[{"admin":{"added":1592951292000,"created":1312633275000,"id":"publication-3413","indexed":1756836092950,"modified":1756819463000,"processed":1756836091182,"source":"adlib","stream":"fitz-online","uid":"adlib-publication-3413","uuid":"8c672f50-56ae-3905-934c-aeda20f7cede","version":4},"lifecycle":{"publication":[{"date":[{"value":"2000"}],"place":[{"@link":{"type":"literal"},"name":[{"value":"Milan"}],"summary_title":"Milan"}]}]},"summary_title":"Milan, Museo d'Arti Applicate, Le ceramiche, Tomo primo","title":[{"primary":true,"value":"Milan, Museo d'Arti Applicate, Le ceramiche, Tomo primo"}],"type":{"base":"publication"}},{"current_page":1,"data":[{"_index":"ciim","_type":"data","_id":"adlib-object-76333","_score":20.072926,"_source":{"admin":{"added":1592970427000,"created":1312637261000,"flag":"Standard Record","id":"object-76333","indexed":1756836094141,"modified":1725555732000,"processed":1756836091182,"source":"adlib","stream":"fitz-online","uid":"adlib-object-76333","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76333","uuid":"07464e7b-b6d4-3c7f-8824-efdfbea6df42","version":7},"agents":[{"@link":{"note":[{"value":"Gualtieri was appointed a cardinal in 1706."}],"type":"reference"},"admin":{"id":"agent-207521","uid":"adlib-agent-207521","uuid":"2e1d55f1-29ee-3c2e-969c-d8ec824063bd"},"summary_title":"Gualtieri, Filippo Antonio (1660-1728)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153162","uid":"adlib-agent-153162","uuid":"bf8c2e94-bc1b-37ca-8924-7466546163ba"},"summary_title":"Madonna"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160752","uid":"adlib-agent-160752","uuid":"8aa6316a-4aea-37a0-94f1-af69f4610c71"},"summary_title":"Christ Child"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152774","uid":"adlib-agent-152774","uuid":"de99f35f-cc87-3d6f-95a7-70a6d0601039"},"summary_title":"putti"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, orange, manganese-purple, black, white, and grey"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish with broad rim. Painted in polychrome with, in the middle the Madonna and infant Christ, surrounded on the side of the well and the rim by a shield, putti, grotesques, and cameos."},{"value":"Pale buff earthenware, tin-glazed creamy-white overall. Painted in blue, green, yellow, orange, manganese-purple, black, white, and grey. Shape 59 with wider rim. Circular with broad, sloping rim and wide, deep well, standing on a footring.\nIn the middle, encircled by simulated beading, the Madonna sits on a bank of clouds with the infant Christ standing on her knee. On the side of the well are two putti separated by grotesques and above, a band of yellow and orange simulated beading. The rim is decorated with grotesques and cameos interrupted at the top by a cartouche containing an oval shield charged with the arms bendy or and azure, ensigned by a cross and a green hat, and flanked by three rows of green tassels. The yellow edge is decorated with orange, brown and white petals. The back is encircled by yellow bands: two on the footring, one outside it, three at the shoulder, and two by the edge."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.90-1961","primary":true,"type":"accession number","value":"C.90-1961"},{"priref":"76333","type":"priref","value":"76333"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76333","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76333"}],"inscription":[{"location":"on back","method":"incised","transcription":[{"value":"af    13"}],"type":"collector's mark"},{"description":[{"value":"rectangular paper label"}],"location":"on back","method":"inscribed in faded black ink","transcription":[{"value":"Lot 198\/-Fountaine Collection\/Urbino dish. The\/Contarini arms.\/surmounted by Cardinals\/hat."}],"type":"label"},{"description":[{"value":"small rectangular paper label"}],"location":"on back","method":"inscribed","transcription":[{"value":"Croydon Lodge"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"For the first two probable owners, see Documentation, Poole, 2003, p. 93 and 97."