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Glaisher"}],"component":[{"name":"Body","techniques":[{"description":[{"value":"thrown white earthenware with applied handle covered in lead-glaze, transfer-printed onglaze in brownish-black and painted onglaze in coloured enamels; painted with bands and motifs of silver (platinum) lustre"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]},{"name":"Handkle","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware, transfer-printed over-glaze in black with text and images, and painted with green, yellow, blue, red and red-brown enamels and silver (platinum) lustre."},{"value":"Ovoid body tapering slightly to a projecting foot, with a concave cylindrical neck, curved lip and curving, angular handle.  Three text and image transfer-prints, over-painted with enamels, under the lip and on each side of the body. A thin band of silver lustre runs around the rim of the jug, another where the neck meets the body and a thinner band around the middle of the neck. The glaze has a slightly bluish \u2018pearlware\u2019 tinge. The underside is flat and glazed, with a raised foot-rim."},{"value":"The images and text are as follows:\n(i)\ton one side: \u2018JOHN BULL and his COMPANION Challenging BONAPARTE and his relation\u2019 below and image of the Devil behind Napoleon facing John Bull, who stands beside a lion, a ship in the background. Long inscriptions issue from their mouths. \nJohn Bull: \u2018\u2018Come on you Murdering Corsican [Tyrant]. This sprig of Oak will soon be your business and my Companion shall fight your Father there behind you\u2019.\nNapoleon:: \u2018O vat a Terible Jean Bull me be half afraid. Much rather \/ make Peace now I have obtained the\u2026 To Reign is worth Ambition the in Hell\u2019.\nThe Devil: \u2018Fight him Dam him, Fight him Bony you\u2019ll soon come home and you Know how impatiently we all wait for you\u2019\n(ii)\tOn the other side: \u2018One of the 71st taking a French officer prisoner in Portugal\u2019, above an image of a French officer wearing a cocked hat giving up his purse and watch to a Scottish soldier, who wears a kilt and carries a rifle with fixed bayonet.\n(iii)\tUnder the lip: Four figures supping ale and smoking pipes whiles a fifth plays a recorder, outside an inn inscribed \u2018JOLY BOAT MAN\u2019. In the smoke of one of the pipes is written: \u2018Success to trade\u2019."}],"identifier":[{"accession_number":"C.773-1928","primary":true,"type":"accession number","value":"C.773-1928"},{"priref":"200072","type":"priref","value":"200072"},{"source":"Glaisher MS catalogue, volume 3","type":"old catalogue number","value":"2651"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/200072","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/200072"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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The shape of this jug and its images suggest it was made c. 1812-14, at the time of the Peninsular War when Arthur Wellesley, first Duke of Wellington, commanded the British troops against Napoleon and the French. The 71st Highland Light Infantry fought throughout the war, which took place in Spain and Portugal from 1809 until 1814. The image of John Bull and  Napoleon driven by the Devil, however, is earlier and draws on caricatures published by S W Fores in September 1803, as England faced the threat of war. The \u2018One of the 71st\u2019 image is found paired with the \u2018John Bull\u2019 image (but on a differently shaped jug) from c.1809-10, and on a jug of this shape, but with an image commemorating Wellington c.1812-13."},{"value":"The lustre decoration and shape of the jug is similar to another transfer-printed jug of this period, in the collection (C.774-1928), which was made in Staffordshire. Staffordshire was the first, and remained the largest, producer of lustreware, though it was also made in other regions, notably Sunderland. Silver lustre is generally made from platinum, as real silver suffers from tarnishing."},{"value":"Transfer printing was introduced to English pottery in the second half of the 18th century. Most early transfer-printed ware used the glue bat method. In this method, the design was engraved on a copper plate, which was then covered with linseed oil.  The thin bat of animal glue was pressed onto the oiled plate and then applied to the ware. Once the bat was removed, the ware was dusted with powdered metallic oxide, which adhered to the oil, and fired to fix the design. This method was common for round-bodied vessels because the flexible glue bat can easily stretch round curving body."