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She has a broad-brimmed hat with a green edged hat-band, pompom ornament and edge, and wears a purplish-pink bodice, a white skirt with scattered purplish-pink flowers, and border round the hem, black shoes, with red pompoms on top.\n}"}],"identifier":[{"accession_number":"C.25-1931","primary":true,"type":"accession number","value":"C.25-1931"},{"priref":"73640","type":"priref","value":"73640"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73640","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73640"}],"inscription":[{"location":"on base","method":"impressed","transcription":[{"value":"NEALE & Co."}],"type":"factory mark"},{"location":"on base","method":"impressed","transcription":[{"value":"SPRING"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. 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The wheel-thrown bulbous jug has a loop handle and a sparrow\u2019s beak lip. It is printed on one side with an image bearing the title \u2018THE APOTHEOSIS OF BONAPARTE\u2019. This image represents John Bull, kneeling and saying \u2018AMEN\u2019 opposite a gibbet which Napoleon hangs. Napoleon has a large sword and hat and is labelled \u2018TYRANT\u2019. Against the gibbet leans a ladder with inscriptions on the rungs: (top to bottom) \u2018Revenge\u2019; \u2018Madrid Massacre\u2019; \u2018Hanover Pillaged\u2019; \u2018Holland Ruined\u2019; \u2018Switzerland enslaved\u2019; 'Jaffa Soup 300 Sick\u2019; \u2018El Arish 5000 Turks\u2019; \u2018Alexandria Massacre\u2019; \u2018In gratitude to Barras\u2019. Beneath the gibbet is a crowd of figures with inscriptions describing their cries: (left to right) \u2018Ah Mynheer der Gran Bonaparte haf make oon big Mistook about being God in dis Earth\u2019; \u2018Enemy ov la Suisse ov Tell A boys Reding & la libbertay\u2019; \u2018Oh boderation long life to Ireland I tought we would catch the tief he wanted to palaver me\u2019; \u2018Dat be ton plagues of Yarmany gone in a Kick Vid a great big Sword dat I wich dey giv me for I want it by by\u2019; 'Ala lantern Ala lantern Vive la France A bas le Corsican et tous meurtrier et scelerets Vive Johnny Bull\u2019. Printed on the other side of the jug is an image entitled \u2018A SPANISH PATRIOT\u2019, which represents a British sailor handing a scroll labelled \u2018COMMERCE\u2019 to a Spanish soldier with a ribbon inscribed \u2018LONG LIVE FERDINAND VII\u2019."}],"identifier":[{"accession_number":"C.736-1928","primary":true,"type":"accession number","value":"C.736-1928"},{"priref":"75951","type":"priref","value":"75951"},{"source":"Glaisher MS catalogue, volume 10","type":"old catalogue number","value":"3136"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75951","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75951"}],"inscription":[{"description":[{"value":"title of print"}],"location":"over print of Napoleon being hung on side of jug","method":"transfer-printed in red","transcription":[{"value":"'THE APOTHEOSIS OF BONAPARTE\u2019"}],"type":"inscription"},{"location":"on top rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'Revenge'"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Madrid Massacre\u2019"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'Hanover Pillaged'"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Holland Ruined\u2019"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Switzerland Enslaved\u2019"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'Jaffa Soup 300 Sick'"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'El Arish 5000 Turks\u2019"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Alexandria Massacre\u2019"}],"type":"inscription"},{"location":"on bottom rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018In gratitude to Barras\u2019"}],"type":"inscription"},{"location":"over the crowd below the gibbet in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'Ah Mynheer der Gran Bonaparte haf make oon big Mistook about being God in dis Earth\u2019"}],"type":"inscription"},{"location":"over the crowd below the gibbet in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Enemy ov la Suisse ov Tell A boys Reding & la libbertay\u2019"}],"type":"inscription"},{"location":"over the crowd below the gibbet in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Oh boderation long life to Ireland I tought we would catch the tief he wanted to palaver me\u2019"}],"type":"inscription"},{"location":"over the crowd below the gibbet in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Dat be ton plagues of Yarmany gone in a Kick Vid a great big Sword dat I wich dey giv