}]}],"creation":[{"date":[{"earliest":1600,"era":["CE"],"latest":1600,"precision":"circa","value":"1600"}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-104572","uid":"adlib-agent-104572","uuid":"cb89605d-e2c6-3f69-80a6-2631c5d36181"},"summary_title":"Patanazzi family"}],"note":[{"value":"Symmetrical grotesque decoration painted on a white ground was fashionable on maiolica services during the late sixteenth and early seventeenth century. Initially it was used for the borders of istoriato scenes, and by the last decade of the century often occupied much of the surfaces of dishes and other vessels. This dish belonged to an armorial service of which at least nine other pieces are extant. Four circular dishes have a Saint in the middle and the arms on the rim above: St Paul, in the Walters Art Museum, Baltimore (48.1516); St Thomas, formerly in the Bak collection; St Mark formerly in the Pringsheim and Hannaford collections; and St John, formerly in the Ridout collection. A fifth with the arms in the well was sold anonymously by Sotheby's in 1980 and is now in the Gardiner Museum, Toronto (G83.1.405). Four oval dishes decorated respectively with a figure representing Spring, Summer, Autumn, and Winters, are in the  Museo d'Arti Applicate, Milan (inv. nos. 234, 240, 239 and 236). The service was probably made around 1600 because the style of its grotesque decoration is close to a dish in the Louvre, Paris, bearing the arms of Cardinal Paolo Emilio Zacchia (Cardinal 1598-1605), and attributed to the Patanazzi workshop in Urbino. The best-known family who bore the arms on this dish - bendy or and azure - was the Contarini of Venice. Possible members of the family who were either an archbishop or a bishop, indicated by the green hat and cross above the arms, were Tommaso Contarini who was Archbishop of Crete (1597-1605), or a less notable cleric, Gerolamo Contarini who was Bishop of Capo d'Istria (1600-20).                                                                                                                  \nThe dish is historically interesting because its ownership can be traced back to 1712 when it was sold with the dishes mentioned above  by Girolamo Talpa (1654-1739) of San Severino (Marche) to Cardinal Filippo Antonio Gualtieri (1660-1728). Five, including the Fitzwilliam's were later in the collection of Sir Andrew Fountaine of Narford Hall, Norfolk, and were sold by Christie, Manson & Woods in 1884."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106402","uid":"adlib-term-106402","uuid":"7466a5d6-293f-3bbc-9672-fa9dd41712be"},"summary_title":"16th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-106607","uid":"adlib-term-106607","uuid":"61babb74-f8fd-3e53-abf6-c2c2f5dd351b"},"summary_title":"17th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"note":[{"value":"probably"}],"summary_title":"Urbino"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"33.4"},{"dimension":"Height","units":"cm","value":"5.6"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-47457","uid":"adlib-media-47457","uuid":"a01be7b9-9ba9-3d54-aa8a-a426dc57433e"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_90_1961_283_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":753}]},"modified":1742583575819,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_90_1961_283_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":505},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583575819,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_90_1961_283_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":753}]},"modified":1742583575819,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_90_1961_283_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":252},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583575819,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-47456","uid":"adlib-media-47456","uuid":"4e3d25a9-3bd1-3d81-8989-3652034c0b77"},"processed":{"large":{"format":"jpeg","location":"aa\/aa9\/C_90_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583634673,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa9\/mid_C_90_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583634673,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa9\/C_90_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583634673,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa9\/preview_C_90_1961_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583634673,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},{"value":"dish with broad rim"}],"note":[{"type":"history note","value":"Probably Girolamo Talpa (1654-1739),San Severino (Marche); sold by him to Cardinal Filippo Antonio Gualtieri (1660-1728), Orvieto and Rome. Andrew Fountaine IV; his heir; Christie's, 17 June 1884, Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels . . ., removed from Narford Hall, Norfolk, lot 198; M. Colnaghi. Stephenson Clarke (1824-91);  Louis C.G. Clarke, LL.D., (1881  -1960), Leckhampton, Cambridge."