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Similar young women appear in paintings by Pinturicchio (1454-1513) such as in the' Visitation' in the Borgia apartments of the Vatican, but Deruta maiolica painters were more likely to have seen or had access to drawings after local works in nearby Perugia. It was a popular prototype for the decoration of large dishes decorated with busts or half-length figures of women, known today as bella donna dishes. These are thought to have been presented to women by their betrothed or husband, and a few examples show a couple together. At least thirty-five examples based on the same prototype are known, the majority showing the girl facing to the left, and a few to the right, as here, and in the Cleveland Museum of Art, Ohio (1951.327), the Metropolitan Museum of Art, New York (1953.225.87), and the Chigi-Saraceni collection, Siena (FAC.Inv. no. 61). There are no dated examples decorated with similar designs, but it seems probable that this slender, chaste ideal of womanhood con\u00actinued to be represented by Deruta painters until at least the 1520s. \n\nMany of these dishes have a scrolling ribbon or label behind the girl, bearing a name followed by Bella or another adjective, or have a proverb, saying, or quotation from the bible or literature. The inscription on this dish was taken from Petrarch's, Le Rime, XXIII, 31, `La vita el fin e 'l di loda la sera' ' (Life by its end, day by the evening, is praised). Variants of this line occur on dishes with the same girl in the the Metropolitan Museum of Art, New York  (94.4.320), and the Mus\u00e9e National de la Renais\u00acsance, \u00c9couen (E.C1.2430), and on a dish decora\u00acted with a different girl, in the Museo Nazionale di Ravenna.\n\nThe dishes had a wide variety of border patterns. 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Vol. I, p. 285, no. 2191; vol. II, pl. 167. This dish was not collected by Dr J.W.L. Glaisher but was included in the Catalogue of the collection because it was purchased with money which he bequeathed.","page":"285","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. Mentioned p. 53, illustrated pl. 15.","page":"53","type":"reference"},"admin":{"id":"publication-3038","uid":"adlib-publication-3038","uuid":"2e589e20-ae79-381a-b203-3ac54f40b6a7"},"summary_title":"Guide to the European Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"type":"reference"},"admin":{"id":"publication-3031","uid":"adlib-publication-3031","uuid":"1e6af792-78aa-3c61-9b3d-4a31abe184a3"},"summary_title":"The Concise Encyclopedia of Continental Pottery and Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-3030","uid":"adlib-publication-3030","uuid":"b8528092-cf8f-373a-9fb3-548d79cede63"},"summary_title":"Italian Maiolica"},{"@link":{"notes":"Publ. p. 58, colour pl. 45.","page":"p. 58","type":"reference"},"admin":{"id":"publication-3051","uid":"adlib-publication-3051","uuid":"9c094253-840a-33c8-854b-cbf4b0ed9f4e"},"summary_title":"Ceramic Art of the World, XXII, European Ceramics"},{"@link":{"notes":"Publ. No. 44","page":"42","type":"reference"},"admin":{"id":"publication-1119","uid":"adlib-publication-1119","uuid":"8b3701d3-a6b9-3cdf-8f20-d50dda99c46c"},"summary_title":"Treasures from the Fitzwilliam: ''The Increase of Learning and other great Objects of that Noble Foundation''"},{"@link":{"notes":"Publ. pp. 166-8, no. 237, and colour pl. 16","page":"166-8","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 36-7, no. 13","page":"36-7","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. Illustrated on p. 152, fig. 9 and see p. 145. The authors note 'This is the only case in which the source of the legend on belle has been identified.' The book was edited by Mann, Nicholas and Syson, Luke.","page":"145, 152","type":"reference"},"admin":{"id":"publication-200000989","uid":"adlib-publication-200000989","uuid":"51da1066-fdce-3067-a0d4-7a0aaa2f135e"},"summary_title":"When is a portrait not a portrait,? Belle Donne on Maiolica and the Renaissance Praise of Local Beauties"},{"@link":{"notes":"Ref. For the inscription on the scroll","page":"26","type":"reference"},"admin":{"id":"publication-3039","uid":"adlib-publication-3039","uuid":"ebecdd55-fb60-378f-af2b-fb84d4f45892"},"summary_title":"Le Rime"},{"@link":{"notes":"Ref. For a translation of the inscription on the scroll.","page":"60","type":"reference"},"admin":{"id":"publication-3040","uid":"adlib-publication-3040","uuid":"a1f32e33-9c74-3112-aec9-2939ba1855b9"},"summary_title":"Petrarch's Lyric Poems, The Rime sparse and other Lyrics"},{"@link":{"notes":"Ref. For sources of designs on Deruta maiolica. See especially, p. 30, fig. 11, The Visitation by Pinturicchio in the Borgia apartments of the