me for I want it by by\u2019"}],"type":"inscription"},{"location":"over the crowd below the gibbet in the 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'Ala lantern Ala lantern Vive la France A bas le Corsican et tous meurtrier et scelerets Vive Johnny Bull\u2019"}],"type":"inscription"},{"location":"over kneeling John Bull in the 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'AMEN'"}],"type":"inscription"},{"location":"over print of sailor and soldier on side of jug","method":"transfer-printed in red","transcription":[{"value":"\u2018A SPANISH PATRIOT\u2019"}],"type":"inscription"},{"location":"on scroll held by sailor in 'Patriot' print","method":"transfer-printed in red","transcription":[{"value":"'COMMERCE'"}],"type":"inscription"},{"location":"on ribbon held by solider in 'Patriot' print","method":"transfer-printed in red","transcription":[{"value":"\u2018LONG LIVE FERDINAND VII\u2019"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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Until recently, it was believed that transfer printed wares of the 18th and early 19th centuries were made using tissue paper to transfer the image onto the object from an engraved copper plate. Ceramic printing ink would be applied to the copper plate so that the engraved lines were filled; the plate would then be passed through a printing press to transfer the image to a sheet of tissue paper and the printed tissue paper placed on the ceramic and rubbed to transfer the design. However, Paul Holdway has demonstrated that most early transfer-printed ware uses another technique, one which involved the use of glue bats. This technique also relied on a copper plate but it was linseed oil, rather than ink, that was applied. The bat, a thin sheet of animal glue, would be pressed onto the oiled plate and then applied to the ware. Once the bat was removed, the ware was dusted with powdered metallic oxide, which adhered to the oil, and fired to fix the design. 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Part of a tea-service comprising teapot, milk jug, slop-basin, six tea-bowls and five saucers, at Temple Newsam House, Leeds, see p. 247, no. 1071, ill. a jug on p. 246. Attribution, perhaps Yorkshire, early 1800s. He noted that sherds of this type had been found in Hunslet, Leeds, earliest dateable to the 1790s, the latest to the late 19th century.","page":"p. 246","type":"reference"},"admin":{"id":"publication-1037","uid":"adlib-publication-1037","uuid":"422968c6-2a4f-374e-9ab7-3efacf524c4a"},"summary_title":"Creamware and other English Pottery at Temple Newsam House, Leeds"},{"@link":{"notes":"Cf. A teapot with similar decoration, p. 95, no. 158. Attributed to Staffordshire or Yorkshire","page":"p. 95","type":"reference"},"admin":{"id":"publication-3551","uid":"adlib-publication-3551","uuid":"334a4b0b-36d3-3ef6-9945-a460d65ffe62"},"summary_title":"Creamware and Pearlware. 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Circular with scalloped shell-moulded edge, gently sloping rim and deep well. Decorated in the middle with an Oriental style building, fences, and stylized trees and bushes beside a lake (a version of 'pagoda and fence' pattern), with groups of three dots in the sky. There is a  trellis border round the sides of the well, and the outer edge is blue."}],"identifier":[{"accession_number":"C.60-1992","primary":true,"type":"accession number","value":"C.60-1992"},{"priref":"75622","type":"priref","value":"75622"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75622","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75622"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs Joan Eve"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-158056","uid":"adlib-agent-158056","uuid":"d3404969-df00-35f3-84f7-498fbf3c2304"},"summary_title":"Eve, Joan"}],"date":[{"earliest":1992,"latest":1992,"value":"1992"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1992-01-20"}]}],"creation":[{"date":[{"earliest":1780,"from":{"earliest":1780,"era":["CE"],"latest":1780,"precision":"circa","value":"1780"},"latest":1800,"range":true,"to":{"earliest":1800,"era":["CE"],"latest":1800,"value":"1800"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-159932","uid":"adlib-agent-159932","uuid":"8e09fac5-9ce5-3a1f-8d07-45f48dec536a"},"summary_title":"uncertain"}],"note":[{"value":"Plates moulded with shell edging were among the most common plate forms made in creamware and pearlware in the late 18th and early 19th centuries. 