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-3211","uid":"adlib-publication-3211","uuid":"fed40c31-3ea0-30bf-83ed-c01c57ecab80"},"summary_title":"Catalogue of the celebrated Fountaine collection of majolika, Henry II ware, Palissy ware, Nevers ware, Limoges enamels, carvings in ivory, hone stone and rock crystal, Greek and Roman coins, ancient armour &c. &c., removed from Narford Hall, Norfolk"},{"@link":{"notes":"Publ. p. 445","page":"p. 445","type":"reference"},"admin":{"id":"publication-200001086","uid":"adlib-publication-200001086","uuid":"508c33f0-935b-3dda-bc6b-02d7f8119b1b"},"summary_title":"The Fountaine collection of maiolica"},{"@link":{"notes":"Publ. pp. 403-05, no. 434, colour plate 46","page":"pp. 403-05","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pp. 98-9, no. 44","page":"98-9","type":"reference"},"admin":{"id":"publication-3378","uid":"adlib-publication-3378","uuid":"e4a41d6d-c98c-3959-bcb4-041c12eeb88c"},"summary_title":"Fitzwilliam Museum Handbooks, Italian Maiolica"},{"@link":{"notes":"Publ. p. 97 and pl. III.","page":"97","type":"reference"},"admin":{"id":"publication-200001832","uid":"adlib-publication-200001832","uuid":"d1ca394e-d49d-3eec-b9c6-d1d1dc813ca2"},"summary_title":"The Identification of Maiolica from Sanseverino"},{"@link":{"notes":"Ref. For information about the various members of the Patanazzi family and their relationship to other Urbino potters","page":"105-15","type":"reference"},"admin":{"id":"publication-200001166","uid":"adlib-publication-200001166","uuid":"93187bdc-9c9a-38c1-ba1c-4c20651923e8"},"summary_title":"Una famiglia di ceramisti urbinati: i Patanazzi"},{"@link":{"notes":"Cf. p. 35, no. 68 and pl. 44, no. 68. A dish from the same armorial service with a standing figure of St Paul in the well.","page":"35","type":"reference"},"admin":{"id":"publication-8275","uid":"adlib-publication-8275","uuid":"541ba1f4-8f5f-3ddc-a49b-24ca89955104"},"summary_title":"Catalogue of the Italian Majolica in the Walters Art Gallery"},{"@link":{"notes":"Cf. pp. 232-5, nos. 239-42, four oval dishes decorated with grotesques and the same arms over a central oval panel enclosing respectively a standing figure emblematic of Spring, Summer, Autumn, and Winter.","page":"232-5","type":"reference"},"admin":{"id":"publication-3413","uid":"adlib-publication-3413","uuid":"8c672f50-56ae-3905-934c-aeda20f7cede"},"summary_title":"Milan, Museo d'Arti Applicate, Le ceramiche, Tomo primo"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-125761","uid":"adlib-term-125761","uuid":"bce2de03-432e-3676-bb62-4a5042d2c1d3"},"summary_title":"dining"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107516","uid":"adlib-term-107516","uuid":"146a0bfc-a677-3f01-8f8a-18d01ec5f2f2"},"summary_title":"shield"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-4371","uid":"adlib-term-4371","uuid":"549d8bb0-3523-3835-85b8-eb453d057037"},"summary_title":"grotesque"},{"@link":{"type":"literal"},"name":[{"value":"shield"}],"summary_title":"shield"},{"@link":{"type":"literal"},"name":[{"value":"grotesque"}],"summary_title":"grotesque"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"pale buff earthenware, tin-glazed creamy-white overall. Painted in blue, green, yellow, orange, manganese-purple, black, white, and grey."