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The yellow colour of earlier examples was produced from a mix of litharge (lead monoxide), antimony and tin or lead ash, with proportions varied to produce different tones. From around 1830, chrome pigment became available as a simpler alternative. Very few pieces of yellow-glazed ware are marked, but those that are show that makers included at least nine Staffordshire potteries, including Wedgwood, Spode, Enoch Wood and John Shorthouse, as well as potteries in Rotherham, Leeds, Newcastle-on-Tyne and Sunderland. 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Ovoid body with projecting footring, cylindrical neck with projecting lip, and angular handle with a straight back, an inward scroll at the top, and two concave curves and a slight kick at the bottom. On one side it is printed with a vignette of an allegorical female figure seated holding up a lantern, seated in front of a horse, titled EUROPE below. This is repeated smaller and surrounded by a reddish brown circle on the front. On the other side is a wreath of flowers and foliage with a military trophy at top centre, and a shield flanked by palm branches at bottom centre. Inside it is a verse: 'When Britain calls, her sons will fly,\/With British hearts to aid her,\/Will conquer or will nobly die:\/To crush the proud invader,\/When wars terrific, voice shall cease\/The glorious combat ended,\/We'll shade us in the bow'r of peac[e]\/By sacred laws defended,\/O'er flowing bowls with each his glass,\/We'll drink, to ev'ry pretty lass.' Below, and round the shoulder, there is a horizontal reddish-brown enamel band. Both sides of the neck are painted with a wavy spray of red berries and green trefoil leaves. The lip is outlined in reddish-brown enamel, and there is a thicker line round the rim. 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