[{"admin":{"added":1592951290000,"created":1312633275000,"id":"publication-3358","indexed":1616539747820,"modified":1312658746000,"processed":1615826076688,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-3358","uuid":"5042dea7-7da1-33bd-bf21-fc37175f9c98","version":2},"lifecycle":{"publication":[{"date":[{"value":"2001"}],"place":[{"@link":{"type":"literal"},"name":[{"value":"New Haven and London"}],"summary_title":"New Haven and London"}]}]},"summary_title":"Harlequin Unmasked, The Commedia dell' Arte and Porcelain Sculpture","title":[{"primary":true,"value":"Harlequin Unmasked, The Commedia dell' Arte and Porcelain Sculpture"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-131028","_score":19.313091,"_source":{"admin":{"added":1592970563000,"created":1312637261000,"flag":"Standard Record","id":"object-131028","indexed":1747246454242,"modified":1647962728000,"processed":1747245848947,"source":"adlib","stream":"fitz-online","uid":"adlib-object-131028","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131028","uuid":"dd789f5a-8b60-3ffe-a7ed-6b32b25a0f0b","version":6},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157716","uid":"adlib-agent-157716","uuid":"b90548b0-21bf-3b81-ac11-38a2f83a0391"},"summary_title":"Harlequin"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37627","uid":"adlib-term-37627","uuid":"254febfe-0021-3e45-89a7-d57ba40044c7"},"summary_title":"hard-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"blue, green, turquoise-green, yellow, flesh pink, puce, red, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}}],"name":"Decoration"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"7.7"}]},"name":"Base"},{"name":"Deoration","techniques":[{"note":[{"value":"in enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107545","uid":"adlib-term-107545","uuid":"3b582c6a-6377-344d-974d-f7efa07270b6"},"summary_title":"painted"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Hard-paste porcelain painted in enamels"},{"value":"Hard-paste porcelain, press-moulded, and painted overglaze in blue, green, turquoise-green, yellow, flesh pink, puce, red, and black enamels. The underside is flat and unglazed and has a small central ventilation hole which has been plugged. The shallow base is almost round and rises up at the back into a tree stump with a projecting root on the viewer's left. Harlequin stands on his left foot with his right foot beside it and his right knee bent, leaning back against the tree stump. His head is turned to his left, and he holds up a pipe in his right hand and in his left holds the remains of a slapstick next to his right thigh. He has black hair, eyebrows, and a patch on his cheek, and red mouth, turned down at the corners. He wears a grey broad-brimmed hat with a green flower and a red feather attached to the turned up brim; a white ruffle round his neck, a partly yellow and partly red, green and black chequered coat, trousers with one blue leg and one purple and white striped leg, and black shoes with yellow bows on top."}],"exhibitions":[{"@link":{"catalogue":"no. 105","type":"reference"},"admin":{"id":"exhibition-1609","uid":"adlib-exhibition-1609","uuid":"6d201037-48f1-3a69-9e4e-72551b7f32d0"},"summary_title":"Treasures from the Fitzwilliam"}],"identifier":[{"accession_number":"C.1-1951","primary":true,"type":"accession number","value":"C.1-1951"},{"priref":"131028","type":"priref","value":"131028"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131028","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131028"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Cowper Reed Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152953","uid":"adlib-agent-152953","uuid":"fa879f3d-984b-3a3f-a80c-8b789366078c"},"summary_title":"Backer, H.E."