[{"admin":{"added":1592970190000,"created":1312636875000,"id":"publication-3378","indexed":1616540221162,"modified":1470754476000,"processed":1615826492403,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c","version":2},"lifecycle":{"publication":[{"date":[{"value":"1997"}],"place":[{"@link":{"type":"literal"},"name":[{"value":"Cambridge (Cambs.)"}],"summary_title":"Cambridge (Cambs.)"}]}]},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica","title":[{"primary":true,"value":"Fitzwilliam Museum Handbooks, Italian Maiolica"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-47187","_score":15.498974,"_source":{"admin":{"added":1592996542000,"created":1312637261000,"flag":"Standard Record","id":"object-47187","indexed":1747246338842,"modified":1714465448000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-47187","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47187","uuid":"31adf929-0e60-36a9-88cd-3909d883b1f8","version":12},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-207384","uid":"adlib-agent-207384","uuid":"9e043e19-3a80-3711-a535-46a70572a7f9"},"summary_title":"Ford, Richard (1796-1858)"},{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-139324","uid":"adlib-agent-139324","uuid":"412c46d0-b7b7-3980-8ca2-6c1babc8909a"},"summary_title":"Venus"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150796","uid":"adlib-agent-150796","uuid":"ec5a0c8a-e54c-3735-adea-0fd5dd14f994"},"summary_title":"Cupid"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157693","uid":"adlib-agent-157693","uuid":"56b21451-6b58-392e-84e0-6a3e6e9ab639"},"summary_title":"Juno"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153277","uid":"adlib-agent-153277","uuid":"ec3a8dd6-5f0b-3597-b38b-2feba1deeacf"},"summary_title":"Minerva"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-151595","uid":"adlib-agent-151595","uuid":"5f94f47f-66a9-365e-b475-95be7a460b85"},"summary_title":"Mercury"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-158722","uid":"adlib-agent-158722","uuid":"1cffff36-4957-3dbb-9b48-c4d5b506440a"},"summary_title":"Paris"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-159042","uid":"adlib-agent-159042","uuid":"3ceafc9b-c1f3-3909-be90-fe82b85ba14c"},"summary_title":"Oenone"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150445","uid":"adlib-agent-150445","uuid":"cd439c8d-0fd9-39e7-9062-341b662b8069"},"summary_title":"Apollo"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"metallic oxide colours"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"},{"@link":{"type":"reference"},"admin":{"id":"term-107486","uid":"adlib-term-107486","uuid":"234fe16e-17e4-3db8-881a-443636aac5ca"},"summary_title":"classical mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish, painted in polychrome with The Judgement of Paris."},{"value":"Earthenware, tin-glazed overall; the reverse pale beige. Painted in blue, green, turquoise, yellow, orange, stone, brown, manganese-purple, black, grey, and white. Shape 64. Circular with narrow rim and wide shallow well. The Judgement of Paris. Paris and his dog sit on the left. He hands the apple of discord to Venus who is accompanied by Cupid; Juno with her peacock stands behind them, and to the right is Minerva, who has her back to the viewer and holds up a drape; above, a winged Victory holds a wreath over Venus' head. To the left are three nymphs, including Paris' wife Oenone, and to their right, behind Paris, is Mercury, who is leaving; to the right, three river gods sit or recline beside the River Scamander. In the sky Apollo drives the chariot of the sun through a zodiac arch and on the right, emerging from a bank of clouds, Coelius supports Jove, seated with his eagle beside him and Diana and two other gods behind him. In the landscape background to left are two bulls and a nude woman with a unicorn, and in the distance, buildings and mountain peaks. The edge is yellow.  On the reverse, in the middle, an oval shield bears the arms of Farnese impaling Crispi, or six fleurs-de-lis azure placed three, two, and one, impaling azure a unicorn argent on a terrace vert, dipping its horn in a stream, a comet above, surmounted by a cross and cardinal's hat, and flanked by three rows of tassels, with below, the inscription in blue 'SORDENT.PRAE FORM\/INGENIVM VIRTVS\/REGNA.AURV[M] (GENIUS, VALOUR, DOMINATION AND WEALTH ARE DESPISED IN COMPARISON TO BEAUTY). Yellow bands encircle the outer and inner edges of the rim."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-2080","uid":"adlib-exhibition-2080","uuid":"21fb61db-870d-399e-a0fb-035ef1c66d00"},"summary_title":"'I turned it into a palace', Sir Sydney Cockerell and The Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.59-1927","primary":true,"type":"accession number","value":"C.59-1927"},{"priref":"47187","type":"priref","value":"47187"},{"source":"F. Leverton Harris Collection list","type":"old object number","value":"M 68"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47187","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47187"}],"inscription":[{"location":"on the back","method":"painted","transcription":[{"value":"SORDENT.PRAE FORM\/INGENIVM VIRTVS\/REGNA.AVRV"}],"type":"inscription"},{"description":[{"value":"rectangular paper label"}],"location":"on the back","method":"handwritten in black ink","transcription":[{"value":"Arms of Farnese impaling Crispi\/of Rome.\/For Tiberio Crispi a familiar of\/Paul III before his pontificate.\/created by him Cardinal in 1544\/Achp of Amalfi 1547-61 bp of Sabina\/& of Sutri when he died 1566"}],"type":"label"},{"description":[{"value":"circular paper label"}],"location":"on the back","method":"handwritten in ?","transcription":[{"value":"M 68"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1545,"from":{"earliest":1545,"era":["CE"],"latest":1545,"precision":"circa","value":"1545"},"latest":1550,"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"value":"1550"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-39957","uid":"adlib-agent-39957","uuid":"a857a45e-ad93-3e9f-87e7-346c948ec5a4"},"summary_title":"Durantino, Guido"},{"@link":{"qualifier":"after","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"}],"note":[{"value":"The Judgement of Paris, engraved by Marcantonio Raimondi after drawings by Raphael, was one of the prints most frequently used as a source by maiolica painters, but was rarely copied in its entirety as it is here. Paris is shown with the goddesses Hera, Athena and Aphrodite (Juno, Minerva, and Venus) who had been brought to him by Hermes with a message from Zeus that he was to award a golden apple to the fairest. Rejecting the bribes of power and wisdom offered by Hera and Athene, Paris awarded the apple to Aphrodite, who offered to assist him in gaining the love of Helen, wife of Menelaus, King of Sparta, whose beauty was equal to her own. The inscription on the back of the dish referring to Paris' choice was also copied from the print."},{"value":"The arms on the reverse are those of Cardinal Tiberio Crispi (1497-1566), who was promoted to the cardinalate in December 1544 by the Farnese Pope, Paul III (ruled 1534-49). Like many cardinals, Crispi marked his promotion by impaling his arms with those of the Pope, so their presence on the dish indicates a date after December, 1544. Another feature which links the dish to Crispi is the nude woman with a unicorn which the painter inserted into the Judgement in the upper left background. This is believed to be an impresa adopted by Crispi, but might also refer to his links with the Farnese family who had four unicorn imprese, including a unicorn placing its front hooves in a maiden's lap."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Urbino"}]}]},"materials":[{"note":[{"value":"beige on the back"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"note":[{"value":"buff"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"45.4"},{"dimension":"Height","units":"cm","value":"5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17663","uid":"adlib-media-17663","uuid":"285c1325-5b16-3c38-9051-b9b67062e38f"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581281084,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":500},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581281084,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581281084,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":250},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581281084,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-2187790741","source":"portfolio","uid":"portfolio-media-2187790741","uuid":"1b39445b-e2a3-3687-a753-bc66104813e6"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/large_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1171},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529369920000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/mid_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":572},{"dimension":"width","units":"pixels","value":500}]},"modified":1529369920000,"resizable":true,"type":"image"},"original":{"location":"C.59-1927_mas.tif","modified":1529369920000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/preview_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":286},{"dimension":"width","units":"pixels","value":250}]},"modified":1529369920000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/C_59_1927_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":6677},{"dimension":"width","units":"pixels","value":5837}]},"modified":1529369920000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Maiolica dish with the Judgement of Paris, after Marcantonio Raimondi"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Possibly Charles Jarvis (?1675-1739); his sale, London, 11-20 March 1739 (OS),A catalogue of the most valuable collection of pictures . . . late of . . . Esq., deceased,  lot 555. Probably Princess Amelia;  possibly Thomas 2nd Vicount Hampden; Viscountess Hampden (d. 1833); sold Christie, Manson, and Christie, 16 and 18 April 1834, A catalogue of the valuable assemblage of Italian Bronzes, magnificent French Furniture, of boule and marqueterie; and rare Oriental and other porcelain . . . , p. 12, lot 68; Lord Eldon, Scotland ?; Richard Ford (1706-1858), Heavitree, near Exeter, before 1850; Captain Ford; Christie's, 31 July 1919, Catalogue of porcelain, objects of art and tapestry from various sources, lot 43; purchased for \u00a3399 by Durlacher  Bros. on behalf of F. Leverton Harris (1864-1926)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. probably, p. 12, lot 68, one of four pieces of maiolica said to have been purchased at the 'Sale of the Effects of the Princess Amelia, Sister to George III, and described as 'A DITTO WITH THE JUDGMENT OF PARIS, very richly coloured, with the arms of a cardinal on the back, 18 inches in diameter'. However, the Princess Amelia sale held by Chrisite's on 15-18 February 1787 did not mention maiolica.","page":"12","type":"reference"},"admin":{"id":"publication-7219","uid":"adlib-publication-7219","uuid":"78a1122c-ce1a-37d8-9a0e-3d6513945490"},"summary_title":"A catalogue of the valuable assemblage of Italian bronzes, mangificent French furniture, of boule and marqueterie; and rare Oriental and other porcelain; the property of the Viscountess Hampden, deceased"},{"@link":{"notes":"Publ. Mentioned as being in the collection of Richard Ford (1796-1858), at Heavitree, near Exeter.","page":"24","type":"reference"},"admin":{"id":"publication-3023","uid":"adlib-publication-3023","uuid":"35a96726-6a45-3b31-8fd4-28a7aec22e5a"},"summary_title":"Collections towards a History of Pottery and Porcelain in the 15th, 16th, 17th and 18th