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-79589","_score":19.313091,"_source":{"admin":{"added":1592970439000,"created":1312637261000,"flag":"Standard Record","id":"object-79589","indexed":1756836093015,"modified":1756820443000,"processed":1756836091215,"source":"adlib","stream":"fitz-online","uid":"adlib-object-79589","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79589","uuid":"43093897-a7fc-378f-a268-3572433e298d","version":11},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160374","uid":"adlib-agent-160374","uuid":"2b38ae2f-690b-3048-b9c7-0da25326ee3f"},"summary_title":"Hero"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160373","uid":"adlib-agent-160373","uuid":"0aaecf15-ba8b-3924-a7a8-65784d378975"},"summary_title":"Leander"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150796","uid":"adlib-agent-150796","uuid":"ec5a0c8a-e54c-3735-adea-0fd5dd14f994"},"summary_title":"Cupid"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, greyish-green, yellow, orange, shades of brown, and black; the reverse is pale beige"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Earthenware, tin-glazed, painted in blue, greyish-green, yellow, orange, shades of brown, and black; the reverse is pale beige and has several pin holes. Circular with wide sloping rim and shallow curved well, convex in the centre.\nThe front is decorated overall with the Suicide of Hero. In the foreground, Leander lies drowned in the Hellespont. On the right, a man seated on a rock looks towards him, raising his right arm. On the left, Cupid stands holding a flaming torch. In the background there is an archway inscribed 'AMOR.NE. CAVSA' (Love is the cause of it), the lower part of a tower, and a doorway with a window above. Hero is shown throwing herself from a window in the tower. The edge is encircled by a very narrow black band and a wide yellow band. The back is decorated with a wreath of blue leaves on a continuous wavy stem. The base is inscribed in blue, 'Leandro in Mare &.\/Hero alla finestra\/.61.\/.S."}],"identifier":[{"accession_number":"C.21-1995","primary":true,"type":"accession number","value":"C.21-1995"},{"priref":"79589","type":"priref","value":"79589"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79589","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/79589"}],"inscription":[{"location":"on arch","method":"painted","transcription":[{"value":"AMOR.NE.CAVSA"}],"type":"inscription"},{"location":"on base","method":"painted","transcription":[{"value":"Leandro in Mare &.\/Hero alla finestra\/.61.\/.S."}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the F. Leverton Harris Fund and the Leonard D. Cunliffe Fund"},"lifecycle":{"acquisition":[{"date":[{"earliest":1995,"latest":1995,"value":"1995"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1995"}]}],"creation":[{"date":[{"earliest":1561,"era":["CE"],"latest":1561,"note":[{"value":"dated '61'"}],"precision":"dated","value":"1561"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-160372","uid":"adlib-agent-160372","uuid":"02812d23-6ab3-39e0-a4c3-f8e746eed805"},"summary_title":"Sforza di Marcantonio"},{"@link":{"role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-97017","uid":"adlib-agent-97017","uuid":"50d126f7-214f-3e19-b339-bffa736d939b"},"summary_title":"Veneziano, Agostino"},{"@link":{"role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-35821","uid":"adlib-agent-35821","uuid":"7864b6fe-8b62-333d-b6ff-dcc5decb8942"},"summary_title":"Dente, Marco (Marco da Ravenna)"}],"note":[{"value":"During the second and third decades of the sixteenth century the maiolica industry in Pesaro was less flourishing than in the previous century. This situation improved after Guidobaldo II della Rovere succeeded to the dukedom of Urbino in 1538, because he preferred to live at Pesaro. The presence of the court stimulated local industries, and from around 1540 Pesaro became a significant producer of istoriato maiolica, that is, painted with narrative scenes."},{"value":"Hero was a priestess of Venus at Sestos. Leander, her lover, used to swim the Hellespont to see her, guided by a torch which she held up from the window of a high tower. One night in winter, when Hero had begged him to come despite the inclement weather, he was drowned, and she committed suicide by throwing herself from the tower. The lovers were mentioned in Ovid's Heroides, 18 and 19."