}],"date":[{"earliest":1951,"latest":1951,"value":"1951-01-06"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1951-01-06"}]}],"creation":[{"date":[{"earliest":1738,"from":{"earliest":1738,"era":["CE"],"latest":1738,"precision":"circa","value":"1738"},"latest":1746,"range":true,"to":{"earliest":1746,"era":["CE"],"latest":1746,"value":"1746"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-163301","uid":"adlib-agent-163301","uuid":"e48ba156-d9ec-3938-a33c-5360794eb376"},"summary_title":"Meissen Porcelain Factory"},{"@link":{"role":[{"value":"modeller"}],"type":"reference"},"admin":{"id":"agent-70199","uid":"adlib-agent-70199","uuid":"1a5ab113-688c-3728-9988-60f96aea73bc"},"summary_title":"K\u00e4ndler, Johann Joachim"}],"note":[{"value":"Johann Joachim Kaendler joined the staff of the Meissen porcelain factory in 1731 and was appointed chief modeller in 1733. Initially he produced many lifelike models of animals and birds for the Japanese Palace in Dresden, but from about 1735 turned his attention to small-scale human figures. By the end of the 1730s he had developed these as an independent European genre, which had a functional role as table decoration.  Kaendler was an acute observer of character and as a result the postures and expressions of his human figures are extremely convincing. They mirror the gamut of mid-18th century society from beggars to kings, but not unnaturally the subjects chosen reflect chiefly the interests, activities and amusements of the Court at Dresden. Among the last, the exploits of Harlequin and his companions in the Commedia dell'Arte provided a fertile source of inspiration for the depiction of human emotions and predicaments. Kaendler portrayed several of the well-known characters, singly and in groups. This model does not appear in Kaendler's work records, as some large Harlequins do, but  is considered to have been modelled between about 1738 and 1740 or up to 1746. Harlequin was usually modelled in a mischievous, playful or even pensive mood. Here by contrast he is shown glowering angrily. 'he 'scowling or angry Harlequin'  is not one of Kaendler's most amiable figures, but its strong pose and bold colouring make it one of his most striking."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-140718","uid":"adlib-term-140718","uuid":"95eebad5-9721-31ce-a3e3-badd7cd29cd1"},"summary_title":"Frederick Augustus II (1696-1763)"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110409","uid":"adlib-term-110409","uuid":"2040047c-eefc-3538-8b3d-60185614825b"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Germany"}],"summary_title":"Germany","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Saxony"}],"summary_title":"Saxony","type":"region"}]],"summary_title":"Meissen"}]}]},"materials":[{"note":[{"value":"clear"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32652","uid":"adlib-term-32652","uuid":"82d8ae3b-f165-395c-ba93-dfa1c282b7be"},"summary_title":"glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37627","uid":"adlib-term-37627","uuid":"254febfe-0021-3e45-89a7-d57ba40044c7"},"summary_title":"hard-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"18.7"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Purchased from H. E. Backer, London"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pp. 3-4, and pl. III","page":"3-4","type":"reference"},"admin":{"id":"publication-6151","uid":"adlib-publication-6151","uuid":"60ad43b7-3f52-37c9-ae9d-29395a2fe930"},"summary_title":"Annual Report of the Fitzwilliam Museum Syndicate for the year 1951"},{"@link":{"type":"reference"},"admin":{"id":"publication-5514","uid":"adlib-publication-5514","uuid":"b42ada86-906b-3048-b747-a0d8f6db7e03"},"summary_title":"The Fitzwilliam Museum. An Illustrated Survey"},{"@link":{"notes":"Publ. no. 78","page":"78","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"notes":"Publ. p. 106, no. 105","page":"106","type":"reference"},"admin":{"id":"publication-4595","uid":"adlib-publication-4595","uuid":"98c68e8e-e4f4-3e0e-9dac-ad92f0666445"},"summary_title":"Treasures from the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-4943","uid":"adlib-publication-4943","uuid":"afcc2df3-9c5a-3ba4-9470-8da121ddab80"},"summary_title":"Meissner Porzellan, seine Geschichte und K\u00fcnstlerische Entwicklung"},{"@link":{"notes":"Cf. p. 296, no. 277 where information is provided about the probable date of modelling of this figure by Kaendler. The author lists numerous examples.","page":"296","type":"reference"},"admin":{"id":"publication-3358","uid":"adlib-publication-3358","uuid":"5042dea7-7da1-33bd-bf21-fc37175f9c98"},"summary_title":"Harlequin Unmasked, The Commedia dell' Arte and Porcelain Sculpture"},{"@link":{"notes":"Cf. p. 214, lot 201, holding white baton and slapstick, dated c. 1738-40. 