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The lower part of the spout is moulded in relief with acanthus and the handle is reeded and has an acanthus leaf at the top and a smaller one at its base. 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Robert Wilson ran the practical side of the business, which continued under various names, including James Neale & Co. and Neale & Wilson until1792. It continued under Robert Wilson and his son David until 1818. The Hanley site produced fine white stonewares and, from the early 1780s, a limited range of jasper tea and ornamental wares, mainly in shades of blue."},{"value":"Jasper, an unglazed fine stoneware with an impervious surface sheen, was introduced by Wedgwood in the mid 1770s. Other factories, including Neale, soon produced their own versions. Jasper was made in white or solid colour, often blue, and later by dipping in coloured slip. The coloured body was then decorated with sprigs - designs formed in small plaster, clay or brass moulds \u2013 applied when the clay was leather hard."},{"value":"The sprigs of theatrical characters on the sides of the teapot were modelled after prints dated 1785 of 'Mrs Inchbald in the Character of Lady Abbess' in Shakespeare's 'Comedy of Errors' and of 'Mr Macklin in Shylock' in the 'Merchant of Venice', after J.H. Ramberg, which appeared in John Bell's 'The Dramatick Writings of Will. Shakspere: With the Notes of all the various Commentators complete from the best editions of Sam. Johnson and Geo. Steevens', Printed for and under the direction of, John Bell, British Library, Stand,  20 vols., London, 1785 or a later edition. See Documentation, Carde and Pendergast, 2004."},{"value":"This teapot is very similar to a marked Neale & Co example in the V&A collection and has features (notably cover and handle design) similar to those on another jasper teapot in the Fitzwilliam Collection, also marked Neale & Co. 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Kleareti heocharidou has suggested that it might have been because the potters wished to pair the figure with one of a reclining Cleopatra, who also committed suicide, although that figure is usually paired with one of Mark Anthony."},{"value":"When purchased in 1910 by Dr Glaisher, the dealer considered that this figure might have been made by Neale & Co. of Hanley, probably because that firm produced a black basalt model of similar design, known with the impressed mark 'NEALE & Co'.  Rackham, in his Catalogue of the Glaisher Collection (1935)  associated it with a group of Charity marked WEDGWOOD, now considered to be probably made in Ralph Wedgwood's factory at Burslem. 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Glaisher"}],"component":[{"materials":[{"note":[{"value":"blue, green, flesh-pink, lilac, purple, reddish-brown, grey, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue, green, flesh-pink, lilac, purple, reddish-brown, grey, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120095","uid":"adlib-term-120095","uuid":"723f5117-6f8b-3766-b1da-9f44da575716"},"summary_title":"painting onglaze"}}]},{"materials":[{"note":[{"value":"slightly blue tinted"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Surface","techniques":[{"note":[{"value":"slightly blue tinted 'pearl glaze'"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}]},{"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"6.3"},{"dimension":"Width","units":"cm","value":"6.1"}]},"name":"Base"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-107486","uid":"adlib-term-107486","uuid":"234fe16e-17e4-3db8-881a-443636aac5ca"},"summary_title":"classical mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"lead-glazed earthenware painted in enamels"},{"value":"Pale cream earthenware, press-moulded, covered with slightly blue tinted lead-glaze and painted in blue, green, flesh-pink, lilac, purple, reddish-brown, grey, and black  enamels. 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