Centuries"},{"@link":{"notes":"Publ. Mentioned","page":"83","type":"reference"},"admin":{"id":"publication-3024","uid":"adlib-publication-3024","uuid":"824e1975-893e-3573-8d2b-d1f5a24a3a06"},"summary_title":"A History of Pottery and Porcelain Medieval and Modern"},{"@link":{"notes":"Publ. See text p. 323 where attributed to Orazio Fontana, and pl. on p. 322.","page":"322-3","type":"reference"},"admin":{"id":"publication-200000978","uid":"adlib-publication-200000978","uuid":"81c5d92f-f206-326e-8ca3-2a3610a2d94d"},"summary_title":"Italian Maiolica in the Collection of the Right Hon. F. Leverton Harris, II"},{"@link":{"notes":"Publ. Mentioned on p. 9 and illustrated pls. XIIID and XVI, top shelf on extreme left.","page":"9","type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. Illustrated in colour, p. 72, fig. 1.","page":"72","type":"reference"},"admin":{"id":"publication-200000979","uid":"adlib-publication-200000979","uuid":"91511d08-b85d-306a-9662-81a0f76fa57b"},"summary_title":"Art on the Table"},{"@link":{"notes":"Publ. pp. 360-4, no. 403. Colour plate 44. For a full description of the dish, the sources of its design, its ownership, and comparable dishes.","page":"360-4","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. Illustrated","page":"24-5","type":"reference"},"admin":{"id":"publication-3399","uid":"adlib-publication-3399","uuid":"6251bbed-f1b7-3ff5-8c49-f4d51b763bda"},"summary_title":"The Lady"},{"@link":{"notes":"Publ. Reproduced p. 16, no. 1","page":"16","type":"reference"},"admin":{"id":"publication-200000980","uid":"adlib-publication-200000980","uuid":"03f217c5-da72-3f6f-851d-6efd1d546724"},"summary_title":"Un secolo di recerche e donazioni\/One century of Bequests and Acquisitions"},{"@link":{"notes":"Publ. p. 42, partially illustrated in article advertising the Fitzwilliam's maiolica exhibition of 1995","page":"42","type":"reference"},"admin":{"id":"publication-200002224","uid":"adlib-publication-200002224","uuid":"ad924f7e-133c-3af2-8d5d-3c5d891d1d38"},"summary_title":"Potted History"},{"@link":{"notes":"Publ. pp. 72-3, no. 31","page":"72-3","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. p. 21, illustrated, no. 24","page":"p. 21","type":"reference"},"admin":{"id":"publication-2065","uid":"adlib-publication-2065","uuid":"4a4b1b7c-93ad-3461-88c3-bdab831e3a14"},"summary_title":"The Fitzwilliam Museum, Annual Report 1997"},{"@link":{"notes":"Publ. p. 21, no. 24","page":"71","type":"reference"},"admin":{"id":"publication-1225","uid":"adlib-publication-1225","uuid":"c17787bc-ef30-308b-acbc-741e14c18062"},"summary_title":"The Fitzwilliam Museum 1848-1998, One Hundred and Fifty Years of Collecting"},{"@link":{"notes":"Publ. p. 23, with the printed source","page":"23","type":"reference"},"admin":{"id":"publication-3398","uid":"adlib-publication-3398","uuid":"ee298b4c-70ed-3cee-bbfc-d32855560ce8"},"summary_title":"Painted Clay, Graphic Arts and the Ceramic Surface"},{"@link":{"notes":"Publ. p. 101, fig. 2.44, in colour","page":"101","type":"reference"},"admin":{"id":"publication-6368","uid":"adlib-publication-6368","uuid":"9c344200-cd9c-3b07-ac5e-06c969ee810c"},"summary_title":"I Turned It Into a Palace, Sydney Cockerell and the Fitzwilliam Museum"},{"@link":{"notes":"Ref. The print by Marcantonio Raimondi which was the source of the design, no. 245-I, or no. 246, a copy by Marco Dente","page":"242-3","type":"reference"},"admin":{"id":"publication-3026","uid":"adlib-publication-3026","uuid":"c72f1337-312c-3770-8d7d-6b27ff0e0915"},"summary_title":"The Illustrated Bartsch: The Works of Marcantonio Raimondi and of his School, vols 26-27"},{"@link":{"notes":"Ref. The most readily accessible source for the life of Tiberio Crispi (1497-1566)","page":"801-3","type":"reference"},"admin":{"id":"publication-7016","uid":"adlib-publication-7016","uuid":"71e04e2e-09e1-303e-be93-66693f3f6942"},"summary_title":"Dizionario biografico degli Italiani"},{"@link":{"notes":"Ref. For biography and arms of Cardinal Tiberio Crispi, see p. 407, no. 60, p. 409 (wrongly numbered 449), fig. LX","page":"407","type":"reference"},"admin":{"id":"publication-3028","uid":"adlib-publication-3028","uuid":"f6d013b7-559e-3969-a806-c40523fdf2b5"},"summary_title":"Epitome pontificum romanorum a S. Pietro usque ad Paulum III"},{"@link":{"notes":"Cf. A large dish decorated with the whole scene of the Judgement of Paris, attributed to the Patanazzi workshop, c. 1580, exhibited from 20-29 September 2002 in the XXI Biennale des Antiquaires, Paris, by Pierre Richard Royer","page":"5","type":"reference"},"admin":{"id":"publication-200001178","uid":"adlib-publication-200001178","uuid":"fba9a58d-3510-3768-8710-d040a6176f1b"},"summary_title":"Pierre Richard Royer Advertisement"},{"@link":{"notes":"Cf. pp. 17, lot14, illustrated p. 16,  a large dish 43.2 cm in diameter with a roughly painted version of the design, described as Urbino but from the workshop of Domenico da Venezia. The Fitzwilliam's dish is mentioned and the example at Braunscheig. 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A soldier on the left holds a shield charged with a scorpion, and another to the right of the Cross holds a scorpion standard. The crosses of the two malefactors are further back. In the sky above them is the sun on the left, and the moon on the right. The raised edge is yellow. 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Briefly mentioned, p. 58","page":"p. 58","type":"reference"},"admin":{"id":"publication-3038","uid":"adlib-publication-3038","uuid":"2e589e20-ae79-381a-b203-3ac54f40b6a7"},"summary_title":"Guide to the European Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 23, fig. 4","page":"p. 23","type":"reference"},"admin":{"id":"publication-200001075","uid":"adlib-publication-200001075","uuid":"57b45045-5cc9-3c3a-b8dc-6c9fd200cbf3"},"summary_title":"Olympian Heights"},{"@link":{"notes":"Publ. pp. 202-3, no. 275, and colour pl. 20","page":"pp. 202-3","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 80-1, no. 35","page":"80-1","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. pp. 88-9, plate 86; illustrated on p. 89, and p. 178, no. 86, brief description.","page":"88-9","type":"reference"},"admin":{"id":"publication-8422","uid":"adlib-publication-8422","uuid":"849d6b11-70f3-3a5b-9261-5930e598885c"},"summary_title":"Madonnas and Miracles. The Holy Home in Renaissance Italy"},{"@link":{"notes":"Publ. p. 305, figs 6 front and fig 7 inscription in Menganna, Clara, \"Alcuni cenni storici delle maioliche di Deruta\". Un manoscritto inedito di Giuseppe Fabretti, pp. 301-13.","page":"305","type":"reference"},"admin":{"id":"publication-8772","uid":"adlib-publication-8772","uuid":"bd461463-aec2-3adc-aaea-b54665a347c6"},"summary_title":"La maiolica italiana del Rinasciment, Studie e Ricerche, Atti del convegno internazionale, Assisi 9-11 settembre 2016"},{"@link":{"notes":"Ref. For a panel of the Virgin and Child with Sts Anthony Abbot and Seabastian in the Museo Internazionale delle Ceramiche, Faenza, and for listing of other plaques and dishes to the Mancini workshop","page":"403-16","type":"reference"},"admin":{"id":"publication-200003017","uid":"adlib-publication-200003017","uuid":"55be5fba-f179-3c73-9753-81615c69144d"},"summary_title":"Una targa della collezione Cora attribuibile alla bottega del Frate da Deruta"},{"@link":{"notes":"Ref. pp. 5-9 for late work of El Frate. The Fitzwilliam's panel is mentioned.","page":"5-9","type":"reference"},"admin":{"id":"publication-200003018","uid":"adlib-publication-200003018","uuid":"6d3f0def-3d22-3fbd-8e3f-dd8ab89da2ad"},"summary_title":"Aspetti dell'istoriato Derutese: l'opera tarda di Giacomo Mancini dett \"il Frate\" e della sua bottega"},{"@link":{"notes":"Cf. p. 286, no. 182 a votive panel dated 1548 and a devotional panel  of the Virgin and Child with Sts Anthony Abbot and Sebastian of c. 1560-70, which like the Fitzwilliams have raised yellow edges, but with two suspension holes at top centre instead of four in the corners.","page":"286","type":"reference"},"admin":{"id":"publication-3209","uid":"adlib-publication-3209","uuid":"fa981d4b-c07a-38f6-89c8-3a3c93acc139"},"summary_title":"La ceramica di Deruta dal XIII al XVIII secolo"},{"@link":{"type":"reference"},"admin":{"id":"publication-200003019","uid":"adlib-publication-200003019","uuid":"f39e0a47-c534-3811-874b-e711f70047d1"},"summary_title":"Targhe devozionali e votive"},{"@link":{"notes":"Ref. p. 69, record of 'il Frate' being employed as a painter with others to work on the triumphal arch erected for the entry of Pope Paul III into Deruta in 1540, see transcription of document on pp. 104-05. See also p. 70 for further information about him and his sons, Filippo, Andrea and Africano, who were also potters.","page":"54-81","type":"reference"},"admin":{"id":"publication-200003020","uid":"adlib-publication-200003020","uuid":"01de52c7-1854-32f8-b36b-b355ee4fc933"},"summary_title":"I Mancini e i maestri ceramisti di Deruta nel Rinascimento"},{"@link":{"notes":"Publ. pp. 301-09, Menganna, Clara,' \"Alcuni cenni storici delle maioliche di Deruta\". Un manoscritto inedito di Giuseppe Fabretti',, p. 305, fig. 6, and reverse fig. 7.On p. 305 the author notes that Fabretti (1787-1869) recorded having seen in a palazzo in via Valle, many pieces of maiolica and 'segnatamente la crocifisione di Cristo con i due ladroni di ottimo disegno semidorato con nel retro la scritta Deruta e la data 1556', which can probably be identified as the Fitzwilliam's panel.","page":"305","type":"reference"},"admin":{"id":"publication-8899","uid":"adlib-publication-8899","uuid":"7dafeb30-f997-369f-b2f1-e01a67ce47a9"},"summary_title":"La maiolica italiana del Rinascimento, Studi e ricerche"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-108538","uid":"adlib-term-108538","uuid":"795ce314-a9bb-3fcc-9c39-4b671ec72fc3"},"summary_title":"cross"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-106929","uid":"adlib-term-106929","uuid":"49cb7833-dcd9-3537-917a-072f1b215ada"},"summary_title":"moon"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107010","uid":"adlib-term-107010","uuid":"bd1232e3-9d36-331f-b8a8-98b1680525be"},"summary_title":"sun"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-110750","uid":"adlib-term-110750","uuid":"0458632f-fcb1-3646-90b2-31e953dae2e5"},"summary_title":"scorpion"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-107655","uid":"adlib-term-107655","uuid":"bb85ddaa-17f8-3797-8c11-48bca51ddd3b"},"summary_title":"sky"},{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-108603","uid":"adlib-term-108603","uuid":"b2e061d9-c8c1-3f1a-81f1-473920658929"},"summary_title":"The Crucifixion"},{"@link":{"type":"literal"},"name":[{"value":"cross"}],"summary_title":"cross"},{"@link":{"type":"literal"},"name":[{"value":"moon"}],"summary_title":"moon"},{"@link":{"type":"literal"},"name":[{"value":"sun"}],"summary_title":"sun"},{"@link":{"type":"literal"},"name":[{"value":"scorpion"}],"summary_title":"scorpion"},{"@link":{"type":"literal"},"name":[{"value":"sky"}],"summary_title":"sky"},{"@link":{"type":"literal"},"name":[{"value":"The Crucifixion"}],"summary_title":"The Crucifixion"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110143","uid":"adlib-term-110143","uuid":"7880ba6f-ffc7-3954-a9b0-88af32dbff6c"},"summary_title":"panel"}},"summary_title":"panel","title":[{"value":"The Crucifixion"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-48389","_score":15.498974,"_source":{"admin":{"added":1592996564000,"created":1312637261000,"flag":"Standard Record","id":"object-48389","indexed":1747246339818,"modified":1737738184000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-48389","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48389","uuid":"af007ac1-7bf6-35e4-b986-2ea5b6e66c39","version":6},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110730","uid":"adlib-term-110730","uuid":"dae0f074-4d74-3f73-9137-7e8bbb36a2ce"},"summary_title":"high-temperature colour"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Renaissance, maiolica bowl with broad rim, painted in blue with, in the middle, a spotted duck."