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The three-sided base is closed underneath and has a concave area at the front, and a large circular ventilation hole further back. The interior of the group and the central area of the base are glazed. Beltrame sits on a large green and brown mound with Columbine seated on his left knee. His right foot rests on Harlequin who reclines on the ground in front of them, lasciviously lifting Columbine's skirt a little with his left hand and peering beneath it.\nBeltrame wears a black hat, a white shirt with a ruff; a white jacket with red and white striped sleeves, and gold trimming round the armholes and waist; breeches with red and white stripes at the top and yellow fabric at the bottom and a gold rosette at the knee; and black shoes with gold bows. Columbine wears a small yellow tricorn hat, a green bodice with blue lacing over a white stomacher, a flowered skirt, and yellow high-heeled shoes with white bows. Harle-quin has a long-sleeved, pale greyish-brown jacket with red collar and cuffs, and four gold flower-shaped buttons down the front; breeches with a red trellis diaper pattern; blue stockings, and black shoes with a red rosette on top.\nThe top of the base is green with applied green leaves, and flowers: a white, a yellow, a blue and three red and white."}],"exhibitions":[{"@link":{"catalogue":"166","type":"reference"},"admin":{"id":"exhibition-1517","uid":"adlib-exhibition-1517","uuid":"9cda4842-9484-3d44-89b2-984a85309d59"},"summary_title":"The English Ceramic Circle, 1927-1948: English Pottery and Porcelain. Commemorative catalogue of an exhibition held at the Victoria and Albert Museum"},{"@link":{"catalogue":"167","type":"reference"},"admin":{"id":"exhibition-1518","uid":"adlib-exhibition-1518","uuid":"e7a379c6-cbb5-3408-9508-e94b7a417758"},"summary_title":"Bow Porcelain"},{"@link":{"catalogue":"H1","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"catalogue":"113","type":"reference"},"admin":{"id":"exhibition-201","uid":"adlib-exhibition-201","uuid":"14c86d72-5b3b-32f3-85f5-cf71b1bb9878"},"summary_title":"Treasures from the Fitzwilliam, \"The Increase of Learning and other great Objects of that Noble Foundation\""},{"@link":{"catalogue":"247","type":"reference"},"admin":{"id":"exhibition-1519","uid":"adlib-exhibition-1519","uuid":"f003c25f-9d4b-3634-826e-712b272ffe3c"},"summary_title":"Commedia dell'Arte Fest der Kom\u00f6dianten"}],"identifier":[{"accession_number":"C.80-1950","primary":true,"type":"accession number","value":"C.80-1950"},{"priref":"42132","type":"priref","value":"42132"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42132","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/42132"}],"inscription":[{"description":[{"value":"circular printed in black 'ENGLISH.CERAMIC.CIRCLE 1948' surrounding 'No.' and in black ink '166'"}],"method":"printed in black","transcription":[{"value":"ENGLISH.CERAMIC.CIRCLE 1948\nNo. 166"}],"type":"label"},{"description":[{"value":"rectangular strip"}],"method":"inscribed","transcription":[{"value":"OLD BOW GROUP AFTER MEISSEN\/GROUP BY KAENDLER 'LIEBSGR(UPPE). MIT (HARLEKIN)'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. (Frances Louisa), Mrs"}],"date":[{"earliest":1950,"latest":1950,"value":"1950"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1950-09"}]}],"creation":[{"date":[{"earliest":1753,"from":{"earliest":1753,"era":["CE"],"latest":1753,"precision":"circa","value":"1753"},"latest":1755,"range":true,"to":{"earliest":1755,"era":["CE"],"latest":1755,"value":"1755"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157665","uid":"adlib-agent-157665","uuid":"b68c5501-4b5f-39e8-8048-c9b58de684e3"},"summary_title":"Bow Porcelain