."}],"identifier":[{"accession_number":"M.4-1954","primary":true,"type":"accession number","value":"M.4-1954"},{"priref":"156458","type":"priref","value":"156458"},{"source":"Fountaine Collection","type":"old object number","value":"af 7"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156458","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156458"}],"inscription":[{"description":[{"value":"Rectangular label printed with \u20187\u2019 in black"}],"location":"on back","method":"printed in black","transcription":[{"value":"7"}],"type":"label"},{"description":[{"value":"af (the label) 7"}],"location":"on back flanking the label","method":"incised","transcription":[{"value":"af           7"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs Dendy Marshall"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-169195","uid":"adlib-agent-169195","uuid":"d3a5738f-cc77-3a50-84bf-79659d5eb388"},"summary_title":"Marshall, Dendy, Mrs"}],"date":[{"earliest":1954,"latest":1954,"value":"1954-10-21"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1550,"from":{"earliest":1550,"latest":1550,"precision":"circa","value":"1550"},"latest":1575,"range":true,"to":{"earliest":1575,"latest":1575,"value":"1575"}}],"maker":[{"@link":{"role":[{"value":"enameller"}],"type":"reference"},"admin":{"id":"agent-178519","uid":"adlib-agent-178519","uuid":"f09950f9-7d77-35d4-aa99-ed0820ccdd27"},"summary_title":"Ydieux, Martial"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-39996","uid":"adlib-agent-39996","uuid":"0109fd57-0cc2-3304-9d79-0f4bb8846434"},"summary_title":"D\u00fcrer, Albrecht"}],"note":[{"value":"The event depicted, Christ driving the Money-changers from the Temple, is described in the Gospel of St John 2, 13-16. On arriving at Jerusalem before the Passover, Jesus entered the temple and found it full of money changers and vendors of sacrificial animals. Incensed, he made a scourge and drove them out, upsetting their tables and money, and saying to the dove sellers \u201cTake these things hence; make not my Father\u2019s house a house of merchandise.\u201d \n\nThe enameller, Martial Ydeux (active from the late 1540s to about 1570)  was one of the finest exponents of the grisaille technique, who seems to have worked mainly on plaques. His best work is extraordinarily refined and expressive, with soft gradations of grey to white on a manganese-black ground producing painterly sfumato effects. Other plaques, also signed, have more obvious hatching and cross-hatching in the manner of an engraving, executed by enlevage through the pale upper layer to reveal the darker toned enamel below, as on the Fitzwilliam's M.3-1954, where it is particularly pronounced.\n\nThis scene was enamelled after one of the thirty-seven woodcuts in the series known as the  'Small Passion' by Albrecht D\u00fcrer (1471\u20131528), executed between 1509 and publication in book form in 1511, or a copy after it. The subject is not one which would stand alone well, and the plaque is therefore likely to have been part of a Passion group, which, depending on its numbers, could have been framed as an altarpiece, as polychrome Passion plaques were, or as a smaller triptych or panel for devotional use. However, no large groups of grisaille Passion plaques have survived from this period in their original frame. The most extensive group attributed to Martial Ydeux comprises ten larger plaques in the Louvre, three of which are signed in the same way as the Fitzwilliam's plaque, M.3-1954: \u2018M\u00b7D\u00b7\u2019 with I inside the D. There are several Passion plaques by Ydeux of about the same size as the Fitzwilliam's, including 'Christ washing St Peter\u2019s Feet' (Louvre OA 4004), and 'Christ before Pilate' in the British Museum (Inv. 1913,1220.75), which could be from the same set, and can be seen on these museums' websites."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-125332","uid":"adlib-term-125332","uuid":"76f10b5d-9bf4-36d4-b4e3-f4df05af8260"},"summary_title":"16th Century, third quarter"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Ware, Palissy Ware, Nevers Ware, Limoges Enamels . . . Removed from Narford Hall, Norfolk, second day, p. 34, lot 260; M. Colnaghi (\u00a397.13.0 with lot 259). Stephenson Clarke (1824-91), Croydon Lodge, Surrey; his daughter, Mrs Dendy Marshall (n\u00e9e Adela Rose Clarke, 1872\/3\u20131955)."