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The corners are filled with a carved pattern which mimics the oval trellis.\tThere are incised outlines to the main edges, and traces of tool markings and brown, blue and green colours on the sides. The top is flat and undecorated, except for the maker\u2019s name incised in script; it has a waisted and chamfered edge, 4cm deep. The bottom is roughly made with a large circular hole in the middle. The whole is discoloured and marked as if it has been stored outside."}],"identifier":[{"accession_number":"C.41B-1928","primary":true,"type":"accession number","value":"C.41B-1928"},{"priref":"77065","type":"priref","value":"77065"},{"date":[{"earliest":1924,"latest":1924,"value":"1924"}],"source":"Glaisher M\/S Vol.26","type":"old entry number","value":"4451"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/77065","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/77065"}],"inscription":[{"description":[{"value":"Incised in script on the topside: \u2018R W Martin, Southall, Middx\u2019"}],"location":"top of plinth","method":"incised in script","transcription":[{"value":"R W Martin, Southall, Middx"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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They  designed, made and decorated their own ornamental salt-glazed stoneware, originally using facilities at C.J.C.Bailey\u2019s Fulham Pottery and, briefly, at Shepherd\u2019s Bush. In 1877, they opened their own pottery at  Southall, Middlesex, and by 1882 were producing  some 5,000 pieces a year. Wallace had originally trained as a sculptor, exhibiting his work at the Royal Academy and elsewhere from c.1863. His younger brothers had learned their skills at Doulton\u2019s, Walter as a thrower and chemist, Edwin as a decorator. Modelled work is generally attributed to Wallace, but otherwise it is thought that the three learned from each other, exchanging skills and sharing roles. A fourth brother, Charles (1846-1910), sold the products \u2013 known as \u2018Martin-ware\u2019 \u2013 from a shop at Brownlow Street, London."},{"value":"The owl, 103 cm high, is also in the Fitzwilliam collection."},{"value":"The plinth was made to support a punch bowl, made to resemble an owl, which modelled by (Robert) Wallace Martin at the Martin Brothers' pottery in Southall. It remained there until  it was sold to Dr Glaisher at the 1924 sale which followed Wallace\u2019s death the previous year. 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Decorated with incisions and relief modelling, with three figures added. The plaque is covered in beige slip and painted with cream, brown and blue\/black slips. The back is roughly hollowed-out into 8x3 honeycomb boxes. There are deep incisions in the clay of the back and underside and two round holes in the top."},{"value":"Three figures are shown working at the Martin Brothers' Southall Pottery. On the left, a boy turns the potters wheel, to the right of centre another (the 'bench boy') is wedging the clay and making clay balls ready for use by the thrower. On the right the potter is shaping the pot, as it rises from the wheel,The workers are shown against a background of vases on a rack of shelves and a window. The words 'Thrower', 'Bench Boy' and 'Wheel Boy' are inscribed in black on the front of the base, below each figure, and 'R.W Martin Sc. 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The three figures were also produced separately, modelled in the round. It has been suggested that they represent three of the brothers, but a more likely identification seems to be Walter or Edwin Martin (thrower), Elvin Kellord (bench boy) and Tommy Cox (wheel boy)."},{"value":"The Martin Brothers were amongst the first \u2018artist-potters\u2019 of the late nineteenth century. Robert Wallace Martin (1843-24), Walter (1857-1912) and Edwin (1860-1915) designed, made and decorated their own ornamental salt-glazed stoneware, originally using facilities at C.J.C.Bailey\u2019s Fulham Pottery and, briefly, at Shepherd\u2019s Bush. In 1877, they opened their own pottery at  Southall, Middlesex, and by 1882 were producing  some 5,000 pieces a year. Wallace had originally trained as a sculptor, exhibiting his work at the Royal Academy and elsewhere from c.1863. His younger brothers had learned their skills at Doulton\u2019s, Walter as a thrower and chemist, Edwin as a decorator. Modelled work is generally attributed to Wallace, but otherwise it is thought that the three learned from each other, exchanging skills and sharing roles. A fourth brother, Charles (1846-1910), sold the products \u2013 known as \u2018Martin-ware\u2019 \u2013 from a shop at Brownlow Street, London."