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In the middle  are the initials and date 'D\/D:E\/1683' with three small lozenges below within a scrolled cartouche outlined in mananese-purple.  The ridges and edges of the shell are outlined in blue, and there are blue spots on its rounded lower part. The flanges of the shell are decorated by a mermaid, a cross between a merman and a hippocamp, two shells (?) and a sea hound, and along the lower edge there is a row of four groups of scrolls separated by small circles. 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The Virgin wears a yellow dress and a blue cloak with a yellow star on the right shoulder, a yellow fringe and a green lining. Over her right hand she has a scapula. 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The glaze has crawled to the left of bottom centre. Painted in watery dark blue, pale blue, yellow, orange, and dark manganese-brown.\nRectangular, with two suspension holes inside the raised frame at top centre.\nWithin a frame of egg and dart ornament is a half-length figure of the Virgin with the infant Christ sitting on a cushion on her lap. He plays with her veil and she restrains Him with her right hand. On each side of the Virgin's head is a cloud with a cherub flying out of it, holding a crown in the hand nearest to her and a palm in the other. The dark blue background is scattered with stars."}],"exhibitions":[{"@link":{"catalogue":"30","type":"reference"},"admin":{"id":"exhibition-1662","uid":"adlib-exhibition-1662","uuid":"911c989a-e42d-3013-8eb0-c992b72acf8c"},"summary_title":"Loan Exhibition of Pottery and Porcelain held in the Fitzwilliam Museum"},{"@link":{"catalogue":"A5","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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The image derives from a marble relief attributed to Benedetto da Maiano (1442-97), formerly in the Orl\u00e9ans collection at Bologna and now in the Blumenthal collection in New York.  The location of the panel in the sixteenth and seventeenth centuries is not known, and the immediate prototype of the maiolica panels was probably a terracotta or plaster cast."},{"value":"Label text from the exhibition \u2018Madonnas and Miracles: The Holy Home in Renaissance Italy\u2019, on display at The Fitzwilliam Museum from 7 March until 4 June 2017: This rectangular plaque has two holes at the top, suggesting that the image originally hung on a wall. The heavenly colours of blue, gold and white, as well as the starry background and the angels holding crowns, remind the viewer that, according to Catholic tradition, the Virgin was crowned \u2018Queen of Heaven\u2019 after her death. The Child is shown entwined in her golden veil."},{"value":"There are numerous panels of this type, which can be divided into two main groups. The relief moulding of one group, to which this example belongs, follows the iconography of the marble. The other group deviates from it in having a cherub's head in the fold of the drapery under the Virgin's left arm, which may be accompanied by a cherub or angel's head in the background on the right, or both sides, of the Virgin's head, sometimes obscured by the painted background.  This group appears to be related to a painted plaster relief  also attributed to Benedetto da Maiano in the Skulpurengalerie, Staatliche Museen Preussischer Kulturbesitz, Berlin. This has three cherub's heads, and is approximately the same size as the maiolica panels, 49.5 x 39 cm. A tondo, without cherub's heads, is in the Palazzo di Venezia, Rome (PV5480). The painted backgrounds of both groups of maiolica reliefs include draped curtains, draped curtains with a window on the left, a wall with or without drapes, and a landscape with buildings.  The number of moulds used suggests that production continued over a long period, probably throughout the seventeenth century. The only dated example cited is at the Bowes Museum, Barnard Castle (X 1559). This belongs to the second group, and differs from most of the others in having a panel at the bottom bearing two coats of arms, and an inscription giving the date 25 February 1633. 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Below, there are three horizontal bands, a zone of mock gadrooning, and five horizontal bands. At the junction of the neck and shoulder there is a scalloped line, and on the neck, mock gadrooning between sets of three horizontal bands. On each side of the handle there are three vertical lines flanking horizontal strokes. The handles are vertically striped; the cross bands are blue and the studs are decorated with concentric circles. 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