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same artist"}],"type":"reference"},"admin":{"id":"object-156457","uid":"adlib-object-156457","uuid":"0449fc26-c6a5-3cd3-9e77-068ded5ef20f"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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These seem likely to be the two plaques in the Fitzwilliam, and lots 261-2 bought by a different buyer at the sale in 1884 .","page":"435-47","type":"reference"},"admin":{"id":"publication-200001086","uid":"adlib-publication-200001086","uuid":"508c33f0-935b-3dda-bc6b-02d7f8119b1b"},"summary_title":"The Fountaine collection of maiolica"},{"@link":{"notes":"Ref. p. 118, no. 23 (119), Christ Driving the Moneylenders from the Temple from the Small Passion","page":"118","type":"reference"},"admin":{"id":"publication-6167","uid":"adlib-publication-6167","uuid":"c93f7702-15df-3797-9af5-c7fd4ed9f558"},"summary_title":"Illustrated Bartsch 10 Formerly Volume 7 (Part 1) Sixteenth Century German Artists Albrecht D\u00fcrer"},{"@link":{"notes":"Ref. record no. 50 under Peintres, enlumineurs, ecrivains, mentions \u2018Martial Ydeux dit le Pape possed\u00e9 avant le 28 ao\u00fbt 1553 une maison sise rue Manigne et qui a appartenu \u00e0 Pierre Ydeux brodeur.\u2019 (Limoges H\u00f4tel de Ville, GG221, folio 79 vo)","page":"119-209","type":"reference"},"admin":{"id":"publication-200002187","uid":"adlib-publication-200002187","uuid":"f9f16b05-5b20-37cd-905c-9e8c0492a734"},"summary_title":"Catalogue des artistes limousins"},{"@link":{"notes":"Ref. pp. 60-3, for the identification of Martial Ydeux dit le Pape","page":"60-3","type":"reference"},"admin":{"id":"publication-200002186","uid":"adlib-publication-200002186","uuid":"0080317e-d6d6-3a2f-a1e1-7d9ee90ebe1a"},"summary_title":"Br\u00e8ve hypoth\u00e8se concernant un \u00e9nigmatique \u00e9mailleur: M.D.PAPE"},{"@link":{"notes":"Cf. p. 115, no. OA 4004 Christ washing the Disciples Feet after D\u00fcrer's woodcut in the Small Passion, 155 x 125 mm, signed MD with I inside the D, and attributed to Martial Ydieux. The sfumato technique is very close to the Fitzwilliam's, and is of almost identical size.","page":"115","type":"reference"},"admin":{"id":"publication-6073","uid":"adlib-publication-6073","uuid":"273632b3-da99-366e-9c3b-efd466467b8e"},"summary_title":"Les \u00e9maux peints de Limoges. Mus\u00e9e du Louvre, D\u00e9partement des objets d'art"},{"@link":{"notes":"Cf. p. 256, no. 211, Christ before Pilate, 15.2 x 12.4 cm; the source p. 252, no.207g. 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He was the buyer of at least fourteen lots at the Fountaine sale in 1884, see Documentation, Westgarth, 2009, p. 82."}],"type":"reference"},"admin":{"id":"agent-207345","uid":"adlib-agent-207345","uuid":"925c7eed-c75b-3d64-98ae-b64cdfb1752e"},"summary_title":"Colnaghi, Martin"},{"@link":{"note":[{"value":"Stephenson Clarke (1824-1891) inherited the shipping firm, Stephenson Clarke Shipping Ltd, from his father in 1849, and also built up a highly remunerative coal distribution business. See Obituary in the 'Croydon Advertiser and East Surrey Reporter', 4 April 1891. Father of the Fitzwilliam's Director 1937-46, Louis C.G. Clarke."}],"type":"reference"},"admin":{"id":"agent-179456","uid":"adlib-agent-179456","uuid":"9b692350-6f66-36f2-a448-08610bee7624"},"summary_title":"Clarke, Stephenson"},{"@link":{"note":[{"value":"Born Adela Rose Clarke (1872\/3-1955), Mrs Marshall was was the daughter of an immensely wealthy coal factor, Stephenson Clarke (1824-91), who had inherited the shipping firm, Stephenson Clarke & Co. from his father, and lived at West Hoathly, Sussex, and Croyden Lodge, Surrey. Mrs Marshall was the widow of the railway historian, Chapman Dendy Marshall (1872\u20131945), of Chinthurst Lodge, Wonersh, near Guildford. Her younger  brother, Louis Colville Grey Clarke (1881-1960), was Curator of the Cambridge University Museum of Archaeology and Anthropology, 1922-37, and Director of the Fitzwilliam Museum, 1937-1946. See a letter from her about the two Passion plaques  (M.3 and M.4-1954) written to his successor, Carl Winter, Fitzwilliam Museum Archives, 00345."}],"type":"reference"},"admin":{"id":"agent-169195","uid":"adlib-agent-169195","uuid":"d3a5738f-cc77-3a50-84bf-79659d5eb388"},"summary_title":"Marshall, Dendy, Mrs"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149696","uid":"adlib-agent-149696","uuid":"c1d7b5bf-63d4-3ba4-a080-9810b80bf16c"},"summary_title":"Christ"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160581","uid":"adlib-agent-160581","uuid":"2982d843-ac50-316d-8268-b6acf83cc0d2"},"summary_title":"Disciples"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"},{"@link":{"type":"reference"},"admin":{"id":"term-125750","uid":"adlib-term-125750","uuid":"2b10ac09-63c3-34ed-87d5-487058c1c344"},"summary_title":"Limoges painted enamels"}],"component":[{"materials":[{"note":[{"value":"white, dark mulberry-brown appearing black, pale pink; clear counter