},{"value":"Cream earthenware, thinly tin-glazed overall; three spur marks in the well. Painted in blue.\nShape approximately 58, thickly potted, and heavy for its size. Circular with wide, sloping rim and deep well.\nIn the middle, a spotted duck with a long beak swims to the left within a cusped lozenge-shaped frame surrounded by foliate scrolls. The rim is decorated alla porcellana with four pairs of lozenges filled with dots, separated by four symmetrical arrangements of foliate scrolls. The back is inscribed in the middle in blue,  `J o: chafagguolo', and on the rim and sides of the well there are four foliated spirals."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.4-1960","primary":true,"type":"accession number","value":"C.4-1960"},{"priref":"48389","type":"priref","value":"48389"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48389","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48389"}],"inscription":[{"location":"in the centre","transcription":[{"value":"Jo: chafagguolo"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Leverton Harris Fund."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1960,"latest":1960,"value":"1960-10-13"}],"method":{"value":"bought"}}],"creation":[{"date":[{"earliest":1510,"from":{"earliest":1510,"era":["CE"],"latest":1510,"precision":"circa","value":"1510"},"latest":1525,"range":true,"to":{"earliest":1525,"era":["CE"],"latest":1525,"value":"1525"}}],"maker":[{"@link":{"qualifier":"attributed to","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-67585","uid":"adlib-agent-67585","uuid":"d827ffd5-e9ea-32dd-ae92-4315a5a184be"},"summary_title":"Jacopo di Stefano di Filippo"}],"note":[{"value":"This is one of nine recorded plates of tondino form decorated 'alla porcellana' in blue and inscribed 'Jo (o raised) chafagguolo' on the back. With one exception all have borders of lozenges and foliated arabesques, and, on the back, three or four foliated coiling stems surrounding the inscription on the base. None of the dishes is dated but their style indicates that they were made during the first quarter of the sixteenth century. The first two letters of the inscription are probably a short form of Jacopo, and resemble the writing on a plate in the Victoria and Albert Museum decorated with an equestrian 'Judith with the Head of Holofernes' on the front, and signed 'Japo' (o raised) in chaffaguolo' on the reverse."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110780","uid":"adlib-term-110780","uuid":"17d4199b-8038-380b-b5df-ce198a1dc5db"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Tuscany"}],"summary_title":"Tuscany","type":"region"}]],"summary_title":"Cafaggiolo"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"24.2"},{"dimension":"Height","units":"cm","value":"4.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-18132","uid":"adlib-media-18132","uuid":"d6002ed9-6ed3-3e23-88b9-61add08de67e"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":742}]},"modified":1742581292890,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":512},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581292890,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":742}]},"modified":1742581292890,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_4_1960.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":256},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581292890,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},{"value":"bowl with broad rim"},{"value":"tondino"}],"note":[{"type":"history note","value":"Charles Damiron; Sotheby's, 16 June 1938, Catalogue of the very choice collection of old Italian majolica and Hispano-Moresque ware, the property of Monsieur Damiron, 8 rue Vaubecour, Lyons, lot 74; F.D. Lycett Green; Sotheby's, 14 October 1960, Catalogue of Italian maiolica, works of art, etc. including the property of . . . the late F.D. Lycett Green, Esq., lot 10."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. II, p. 7, figs. 54-5","page":"p. 7","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. p. 5, pl. III","page":"p. 5","type":"reference"},"admin":{"id":"publication-3200","uid":"adlib-publication-3200","uuid":"f497a637-bb32-3363-9555-50e9040eaf4a"},"summary_title":"Fitzwilliam Museum, Cambridge. Annual Report for the Year ending 31 December 1960"},{"@link":{"notes":"Publ. p. 75","page":"p. 75","type":"reference"},"admin":{"id":"publication-3047","uid":"adlib-publication-3047","uuid":"9050aba6-9b8c-3277-8b3e-b218b9ee26ea"},"summary_title":"Maioliche italiane del Rinascimento"},{"@link":{"notes":"Publ. p. 62, no. 43","page":"p. 63","type":"reference"},"admin":{"id":"publication-3050","uid":"adlib-publication-3050","uuid":"3615cab9-e204-3c7a-82af-0107ffd051cd"},"summary_title":"La maiolica di Cafaggiolo"},{"@link":{"notes":"Publ. pp. 132-3, no. 190","page":"pp. 132-3","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. p. 42, no. 16","page":"p. 42","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Cf. pp. 27-32, nos. 1 and 2","page":"27-32","type":"reference"},"admin":{"id":"publication-3405","uid":"adlib-publication-3405","uuid":"149226c4-048a-322f-8c61-d34a6d83136c"},"summary_title":"Maioliche marcate di Cafaggiolo, Museo Nazionale del Bargello"},{"@link":{"notes":"Cf. pp. 66-8, no. 21","page":"66-8","type":"reference"},"admin":{"id":"publication-3406","uid":"adlib-publication-3406","uuid":"ee93d199-384f-3541-8f42-9dc713432bb9"},"summary_title":"Italian Maiolica, Catalogue of the Collections"},{"@link":{"notes":"Cf. p. 141, no. 94, a plate with a ship in the centre, surrounded by a border, and decoration on the reverse, similar to the Fitzwilliam's plate. Dated c. 1500-1515, and attributed  'probably by the painter Jacopo'. German private collection.","page":"141","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"notes":"Cf. p. 141, no. 181a-b, two plates of similar design, no. 181a with a sea monster in the centre, and 181b with a couple of pears. Inv. nos. 481M and 484 M, attributed to Cafaggiolo, decorated by Jacopo, and dated end of the 15th or beginning of 16th century. The bases of both plates have the same inscription as the Fitzwilliam's with minor differences.","page":"141","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},"summary_title":"bowl","techniques":[{"description":[{"value":"Cream earthenware, thinly tin-glazed overall; three spur marks in the well. Painted in blue."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71521","_score":15.498974,"_source":{"admin":{"added":1592999559000,"created":1312637261000,"flag":"Standard Record","id":"object-71521","indexed":1747246341352,"modified":1723561122000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71521","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71521","uuid":"e2ebd5cc-0a50-340b-90fe-299946904f25","version":7},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160522","uid":"adlib-agent-160522","uuid":"260030ce-ca56-3f42-8643-5e516736eccf"},"summary_title":"Amphitrite"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160521","uid":"adlib-agent-160521","uuid":"ac17bb9d-2686-32b3-b4b9-992e156c0127"},"summary_title":"Galatea"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152774","uid":"adlib-agent-152774","uuid":"de99f35f-cc87-3d6f-95a7-70a6d0601039"},"summary_title":"putti"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153718","uid":"adlib-agent-153718","uuid":"c2311941-dc71-34db-a215-d6e5805a2f28"},"summary_title":"sea nymph"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150829","uid":"adlib-agent-150829","uuid":"12e8b411-c52f-3a3a-99ed-a862ffafad8e"},"summary_title":"Triton"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"maiolica trilobate cistern, painted in polychrome with, on the interior the Triumph of Amphitrite or Galatea, on the exterior landscapes."},{"value":"Buff earthenware, tin-glazed creamy-white overall. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, grey, and white.\nTrilobate bowl, standing on a base composed of three lion's feet with vertical scrolls between them. Between each of the lobes there is a deeply grooved handle, terminating at the top in a grotesque mask with a gaping mouth and curling horns which rest on the rim.\nThe interior is decorated with the Triumph of Amphitrite or Galatea. The goddess reclines in a cockle-shell chariot drawn by two dolphins, surrounded by tritons and sea nymphs, a sea horse, and putti frolicking among the waves. In the background there are buildings close to the shore with mountains beyond. Above, five putti holding foliage play amid clouds. The rim is yellow and orange. On the outside, each lobe is decorated with rocks and buildings in a landscape. The lion's feet base, scrolls and mask-handles are coloured yellow and orange."}],"identifier":[{"accession_number":"C.1-1964","primary":true,"type":"accession number","value":"C.1-1964"},{"priref":"71521","type":"priref","value":"71521"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71521","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71521"}],"inscription":[{"description":[{"value":"circular with serrated edge"}],"method":"inscribed in pencil","transcription":[{"value":"841"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Cecil C. Mason Fund and grant-in-aid from the Victoria and Albert Museum."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-157284","uid":"adlib-agent-157284","uuid":"b1e07f8e-daf1-3c5b-8a3e-67c5d4495e62"},"summary_title":"Peel and Humphris"}],"date":[{"earliest":1964,"latest":1964,"value":"1964-03-12"}],"method":{"value":"bought"}}],"creation":[{"date":[{"earliest":1550,"from":{"earliest":1550,"era":["CE"],"latest":1550,"precision":"circa","value":"1550"},"latest":1570,"range":true,"to":{"earliest":1570,"era":["CE"],"latest":1570,"value":"1570"}}],"maker":[{"@link":{"role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-160747","uid":"adlib-agent-160747","uuid":"59f3867a-3398-3e19-8a52-4ad8e0d9095e"},"summary_title":"Fontana Workshop"}],"note":[{"value":"Trilobate cisterns (rinfrescatoi a triangolo) were used for cooling bottles, flasks, and possibly, fruit. They were made in Urbino for probably over half a century. None of the examples with istoriato decoration are dated, but on stylistic grounds they appear to have been introduced in the late 1540s or early 1550s. The latest dated example, in the British Museum, is decorated with grotesques, and was made in the workshop of Francesco Patanazzi in 1608. This cistern was probably made in the workshop of Guido Durantino (Fontana) and his son Orazio, or if made between 1565-70 possibly in Orazio Fontana's workshop.\nThe decoration of trilobate cisterns with marine deities, nereids and tritons frolicking in the sea was appropriate for their function as containers for water. These lively designs were inspired by Marcantonio Raimondi's engraving of the Triumph of Galatea after Raphael's fresco in the Villa Farnese in Rome, although, only one of the extant examples, in the Wallace Collection, is decorated internally with a close copy of it. The others have variants, identified as either the Triumph of Galatea or Amphitrite, who is sometimes accompanied by Neptune. In the upper part of the scenes there are usually putti, holding bows as they do in the print, or wreaths. The demand for such scenes might also have been fostered by Vasari's fresco of 'Water' in the Palazzo Vecchio in Florence, but the fashion for marine fantasies in the second half of the century was an aspect of the Mannerist style which can be paralleled in metalwork in Italy and elsewhere in Europe. 