'Pagoda and fence' patterns  also known as 'Chinese house' patterns,were produced by several Staffordshire and Yorkshire potters. The plate belongs to an as yet unattributed group of underglaze blue designs,which have clusters of three dots in the background, possibly indicating birds. See Documentation, Roberts, 2006."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107139","uid":"adlib-term-107139","uuid":"9fd5ef13-3709-388f-b925-702787340e32"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"England"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"24.5"},{"dimension":"Height","units":"cm","value":"2.9"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-45697","uid":"adlib-media-45697","uuid":"12cca008-4578-31e6-bff1-82054c82173b"},"processed":{"large":{"format":"jpeg","location":"aa\/aa8\/C_60_1992.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1616241784790,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa8\/mid_C_60_1992.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1616241784790,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa8\/C_60_1992.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1616241784790,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa8\/preview_C_60_1992.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1616241784790,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42858","uid":"adlib-term-42858","uuid":"28dd1a37-f2da-31c5-a8b7-684957070a75"},"summary_title":"pearlware"},"type":"category"}],"note":[{"type":"history note","value":"Mrs Joan Eve, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. For similar (not identical) designs by several Staffordshire potters, see p. 90, no. 132 (probably Greatbatch) on plate of different shape; p. 92, no. 146 (impressed Wolfe for Thomas Wolfe of Church St. Stoke), on differently shaped plate; p. 93, no. 148 (impressed I.H. possibly Joshua Heath), on similar shape; p. 93, no. 150 (impressed I.H.), on similar shape; p. 94, no. 152 (impressed I WARBURTON for Jacob Warburton of Cobridge) on oval dish.","page":"pp. 90, 92","type":"reference"},"admin":{"id":"publication-3551","uid":"adlib-publication-3551","uuid":"334a4b0b-36d3-3ef6-9945-a460d65ffe62"},"summary_title":"Creamware and Pearlware. The Fifth Exhibition from the Northern Ceramic Society"},{"@link":{"notes":"Cf. pp. 124-9, for the 'Three Dot Group' of underglaze blue painted wares, and cf. p. 128, fig. 215, a comparable (not identical) plate","page":"124-9","type":"reference"},"admin":{"id":"publication-5859","uid":"adlib-publication-5859","uuid":"994e36ee-f3e3-3d36-8db9-0b6f0696f909"},"summary_title":"Painted in Blue, Underglaze Blue Painted Earthenwares 1775-1810"},{"@link":{"notes":"Cf. p. 200, fig. 37, an oval shell-edged dish with the 'Chinese house' pattern, probably Staffordshire, c. 1810.","page":"200","type":"reference"},"admin":{"id":"publication-200003319","uid":"adlib-publication-200003319","uuid":"01a89a2a-e68a-33ae-ac52-8be319841c47"},"summary_title":"The magic of British shell-edged earthenware, 1775-1860"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-110510","uid":"adlib-term-110510","uuid":"575b4884-ccb6-3ee0-a3ae-bd038641f654"},"summary_title":"Oriental style"}],"subjects":[{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-61134","uid":"adlib-term-61134","uuid":"fe8a38ad-bea1-327f-b7d9-04d67a1e5f07"},"summary_title":"house"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-18985","uid":"adlib-term-18985","uuid":"4e445c44-e4d8-379b-9014-9564926e5a24"},"summary_title":"lake"},{"@link":{"type":"literal"},"name":[{"value":"house"}],"summary_title":"house"},{"@link":{"type":"literal"},"name":[{"value":"lake"}],"summary_title":"lake"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate","techniques":[{"description":[{"value":"Earthenware, moulded, and painted in blue under very slightly blue lead-glaze."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-76351","_score":17.06134,"_source":{"admin":{"added":1592999679000,"created":1312637261000,"flag":"Standard Record","id":"object-76351","indexed":1747160281685,"modified":1714398356000,"processed":1747159409017,"source":"adlib","stream":"fitz-online","uid":"adlib-object-76351","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76351","uuid":"21985d1c-a7d0-3f51-b3cc-9e1e0511071a","version":5},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-113663","uid":"adlib-term-113663","uuid":"29b69ae9-64f1-37ee-bf67-9974df0b00aa"},"summary_title":"yellow-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-128085","uid":"adlib-term-128085","uuid":"3ad27c20-613b-3b26-ad89-1bd3be4f6669"},"summary_title":"transfer-printed ware"}],"component":[{"name":"Body","techniques":[{"description":[{"value":"wheel-thrown earthenware with applied handle; lead-glazed yellow, transfer printed onglaze in black using the glue bat method and painted onglaze in coloured enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Yellow-glazed earthenware, bat-printed in black with allegorical figure of Europe and verse and painted in enamels."