},{"value":"Sforza di Marcantonio da Casteldurante was recorded as a potter, and sometimes also as a painter in documents in Pesaro between in 1550 and 1552, and almost every year from 1563 until 1580, when he made his will on 17 November, and probably died shortly after. He signed himself 'SFORZA' on two panels dated 1567, respectively in the British Museum and the Museo Civico Medievale, Bologna. Dishes signed '.S.' in 1561, as this one is, and in some years up to and including 1576, are attributed to him on the basis of similarities with these panels. Sforza's choice of subjects, iconography, and inscriptions suggest that during the late 1530s he had been contact with the Urbino maiolica painter, Francesco Xanto, whose latest signed works are dated in 1542. Several of Sforza's designs closely follow those on plates by Xanto, who painted several dishes with versions of 'Hero and Leander' between 1532 and 1538. Xanto probably knew the story from a translation of Ovid's Heroides, but on the backs of the dishes he quoted from Francesco Petrarch's Trionfi, III, 21 'Leandro in mare ed Hero a la fenestra'  (or Trionfi, II in editions with commentary by Bernardo Ilicini, first published in 1475).  The first dish decorated with this subject which is attributed to Sforza was painted in 1546 (Christie's, 25 May 1962, lot 110); the latest, in the Herzog Anton Ulrich-Museum, Braunschweig, is dated 1576, and initialled '.S.'  Both, like the Fitzwilliam's dish, have an inscription from Petrarch, and the figure of Leander used by Xanto, which was taken from a Marcantonio Raimondi school print, known as the 'Battle with the Cutlass' by Marco Dente (Bartsch, XIV, p 171, no. 211), or Agostino da Veneziano. The three dishes illustrate the persistence of popular themes over a long period, the influence of an outstanding maiolica painter on another, and the repetitive nature of much maiolica painting."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106602","uid":"adlib-term-106602","uuid":"bbb4c00f-eefa-3d64-9441-7a75aa07736e"},"summary_title":"16th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"summary_title":"Pesaro"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"30"},{"dimension":"Height","units":"cm","value":"4.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-52825","uid":"adlib-media-52825","uuid":"f29d9a81-9e93-3fdd-9406-554647e4635c"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1742584149739,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":508},{"dimension":"width","units":"pixels","value":500}]},"modified":1742584149739,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":748}]},"modified":1742584149739,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_21_1995.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":254},{"dimension":"width","units":"pixels","value":250}]},"modified":1742584149739,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Purchased. Given to the vendor's husband by his mother, who bought it an antique shop."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Front cover, text p. 17","page":"p. 17","type":"reference"},"admin":{"id":"publication-656","uid":"adlib-publication-656","uuid":"e34cd340-f467-31dd-b9f5-160b9af3268b"},"summary_title":"The Fitzwilliam Museum Annual Report, 1995"},{"@link":{"notes":"Publ. pp. 76-7, no. 33","page":"76-7","type":"reference"},"admin":{"id":"publication-3010","uid":"adlib-publication-3010","uuid":"e3e61863-a797-3051-8d0a-20288306ca36"},"summary_title":"Italian Maiolica and Incised Slipware in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Publ. pl. IX","page":"507","type":"reference"},"admin":{"id":"publication-200001861","uid":"adlib-publication-200001861","uuid":"1cca6257-ddc6-3bb1-ab40-c8f8ed41b9f2"},"summary_title":"Recent acquisitions (1995-2004) at the Fitzwilliam Museum, Cambridge"},{"@link":{"notes":"Cf. p. 28, lot 110, ill. pl. X, an unsigned dish decorated with the Suicide of Hero, dated 1546","page":"28","type":"reference"},"admin":{"id":"publication-3411","uid":"adlib-publication-3411","uuid":"fc56d3e1-2db5-3c4b-a36a-60b0a9ce09af"},"summary_title":"Catalogue of Fine Early Continental Glass, Important Italian Majolica"},{"@link":{"notes":"Ref. for Sforza di Marcantonio in Pesaro","page":"7-10","type":"reference"},"admin":{"id":"publication-200001162","uid":"adlib-publication-200001162","uuid":"94b3c1d5-3830-38b6-b5fa-fbb69fa437ba"},"summary_title":"Sforza di Marcantonio: figulo pesarese cinquecentesco"},{"@link":{"notes":"Cf. Dishes attributed to Sforza di Marcantonio, The dish dated 1576 is on p. 351, no. 496.","page":"345-51","type":"reference"},"admin":{"id":"publication-3402","uid":"adlib-publication-3402","uuid":"c8af0496-64ae-35b9-ad9f-d5671244769a"},"summary_title":"Italienische