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Painted in blue, green, yellow, and orange; red and shades of yellow-gold lustre. Shape 50. Circular with slightly sloping rim and shallow depression in the middle, standing on a footring.\nMercury, Herse and Aglauros. Mercury stands holding his rod in his left hand, his right extended towards Aglauros who stands in the doorway of the palace. On the left, Herse sits indoors beside a window, resting her head on her right hand. The arch of the window springs from a column decorated with scrolling foliage. On the wall above is a shield charged with the arms party per pale undy azure and or (shown orange) a mullet and a crescent counterchanged. In the foreground there are four pebbles on the path, and in the background to right, rocks and a large expanse of sky.\nThe back is marked in the middle in thick orange-yellow lustre, `1522\/.M o .o G' (both o  raised). The base is encircled by a wide blue band and a narrow lustre band repeated in reverse order next to the rim. Between these are four crossed lozenges alternating with two spirals between curved strokes and two groups of spots between curved strokes."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.79-1961","primary":true,"type":"accession number","value":"C.79-1961"},{"priref":"79248","type":"priref","value":"79248"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79248","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79248"}],"inscription":[{"description":[{"value":"rectangular, a ducal crown over a gothic N and to the right 'CLUMBER\/2603'"}],"location":"on back","method":"printed in black","transcription":[{"value":"CLUMBER\/2603"}],"type":"label"},{"description":[{"value":"both o  raised"}],"location":"on the back","method":"in thick orange-yellow lustre","transcription":[{"value":"1522\/.M o .o G"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1522,"era":["CE"],"latest":1522,"precision":"dated","value":"1522"}],"maker":[{"@link":{"role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-160294","uid":"adlib-agent-160294","uuid":"e7481a09-8063-3b03-b6b2-04e7e9154df5"},"summary_title":"Maestro Giorgio Andreoli"}],"note":[{"value":"The arms occur on two more plates painted by the same hand, and also dated 1522. A plate painted with the Fall of Phaeton in the Hermitage, St Petersburg, and another painted with a woman holding a dagger and taunting a young man, in the Metropolitan Museum of Art, New York. They were probably decorated by the painter of a dish decorated with the Judgement of Paris, in Maestro Giorgio's workshop in Gubbio on 2 October 1520, which is in the Petit Palais, Paris."},{"value":"The subject was taken from the Roman poet Ovid's Metamorphoses, II, 708-832.  The scene could illustrate Mercury's first or second visit to Cecrops' palace to see Herse with whom he had fallen in love. On the first occasion he was met by her sister Aglaurus who declined to lead him to Herse, and demanded gold for her compliance before sending him away. On his return, Aglaurus, who had become extremely envious of Herse's good fortune in attracting a lover, barred the way to her room. Thereupon Mercury exercised his supernatural power to open the door and transformed Aglaurus into stone.The figures of Mercury and Aglauros were derived from a woodcut in 'Ovidio metamorphoseos vulgare', Venice, 1497, p. 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Hope, Deepdene, Surrey; his daughter, Henrietta Adela Hope, who married in 1861 the Earl of Lincoln, later 6th Duke of Newcastle-under-Lyme (1834-1979); by descent to the 7th Duke of Newcastle-under-Lyme (1864-1928); sold by Christie's, 7 July 1921, Catalogue of fine old English silver-gilt plate, Limoges enamels, old Italian majolica and porcelain, the property of his grace the Duke of Newcastle, and removed from Clumber, Worksop, lot 120; George A. Lockett; Christie's, 11 June 1942, The choice collection of objects of art and furniture formed by the late George A. Lockett Esq., lot 217; Alfred Spero (\u00a3556); from 1943, L.C.G. Clarke, Leckhampton, MA, LL.D., Cambridge (1881-1960) by whom bequeathed"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. lot 120","page":"25","type":"reference"},"admin":{"id":"publication-3407","uid":"adlib-publication-3407","uuid":"19cc80c0-e6e7-3fd0-9660-ce60875a0f41"},"summary_title":"Catalogue of fine old English silver-gilt plate, Limoges enamels, old Italian majolica and porcelain, the property of His Grace the Duke of Newcastle, and removed from Clumber, Worksop"},{"@link":{"notes":"Publ. lot 217","page":"24","type":"reference"},"admin":{"id":"publication-3221","uid":"adlib-publication-3221","uuid":"d6ca23eb-f1e5-32c4-b618-396e4ae4ca33"},"summary_title":"The choice collection of objects of art and furniture formed by the late George A. Lockett Esq."},{"@link":{"notes":"Publ. pp. 127-8 & pls. A & D","page":"pp. 127-8","type":"reference"},"admin":{"id":"publication-200001089","uid":"adlib-publication-200001089","uuid":"59d00b06-8fed-351e-850b-ea6d0c9abbdc"},"summary_title":"A Maestro Giorgio maiolica dish"},{"@link":{"notes":"Publ. II, p. 96, fig. 767","page":"p. 96","type":"reference"},"admin":{"id":"publication-3029","uid":"adlib-publication-3029","uuid":"80945d1b-c823-332c-b5d2-29f0090b906e"},"summary_title":"R\u00e9pertoire de la majolique italienne"},{"@link":{"notes":"Publ. p. 5 & pl. XII","page":"p. 5","type":"reference"},"admin":{"id":"publication-1970","uid":"adlib-publication-1970","uuid":"2b9703ad-8c20-31c6-894a-c7fea3ad953e"},"summary_title":"Fitzwilliam Museum, Cambridge. Annual Report for the Year ending 31 December 1961"},{"@link":{"notes":"Publ. p. 381, fig. 12","page":"p. 381","type":"reference"},"admin":{"id":"publication-200000779","uid":"adlib-publication-200000779","uuid":"23351138-8d80-3072-8cc1-3cf4e9f33fdc"},"summary_title":"Louis Clarke as a Collector"},{"@link":{"notes":"Publ. p. 133, p. 134, fig. 4","page":"pp. 133-4","type":"reference"},"admin":{"id":"publication-200001033","uid":"adlib-publication-200001033","uuid":"9727fed6-b8e0-39cf-8000-e35d4582fd07"},"summary_title":"Italian maiolica of the fifteenth and sixteenth centuries"},{"@link":{"notes":"Publ. p. 134","page":"p. 134","type":"reference"},"admin":{"id":"publication-3047","uid":"adlib-publication-3047","uuid":"9050aba6-9b8c-3277-8b3e-b218b9ee26ea"},"summary_title":"Maioliche italiane del Rinascimento"},{"@link":{"notes":"Publ. pp. 221-3, no. 296","page":"pp. 221-3","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 56-7, no. 23","page":"56-7","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3408","uid":"adlib-publication-3408","uuid":"d8baf014-8f99-3d30-b94f-c8d4d23b8f89"},"summary_title":"Leningrad State Hermitage Collection, Italian Maiolica XV-XVIII Centuries"},{"@link":{"notes":"Cf. p. 148, pl. 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Painted in blue, green, yellow, and orange; red and shades of yellow-gold lustre."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"Mercury, Herse and Aglauros"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-79385","_score":15.498974,"_source":{"admin":{"added":1592996663000,"created":1312637261000,"flag":"Standard Record","id":"object-79385","indexed":1747246359802,"modified":1711373374000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-79385","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79385","uuid":"fc292091-0e99-3fac-ab78-d1988521d101","version":14},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-187782","uid":"adlib-agent-187782","uuid":"73f5d86d-5d45-3e50-9d5a-a0c710dc8157"},"summary_title":"Sambon, Arthur G."},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149799","uid":"adlib-agent-149799","uuid":"5d0c9de7-e78b-3027-9f17-986966711aeb"},"summary_title":"boy"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-157712","uid":"adlib-agent-157712","uuid":"c2e1ef5e-bd3e-3896-8be0-02a9865c47c9"},"summary_title":"youth"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"dark blue, green, dark yellow, and manganese-purple"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"17.2"}]},"name":"Base"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"18.8"}]},"name":"Rim"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-110500","uid":"adlib-term-110500","uuid":"6dc34c6c-d553-36b2-b489-9797a89deeea"},"summary_title":"society\/human life"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica pharmacy jar, painted in blue, green, yellow and manganese with boys wearing contemporary costumes."},{"value":"Buff earthenware, tin-glazed on the exterior and very thinly on the interior; base unglazed. Painted in dark blue, green, dark yellow, and manganese-purple. Broad albarello form with straight sides. Round the middle are four busts of boys wearing contemporary costume face in profile to left. One is flanked by gothic foliage and peacock's feather eye motifs, the others by scrolling foliage bearing parti-coloured fruits against a dotted background. Above and below there is a wide blue band and a dark yellow band between two blue; and on the shoulder, a row of blue chevrons with a blue band above."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"19","type":"reference"},"admin":{"id":"exhibition-2085","uid":"adlib-exhibition-2085","uuid":"647b110e-100c-3af1-b43d-f6ecc911d36e"},"summary_title":"Love and Marriage in Italian Renaissance Art"},{"@link":{"catalogue":"21","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"}],"identifier":[{"accession_number":"C.60-1927","primary":true,"type":"accession number","value":"C.60-1927"},{"priref":"79385","type":"priref","value":"79385"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79385","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79385"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. 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Ovoid with flat base, short cylindrical neck and two strap handles.\nOn one side there is a hound running to the left and, on the other, a hound running to the right, surrounded by sprays of oak leaves with dots and dashes in the background. On each side of the handles, there are three vertical manganese lines, on the outside of which are short horizontal manganese strokes separated by blue spots. Round the lower part of the body there are two horizontal manganese bands; round the neck, alternating manganese chevrons and blue spots between pairs of manganese bands. The handles are decorated with a crutch with a green shaft, a series of horizontal manganese lines, and blue spots. 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Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1427,"from":{"earliest":1427,"era":["CE"],"latest":1427,"precision":"circa","value":"1427"},"latest":1431,"range":true,"to":{"earliest":1431,"era":["CE"],"latest":1431,"value":"1431"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-53048","uid":"adlib-agent-53048","uuid":"37eb6b31-d7c3-3551-a4ec-83c121497444"},"summary_title":"Giunta di Tugio"},{"@link":{"qualifier":"perhaps","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-159224","uid":"adlib-agent-159224","uuid":"d953aadb-4750-35e2-a71f-95c9e37ed06f"},"summary_title":"Maso and Miniato di Domenico"}],"note":[{"value":"This jar is decorated in manganese and relief-blue (zaffera a rilievo), a glaze-like, upstanding pigment containing cobalt. Archaeological evidence recovered since 1975 indicates that it was probably introduced in Tuscany during the last third of the fourteenth century, as fragments found during excavations in Florence and nearby towns, such as Prato, Pistoia, and Montelupo, can be dated to the end of the century. Others have been found with fragments of Italo-Moresque type which suggests that relief-blue decoration continued until the 1460s.By the early fifteenth century it was well-established and in addition to two-handled jars, it was used on jugs, albarelli, ewers, and, more rarely, on dishes.  