enamel"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}}],"name":"Decoration","techniques":[{"description":[{"value":"rectangular very convex copper plaque enamelled in grisaille and with pale pink on a black ground, and gilded. The black appears dark mulberry-brown round the edges.The technique of enlevage was used to model the figures. The reverse has cloudy, and bubbly translucent counter-enamel with many pin holes of different sizes, and red oxydization spots"}],"note":[{"value":"white, dark mulberry-brown appearing black, pale pink; clear counter enamel"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28662","uid":"adlib-term-28662","uuid":"dd47e505-ccda-3f2b-b576-6104109430e8"},"summary_title":"enamelling"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-115831","uid":"adlib-term-115831","uuid":"6eb9297e-cdbe-300e-8a0a-37765a9807a2"},"summary_title":"enlevage"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39588","uid":"adlib-term-39588","uuid":"b17ff981-06b2-30a2-b9a9-b514fe84a191"},"summary_title":"copper"}}],"name":"Plaque"}],"department":{"value":"Applied Arts"},"description":[{"value":"rectangular copper plaque enamelled en grisaille with the Last Supper, signed M.D. with a dot inside the D."},{"value":"Rectangular, almost flat, copper plaque, enamelled in grisaille and with a little pale pink enamel on a black ground, and gilded. The ground appears very dark brownish-mulberry on the outer edges, The reverse has clear unevenly applied counter- enamel tinged with brownish-mulberry.\nA white fringed canopy runs across the top beneath which Christ and the twelve disciples are seated round a table on which are five manchets of bread, an animal on oval dish, a knife, a roll, and beaker. Two of the disciples seated on a bench on the left have their backs to the viewer, as does another on the right, whose moneybag identifies him as Judas. Behind him in the foreground is a ovoid ewer with a scroll handle. Behind Christ there is a black hanging scatted with gold dots and edged by gold lines. Gold is also used for Christ\u2019s aureole and the halos of the disciples. Initialled in gold beside the ewer in the right foreground \u2018.M.D .\u2019 with an I inside the  D."}],"identifier":[{"accession_number":"M.3-1954","primary":true,"type":"accession number","value":"M.3-1954"},{"priref":"156457","type":"priref","value":"156457"},{"source":"Fountaine Collection","type":"old object number","value":"af 6"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156457","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156457"}],"inscription":[{"location":"on front to left of ewer in right foreground","method":"painted in gold","transcription":[{"value":".M.D .\u2019 (dot inside D)"}],"type":"initials"},{"description":[{"value":"small square paper label printed with a \u20186\u2019."}],"location":"on the back","method":"printed in black","transcription":[{"value":"6"}],"type":"label"},{"location":"on back on either side of the paper label","method":"scratched","transcription":[{"value":"'af 'and '6'"}],"type":"inscription"},{"description":[{"value":"elongated octagonal label  of  thin card"}],"location":"loose in the object's file","method":"hand-written in","transcription":[{"value":"Pair of Limoges enamel plaques.\/From Fountaine and Stephenson Clarke collections. Signed\/ M.D. therefore not later than 1540 or 1550."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs Dendy Marshall"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-169195","uid":"adlib-agent-169195","uuid":"d3a5738f-cc77-3a50-84bf-79659d5eb388"},"summary_title":"Marshall, Dendy, Mrs"}],"date":[{"earliest":1954,"latest":1954,"value":"1954-10-21"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1550,"from":{"earliest":1550,"latest":1550,"precision":"circa","value":"1550"},"latest":1570,"range":true,"to":{"earliest":1570,"latest":1570,"value":"1570"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"enameller"}],"type":"reference"},"admin":{"id":"agent-178519","uid":"adlib-agent-178519","uuid":"f09950f9-7d77-35d4-aa99-ed0820ccdd27"},"summary_title":"Ydieux, Martial"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-39996","uid":"adlib-agent-39996","uuid":"0109fd57-0cc2-3304-9d79-0f4bb8846434"},"summary_title":"D\u00fcrer, Albrecht"}],"note":[{"value":"This plaque would have formed part of a series depicting the Passion of Christ which traditionally began with Christ\u2019s entry into Jerusalem on Palm Sunday and ended with his Entombment, but was frequently continued to the Resurrection, or Ascension. The Last Supper, Christ\u2019s final Passover meal with his disciples at which he instituted the Eucharist or Holy Communion, is described in three of the Gospels - Matthew 26, 20-30; Mark 14, 17-26, and Luke 22,14-38 - and is briefly mentioned in St John 13, 1-3.