Majolika, Katalog der Sammlung"},{"@link":{"type":"reference"},"admin":{"id":"publication-3409","uid":"adlib-publication-3409","uuid":"24781af6-8b3f-3e49-b0e1-b76724c9bf6f"},"summary_title":"Ceramisti pesaresi nei documenti notarili dell'Archivio di Stato di Pesaro sec. XV-XVIII"},{"@link":{"notes":"Ref. See p. 94, n. 54 for reference to a document recording Sforza di Marcantonio's presence in Pesaro on 17 May 1548","page":"94","type":"reference"},"admin":{"id":"publication-9105","uid":"adlib-publication-9105","uuid":"5cfdd45c-0379-3268-b5ba-70bf8826921a"},"summary_title":"Girolamo e Giacomo Lanfranco dalle Gabicce maiolicari a Pesaro nel secolo XVI,"},{"@link":{"notes":"Ref. For the inscription from Petrarch","page":"228, 230-1","type":"reference"},"admin":{"id":"publication-200001099","uid":"adlib-publication-200001099","uuid":"221e4db2-30b4-37cc-8eac-7bed66fa4d24"},"summary_title":"Francesco Xanto Avelli and Petrarch"},{"@link":{"notes":"Ref. pp. 176-7, no. 129, a panel of the Dead Christ between the Virgin and St John, signed 'SFORZA' and dated 1567.","page":"176-7","type":"reference"},"admin":{"id":"publication-3388","uid":"adlib-publication-3388","uuid":"de185508-79d7-3c40-b470-36c015e8e566"},"summary_title":"Ceramiche occidentale del Museo Civico Medievale di Bologna"},{"@link":{"notes":"Cf. Alessandro Bettini, 'La ceramica a Pesaro tra il XIV e il XVII secolo', pp. 31-95, on p. 79, no. 52 a shallow footed bowl decorated with the Holy family and Shepherds, dated 1543, attributed to the workshop of Girolamo Lanfrance. It had been suggested earlier by a different writer that this bowl might be by Sforza and therefore indicate that he had been in Pesaro at that date.","page":"79","type":"reference"},"admin":{"id":"publication-6388","uid":"adlib-publication-6388","uuid":"1f1298ea-c28b-3905-ad2b-fa59db7d742c"},"summary_title":"Fati di Ceramica nelle Marche dal Trecento al Novecento"},{"@link":{"notes":"Ref. p. 68, no. 98, ill. p. 67, a panel of the Annunciation, signed SFORZA and  dated 1567.","page":"67-8","type":"reference"},"admin":{"id":"publication-3227","uid":"adlib-publication-3227","uuid":"93afae36-69d1-3a32-bcca-d2487b5e0af7"},"summary_title":"Ceramic Art of the Italian Renaissance"},{"@link":{"notes":"Cf. pp. 251-2, no. 265, a plaque decorated with the Crucifixion with the Virgin, Magdalene and St John, attributed to Sforza di Marcantonio, and dated c. 1567 on the grounds of its similarity to the dated Annunciation plaque in the British Museum. The writer of this catalogue entry, Grazia Biscontini Ugolini, provides a survey of the known biography of Sforza and his work. She cites a notarial document of 1564 which states that he had a little workshop in the San Giacomo quarter of Pesaro. (ASP, notaio  Paolo Ubaldi, 26.5;n. 154 B 443 V.10 [1564])","page":"251-2","type":"reference"},"admin":{"id":"publication-3413","uid":"adlib-publication-3413","uuid":"8c672f50-56ae-3905-934c-aeda20f7cede"},"summary_title":"Milan, Museo d'Arti Applicate, Le ceramiche, Tomo primo"},{"@link":{"notes":"Ref. pp. 357-8, no. 211 a devotional panel of the Annunciation, signed 'SFORZA.D.P.' and dated 1567.","page":"357-8","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"},{"@link":{"notes":"Cf. Vol. I, pp. 240-1, n. 728, vol. II, pl. 115. Inv. no. C.756-1925. A dish decorated with Hero and Leander and dated 1535 by Xanto Avelli da Rovigo.","page":"Vol. I, 240-1","type":"reference"},"admin":{"id":"publication-1571","uid":"adlib-publication-1571","uuid":"4e0f6f47-bf3a-3285-8417-f9bff14edde2"},"summary_title":"Victoria and Albert Museum, Catalogue of Italian Maiolica"},{"@link":{"type":"reference"},"admin":{"id":"publication-3721","uid":"adlib-publication-3721","uuid":"3aa50429-7c36-35f8-899a-6ca6df495d5b"},"summary_title":"The Collections of the National Gallery of Art, Systematic Catalogue, Western Decorative Arts, Part I, Medieval, Renaissance and Historicizing Styles including Metalwork, Enamels, and Ceramics"},{"@link":{"notes":"Cf. p. 80, no. 40, a plate decorated with Hero and Leander and signed 'historia y' attributed to Francesco Xanto Avelli,  in Urbino c. 1527-31.","page":"80","type":"reference"},"admin":{"id":"publication-8915","uid":"adlib-publication-8915","uuid":"53de1acc-24ac-39fd-8418-d4ffc3f13e3b"},"summary_title":"Tin-glaze