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113588","uid":"adlib-term-113588","uuid":"0692b7b4-b464-3e1d-9c27-b254afe273b1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Middlesex"}],"summary_title":"Middlesex","type":"region"}]],"summary_title":"Southall"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37110","uid":"adlib-term-37110","uuid":"ef92f1a8-1400-3fa3-863f-e099781ea442"},"summary_title":"salt-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"17.5"},{"dimension":"Height","units":"in","value":"6.875"},{"dimension":"Width","units":"cm","value":"41.0"},{"dimension":"Width","units":"in","value":"16.1"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}}],"note":[{"type":"history note","value":"Collection of G.C. Monkhouse, Esq.; sold Sotheby's, 10th April, 1969, Nineteenth Century English Pottery and Porcelain, p. 39, lot 180."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Illustrated, p. 39, lot 180.","page":"39","type":"reference"},"admin":{"id":"publication-3502","uid":"adlib-publication-3502","uuid":"3e6e3d66-743e-3339-9023-fc072dc4d519"},"summary_title":"Nineteenth Century English Pottery and Porcelain, 10th April 1969"},{"@link":{"type":"reference"},"admin":{"id":"publication-174","uid":"adlib-publication-174","uuid":"cd65fc89-3fbd-33b4-a71d-da039f05866f"},"summary_title":"Fitzwilliam. 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A brown line runs around the rim, the base of the neck and the top of the foot. The underside is concave and glazed, with the maker\u2019s name and date incised in script and incised tool marks."}],"identifier":[{"accession_number":"C.17-X","primary":true,"type":"accession number","value":"C.17-X"},{"priref":"186318","type":"priref","value":"186318"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/186318","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/186318"}],"inscription":[{"description":[{"value":"mark"}],"location":"underside of base","method":"incised in script","transcription":[{"value":"P27 R W Martin London 10-1875"}],"type":"mark"},{"description":[{"value":"museum mark, probably indicating Glaisher Collection"}],"location":"underside of base","method":"stamped in black","transcription":[{"value":"GLAISHER"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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In 1877, they opened their own pottery at Southall, Middlesex, and by 1882 were producing  some 5,000 pieces a year. Wallace had originally trained as a sculptor, exhibiting his work at the Royal Academy and elsewhere from c.1863. His younger brothers had learned their skills at Doulton\u2019s, Walter as a thrower and chemist, Edwin as a decorator. Modelled work is generally attributed to Wallace, but otherwise it is thought that the three learned from each other, exchanging skills and sharing roles. A fourth brother, Charles (1846-1910), sold the products \u2013 known as \u2018Martin-ware\u2019 \u2013 from a shop at Brownlow Street, London."},{"value":"This is early example of Martin ware, signed and numbered by Robert Wallace Martin. The decoration follows principles of geometric design set out by Owen Jones in his Grammar of Ornament, 1856, and developed by Christopher Dresser in The Principles of Decorative Design, 1873. Dresser encouraged designs where \u2018power, energy, force or vigour  [form] the dominant idea [\u2026as] in the bursting buds of Spring\u2019. Wallace Martin seems to have picked up these ideas, both directly in this design, where the flowers seem to thrust upwards and outwards, pushing at the edges of the panels, and also in a later comment to Sydney Greenslade that he had sought to \u2018express the energy of nature in Spring\u2019(quotations in Haslam, 1978, p.42)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106395","uid":"adlib-term-106395","uuid":"7196d3f3-463d-30bd-998b-d51c42ebc1ea"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Middlesex"}],"summary_title":"Middlesex","type":"region"}]],"summary_title":"Fulham"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37110","uid":"adlib-term-37110","uuid":"ef92f1a8-1400-3fa3-863f-e099781ea442"},"summary_title":"salt-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"12.5"},{"dimension":"Diameter","units":"in","value":"5"},{"dimension":"Height","units":"cm","value":"23.3"},{"dimension":"Height","units":"in","value":"9.25"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89480","uid":"adlib-term-89480","uuid":"f1ea518e-351c-3f42-b2a7-db0f8559fa2c"},"summary_title":"vase"}}],"note":[{"type":"history note","value":"Probably from the collection of Dr Glaisher, Trinity College, Cambridge, although not listed in Bernard Rackham's Catalogue of the collection"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf: describes and illustrates 1870s Martin ware of similar design","page":"68,69","type":"reference"},"admin":{"id":"publication-1048","uid":"adlib-publication-1048","uuid":"3731e4a6-d392-3c17-9cbb-1cb7a099cfbb"},"summary_title":"Victorian and Edwardian Decorative Art , The Handley-Read Collection"},{"@link":{"notes":"Cf. 