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The rim is decorated with a continuous trellis border, interrupted at the bottom by a panel slip-trailed in dark brown with the name 'GEORGE:TAYLOR'."}],"identifier":[{"accession_number":"C.217-1928","primary":true,"type":"accession number","value":"C.217-1928"},{"priref":"73172","type":"priref","value":"73172"},{"source":"Glaisher MS Catalogue, vol.","type":"old object number","value":"2858"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73172","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73172"}],"inscription":[{"location":"on lower part of rim on front","method":"slip trailed in dark brown","transcription":[{"value":"GEORGE:TAYLOR"}],"type":"inscription"},{"description":[{"value":"rectangular buff-coloured stick on label"}],"location":"in middle of reverse","method":"hand written in blue-black ink","transcription":[{"value":"L. 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The reverse is undecorated and has groups of indentations around the middle where the clay was pressed into the mould. The dish is octagonal with sloping sides. In the middle is a stylized carnation in a circular medallion surrounded by four pomegranates alternating with four fleur-de-lis. Below the medallion are the initials  I S in relief. 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The design was probably derived from a late 17th century printed wallpaper featuring pomegranates and tulips, of which a sample is in the Victoria & Albert Museum (E.337-1932). At least fifteen dishes with variants of this design are known including one in the Longridge Collection which, in addition to the moulded initials I S,  is slip-trailed near the edge with the initials and date, 'WL 1715'. Craftsmen frequently use earlier printed sources for their designs, and some of the dishes may have been made earlier, or later, as the initials and date on the Longridge example were not part of the design on the mould.  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Samuel Malkin\u2019s identity is known from a dish in the British Museum which is decorated with a clock face and the words \u2018Samuel Malkin\/The maker\/in burslam 17\u2019, possibly made in 1712 as the clock\u2019s hands point to twelve. The latest recorded dish bearing his initials is dated 1734, and he probably died in 1741. In 2008 Leeds Archaeological Fieldwork Society found fragments of sunflower tree dishes during a dig at the site of a pottery run by William Gough between 1739 and about 1775 at Crossgates, near Barnbow on the edge of Brown Moor in the parish of Barwick, near Leeds. . He employed potters from North Staffordshire, and archival sources show that Samuel Malkin junior (b. 1711 in Staffordshire), a mould maker had probably worked there as he was recorded at Brown Moor in 1745 and 1753 and at Whitkirk in 1744 and 1748. The pottery site was on the estate of the Gascoigne family of Barnbow Hall, and the pottery's position was confirmed by an estate map of 1772. 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II, pl. 32C. A cup of similar form and having a similar rectangular panel with incised with the date, '1764'  within an incised dotted border, and on the other a panel incised with the initials 'S L'. It differs from the others cited in being decorated with four rows of rectangular panels which are painted in greyish-blue with either plant motifs or trellis pattern. The date however, appears to be in the same hand as the others.","page":"vol. I, p. 49","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. pp. 17-18 for the use of a lathe to create 'dicing' (chequer) on slipware, which the author describes as a form of 'industrial sgraffito'. A cup illustrated on p. 18 shows a very simple version of this technique. 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