and Image Culture: the MAK Maiolica Collection in its Wider Context"},{"@link":{"type":"reference"},"admin":{"id":"publication-3175","uid":"adlib-publication-3175","uuid":"ab8fd5be-66f6-3413-aa8c-217219863fd3"},"summary_title":"Catalogue of a Collection of Italian Maiolica belonging to Henry Harris"},{"@link":{"notes":"Ref. pp. 141-55, the author examines the influence of Xanto on Sforza di Marcantonio, and illustrates several dishes decorated with the same subject by both painters to demonstrate this.","page":"141-55","type":"reference"},"admin":{"id":"publication-200003334","uid":"adlib-publication-200003334","uuid":"bda9612a-3804-36e3-8893-2bd2c0dd8ef4"},"summary_title":"Xanto e Sforza di Marcantonio"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107506","uid":"adlib-term-107506","uuid":"b8480578-e5b1-3a8d-af71-509dcdbb2223"},"summary_title":"torch"},{"@link":{"relation":"event","type":"reference"},"admin":{"id":"term-113271","uid":"adlib-term-113271","uuid":"f26dffff-4dd0-3376-aa38-fa1718178346"},"summary_title":"Suicide of Hero"},{"@link":{"type":"literal"},"name":[{"value":"torch"}],"summary_title":"torch"},{"@link":{"type":"literal"},"name":[{"value":"Suicide of Hero"}],"summary_title":"Suicide of Hero"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish","techniques":[{"description":[{"value":"Earthenware, tin-glazed, painted in blue, greyish-green, yellow, orange, shades of brown, and black; the reverse is pale beige and has several pin holes."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-15553","_score":19.313091,"_source":{"admin":{"added":1592995815000,"created":1312637261000,"flag":"Standard Record","id":"object-15553","indexed":1756836093428,"modified":1714464867000,"processed":1756836091182,"source":"adlib","stream":"fitz-online","uid":"adlib-object-15553","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553","uuid":"c8b4d32e-8124-3098-8796-c290951f55c4","version":12},"agents":[{"@link":{"note":[{"value":"not known whether the tile was from Marmirolo or the Castel San Giorgio, Mantua"}],"type":"reference"},"admin":{"id":"agent-184884","uid":"adlib-agent-184884","uuid":"0c9c53e9-9951-3dd2-978a-b6e9b5bf4c60"},"summary_title":"Francesco II Gonzaga"},{"@link":{"note":[{"value":"not known whether the tile was from Marmirolo or the Castel San Giorgio, Mantua"}],"type":"reference"},"admin":{"id":"agent-184883","uid":"adlib-agent-184883","uuid":"2fc30f28-ebb4-339f-a724-f32b1854174a"},"summary_title":"Isabella d'Este"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108348","uid":"adlib-term-108348","uuid":"667e7a19-db33-3d85-bd9b-c2dafd8e02ff"},"summary_title":"tin-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"blue, green, dark yellow and manganese"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"note":[{"value":"blue, green, dark yellow and manganese"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Front","techniques":[{"description":[{"value":"earthenware, tin-glazed white on the upper surface and painted in blue, green, dark yellow and manganese; the back has been carved out to produce three concentric circles and triangular depressions in the corners"}],"note":[{"value":"white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica floor or pavement tile, painted in blue, green, yellow and manganese with a hound sejant muzzled and leashed."},{"value":"Very pale buff earthenware, tin-glazed white on the upper surface and painted in blue, green, dark yellow and manganese. Square with deep sides. The back has been scooped out to produce three raised concentric rings. On the front, a white hound sejant in profile to the right with its head turned sharply to the right. The hound is outlined and shaded in blue and wears a dark yellow muzzle with a leash of the same colour coiling out behind it. The ground is green with yellow patches and tufts of blue grass. The background is manganese."