It was also adopted in the Romagna, Lazio, and Umbria during the same period. It may be the blue referred to in two recipes, one for blue pigment for the decoration of maiolica, and the other for relief-blue 'in the Florentine manner' included in a MS now in the Library of the University of Bologna (MS 2861), and formerly in the convent of San Salvatore in Bologna.                \nThe best-known examples of relief-blue decoration outside Italy are Tuscan two-handled storage jars. These have been attributed to Florence and Montelupo, and were probably made elsewhere, such as at Baccheretto. Typically they have borders creating a panel on each side which is occupied by a central motif surrounded by stylized oak foliage. The main motifs include heraldic and other animals, fleurs-de-lis, and mythical or human figures. Some jars, however, are decorated overall with foliage, scales, or undulating lines. These motifs appear to have been derived from local and Islamic art, including heraldry, woven textiles and ceramics.                                                                                      This is one of at least twenty-one 'oak leaf jars' whose handles bear the crutch emblem of the hospital of Santa Maria Nuova in Florence. The hospital's archives record the purchase of large numbers of jars for its pharmacy in 1427 from Maso and Miniato di Domenico. But it seems more likely that they were among  about 1,000 ordered in 1431 from Giunta di Tugio, whose workshop was in the Oltrarno district of the ciity, because the record mentioned orciuoli (two handled jars) for the new pharmacy. The meaning of the two asterisks is uncertain. They may be the mark of a decorator, because one, two or three asterisks occur on other jars of this kind. An excavation in 1975 on the site of the Giunta di Tugio's workshop in Florence confirmed that maiolica with relief-blue decoration was made there and that an asterisk mark was used, and this was confirmed by a further excavation in 2015."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-129010","uid":"adlib-term-129010","uuid":"674154af-c0f1-32b3-87cb-985607daa8cb"},"summary_title":"15th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106508","uid":"adlib-term-106508","uuid":"f7f1399b-d092-3a3d-8f96-c3aee3ad8fd5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Tuscany"}],"summary_title":"Tuscany","type":"region"}]],"summary_title":"Florence"}]}]},"materials":[{"note":[{"value":"most of rim and base unglazed"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"20"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-53284","uid":"adlib-media-53284","uuid":"faca1ea5-2e87-3b48-b0f6-14913ef9a450"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":702}]},"modified":1616286200198,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":541},{"dimension":"width","units":"pixels","value":500}]},"modified":1616286200198,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":702}]},"modified":1616286200198,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_75_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":271},{"dimension":"width","units":"pixels","value":250}]},"modified":1616286200198,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110759","uid":"adlib-term-110759","uuid":"c6bf6c5a-3fdd-3aa2-b2e9-0c0c31ea4a68"},"summary_title":"two-handled jar"}},{"value":"oak-leaf jar"}],"note":[{"type":"history note","value":"Sir Otto Beit (1865-1930); Sir Alfred Beit (1903-94);  Sotheby's, 16 October 1942, Catalogue of important Italian majolica, the property of Sir Alfred Beit Bt, MP., lot 5; Louis C.G. Clarke (1881-1960)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 76, no. 736","page":"p. 76","type":"reference"},"admin":{"id":"publication-2999","uid":"adlib-publication-2999","uuid":"4e269c8d-631e-34c3-a9a4-23c5962ea0ab"},"summary_title":"Catalogue of the Collection of Pottery and Porcelain in the Possession of Mr Otto Beit"},{"@link":{"notes":"Publ. pp. 96-9, no. 154, and colour pl. 4; other jars with the crutch emblem are cited","page":"pp. 96-9","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 20-1, no. 5","page":"20-1","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-7534","uid":"adlib-publication-7534","uuid":"d5d2f60c-8706-39e5-b0a9-af7a3064ed71"},"summary_title":"Museo Nazionale di Firenze, Palazzo del Bargello, Catalogo delle maioliche"},{"@link":{"notes":"Cf. p. 8, a jar with a hound running to the right, in the author's collection; formerly in the De Osma, Pringsheim, E.L. Paget and Kolkhorst collections","page":"8","type":"reference"},"admin":{"id":"publication-8909","uid":"adlib-publication-8909","uuid":"642c40cb-6430-3ad0-b922-62805196bde1"},"summary_title":"Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3158","uid":"adlib-publication-3158","uuid":"eed5e193-4e6d-3560-95ff-0891e31704e2"},"summary_title":"Storia della maiolica di Firenze e del contado secoli XIV e XV"},{"@link":{"notes":"Cf. pp. 64-5, no. 6, a jar with two hounds addorsed on each side in the Bargello, Florence; p. 256, no. 73, a jar with a hound chasing a hare, and the crutch emblem on the handles, in the Gemeentemuseum, The Hague; p. 256, no. 75, a jar with one hound on each side, formerly in the Scott-Taggart collection; p. 256, no. 76, a jar with one hound on each side in the Rijksmuseum, Amsterdam.  See also Alessandro Alinari and Fausto Berti, 'Zaffera fiorentina pe lo speziale e la mensa' pp. 47-55, for the interpretation and attribution of the asterisk marks on oak leaf jars for the hospital nof Santa Maria Nuova.","page":"256","type":"reference"},"admin":{"id":"publication-8825","uid":"adlib-publication-8825","uuid":"4e2519bc-4201-3705-987f-b0f95b5ffc2d"},"summary_title":"Zaffera e similia nella maiolica italiana"},{"@link":{"notes":"Ref. For a discussion of the influences on heraldic and other animal motifs on 'oak leaf' jars","page":"477-500","type":"reference"},"admin":{"id":"publication-400002321","uid":"adlib-publication-400002321","uuid":"0c7391ff-38b2-3fe0-9958-39b69b884cd4"},"summary_title":"Florentine \"zaffera a rilievo\" maiolica: a new look at the Oriental influence"},{"@link":{"notes":"Ref.  For a discussion of the origins of oak leaf decoration including architectural ornament, sculpture, MS illumination, and maiolica arcaica, which downplays the influence of Islamic ceramics, whereas Alinari and Berti, in Conti, 1991, pp. 47-52, retained the view that Islamic and Spanish ceramics were significant, especially in the use of contour panels.","page":"128-32","type":"reference"},"admin":{"id":"publication-200003216","uid":"adlib-publication-200003216","uuid":"34cfdd5d-0192-3d41-8bdf-de6edb987113"},"summary_title":"La foglia di quercia le sue origini ed il suo sviluppo"},{"@link":{"notes":"Cf. pp. 32-37 no. 83, a jar with a hound going to the left.","page":"32-37","type":"reference"},"admin":{"id":"publication-6085","uid":"adlib-publication-6085","uuid":"9e9f66b5-9967-3864-a61a-19e7c8db8cf5"},"summary_title":"Le maioliche rinascimentali nelle collezioni della Fondazione Cassa di Risparmio di Perugia, Vol. II"},{"@link":{"notes":"Cf. inv. no.  3649-D3, a jar decorated with a hound on each side, and the crutch emblem on its handles, dated c. 1430","page":"pp. 36-9","type":"reference"},"admin":{"id":"publication-8435","uid":"adlib-publication-8435","uuid":"6bb1d864-ca6a-3640-a048-6288582518f7"},"summary_title":"Italian Maiolica in the Collection of the National Gallery of Victoria"},{"@link":{"notes":"Cf. pp 24-5, no. 1, an oak leaf jar with a plant motif amidst oak leaves, and having the crutch emblem of Santa Maria Nuova on the handle, with two asterisks below with a blob of blue on the end of each arm. Dated to  c. 1431, and attributed probably to the workshop of Giunta di Tugio.","page":"24-5","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"},{"@link":{"notes":"Cf. pp. 46-7, no. 12, a pharmacy jar decorated with scale pattern and having the crutch emblem of the hospital of Santa Maria Nuova on its handle. The author mentions the finding of relief-blue decorated maiolica and asterisk marks when the site of the Giunta di Tugio workshop was excavated in 2015.","page":"46-7","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"notes":"Ref. pp. 8-22","page":"8-22","type":"reference"},"admin":{"id":"publication-200003286","uid":"adlib-publication-200003286","uuid":"fd48ae82-cffd-3d8b-9e23-72af16c7d6e2"},"summary_title":"La marca dell'asterisco della bottega di Tugio di Giunta a Firenze"},{"@link":{"notes":"Cf. no. 12b, a two-handled jar with similar hounds in an upright position back to back, attributed to Florence","page":"pp. 26-28","type":"reference"},"admin":{"id":"publication-8977","uid":"adlib-publication-8977","uuid":"9396b466-54b6-378f-93a2-987508bde686"},"summary_title":"Maiolica and Ceramics in the National Museum of the Bargello"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-23516","uid":"adlib-term-23516","uuid":"290ee5a9-02db-302c-8885-a62b4540e002"},"summary_title":"pharmacy"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-107810","uid":"adlib-term-107810","uuid":"2b4d2a52-ba0a-3962-8e0a-70ec572f5816"},"summary_title":"hounds"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-38432","uid":"adlib-term-38432","uuid":"574d1fc9-f958-3d45-9e32-c114b0cf87b4"},"summary_title":"oak"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-4803","uid":"adlib-term-4803","uuid":"003c7e5f-96a4-35d8-bac5-1dadc90aba65"},"summary_title":"oak leaf"},{"@link":{"type":"literal"},"name":[{"value":"hounds"}],"summary_title":"hounds"},{"@link":{"type":"literal"},"name":[{"value":"oak"}],"summary_title":"oak"},{"@link":{"type":"literal"},"name":[{"value":"oak leaf"}],"summary_title":"oak leaf"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110759","uid":"adlib-term-110759","uuid":"c6bf6c5a-3fdd-3aa2-b2e9-0c0c31ea4a68"},"summary_title":"two-handled jar"}},"summary_title":"two-handled jar","techniques":[{"note":[{"value":"most of rim and base unglazed"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-80787","_score":15.498974,"_source":{"admin":{"added":1592996700000,"created":1312637261000,"flag":"Standard Record","id":"object-80787","indexed":1747246321337,"modified":1584183698000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-80787","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/80787","uuid":"0e54e161-0b83-38ef-b2a8-3fefde93d8fe","version":4},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153715","uid":"adlib-agent-153715","uuid":"8b8facef-bbf3-3362-accf-80549de1f9da"},"summary_title":"man"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149742","uid":"adlib-agent-149742","uuid":"1d4d164f-45d5-3cec-ad71-bbc83cea9b86"},"summary_title":"woman"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-110500","uid":"adlib-term-110500","uuid":"6dc34c6c-d553-36b2-b489-9797a89deeea"},"summary_title":"society\/human life"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Painted in polychrome, with a man being fired at by arrows in a landscape, being released or tied up by a young woman"},{"value":"Earthenware, tin-glazed greyish-white overall. Painted in dark blue, pale blue, pale green, yellow, orange, and opaque white. There are three small spur marks in the well. Shape approximately 59 (Poole 1995), slightly convex in the middle. Circular with a broad rim, and deep curved well, slightly convex in the middle.