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Nettleford, together with a short history of the firm of R. W. 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Handle"},{"name":"Body","techniques":[{"description":[{"value":"Thrown and salt-glazed stoneware jug with applied handle; covered with cream slip and decorated with incisions and painting in blue, brown and buff"}],"note":[{"value":"with applied handle"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"date":[{"earliest":2012,"latest":2012,"value":"2012-01-24"}],"value":"Salt-glazed stoneware jug with incised and painted decoration."},{"value":"Thrown and salt-glazed stoneware jug with oviform body and wide neck pinched into a lip in front. The sides of the body are flattened to form eight vertical ribs; the handle, applied between neck and lower body, is opposite the lip. Covered with cream slip and decorated with incisions and painting in blue, brown and buff to depict marine plants and sea-creatures in water. The rim and base are outlined in brown. The underside is slightly concave and mainly unglazed, with the makers' name  and date 9-1890 incised in script."}],"identifier":[{"accession_number":"C.1224-1928","primary":true,"type":"accession number","value":"C.1224-1928"},{"priref":"71621","type":"priref","value":"71621"},{"source":"Glaisher MS Catalogue, Vol 1","type":"old object number","value":"961"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71621","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71621"}],"inscription":[{"description":[{"value":"the s in Bros is raised"}],"location":"underside of base","method":"incised","transcription":[{"value":"9-1890\/Martin Bros\/London & Southall"}],"type":"mark"},{"description":[{"value":"rectangular black label handwritten in black ink"}],"location":"underside of base","method":"handwritten in black ink","transcription":[{"value":"A Martinware glazed with salt. 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The underside is concave, speckled in brown and unglazed,"}],"identifier":[{"accession_number":"C.1225-1928","primary":true,"type":"accession number","value":"C.1225-1928"},{"priref":"71622","type":"priref","value":"71622"},{"date":[{"earliest":1924,"latest":1924,"value":"1924"}],"source":"Glaisher MS Catalogue, Vol.26","type":"old object number","value":"4457"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71622","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71622"}],"inscription":[{"description":[{"value":"with a line  insised under the words; inscription partially obscured by specks of brown slip"}],"location":"underside of base","method":"incised in script","transcription":[{"value":"Martin Bros. 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In 1877, they opened their own pottery at  Southall, Middlesex, and by 1882 were producing  some 5,000 pieces a year. Wallace had originally trained as a sculptor, exhibiting his work at the Royal Academy and elsewhere from c.1863. His younger brothers had learned their skills at Doulton\u2019s, Walter as a thrower and chemist, Edwin as a decorator. Modelled work is generally attributed to Wallace, but otherwise it is thought that the three learned from each other, exchanging skills and sharing roles. A fourth brother, Charles (1846-1910), sold the products \u2013 known as \u2018Martin-ware\u2019 \u2013 from a shop at Brownlow Street, London."},{"value":"This gourd-like jug is one of a number of examples of Martin Brothers\u2019 work made to suggest a natural, growing object. Rather than decorating the pot with a naturalistic design, the potter has given the pot itself a naturalistic form, and used  muted brown slip and a matt glaze to emphasise it.  At the same time, the round shape, narrow scored neck and brown colour convey the idea of an old leather bottle."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113588","uid":"adlib-term-113588","uuid":"0692b7b4-b464-3e1d-9c27-b254afe273b1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Southall"}]}]},"materials":[{"note":[{"value":"mud-brown 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Martin Esq. (deceased), 24 October  1924, lot 33, by Dr J.W.L. Glaisher, Trinity College, Cambridge, who paid \u00a31 \u2013 5 shillings for the lot, which comprised four bottles."