},{"value":"Earthenware, lead-glazed yellow, bat-printed onglaze in black, and painted in red, green, and dark reddish-brown enamels. Ovoid body with projecting footring, cylindrical neck with projecting lip, and angular handle with a straight back, an inward scroll at the top, and two concave curves and a slight kick at the bottom. On one side it is printed with a vignette of an allegorical female figure seated holding up a lantern, seated in front of a horse, titled EUROPE below. This is repeated smaller and surrounded by a reddish brown circle on the front. On the other side is a wreath of flowers and foliage with a military trophy at top centre, and a shield flanked by palm branches at bottom centre. Inside it is a verse: 'When Britain calls, her sons will fly,\/With British hearts to aid her,\/Will conquer or will nobly die:\/To crush the proud invader,\/When wars terrific, voice shall cease\/The glorious combat ended,\/We'll shade us in the bow'r of peac[e]\/By sacred laws defended,\/O'er flowing bowls with each his glass,\/We'll drink, to ev'ry pretty lass.' Below, and round the shoulder, there is a horizontal reddish-brown enamel band. Both sides of the neck are painted with a wavy spray of red berries and green trefoil leaves. The lip is outlined in reddish-brown enamel, and there is a thicker line round the rim. There are reddish-brown lines down the sides of the handle and across the top angle."}],"identifier":[{"accession_number":"C.91-1997","primary":true,"type":"accession number","value":"C.91-1997"},{"priref":"76351","type":"priref","value":"76351"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76351","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76351"}],"inscription":[{"description":[{"value":"tie-on tag"}],"location":"tied onto the jug on arrival","method":"hand-written","transcription":[{"value":"\"MD\/c. 1810\/small chip\/AES 1911 \u00a3525\""}],"type":"label"},{"location":"on side within wreath","method":"transfer-printed in black","transcription":[{"value":"\"When Britain calls, her sons will fly,\/With British hearts to aid her,\/Will conquer or will nobly die:\/To crush the proud invader,\/When wars terrific, voice shall cease\/The glorious combat ended,\/We'll shade us in the bow'r of peac(e)\/By sacred laws defended,\/O'er flowing bowls with each his glass,\/We'll drink, to ev'ry pretty lass.\""}],"type":"inscription"},{"location":"on side of jug below scene","method":"transfer-printed in black","transcription":[{"value":"\"EUROPE\""}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by G.H.W. Rylands in memory of his mother, Betha Wolferstan Rylands"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151478","uid":"adlib-agent-151478","uuid":"2074e5a7-51c1-3bd3-aa50-9f830f8160ec"},"summary_title":"Rylands, G.H.W."}],"date":[{"earliest":1997,"latest":1997,"value":"1997-10-13"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1997-10-13"}]}],"creation":[{"date":[{"earliest":1790,"from":{"earliest":1790,"era":["CE"],"latest":1790,"precision":"circa","value":"1790"},"latest":1820,"range":true,"to":{"earliest":1820,"era":["CE"],"latest":1820,"precision":"circa","value":"1820"}}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-188353","uid":"adlib-agent-188353","uuid":"3a6356bf-7ed4-39e6-acea-a40648d5f75e"},"summary_title":"unidentified English pottery"}],"note":[{"value":"The verse printed on the jug appears to have been based on a traditional English song. In \u2018The Universal Songster or Museum of Mirth\u2019, a collection of traditional English songs published in 1826, the lines on the jug appear in a ballad entitled \u2018My Country, Love, and Liberty!\u2019. The \u2018Universal Songster\u2019 was illustrated by George Cruickshank, a noted caricaturist, demonstrating the close links that existed between traditional songs and the popular prints of the day, both serving as sources of entertainment and humour. The verses selected for the jug sets a patriotic and celebratory tone, emphasising drinking and merry-making. The final two lines on the jug do not appear in the song as printed in Cruickshank\u2019s book but it is possible there were several different versions of the ballad or that the song was adapted for the jug."},{"value":"Transfer printing was introduced to English pottery in the second half of the 18th century. Most early transfer-printed ware used the glue bat method. In this method, the design was engraved on a copper plate, which was then covered with linseed oil.  