\nThe central medallion contains a landscape in which a stream of arrows speeds towards a young man who is bound to a stake, while a young woman is either tying him up or releasing him. The sides are decorated with bianco sopra bianco and orange Vs between rows of simulated beading. On the rim are grotesques reserved in a dark blue ground: four labels inscribed `1520', each flanked by cornucopiae and scrolls and surmounted by a winged putto's head, alternating with four grotesque masks, each flanked by dolphin scrolls and surmounted by a palmette. The rim is yellow.\nThe middle of the back is painted in blue with three concentric circles, crossed by two lines. One quarter contains a small circle, the other three an arrow pointing towards the centre. Radiating from the base are two rows of blue petals, the inner row transversely striped in blue and the outer in orange. 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with broad rim"}],"note":[{"type":"history note","value":"Sir Otto Beit; Sir Alfred Beit; Sotheby's, 16 October 1942, Catalogue of important Italian majolica, the property of Sir Alfred Beit Bt, MP, lot 22."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pp. 69-70, no. 711 & pl. 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Circular with broad sloping rim and deep well. A Battle between Caesar and Pompey. Troops of cavalry are drawn up on the right and left, the former moving forward to attack. Above, there is an oval shield charged with the arms of the Wittelsbach Dukes of Bavaria below a coronet. At the bottom of the rim is an inscription: `cavaleria di popeo simoue\/cotra cesare' (Cavalry of Pompey advances against Caesar). A narrow blue band and a yellow band between two orange encircle the rim. 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Reitlinger Bequest 1950; transferred from the Reitlinger Trust, 1991"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150552","uid":"adlib-agent-150552","uuid":"566a6fcb-b8cd-3926-9bbf-78d0c4a5cc81"},"summary_title":"Reitlinger, Henry Scipio"}],"date":[{"earliest":1991,"latest":1991,"value":"1991-04-29"}],"method":{"value":"bequeathed"},"note":[{"value":"H.S. Reitlinger lived at 45 Princes Gate, London, SW7, until the house was requisitioned for the duration of the Second World War. His collection was put into storage. After the peace, it was exhibited in Basle in 1949, but negociations for it to find a home there failed. Reitlinger died in Austria in 1950, and in accordance with his will the Reitlinger Trust was established and a private museum was opened in Maidenhead."}]}],"creation":[{"date":[{"earliest":1576,"era":["CE"],"latest":1576,"precision":"circa","value":"1576"}],"maker":[{"@link":{"role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-160588","uid":"adlib-agent-160588","uuid":"1db6a775-3634-3daa-9506-68c2bd07276d"},"summary_title":"Bettisi, Leonardo di Antonio"}],"note":[{"value":"This dish bears the arms of the Wittelsbach dukes of Bavaria and formed part of a service which belonged to Albrecht V (1528; ruled 1550-79). The service was probably made in 1576, the date on one dish. The original extent of the service is unknown, but an inventory of 1751 mentioned 116 pieces.  Most of the service remains in Munich in the Residenzmuseum, and the Bayerisches Nationalmuseum. The service is decorated in compendiario (summary or sketchy) style with scenes from the Bible, classical mythology, and Roman history, The scene on this dish is  titled 'cavaleria di popeo simoue\/cotra cesare (cavalry of Pompey advances against Caesar), and probably represents the battle between Caesar and Pompey at Pharsalus in 48BC, described in Appian's, Civil Wars, II, 11. 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This catalogue provides the most extensive coverage of the components of the service and its historical background. The dish dated 1576 illustrating the Arrest of King Syphax (Livy, Ab urbe condita, XXX, 17, 102) is pp. 182-3, no. 50. See Chapter III for a discussion of the service pieces, and their manufacture, and Chapter IV for the sources of the designs and inscriptions. The various versions of the Do. Pi. mark are illustrated on pp. 292-3, and a concordance of the locations, inventory numbers and catalogue numbers of the pieces, on p. 293.","page":"200-01","type":"reference"},"admin":{"id":"publication-8949","uid":"adlib-publication-8949","uuid":"794c0fa0-1afd-3463-88a0-7554362169dd"},"summary_title":"F\u00fcrstliche Majolika. 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Painted in blue, yellow, and orange."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"A Battle between Caesar and Pompey"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-77388","_score":15.498974,"_source":{"admin":{"added":1592999700000,"created":1312637261000,"flag":"Standard Record","id":"object-77388","indexed":1754071328601,"modified":1754040044000,"processed":1754071321243,"source":"adlib","stream":"fitz-online","uid":"adlib-object-77388","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/77388","uuid":"0a455fb1-e558-3dc5-adc7-18aafff3add3","version":11},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153715","uid":"adlib-agent-153715","uuid":"8b8facef-bbf3-3362-accf-80549de1f9da"},"summary_title":"man"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-107444","uid":"adlib-term-107444","uuid":"571df7cf-e062-3968-ae5e-bec9d5a82f92"},"summary_title":"C. 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Recipes usually included a pur\u00e9e of quinces, pears, or apples, to which chopped candied fruit, sugar, mustard, spices, and salt were added, before cooking and thickening in cooked must (\u2018mosto cotto\u2019 made from boiled down grape juice) whose high sugar content and acidity made it an excellent preservative. Combined with mustard seeds that have powerful anti-bacterial and anti-fungal properties, it was a highly effective way of preserving fruit \u2013 still in use today, especially in north Italy."},{"value":"The jar held Mostarda Fina, a fruit pickle or sauce.  While mustard was possibly the contents of some jars, it seems more likely that the majority of large jars held fruit pickle. The essential ingredient was cooked must (mosto cotto), freshly pressed grape juice which was boiled and reduced until it became thick and black, almost like molasses. 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Square with deep sides. The back has been scooped out to produce three raised concentric rings. On the front, a white hound sejant in profile to the right with its head turned sharply to the right. The hound is outlined and shaded in blue and wears a dark yellow muzzle with a leash of the same colour coiling out behind it. The ground is green with yellow patches and tufts of blue grass. The background is manganese."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"183","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"}],"identifier":[{"accession_number":"C.61-1927","primary":true,"type":"accession number","value":"C.61-1927"},{"priref":"15553","type":"priref","value":"15553"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1912,"value":"1927-12"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1492,"from":{"earliest":1492,"era":["CE"],"latest":1492,"precision":"circa","value":"1492"},"latest":1494,"range":true,"to":{"earliest":1494,"era":["CE"],"latest":1494,"value":"1494"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-153985","uid":"adlib-agent-153985","uuid":"6edf9e47-aa3d-3506-b4c7-210b3dee06fe"},"summary_title":"Antonio dei Fedeli"}],"note":[{"value":"A white hound sejant (seated), muzzled and leashed, symbolizing fidelity, was a device adopted by Gianfrancesco Gonzaga (1395-1444), first Marquis of Mantua. It was one of eight Gonzaga devices pictured on tiles commissioned from Pesaro in 1493 by Giovanni Sforza on behalf of Marquis Francesco II Gonzaga (1466-1519) for his villa at Marmirolo. However, on their arrival at the Castel San Giorgio in Mantua on 1 June 1494, some of them were laid in the studiolo of his wife, Isabella d'Este (1474-1539). The project seems to have been undertaken partly for aesthetic reasons and partly as a measure to rid the room of mice which had been nesting under the floorboards. Apart from this, maiolica pavements were not very practical in domestic situations because their colourful designs were gradually worn away by people's feet. The back of this tile, like some of the others from this pavement, was scooped out to produce three concentric circles. This may have been done to speed the drying of the tiles before firing or to prevent them warping in the kiln.\nThe potter's name was not mentioned in the surviving corres\u00acpondence of 1493-4 concerning the tiles, but he may have been Antonio dei Fedeli of Pesaro, who was active in Pesaro between 1458 and 1509. On 7 May 1496 wrote to Isabella asking to be paid for tiles for which he had been prom\u00acised payment six months earlier. Presumably these were a differ\u00acent order but it seems likely that, having been satisfied with the tiles decorated with devices, Isabella would have extended her patronage to the same potter for another commission.\nThe other seven emblems on the tiles were  the arms of Gonzaga; a dove perching on a coiled and smoking fuse inscribed `VRAI AMOVR NESE CHANGE' (true love does not change); a sunburst interwoven by two ribbons inscribed `PER VND\/IXIR' (for a desire); a white doe below a scroll inscribed `BIDER GRAFT' (righteous power); a three-tiered island surmounted by a diamond and surrounded by smoking brands, inscribed on the lowest tier of the island in Greek `AMVMOC' (blame\u00acless); a muzzle over a ribbon inscribed `CAVTIVS' (more cautiously); and a steel gauntlet attached to a ribbon inscribed `BVENA FE NONES MVDABLE' (good faith is unchangeable). \nAfter her husband's death, Isabella moved to different apart\u00acments on the ground floor of the Corte Vecchia, and recreated her studiolo there. The first studiolo no longer exists and the subsequent history of the tiles is unknown until some, whether from there or from Marmirolo is not clear, were recorded in the collec\u00actions of Attilio Portioli of Mantua and Willelmo Braghirolli in 1878. Those now in the museum collec\u00actions were acquired after that date. 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Reitlinger"}],"component":[{"materials":[{"note":[{"value":"blue, yellowish-green, yellow, orange, manganese-purple, and brown"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish on low foot, painted in polychrome with The Entombment of Christ."},{"value":"Earthenware, tin-glazed overall; the reverse yellowish-cream, thinly and unevenly applied with trickles running across the surface. There is a fault on the front near the lower edge. Painted in blue, yellowish-green, yellow, orange, manganese-purple, and brown.\nShape approximately 77. Circular with shallow curved sides, standing on a low foot.\nThe Entombment of Christ. Mary Magdalene, the Virgin, Joseph of Arimathea and St John (?) are lowering the body of Christ into the tomb. Behind them a man holds up a lantern, and in the background are a tree, a hill and sky. The centre of the back is inscribed in brownish-orange with the cursive monogram HR."}],"exhibitions":[{"@link":{"catalogue":"264","type":"reference"},"admin":{"id":"exhibition-1665","uid":"adlib-exhibition-1665","uuid":"63658816-1634-3848-a45b-3eee31f953ac"},"summary_title":"Ceramic Art of the Italian Renaissance"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1658","uid":"adlib-exhibition-1658","uuid":"4889ef48-e773-3b77-8070-657c87a2145e"},"summary_title":"Light of the World; Christ's story told through Art"}],"identifier":[{"accession_number":"C.231-1991","primary":true,"type":"accession number","value":"C.231-1991"},{"priref":"73335","type":"priref","value":"73335"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73335","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73335"}],"inscription":[{"description":[{"value":"HR in cursive monogram"}],"location":"on the base","method":"painted in brownish-orange","transcription":[{"value":"HR"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"H.S. 