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Also pp.116 and 139, illustrations of vases with similar raised protuberances and, p.129, Fig 196, illustration of an antique glass drinking vessel in the British Museum which may have influenced this style of decoration.","page":"p. 167","type":"reference"},"admin":{"id":"publication-3496","uid":"adlib-publication-3496","uuid":"a63082e7-deb8-30a6-b744-534fd7a77e40"},"summary_title":"The Martin Brothers, Potters"},{"@link":{"type":"reference"},"admin":{"id":"publication-3498","uid":"adlib-publication-3498","uuid":"d5c03273-2573-365e-9668-869fccc4b9d0"},"summary_title":"English Art Pottery 1865-1915"},{"@link":{"type":"reference"},"admin":{"id":"publication-3495","uid":"adlib-publication-3495","uuid":"39579586-2410-312b-8a76-9245eed12060"},"summary_title":"A Catalogue of Martinware formed by Mr F.J. Nettleford, together with a short history of the firm of R. W. 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Glaisher"}],"component":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106692","uid":"adlib-term-106692","uuid":"ed7baa11-5901-3307-81b6-77370e40ebb4"},"summary_title":"wood"}}],"name":"Base Plate","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120075","uid":"adlib-term-120075","uuid":"52ab8602-9259-3aac-b4df-b2392a4d206c"},"summary_title":"turning"}}]},{"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"11.5"},{"dimension":"Depth","units":"in","value":"4.5"},{"dimension":"Height","units":"cm","value":"8"},{"dimension":"Height","units":"in","value":"3.125"},{"dimension":"Width","units":"cm","value":"8.5"},{"dimension":"Width","units":"in","value":"3.25"}]},"name":"Lid"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"13.3"},{"dimension":"Diameter","units":"in","value":"5.125"},{"dimension":"Height","units":"cm","value":"17.5"},{"dimension":"Height","units":"in","value":"6.875"}]},"name":"Base"},{"name":"Decoration","techniques":[{"note":[{"value":"brown and blue"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Stoneware tobacco jar, hand-modelled onto a press-moulded body into the shape of a grotesque bird, painted in cobalt blue and brown, and salt-glazed."},{"date":[{"earliest":2012,"latest":2012,"value":"2012-02-07"}],"value":"Stoneware, hand-modelled onto a press-moulded body, painted in cobalt blue and brown and salt-glazed. the jar is in the form of a  grotesque bird. The cover, modeled to form the head, has a lower rim which sits within the body of the lower part; the base of which is fixed with nails onto a turned, circular wooden base-plate. There are incisions through the clay which serve as the pupils of the eyes, and at the top of the beak."},{"value":"The bird has a large brown beak, curved downward at the tip, its head is tipped slightly to one side and the eyes modeled to give it a comically wise expression.  It has brown and blue plumage, with tufts of feathers around the eyes. The feathers are splayed onto the base at the back; the legs, painted with a yellow-brown stripe, each end with three toes spread across the base at the front.  The makers mark with the date 5-1897 is incised in black script across the back of the base."}],"identifier":[{"accession_number":"C.1226 & A-1928","primary":true,"type":"accession number","value":"C.1226 & A-1928"},{"priref":"71623","type":"priref","value":"71623"},{"date":[{"earliest":1925,"latest":1925,"value":"1925"}],"source":"Glaisher MS Catalogue Vol.39","type":"old object number","value":"4737"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71623","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71623"}],"inscription":[{"description":[{"value":"the s of Bros is raised"}],"location":"at back of base and round rim of detachable head","method":"incised in script","transcription":[{"value":"Martin Bros London &\/Southall\/5-1897"}],"type":"mark"},{"location":"inside head of bird","transcription":[{"value":"Martin Bros. Potters, 16, BROWNLOW ST., HIGH HOLBORN, LONDON."}],"type":"label"},{"location":"in the body of the bird","transcription":[{"value":"MARTINWARE\nNOTICES:- THE TIMES (LEADER)                DEC   22   1885\n                   PALL MALL GAZETTE                FEB     4   1890\n                   MAGAZINE OF ART (ILLUS)       SEP          1882\n                   ART JOURNAL                           JULY         1883\n                   BRITISH ARCHITECT                 NOV          1884"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-164806","uid":"adlib-agent-164806","uuid":"32ad1dba-2b4e-3170-bad1-91ce6cb808a1"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"the Glaisher ceramic collection was entered in the accession register as one item with the date of Dr Glaisher\u2019s death"}]}],"creation":[{"date":[{"earliest":1897,"era":["CE"],"latest":1897,"precision":"dated","value":"1897"}],"maker":[{"@link":{"role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-160953","uid":"adlib-agent-160953","uuid":"70094d45-d632-34e4-b0b6-8f8a19e9d701"},"summary_title":"Martin