The thin bat of animal glue was pressed onto the oiled plate and then applied to the ware. Once the bat was removed, the ware was dusted with powdered metallic oxide, which adhered to the oil, and fired to fix the design. This method was common for round-bodied vessels like this mug because the flexible glue bat can easily stretch round curving body."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110483","uid":"adlib-term-110483","uuid":"1f199ab8-7a35-39f0-a29b-490429a664e1"},"summary_title":"18th Century, Late-19th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George 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Also other examples pp.16, 30, 37.  Resist lustre and transfer processes explained.","page":"25-37","type":"reference"},"admin":{"id":"publication-3570","uid":"adlib-publication-3570","uuid":"80862fb5-f40b-3068-9bf9-8104e1a21a32"},"summary_title":"19th Century Lustreware"},{"@link":{"notes":"Cf. Plate 518 a silver resist lustre  jug of similar shape, c.1810-20; also other examples of lustreware.","page":"183-192","type":"reference"},"admin":{"id":"publication-7733","uid":"adlib-publication-7733","uuid":"081a9ae5-2994-3649-bb78-c748f5c8a2c9"},"summary_title":"Illustrated Guide to British Jugs : from mediaeval times to the twentieth century"},{"@link":{"notes":"Ref. re techniques of transfer printing.","page":"20-23","type":"reference"},"admin":{"id":"publication-3551","uid":"adlib-publication-3551","uuid":"334a4b0b-36d3-3ef6-9945-a460d65ffe62"},"summary_title":"Creamware and Pearlware. 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W. L. Glaisher"}],"component":[{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"10.5"}]},"name":"Base"},{"name":"Body","techniques":[{"description":[{"value":"wheel-thrown cream-coloured earthenware with applied handle covered in a clear lead-glaze and transfer printed onglaze in black using the glue bat method"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Lead-glazed creamware transfer-printed in black with \u2018The Tythe Pig\u2019 and accompanying verse."},{"value":"Cream-coloured earthenware, lead-glazed and transfer-printed onglaze in black using the glue bat method. The cylindrical mug has a loop handle. Opposite the handle is a print a man and woman standing together in front of  farm buildings. The man has a dog by his side and holds a stick in his right hand and a pig in his left. The woman holds a small child. Turning away from the couple is a vicar. Beside him is a peacock and behind him a church. In front of the figures are sheaves of wheat, apples, pears and baskets of fruit. Beneath the image are the title - \u2018The TYTHE PIG\u2019 - and a verse divided into two columns. The first column reads: \u2018In Country Village lives a Vicar \/ Fond \u2013 as all are - of Tythes and Liquor; \/ To Mirth his Ears are seldom shut, \/ He\u2019ll Crack a Joke, and laugh at smut, \/ But when he Tythes he gathers in, \/ True Parson then - no Coin, no Grin; \/ On Fish, on Flesh, on Bird, on Beast, \/ Alike lays hold the Chulish Priest.\u2019 The second column reads: \u2018Hob\u2019s Wife and sow \u2013 as Gossips tell \/ Both at a time in Pieces fell; \/ The Parson comes, the Pig he claims, \/ And the Good Wife with Taunts inflames; \/ But she, quite Arch, bow\u2019d low and smil\u2019d, \/ Kept back the Pig, and held the Child; \/ The Priest look\u2019d gruff, the Wife look\u2019d big, \/ Z\u2026d Sir! quoth she, no Child, no Pig.\u2019"}],"identifier":[{"accession_number":"C.735-1928","primary":true,"type":"accession number","value":"C.735-1928"},{"priref":"75950","type":"priref","value":"75950"},{"source":"Glaisher MS catalogue, volume 13","type":"old catalogue number","value":"3382"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75950","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75950"}],"inscription":[{"location":"under the image on the front of the mug","method":"transfer-printed onglaze in black","transcription":[{"value":"\u201cThe TYTHE PIG\u201d"}],"type":"inscription"},{"location":"under the image on the front of the mug","method":"transfer-printed onglaze in black","transcription":[{"value":"In Country Village lives a Vicar \/ Fond - as all are - of Tythes and Liquor; \/ To Mirth his Ears are seldom shut, \/ He\u2019ll Crack a Joke, and laugh at smut, \/ But when he Tythes he gathers in, \/ True Parson then - no Coin, no Grin; \/ On Fish, on Flesh, on Bird, on Beast, \/ Alike lays hold the Chulish Priest. \/ Hob\u2019s Wife and sow - as Gossips tell \/ Both at a time in Pieces fell; \/ The Parson comes, the Pig he claims, \/ And the Good Wife with Taunts inflames; \/ But she, quite Arch, bow\u2019d low and smil\u2019d, \/ Kept back the Pig, and held the Child; \/ The Priest look\u2019d gruff, the Wife look\u2019d big, \/ Z\u2026d Sir! quoth she, no Child, no Pig."