\n\nThe source of the design was 'The Last Supper' in Albrecht D\u00fcrer\u2019s thirty-seven woodcuts known as the Small Passion, executed in 1509\u00ac-10, and published in book form with a Latin text in Nuremberg in1511. The enameller followed the print closely, including the prominent hatching, but exchanged a sturdy flagon in the right foreground for an elegant pseudo-classical ewer, and omitted a small covered pot on the table. The plaque was probably part of series of Passion plaques, which, depending on its numbers, could have been framed as an altarpiece, as some polychrome Passion plaques were, or as a smaller triptych or panel for devotional use. However, no large groups of grisaille Passion plaques have survived from this period in their original frame.The most extensive group attributed to Martial Ydeux comprises ten larger plaques in the Louvre, three of which are signed in the same way as this one.\n\nThe enameller, Martial Ydeux (active from the late 1540s to about 1570)  was one of the finest exponents of the grisaille technique, who seems to have worked mainly on plaques. His best work is extraordinarily refined and expressive, with soft gradations of grey to white on a manganese-black ground producing painterly sfumato effects. Other signed plaques, including this one, have more obvious hatching and cross-hatching in the manner of an engraving, executed by enlevage with a needle through the pale upper layer to reveal the darker toned enamel below. Similar differences in execution are present between the Louvre\u2019s plaques of 'Christ washing St Peter\u2019s Feet' and the' Nailing of Christ to the Cross' both initialled MD enclosing I.(Inv. OA 4004 and OA 970)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-125332","uid":"adlib-term-125332","uuid":"76f10b5d-9bf4-36d4-b4e3-f4df05af8260"},"summary_title":"16th Century, third quarter"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Ware, Palissy Ware, Nevers Ware, Limoges Enamels . . . Removed from Narford Hall, Norfolk, second day, p. 34, lot 259; Martin Colnaghi (\u00a397.13.0 with lot 260). Stephenson Clarke (1824-91), Croydon Lodge, West Sussex; his daughter, Mrs Dendy Marshall (n\u00e9e Adela Rose Clarke (1872\/73\u20131955), Wondersh, near Guildford, Surrey."}],"objects":[{"@link":{"cascade":true,"note":[{"value":"also same donor"}],"role":[{"value":"same artist"}],"type":"reference"},"admin":{"id":"object-156458","uid":"adlib-object-156458","uuid":"a0946f4b-fde1-3287-848b-c60b6d2f7172"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Second day, p. 34, lot 259","page":"34","type":"reference"},"admin":{"id":"publication-3211","uid":"adlib-publication-3211","uuid":"fed40c31-3ea0-30bf-83ed-c01c57ecab80"},"summary_title":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk"},{"@link":{"notes":"Ref. p. 119, no. 24 (119), c. 1508-09, the Last Supper from the woodcut Small Passion","page":"119","type":"reference"},"admin":{"id":"publication-6167","uid":"adlib-publication-6167","uuid":"c93f7702-15df-3797-9af5-c7fd4ed9f558"},"summary_title":"Illustrated Bartsch 10 Formerly Volume 7 (Part 1) Sixteenth Century German Artists Albrecht D\u00fcrer"},{"@link":{"notes":"Ref. pp. 442-3, on p. 443,1835 inventory, nos. 22-6, 'Four square pieces from Albert Dura (sic) The passions of our Saviour like the woodcut compleat in 36 plates\u2019. These seem likely to be the Fitzwilliam's two plaques and two which formed the next two lots, 261-2 in the Fountaine sale bought by a different buyer.","page":"435-47","type":"reference"},"admin":{"id":"publication-200001086","uid":"adlib-publication-200001086","uuid":"508c33f0-935b-3dda-bc6b-02d7f8119b1b"},"summary_title":"The Fountaine collection of maiolica"},{"@link":{"notes":"Ref. for identification the enameller Martial Ydeux","page":"60-3","type":"reference"},"admin":{"id":"publication-200003290","uid":"adlib-publication-200003290","uuid":"cbf9c31d-af44-368d-8d68-2eb5156d4552"},"summary_title":"Br\u00e8ve hypoth\u00e8se concernant un \u00e9nigmatique \u00e9mailleur : M.D. PAPE"},{"@link":{"notes":"Cf. p. 115, OA 4004 and OA 970 respectively 'Christ washing St Peter\u2019s Feet' and the 'Nailing of Christ to the Cross' for comparison. See also the ten larger plaques, by Martin Ydeux, pp. 116-120, OA 11134-43.","page":"115","type":"reference"},"admin":{"id":"publication-6073","uid":"adlib-publication-6073","uuid":"273632b3-da99-366e-9c3b-efd466467b8e"},"summary_title":"Les \u00e9maux peints de Limoges. 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