Brothers"},{"@link":{"role":[{"value":"modeller"}],"type":"reference"},"admin":{"id":"agent-86113","uid":"adlib-agent-86113","uuid":"c4f706f1-8036-370b-a6c4-762bd08ee956"},"summary_title":"Martin, Robert Wallace"}],"note":[{"value":"This is one of a many examples of Martin Brothers\u2019 \u2018Wally Bird\u2019 tobacco jars, the earliest made around 1880. Perhaps originally following in the tradition of English pottery \u2018owl\u2019 jugs and jars, the birds acquired a striking anthropomorphic quality, which in some becomes a caricature of human \u2018types\u2019 (such as \u2018The Judge\u2019) or known personalities, such as the Prime Minister, Gladstone. At the time they were made, such caricatures were popular in illustrations, an example being H Stacy Marks\u2019 painting of storks in human attitudes, published in the Magazine of Art in 1878.\nRobert Wallace Martin  (1843-24) and his brothers Walter (1857-1912) and Edwin (1860-1915) were amongst the first \u2018artist-potters\u2019 of the late nineteenth century. They  designed, made and decorated their own ornamental salt-glazed stoneware, originally using facilities at C.J.C.Bailey\u2019s Fulham Pottery and, briefly, at Shepherd\u2019s Bush. In 1877, they opened their own pottery at  Southall, Middlesex, and by 1882 were producing  some 5,000 pieces a year. Wallace had originally trained as a sculptor, exhibiting his work at the Royal Academy and elsewhere from c.1863. His younger brothers had learned their skills at Doulton\u2019s, Walter as a thrower and chemist, Edwin as a decorator. Modelled work is generally attributed to Wallace, but otherwise it is thought that the three learned from each other, exchanging skills and sharing roles. A fourth brother, Charles (1846-1910), sold the products \u2013 known as \u2018Martin-ware\u2019 \u2013 from a shop at Brownlow Street, London.\nThe Wally Birds, so called because they were modelled by Robert Wallace Martin, are a particularly good example of the brothers\u2019 working together. Both Edwin and Walter Martin drew caricatures of humans as birds, both in pencil and watercolour, and Charles modified the lids so they could be turned from side to side (Haslam, 1978, p.91). The Fitzwilliam collection also contains an unusually large Martin Brothers\u2019 \u2018owl\u2019 (height 103cm),which is truer to nature, but also bears a quizzical, human-like, expression (C.41 & A-1928)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, 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Covered with pinkish yellow-ochre slip, which gives the appearance of  pig-skin or pale leather. Incised decoration, filled with creamy-white slip and with additional grey and brown colours, depicting naturalistic flowers, insects, buds and leaves. The foot, external rim and interior of neck are coloured brown. The glaze is crackled. 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A fourth brother, Charles (1846-1910), sold the products \u2013 known as \u2018Martin-ware\u2019 \u2013 from a shop at Brownlow Street, London."},{"value":"This is one of a number of examples of Martin Brothers\u2019 work decorated with slip painted over the whole surface and an incised pattern filled with clay slip. 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The representation is naturalistic, but the bird has quizzical, human-like expression. Both head and body are finely modelled, with particular attention to the feathers, which are painted in shades of brown slip with additional marks in brown and black. The wings are folded behind, the ears are raised and the beak is open. The eyes, made as deep hollow orbs with the pupils cut out, are encircled by cream coloured radial feathers. The glaze on the body is thinly applied, giving a matt finish; the glaze on the face and head is thicker, and shiny. There are two holes drilled down through the base, behind the claws, to attach the owl to a stand."}],"identifier":[{"accession_number":"C.41 & A-1928","primary":true,"type":"accession number","value":"C.41 & A-1928"},{"priref":"137205","type":"priref","value":"137205"},{"source":"Glaisher MS Catalogue, vol. 26","type":"old object number","value":"4451"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/137205","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/137205"}],"inscription":[{"location":"round the neck","method":"incised and painted in black","transcription":[{"value":"'R.W. Martin. & Brothers.London & Southall. England'"}],"type":"mark"},{"location":"round the neck","method":"inscribed","transcription":[{"value":"R.W.M., Sc."}],"type":"mark"},{"location":"on the upper right hand rear side of the base","method":"incised and painted in black","transcription":[{"value":"'9.1903\/R.W.Martin & Bros\/London & Southall'"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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