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Cut-away and incised decoration painted in blue, green, and brownish-yellow under lead glaze. Of tabernacle form with columns at the sides, and a scrolled pediment with two suspension holes at the top. Within the frame, a half-length figure of the Virgin holds the infant Christ in her arms. On each side there is a spray of foliage, and in the pediment 'IHS' (Jesus) below a cross."}],"identifier":[{"accession_number":"C.1789-1928","primary":true,"type":"accession number","value":"C.1789-1928"},{"priref":"72613","type":"priref","value":"72613"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72613","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72613"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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See Documentation Pope-Hennessy 1964, and Cecchetti 1984."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106447","uid":"adlib-term-106447","uuid":"c24dda6b-b738-3a7d-bddf-648ede5b5cd4"},"summary_title":"17th Century"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-114604","uid":"adlib-term-114604","uuid":"98c142b6-619c-30b2-a718-c2b0eb6004d1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"probably"}],"summary_title":"Carpi"},{"@link":{"type":"reference"},"admin":{"id":"term-110698","uid":"adlib-term-110698","uuid":"b7123c26-fb10-3ef8-9cd5-19e88393557d"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"probably"}],"summary_title":"Modena"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"5.6"},{"dimension":"Height","units":"cm","value":"38.3"},{"dimension":"Width","units":"cm","value":"25.1"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-37930","uid":"adlib-media-37930","uuid":"356e4f67-4d2e-33ae-9e53-4aec6d162ab2"},"processed":{"large":{"format":"jpeg","location":"aa\/aa9\/C_1789_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926494725,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa9\/mid_C_1789_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926494725,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa9\/C_1789_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926494725,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa9\/preview_C_1789_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926494725,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-37931","uid":"adlib-media-37931","uuid":"4e846efb-243a-30b2-bee6-a5cfbadfe03e"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_1789_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":510}]},"modified":1702926421083,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_1789_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":745},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926421083,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_1789_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":510}]},"modified":1702926421083,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_1789_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":373},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926421083,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-114603","uid":"adlib-term-114603","uuid":"04362f52-e534-3618-a483-bb9173c4a765"},"summary_title":"devotional panel"}},{"value":"panel"},{"value":"relief"}],"note":[{"type":"history note","value":"Purchased at Lugano in 1901 by Dr J.W.L. 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W. 28 cm. The Fitzwilliam's example is mentioned","page":"131","type":"reference"},"admin":{"id":"publication-3831","uid":"adlib-publication-3831","uuid":"8072224a-a52b-33c9-ba27-075b8c90488d"},"summary_title":"Vente de Printemps, mobilier, objets d'art et de curiosit\u00e9, tableaux, argenterie, c\u00e9ramiques et pipes"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-114603","uid":"adlib-term-114603","uuid":"04362f52-e534-3618-a483-bb9173c4a765"},"summary_title":"devotional panel"}},"summary_title":"devotional panel","techniques":[{"description":[{"value":"reddish-brown earthenware, press-moulded in relief, and coated with white slip on the front. Cut-away and incised decoration painted in blue, green, and brownish-yellow under lead-glaze."}],"note":[{"value":"in relief"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}}],"title":[{"value":"The Virgin and Child"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-73227","_score":15.498974,"_source":{"admin":{"added":1592999608000,"created":1312637261000,"flag":"Standard Record","id":"object-73227","indexed":1752602719844,"modified":1724165527000,"processed":1752602690710,"source":"adlib","stream":"fitz-online","uid":"adlib-object-73227","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73227","uuid":"70c42722-b5e7-3c9d-95d7-bdc781c2217c","version":10},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-154123","uid":"adlib-agent-154123","uuid":"2fef3fa1-e550-35f4-b4de-2ced0eb2272a"},"summary_title":"Virgin Mary"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149696","uid":"adlib-agent-149696","uuid":"c1d7b5bf-63d4-3ba4-a080-9810b80bf16c"},"summary_title":"Christ"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. 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The glaze has crawled to the left of bottom centre. Painted in watery dark blue, pale blue, yellow, orange, and dark manganese-brown.\nRectangular, with two suspension holes inside the raised frame at top centre.\nWithin a frame of egg and dart ornament is a half-length figure of the Virgin with the infant Christ sitting on a cushion on her lap. He plays with her veil and she restrains Him with her right hand. On each side of the Virgin's head is a cloud with a cherub flying out of it, holding a crown in the hand nearest to her and a palm in the other. The dark blue background is scattered with stars."}],"exhibitions":[{"@link":{"catalogue":"30","type":"reference"},"admin":{"id":"exhibition-1662","uid":"adlib-exhibition-1662","uuid":"911c989a-e42d-3013-8eb0-c992b72acf8c"},"summary_title":"Loan Exhibition of Pottery and Porcelain held in the Fitzwilliam Museum"},{"@link":{"catalogue":"A5","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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The Holy Home in Renaissance Italy"}],"identifier":[{"accession_number":"C.2200-1928","primary":true,"type":"accession number","value":"C.2200-1928"},{"priref":"73227","type":"priref","value":"73227"},{"source":"Glaisher MS Catalogue, vol. 1","type":"old object number","value":"1342"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73227","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73227"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1600,"from":{"earliest":1600,"era":["CE"],"latest":1600,"precision":"circa","value":"1600"},"latest":1700,"range":true,"to":{"earliest":1700,"era":["CE"],"latest":1700,"value":"1700"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-190452","uid":"adlib-agent-190452","uuid":"d7536c72-123d-3c81-a2f5-4b97f80a1f56"},"summary_title":"Unidentified Deruta potter"},{"@link":{"qualifier":"after","role":[{"value":"sculptor"}],"type":"reference"},"admin":{"id":"agent-10360","uid":"adlib-agent-10360","uuid":"a406342a-5dbf-3bb9-b64a-ea223118c48f"},"summary_title":"Benedetto da Maiano"}],"note":[{"value":"Devotional panels moulded in relief with this representation of the Virgin and Child were been made mainly in Deruta.  The image derives from a marble relief attributed to Benedetto da Maiano (1442-97), formerly in the Orl\u00e9ans collection at Bologna and now in the Blumenthal collection in New York.  The location of the panel in the sixteenth and seventeenth centuries is not known, and the immediate prototype of the maiolica panels was probably a terracotta or plaster cast."},{"value":"Label text from the exhibition \u2018Madonnas and Miracles: The Holy Home in Renaissance Italy\u2019, on display at The Fitzwilliam Museum from 7 March until 4 June 2017: This rectangular plaque has two holes at the top, suggesting that the image originally hung on a wall. The heavenly colours of blue, gold and white, as well as the starry background and the angels holding crowns, remind the viewer that, according to Catholic tradition, the Virgin was crowned \u2018Queen of Heaven\u2019 after her death. The Child is shown entwined in her golden veil."},{"value":"There are numerous panels of this type, which can be divided into two main groups. The relief moulding of one group, to which this example belongs, follows the iconography of the marble. The other group deviates from it in having a cherub's head in the fold of the drapery under the Virgin's left arm, which may be accompanied by a cherub or angel's head in the background on the right, or both sides, of the Virgin's head, sometimes obscured by the painted background.  This group appears to be related to a painted plaster relief  also attributed to Benedetto da Maiano in the Skulpurengalerie, Staatliche Museen Preussischer Kulturbesitz, Berlin. This has three cherub's heads, and is approximately the same size as the maiolica panels, 49.5 x 39 cm. A tondo, without cherub's heads, is in the Palazzo di Venezia, Rome (PV5480). The painted backgrounds of both groups of maiolica reliefs include draped curtains, draped curtains with a window on the left, a wall with or without drapes, and a landscape with buildings.  The number of moulds used suggests that production continued over a long period, probably throughout the seventeenth century. The only dated example cited is at the Bowes Museum, Barnard Castle (X 1559). This belongs to the second group, and differs from most of the others in having a panel at the bottom bearing two coats of arms, and an inscription giving the date 25 February 1633. Somewhat similar panels, presumably inspired by an Italian example, were made at Triana, Seville."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106447","uid":"adlib-term-106447","uuid":"c24dda6b-b738-3a7d-bddf-648ede5b5cd4"},"summary_title":"17th 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Painted in watery dark blue, pale blue, yellow, orange, and dark manganese-brown."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120072","uid":"adlib-term-120072","uuid":"f2a6661f-ccfe-38cf-a4f5-d56df121ce83"},"summary_title":"moulding in relief"}}],"title":[{"value":"Virgin and Child"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-77384","_score":15.498974,"_source":{"admin":{"added":1592999700000,"created":1312637261000,"flag":"Standard Record","id":"object-77384","indexed":1758045644991,"modified":1758030480000,"processed":1758045642794,"source":"adlib","stream":"fitz-online","uid":"adlib-object-77384","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/77384","uuid":"5c4427dc-4583-3990-ba88-69421e10e6b3","version":16},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160752","uid":"adlib-agent-160752","uuid":"8aa6316a-4aea-37a0-94f1-af69f4610c71"},"summary_title":"Christ Child"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-154123","uid":"adlib-agent-154123","uuid":"2fef3fa1-e550-35f4-b4de-2ced0eb2272a"},"summary_title":"Virgin Mary"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149649","uid":"adlib-agent-149649","uuid":"94539a8b-dbbb-3f21-8501-c4bf2d8b0190"},"summary_title":"St Joseph"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-156435","uid":"adlib-agent-156435","uuid":"178d07f2-1335-3d55-a064-7b3bdb752d1d"},"summary_title":"St Anne"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152774","uid":"adlib-agent-152774","uuid":"de99f35f-cc87-3d6f-95a7-70a6d0601039"},"summary_title":"putti"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-107444","uid":"adlib-term-107444","uuid":"571df7cf-e062-3968-ae5e-bec9d5a82f92"},"summary_title":"C. 