}],"type":"inscription"},{"description":[{"value":"stick-on octagonal white paper stick on label with red border"}],"location":"on base","method":"handwritten in black ink","transcription":[{"value":"No 3382 Large mug of Leeds\/cream ware with\/picture \u2018The Tythe\/Pig\u2019 and verses. From the W. Turner\/Collection. b. March 14, 1911."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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Although the print on the jug varies a few of the details of Boitard\u2019s image, such as the buildings in the background, the inscription beneath is copied exactly. Boitard\u2019s print was designed as a satire of the greed of the clergy. The print and inscription describe a not-so-pious parson who enjoys drink and smutty jokes and gets his comeuppance when he comes to claim a pig as tythe from a farmer\u2019s wife: she insists that if he wants the pig, he must also take her child; the parson then turns away in distaste. The \u2018Tythe Pig\u2019 print was very popular throughout the second half of the 18th-century, a time when satirical and humorous prints were an common form of entertainment; some print-makers even published sequels to it, showing the greedy parson returning to try and claim the pig again, only to be outfoxed by the sow herself!"},{"value":"Transfer printing was introduced to English pottery in the second half of the 18th century. Most early transfer-printed ware used the glue bat method. In this method, the design was engraved on a copper plate, which was then covered with linseed oil.  The thin bat of animal glue was pressed onto the oiled plate and then applied to the ware. Once the bat was removed, the ware was dusted with powdered metallic oxide, which adhered to the oil, and fired to fix the design. This method was common for round-bodied vessels like this mug because the flexible glue bat can easily stretch round curving body."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106944","uid":"adlib-term-106944","uuid":"8e183a88-c2c5-3ba8-8ced-c5e1cc027cf6"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Liverpool"}]}]},"materials":[{"note":[{"value":"black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108168","uid":"adlib-term-108168","uuid":"0fcc3e04-2ff3-3bde-810f-0474bbfa0943"},"summary_title":"ceramic printing 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The group sit under a tree and bushes and flowers surround them. The central woman\u2019s dress is coloured purple and her hat blue. One of the children wears an orange dress and the other a blue one. The plants are painted in orange, green, pale blue and red-brown. There is a red-brown ring around the rim of the mug."}],"identifier":[{"accession_number":"C.739-1928","primary":true,"type":"accession number","value":"C.739-1928"},{"priref":"75954","type":"priref","value":"75954"},{"source":"Glaisher MS catalogue, volume 2","type":"old catalogue number","value":"2250"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75954","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75954"}],"inscription":[{"description":[{"value":"rectangle of brown card"}],"location":"loose inside the mug","method":"handwritten in black ink","transcription":[{"value":"\u201cMug, printed in black and painted over in enamel colours. Staffordshire, about 1790. 739. 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Inscription under the lip, \u2018Hannah Robinson \/ 1812\u2019, with scroll decorative motifs, painted in dark brown.  Text and image transfer-prints, over-painted with enamels, on each side of the body. A thin band of silver lustre around the rim of the jug, another where the neck meets the body and a thicker band around the middle of the neck. The underside is flat and glazed, with a raised foot-rim."},{"value":"The images and texts are as follows:\n(a)\ta scene of a plough pulled by three horses in front of farm buildings and trees. Above are  a barrel and an ear of barley to the left and a beehive and an ear of wheat to the right.  Below are a man with a flail,  a jug and a dog; a maid milking a cow; and a woman with a sickle, a sheaf of wheat and a dog. In the centre of the image is the inscription \u2018HE \/ THAT BY THE PLOUGH WOULD THRIVE \/ HIMSELF \/ MUST EITHER HOLD OR DRIVE\u2019. 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