Manufactory"},{"@link":{"qualifier":"after","role":[{"value":"modeller"}],"type":"reference"},"admin":{"id":"agent-70199","uid":"adlib-agent-70199","uuid":"1a5ab113-688c-3728-9988-60f96aea73bc"},"summary_title":"K\u00e4ndler, Johann Joachim"}],"note":[{"value":"From about 1750 Meissen figures were to be seen in London; and during the next few years porcelain table decorations became a feature of desserts at fashionable entertainments. The copis and adaptations wee mainly of single figures or pairs. Groups were attempted infrequently, probably because fewer seem to have been imported, and because they posed greater technical problems for inexperienced English modellers. The 'Indiscreet Harlequin' was based on a Meissen group (model number 344) modelled by J.J. Kaendler, about 1742, but not mentioned in his Taxa or work notes. Like many of his groups, it displays a sly sense of humour, rarely found in English groups. The Bow group differs from the Meissen model  in minor details, such as the shape of the lover's hat. The pose of Columbine may have been inspired by an engraving of Columbine and Harlequin from Les Amours de Columbine by Petrus Schenck after drawings by G\u00e9rard-Joseph Xavery, and Harlequin's pose by that in Harlequin and the Blind Beggar, plate 32 of Gregorio Lambranzi, New and Eccentric School of Theatrical Dancing, 1716. See Documention, Chilton, 2001."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107736","uid":"adlib-term-107736","uuid":"e93a8dd1-d76d-320b-be9b-afa352e322a1"},"summary_title":"George II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110490","uid":"adlib-term-110490","uuid":"bb9026c5-22c6-3c07-8c4c-b6817acc50c4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Stratford-le-Bow"},{"@link":{"type":"reference"},"admin":{"id":"term-110409","uid":"adlib-term-110409","uuid":"2040047c-eefc-3538-8b3d-60185614825b"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Germany"}],"summary_title":"Germany","type":"country"}]],"summary_title":"Meissen"}]}]},"materials":[{"note":[{"value":"presumed phosphatic, containg bone ash"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"19.5"},{"dimension":"Width","units":"cm","value":"17.9"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17330","uid":"adlib-media-17330","uuid":"95ecae6f-de48-350a-96d1-bd5411b98cad"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_80_1950.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":610}]},"modified":1702926640492,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_80_1950.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":623},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926640492,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_80_1950.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":610}]},"modified":1702926640492,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_80_1950.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":311},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926640492,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-2815675609","source":"portfolio","uid":"portfolio-media-2815675609","uuid":"dc57b6fa-cbb2-33a7-af04-e73a2d4d6ef2"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/692\/large_C_80_1950_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1268},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529369937000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/692\/mid_C_80_1950_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":619},{"dimension":"width","units":"pixels","value":500}]},"modified":1529369937000,"resizable":true,"type":"image"},"original":{"location":"C.80-1950_mas.tif","modified":1529369937000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/692\/preview_C_80_1950_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":310},{"dimension":"width","units":"pixels","value":250}]},"modified":1529369937000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/692\/C_80_1950_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":5061},{"dimension":"width","units":"pixels","value":4087}]},"modified":1529369937000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"The