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"183","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"}],"identifier":[{"accession_number":"C.61-1927","primary":true,"type":"accession number","value":"C.61-1927"},{"priref":"15553","type":"priref","value":"15553"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15553"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1912,"value":"1927-12"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1492,"from":{"earliest":1492,"era":["CE"],"latest":1492,"precision":"circa","value":"1492"},"latest":1494,"range":true,"to":{"earliest":1494,"era":["CE"],"latest":1494,"value":"1494"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-153985","uid":"adlib-agent-153985","uuid":"6edf9e47-aa3d-3506-b4c7-210b3dee06fe"},"summary_title":"Antonio dei Fedeli"}],"note":[{"value":"A white hound sejant (seated), muzzled and leashed, symbolizing fidelity, was a device adopted by Gianfrancesco Gonzaga (1395-1444), first Marquis of Mantua. It was one of eight Gonzaga devices pictured on tiles commissioned from Pesaro in 1493 by Giovanni Sforza on behalf of Marquis Francesco II Gonzaga (1466-1519) for his villa at Marmirolo. However, on their arrival at the Castel San Giorgio in Mantua on 1 June 1494, some of them were laid in the studiolo of his wife, Isabella d'Este (1474-1539). The project seems to have been undertaken partly for aesthetic reasons and partly as a measure to rid the room of mice which had been nesting under the floorboards. Apart from this, maiolica pavements were not very practical in domestic situations because their colourful designs were gradually worn away by people's feet. The back of this tile, like some of the others from this pavement, was scooped out to produce three concentric circles. This may have been done to speed the drying of the tiles before firing or to prevent them warping in the kiln.\nThe potter's name was not mentioned in the surviving corres\u00acpondence of 1493-4 concerning the tiles, but he may have been Antonio dei Fedeli of Pesaro, who was active in Pesaro between 1458 and 1509. On 7 May 1496 wrote to Isabella asking to be paid for tiles for which he had been prom\u00acised payment six months earlier. Presumably these were a differ\u00acent order but it seems likely that, having been satisfied with the tiles decorated with devices, Isabella would have extended her patronage to the same potter for another commission.\nThe other seven emblems on the tiles were  the arms of Gonzaga; a dove perching on a coiled and smoking fuse inscribed `VRAI AMOVR NESE CHANGE' (true love does not change); a sunburst interwoven by two ribbons inscribed `PER VND\/IXIR' (for a desire); a white doe below a scroll inscribed `BIDER GRAFT' (righteous power); a three-tiered island surmounted by a diamond and surrounded by smoking brands, inscribed on the lowest tier of the island in Greek `AMVMOC' (blame\u00acless); a muzzle over a ribbon inscribed `CAVTIVS' (more cautiously); and a steel gauntlet attached to a ribbon inscribed `BVENA FE NONES MVDABLE' (good faith is unchangeable). \nAfter her husband's death, Isabella moved to different apart\u00acments on the ground floor of the Corte Vecchia, and recreated her studiolo there. The first studiolo no longer exists and the subsequent history of the tiles is unknown until some, whether from there or from Marmirolo is not clear, were recorded in the collec\u00actions of Attilio Portioli of Mantua and Willelmo Braghirolli in 1878. Those now in the museum collec\u00actions were acquired after that date. See the Documentation for locations."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106437","uid":"adlib-term-106437","uuid":"59e72604-922d-3194-ac46-27c1c5ac76a4"},"summary_title":"15th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Pesaro"}]}]},"materials":[{"note":[{"value":"very light 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Twelve tiles now in the Mus\u00e9e Jacquemart Andr\u00e9, Paris, one with the hound design, pp. 390-393, 'Le Puvimento de la Grotta', ill. on p. 391. Then in the collection of Edouard Andr\u00e9.","page":"pp. 390-3","type":"reference"},"admin":{"id":"publication-200000552","uid":"adlib-publication-200000552","uuid":"dbbe505c-4329-308f-b82a-02a825ea3c43"},"summary_title":"Isabelle d'Este et les artistes de son temps"},{"@link":{"type":"reference"},"admin":{"id":"publication-1572","uid":"adlib-publication-1572","uuid":"c069cd15-a980-3635-b91d-c6323a1457f4"},"summary_title":"L'Italia Splendida"},{"@link":{"notes":"Cf. Six tiles in the Louvre, one with the hound design, pp. 44-6, nos. 158-163, no. 160 on pp. 44-5, Louvre Inv. 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