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Circular with a flange on the underside; the upper surface flat with a convex rim.\nThe Holy Family in an architectural setting; on the rim, bound leaves and berries between concentric yellow bands. On the back, two putti standing on clouds support a shield bearing the arms sable, a fess or, a chief party per pale gules and argent two rosettes counterchanged flanked by the letters `ELI' and `PYA'; below, a winged putto's head. The background is blue above the arms and brown below. 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The Holy Home in Renaissance Italy"}],"identifier":[{"accession_number":"MAR.C.60-1912","primary":true,"type":"accession number","value":"MAR.C.60-1912"},{"priref":"77384","type":"priref","value":"77384"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/77384","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/77384"}],"inscription":[{"description":[{"value":"I smaller than L and Y and A joined"}],"location":"on back flanking arms","transcription":[{"value":"ELI PYA"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"C.B. Marlay Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149674","uid":"adlib-agent-149674","uuid":"de1bf9dd-2091-39ca-85f6-41e736f6e32b"},"summary_title":"Marlay, Charles Brinsley"}],"date":[{"earliest":1912,"latest":1912,"value":"1912"}],"method":{"value":"bequeathed"},"note":[{"value":"For its possession by Signora Beni and Giuseppe Ranaldi, see Documentation,  Poole, 2003, p. 93."}]}],"creation":[{"date":[{"earliest":1531,"era":["CE"],"latest":1531,"precision":"circa","value":"1531"}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-160384","uid":"adlib-agent-160384","uuid":"5c6d6814-9356-3ed2-aa15-769c66acb5b6"},"summary_title":"Milan Marsyas Painter"},{"@link":{"qualifier":"possibly","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-189937","uid":"adlib-agent-189937","uuid":"ba703f61-f3e2-3e9b-b254-4d098d09e339"},"summary_title":"Xanto, Francesco"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-159002","uid":"adlib-agent-159002","uuid":"93c9a327-1a2c-3628-ab1d-6a7c039660b0"},"summary_title":"Caraglio, Giovanni Giacomo"},{"@link":{"qualifier":"after","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-104194","uid":"adlib-agent-104194","uuid":"c673ad7d-c2a2-35a4-a7d0-1c7f30185198"},"summary_title":"Parmigianino (Francesco Mazzola)"}],"note":[{"value":"From at least the fifteenth century it was customary for a new mother to be given a little maiolica service to use for meals during her recovery after childbirth, sometimes as a gift from her husband. Childbirth, the most dangerous experience in most women\u2019s lives, required nourishing food, like sweetmeats or broths. In Romagna and the Marches these became known as 'un servizio da impagliata' because the word 'impagliata' was used to describe a woman during her lying-in. According to Cipriano Piccolpasso (c. 1523\/4-79) in I tre libri del Arte del Vasaio, written about 1557, the services usually had five pieces arranged on top of each other: a standing bowl covered by a plate, a drinking bowl on a foot, and a salt and its cover.\nThese sets are mentioned in many fifteenth and sixteenth century inventories but apart from a salt in the Victoria and Albert Museum, only bowls and covers appear to have survived. Most of them are decorated with scenes of childbirth, the washing of babies, or women with small children. Others have childbirth scenes from the Bible or classical mythology, or subjects connected with qualities, such as valour, which it was hoped the child would acquire. \nThe Holy Family on the top of this cover was derived from the 'Adoration of the Shepherds', engraved by Giovanni Giacomo  Caraglio after Parmigianino (1503-40).  It shows the Virgin Mary, Joseph and a female saint, around the new-born baby Jesus, who is cradled in the arms of a woman who has no halo, and was perhaps a midwife. The scene was intended to inspire the new mother, who would have looked to the Virgin and St Anne as models of motherhood. The reverse is painted with two putti, the family\u2019s coat-of- arms, and the initials, \u2018ELI\u2019 and \u2018PYA\u2019, said to be for the name of the father, \u2018Elisio Piani\u2019, an official of the Monte Piet\u00e0 in Urbino in early sixteenth-century Urbino. A dish painted with the 'Judgement of Paris' by Francesco Xanto in 1531 bears the same coat-of-arms (Fitzwilliam Museum, C.86-1961)."},{"value":"If not painted by the 'Milan Marsyas Painter' this cover was probably painted by Francesco Xanto Avelli da Rovigo"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120009","uid":"adlib-term-120009","uuid":"690a6332-cfc1-3411-a716-4dd4ec7d9a65"},"summary_title":"16th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"the Marche"}],"summary_title":"the 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Alessandro Castellani; Paris, H\u00f4tel Drouot, 28 May 1878, Catalogue des fa\u00efences italiennes . . . et de deux pi\u00e8ces de la c\u00e9l\u00e8bre porcelaine des Medicis, composant l'importante collection de M. Alessandro Castellani, lot 292; C.B. Marlay before 1887."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-76242","uid":"adlib-object-76242","uuid":"4fe95d0f-2c96-3192-8a98-0a11c8c2e24d"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-3237","uid":"adlib-publication-3237","uuid":"641efb1b-182f-38f5-ad20-f731e926aca0"},"summary_title":"Catalogue des fa\u00efences italiennes . . . et de deux pi\u00e8ces de la c\u00e9l\u00e8bre porcelaine des Medicis, composant l'importante collection de M. Alessandro Castellani"},{"@link":{"notes":"Publ. p. 49, no. 340","page":"p. 49","type":"reference"},"admin":{"id":"publication-3222","uid":"adlib-publication-3222","uuid":"46285040-527c-3f90-ae0b-6eaf4d86f6d0"},"summary_title":"Catalogue of Specimens of Hispano-Moresque and Majolica Pottery Exhibited in 1887"},{"@link":{"notes":"Publ. pp. 333-5, no. 389; for the printed source, see p. 335, fig. 28","page":"pp. 333-5","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 64-5, no. 27","page":"64-5","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. p. 147 illustrated.  Ref. 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Fig. 12 reproduces the accouchement set cup in Cipriano Piccolpasso, 'Li tre libri dell'arte del vasaio'.","page":"32-33","type":"reference"},"admin":{"id":"publication-8422","uid":"adlib-publication-8422","uuid":"849d6b11-70f3-3a5b-9261-5930e598885c"},"summary_title":"Madonnas and Miracles. The Holy Home in Renaissance Italy"},{"@link":{"notes":"Publ. p. 213, fig. 7.18, and p. 253, cat. 245","page":"p. 213, 253","type":"reference"},"admin":{"id":"publication-8743","uid":"adlib-publication-8743","uuid":"a86a8f73-aae5-372c-930d-aa215bd02c9b"},"summary_title":"Feast & Fast. The Art of Food in Europe 1500-1800"},{"@link":{"notes":"Ref. For the social background for accouchement sets.  The Fitzwilliam's accouchement bowl cover is mentioned on p. 90. Cf. p. 91, fig. 41, a cover decorated with the Holy Family after Parmigianino in the Museo Correr, Venice.","page":"59-109","type":"reference"},"admin":{"id":"publication-200001160","uid":"adlib-publication-200001160","uuid":"31b6bd04-cece-3a33-9cb9-82b67774b1d7"},"summary_title":"\"Delle Impagliate\" ossia annotazioni intorno alle maioliche da puerpera cinquecentesche"},{"@link":{"notes":"Cf. p. 151, pl. 178, colour, a trencher from accouchement set with birth of Hercules. D. 28 cm. (V. & A. inv. no. C.755-1925) and p. 151, pl. 179 colour, a broth bowl and cover with birthing scene, astrologer on right, attributed to Nicola da Urbino, c. 1533-8. H. 9.8 D. 17.9 cm. (V. & A. inv. no. C.2258-1910)","page":"151","type":"reference"},"admin":{"id":"publication-7526","uid":"adlib-publication-7526","uuid":"ceb92dd4-7854-3192-82d7-ddfa5f0f3dd4"},"summary_title":"Italian Renaissance Maiolica"},{"@link":{"notes":"Cf. pp. 62-4, no. 23, three pieces from a later birth set with grotesque decoration surrounding the scenes, attributed to the Fontana or Patanazzi family, c. 1560-80, in the Detroit Institute of Arts, inv. no. 59.124a-c.","page":"62-4","type":"reference"},"admin":{"id":"publication-200002979","uid":"adlib-publication-200002979","uuid":"61fcf129-2716-3e72-a188-e9dc442fea54"},"summary_title":"Italian Renaissance and Later Ceramics, Entries"},{"@link":{"notes":"Cf. pp. 196-7, no. 62, a bowl from an accouchement set decorated with a birth scene and Diana and Actaeon","page":"196-7","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. pp. 230-33, nos. 192-4, childbirth bowls , and covers, no. 195, with different types of decoration. 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Painted in greyish-blue, sage-green, yellow, orange, brown, and manganese. Circular with curved sides, standing on a low footring.\nInside, the Virgin holding the Christ Child stands between sprays of foliage in front of the Santa Casa. Round the rim between greyish-blue lines there are alternating sprays of greyish-blue and yellow leaves, interrupted by the words `CON.POL.DI.S.CASA' (with dust of the Holy House) in manganese. 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Very rare."}],"type":"label"},{"location":"on front below figures","method":"painted in manganese","transcription":[{"value":"CON.POL.DI.S.CASA"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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On 10 December 1294 it was moved again to a forest near Recanati but, because of brigands in the area, it was moved in August 1295 to a hilltop. This site in turn proved unfavourable because two brothers robbed the pilgrims who went there, and after one brother murdered the other, the angels transported the house to its final resting place at Loreto.  During the late Middle Ages Loreto developed into an important pilgrimage centre, and a great church, completed in 1500, was built around the `house' which was encased in an elaborate marble rivestimento during the early sixteenth century. In addition to the Holy House, pilgrims came to venerate a statue of the Virgin and the Holy Bowl said to have been used by her."},{"value":"Souvenir bowls for pilgrims bear the words 'CON POL DI S CASA' (con polvere di Santa Casa), referring to the adding of dust from the sweeping of the Holy House to the clay from which they were made. Bowls like this one are fairly common. The scene inside was probably copied from a woodcut on one of the printed attestations, which pilgrims acquired as evidence of their visit to the shrine. The Virgin is shown wearing a stiff robe similar to that worn by the famous statue, and stands in front of the church of the Santa Casa. Another common design is painted in baroque style, mainly in blue and yellow. The origin of most of these bowls is uncertain. Some can be attributed to Castelli, and it seems likely that the others were made near Loreto, or elsewhere in the Marches."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106400","uid":"adlib-term-106400","uuid":"3e80c102-1483-3c39-b2f4-67e333d653d8"},"summary_title":"18th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-106853","uid":"adlib-term-106853","uuid":"25492eb4-1164-35eb-8dce-3601486f3415"},"summary_title":"19th Century"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"note":[{"value":"possibly 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