Indiscreet Harlequin, Bow Factory, after Kaendler"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}}],"note":[{"type":"history note","value":"Unknown before donor, Mrs W.D. (Frances Louisa) Dickson, Bournemouth"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 34, no. 166, and pl. 36. Lent by Mrs W.D. (Frances) Dickson","page":"p. 34","type":"reference"},"admin":{"id":"publication-2680","uid":"adlib-publication-2680","uuid":"14e0ae9b-8225-3775-8207-77fecb766539"},"summary_title":"The English Ceramic Circle, 1927-1948: English Pottery and Porcelain. Commemorative Catalogue of an Exhibition held at the Victoria and Albert Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-1206","uid":"adlib-publication-1206","uuid":"bf808e9c-786e-3606-8698-4440c479ffa5"},"summary_title":"Fitzwilliam Museum, Cambridge. Annual Report for the Year ending 31 December 1950"},{"@link":{"notes":"Publ. pl. 115, and see p. 172","page":"p. 172","type":"reference"},"admin":{"id":"publication-2615","uid":"adlib-publication-2615","uuid":"12dac179-7352-34cf-a17d-37cdcaefefb9"},"summary_title":"English Ceramics"},{"@link":{"notes":"Publ. p. 268, fig. 14","page":"p. 268","type":"reference"},"admin":{"id":"publication-200000891","uid":"adlib-publication-200000891","uuid":"e9fedd6b-e4a2-3360-a28b-c8c4d8178dff"},"summary_title":"Commedia dell'Arte in Glass and Porcelain"},{"@link":{"notes":"Publ. p. 38, no. 167, dated c. 1753-55","page":"p. 38","type":"reference"},"admin":{"id":"publication-2688","uid":"adlib-publication-2688","uuid":"2634db86-6ad0-3838-a637-0970bac11a83"},"summary_title":"Bow Porcelain"},{"@link":{"notes":"Publ. p. 187, pl. 338","page":"p. 187","type":"reference"},"admin":{"id":"publication-2763","uid":"adlib-publication-2763","uuid":"b00b4b20-9281-3cc4-a9f5-21a2be192a4c"},"summary_title":"European Porcelain of the 18th Century"},{"@link":{"notes":"Publ. p. 50, H1","page":"p. 50","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"notes":"Publ. p. 111, no. 113","page":"p. 111","type":"reference"},"admin":{"id":"publication-1119","uid":"adlib-publication-1119","uuid":"8b3701d3-a6b9-3cdf-8f20-d50dda99c46c"},"summary_title":"Treasures from the Fitzwilliam: ''The Increase of Learning and other great Objects of that Noble Foundation''"},{"@link":{"notes":"Publ. p. 64, pl. 11, dated to c. 1753-4\nRef. This group is A13 in Bradshaw's list of Bow figures, see p. 89 A13, described as 'Indiscreet Arlecchino'. He identified the seated man as Mezzetino rather than Beltrame.","page":"p. 64","type":"reference"},"admin":{"id":"publication-2758","uid":"adlib-publication-2758","uuid":"aae1cefe-a8f4-3d0e-b8c5-0b213fcd157b"},"summary_title":"Bow Porcelain Figures circa 1748-1774"},{"@link":{"notes":"Publ. p. 239, no. 247","page":"p. 239","type":"reference"},"admin":{"id":"publication-2816","uid":"adlib-publication-2816","uuid":"eb0b8cd2-ca2b-376e-b200-dbf8f2aa4fe5"},"summary_title":"Commedia dell'Arte Fest der Kom\u00f6dianten"},{"@link":{"notes":"Publ. p. 36, pl. 20","page":"27-41","type":"reference"},"admin":{"id":"publication-200002919","uid":"adlib-publication-200002919","uuid":"909b6fcd-2cb2-3800-96e4-a1802e982c66"},"summary_title":"Meissen and England - the Baroque"},{"@link":{"notes":"Cf. For the Meissen prototype, see pp. 268-9","page":"pp. 268-9","type":"reference"},"admin":{"id":"publication-2785","uid":"adlib-publication-2785","uuid":"7f04ba95-3e53-38f5-b5e9-9c4fa846be58"},"summary_title":"German Porcelain of the 18th Century"},{"@link":{"notes":"Cf. pp. 306-7, no. 314, where further examples are cited","page":"pp. 306-7","type":"reference"},"admin":{"id":"publication-2817","uid":"adlib-publication-2817","uuid":"51022053-585a-37f9-b0cc-27c293475d64"},"summary_title":"Messien: Steinzeug und Porzellan des 18. Jahrhunderts Kunstgewerbemuseum Berlin"},{"@link":{"notes":"Cf. An example of the Meissen model in the Gardiner Museum of Ceramic Art, pl. 225, and text pp. 304-05, no. 93, where the Fitzwilliam's Bow model is mentioned with incorrect accession number (C.P.C.117, ceramic post card). 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