Vatican.","page":"25-57","type":"reference"},"admin":{"id":"publication-200000990","uid":"adlib-publication-200000990","uuid":"83e461c6-3315-3ef8-aa39-d54f88469112"},"summary_title":"Fonti iconografiche e stilistiche della decorazione nella maiolica rinascimentale"},{"@link":{"notes":"Cf. pp. 164-66, no. 29, a dish with a similar girl facing to the right with a scroll in front of her inscribed 'DIAMANTE BELLA'. The unusual border comprises almond-shaped motifs alternating witha slanting bulbous floral motif resembling a spinning top.","page":"164-66","type":"reference"},"admin":{"id":"publication-3381","uid":"adlib-publication-3381","uuid":"36d2d285-968d-3211-9f4b-18c2552c65d1"},"summary_title":"Monte dei Paschi di Siena, Collezione Chigi Saracini, 5, Maioliche Italiane"},{"@link":{"notes":"Publ. p. 110, no. 23. Cf. p. 108, no. 21, dish with similar girl facing to left, in the National Gallery of Art, Washington, inv. 1942.9.322; p. 109, no. 22, another with girl facing to left in the Mus\u00e9e de la Renaissance, Ecouen, inv. Cluny, 2430; p. 111, no. 24 another with girl facing to left, without a scroll, in the V. & A., inv. C.2172-1910. . See p. 106, Perugino's Eritrean Sybil in the sala dell'Udienza, Collegio del Cambio, Perugia. Ref. for Deruta maiolica.","page":"110","type":"reference"},"admin":{"id":"publication-4837","uid":"adlib-publication-4837","uuid":"8a5d258d-09cf-35d0-a64a-b1bca54fa905"},"summary_title":"La ceramica umbra al tempo di Perugino"},{"@link":{"notes":"Publ. p. 32, no. 5,  and cf. p. 33, a copy by contemporary Deruta potter, Fernando Calzolari.","page":"32","type":"reference"},"admin":{"id":"publication-6388","uid":"adlib-publication-6388","uuid":"1f1298ea-c28b-3905-ad2b-fa59db7d742c"},"summary_title":"Fati di Ceramica nelle Marche dal Trecento al Novecento"},{"@link":{"notes":"Publ. p. 182, Figure 4.13. See pp. 179-82, 4.2.5. Prototype Five: Women Who Bear God in Their Minds: The Sibyls and Allegorical Figures from the Collegio del Cambio.  See pp. 180-2, note 65 for 36 known examples of Deruta dishes with images of women based on the Eritrean Sibyl.","page":"179-82","type":"reference"},"admin":{"id":"publication-9107","uid":"adlib-publication-9107","uuid":"f6eb9f5b-29cf-3b09-b6ca-bae2334d6e73"},"summary_title":"Ideal Brides: Deruta Bella Donna Plates 1500-1550. Courtship, Marriage and Decorative Art in Renaissance Italy"},{"@link":{"notes":"Cf. Vol. I, pp. 158, nos. 475-8, vol. II, pl.75, nos. 475-8. On all the dishes, the girl faces to the left, and, with the exception of no. 477, has an inscription on a scroll in front of her.","page":"158","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"notes":"Cf. p. 83, no. 59, a dish with the same inscription ending with ISCHU [RA], accompanying a different young woman. Inv. no. 1855. The Fitzwilliam's dish is mentioned in the text.","page":"83","type":"reference"},"admin":{"id":"publication-400002304","uid":"adlib-publication-400002304","uuid":"d0b2b57b-546a-36c7-8b81-e61f2ad9859b"},"summary_title":"Le maioliche del Museo Nazionale di Ravenna"},{"@link":{"notes":"Cf. pp. 65-6, no. 7, a dish with the same inscription ending with ISCHU[RA], accompanying a different young woman. inv. no. 1855.","page":"65-6","type":"reference"},"admin":{"id":"publication-400002305","uid":"adlib-publication-400002305","uuid":"6d47fd97-3aed-3278-9bb2-8cb912488eed"},"summary_title":"Ceramiche dalle Collezioni del Museo Nazionale di Ravenna"},{"@link":{"notes":"Cf. p. 162, no. 301, a dish decorated with a warrior surrounded by a border similar to the Fitzwilliam's dish. Inv. no. E 2110.","page":"162","type":"reference"},"admin":{"id":"publication-400002306","uid":"adlib-publication-400002306","uuid":"fd430150-18ab-30e6-9438-eb2a24c2f1c0"},"summary_title":"Kataloge des Kunstgewerbemuseums der Stadt K\u00f6ln, II, Majolika"},{"@link":{"notes":"Cf. pp. 242-3, no. 83, a dish painted with a similar girl facing to left, and the same quotation without the final X. inv. no. 94.4.320","page":"242-3","type":"reference"},"admin":{"id":"publication-8274","uid":"adlib-publication-8274","uuid":"7be4693f-9344-330a-8733-2ca7558ee846"},"summary_title":"Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art"},{"@link":{"notes":"Cf. pp. 106-07, no, 40, a dish with the same girl facing to the left; fig. 17 shows the head of a Sibyl from the fresco in the Sala dell'Udienza, Collegio del Cambio, Perugia. Inscription on ribbon OFACIES.OCUVLIS. INSIDIOSA.MEIS (O face that is an ambush for my eyes) from Ovid's Heroides, XV.","page":"106-07","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. Catalogue of a Private Collection"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"earthenware, the front is tin-glazed; the reverse has thick, opaque, dark yellow lead-glaze. Painted on the front in thinly applied dark blue and with pale silver-yellow lustre"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-73180","_score":19.517561,"_source":{"admin":{"added":1592970412000,"created":1312637261000,"flag":"Standard Record","id":"object-73180","indexed":1758045645202,"modified":1734443640000,"processed":1758045642283,"source":"adlib","stream":"fitz-online","uid":"adlib-object-73180","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73180","uuid":"d3f414a8-572f-30e5-b621-3a48fbd5b34f","version":8},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149742","uid":"adlib-agent-149742","uuid":"1d4d164f-45d5-3cec-ad71-bbc83cea9b86"},"summary_title":"woman"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"dark blue, yellow, and orange"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica deep bowl on a low foot, painted in blue, yellow, and orange, with a woman with billowing drapery sitting in a rocky landscape."},{"value":"Earthenware, tin-glazed overall. Painted in dark blue, yellow, and orange. Shape 75. In the middle, within three narrow concentric circles, a woman with billowing drapery sits in a rocky landscape. Radiating from the medallion are six wide and six narrow panels, the former traversed by an orange diagonal stripe with a stylised plant on each side of it, the latter decorated with foliage reserved in a blue ground. On the rim there is a repeating border comprising elongated ovals alternating with groups of three beads, reserved in a blue ground between narrow bands. On the outside are blue and yellow split leaves between groups of horizontal blue bands, the lower group having a yellow band second from the bottom."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.2188-1928","primary":true,"type":"accession number","value":"C.2188-1928"},{"priref":"73180","type":"priref","value":"73180"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73180","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73180"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1570,"from":{"earliest":1570,"era":["CE"],"latest":1570,"precision":"circa","value":"1570"},"latest":1590,"range":true,"to":{"earliest":1590,"era":["CE"],"latest":1590,"value":"1590"}}],"maker":[{"@link":{"role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-160588","uid":"adlib-agent-160588","uuid":"1db6a775-3634-3daa-9506-68c2bd07276d"},"summary_title":"Bettisi, Leonardo di Antonio"}],"note":[{"value":"Faenza white miaiolica (bianchi di Faenza) was being made by the 1540s and, during the second half of the sixteenth and the early seventeenth century, gained acclaim throughout Europe. Its attraction lay primarily in the high quality and whiteness of its glaze. When painted decoration was added, it was executed mainly in blue, yellow, and orange,  sometimes with green, and rarely with a little red. This deep fluted bowl illustrates two of the most characteristic types of decoration on Faenza white ware. Its central roundel is painted in compendiario (sketchy or summary) style and its sides with radiating panels a ricamo (resembling embroidery). Bowls of this form were made from at least the early 1560s. An example with different decoration in the Hermitage at St Petersburg is inscribed 'in Faienca'1563'. Bowls and basins (bacini or catini) are mentioned in sixteenth-century inventories of Fenza services, and it therefore seems likely that they were used with a ewer for hand-washing or perhaps for rinsing fruit at table. A water cistern for cooling bottles was usually described as a rinfrescatoio."},{"value":"On the basis of initialled or signed pieces, bowls comparable to this one have been attributed to the workshop of Virgiliotto Calamelli (d. c. 1570) and to his successor Leonardo di Antonio Bettisi, alias 'Don Pino' , who leased the workshop form Virgiliotto's widow in 1570. During the latter part of his life, Leonardo was assisted by his son, Antonio, who took over the workshop on his father's death, probably before 1589. Two documents of 1581 indicate that the two were sometimes referred to jointly as the 'Don Pini'. The Fitzwilliam's bowl is attributed to Leonardo on the basis of two others signed 'DOPI' and 'DO.PI', respectively in the Silesian Museum Opava, and an Italian  private collection. The latter cannot have been made before 1571 because it bears the arms of Girolamo di Antonio Michelozzi and Caterina di Braccio Alberti, who were married in that year.  A fragment of a bowl centre signed 'DO.PI', and two comparable unsigned bowls are in the International Ceramic Museum at Faenza (nos. 7429, 9832 and 10607)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106402","uid":"adlib-term-106402","uuid":"7466a5d6-293f-3bbc-9672-fa9dd41712be"},"summary_title":"16th Century, 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