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107658","uid":"adlib-term-107658","uuid":"824d3ecf-92c1-33aa-8d45-2f0239317270"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Staffordshire"}],"summary_title":"Staffordshire","type":"region"}]],"summary_title":"Staffordshire"}]}]},"materials":[{"note":[{"value":"platinum"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107831","uid":"adlib-term-107831","uuid":"6da005f1-0bd3-3597-bf45-b3dc0027c837"},"summary_title":"lustre"}},{"note":[{"value":"white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108168","uid":"adlib-term-108168","uuid":"0fcc3e04-2ff3-3bde-810f-0474bbfa0943"},"summary_title":"ceramic printing colour"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"17.8"},{"dimension":"Width","units":"cm","value":"20.4"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-134016","uid":"adlib-term-134016","uuid":"f945b0b5-23ea-3561-809b-a24844a0006e"},"summary_title":"commemorative jug"}}],"note":[{"type":"history note","value":"Mr Hawkins, a retired shoemaker; his sale at Grantham, 1907; bought for \u00a33.12.6 by Mr Roe, Cambridge, from whom purchased for \u00a35 on 31 May 1907 by Dr J.W.L. 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The body decorated on either side with transfers, printed in black on a blue slip ground. The neck, rim, handle, foot-rim and underside are coated with copper lustre. The interior, below the copper lustre neck, is coated in white slip."},{"value":"The images and text are as follows:\n(a) a bust portrait of Henry Hunt with, below, in a framework of national floral emblems:\n\u2018May the Rose of England never blow,\nNor the Thistle of Scotland never grow,\nNor the Harp odf Ireland never play\nTill Henry Hunt has won the day\u2019."},{"value":"(b) flags, weapons, and a Cap of Liberty arranged around the inscription\n \u2018NO CORN BILL \/  UNIVERSAL SUFFRAGE\u2019 and scrolls titled \u2018HABEAS CORPUS\u2019 and \u2018Bill of Rights\u2019. Below all these, the inscription \u2018ANNUAL PARLIAMENTS and VOTE by BALLOT\u2019."}],"identifier":[{"accession_number":"C.1182-1928","primary":true,"type":"accession number","value":"C.1182-1928"},{"priref":"71469","type":"priref","value":"71469"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71469","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71469"}],"inscription":[{"type":"no visible mark"},{"location":"underside of base","method":"rectangular paper label, handwritten in black ink","transcription":[{"value":"No 2252. Copper lustre & blue jug relating to Henry Hunt. b. in Cambridge (from Mr Freeman) March 1905."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr. J.W.L. Glaisher Bequest, 1928"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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Hunt became known for his rousing speeches, notably at Spa Fields in London in 1816-17 and at the rally which turned into the Peterloo Massacre at Manchester in April 1819 (and which led to his imprisonment). During a brief time as an MP, 1830-1833, he continued to fight for universal suffrage and introduced the first petition for votes for women. The Corn Laws, however, which imposed import controls and tariffs to protect domestic grain producers and caused significant rises in the price of bread and other everyday staples, remained  in force 1815-46. \n\nThe \u2018No Corn Bill\u2019 transfer on this jug has also been found on other, differently shaped, examples, sometimes with the inscription \u2018Hunt for Ever\u2019 in the pennant and sometimes paired with a transfer relating to Peterloo. The \u2018May the Rose of England never blow\u2026\u2019 verse appears throughout the 19th Century, though with the second line \u2018\u2026the Clyde of Scotland cease to flow\u2019 and with variations to the final line; thus, eg, an 1840 version reads: \u2018\u2026until the Chartists win the day\u2019.\n\nEnglish lustreware was commercially produced from c.1805 and popular throughout the first half of the 19th Century. Staffordshire potters were the first and largest producers, though similar wares were also made in other regions and pink lustreware is often particularly associated with Sunderland. Minute amounts of gold were used to produce copper, gold, pink or purple lustre, depending on the type of clay, lustre formula, number of layers and firing temperature; platinum was used to mimic silver. Most lustreware was made for everyday use, and factory markings are rare. The shape and moulding of this jug, combined with the use of blue slip and copper lustre, are similar to those of a sprigged jug by Wood & Caldwell, c.1810 (Gibson, 67). Enoch Wood and James Caldwell introduced monochrome transfer printing at the Fountain Place works in Burslem in the 1790s and in the following decade became significant producers of lustred earthenware. In 1818, Enoch Wood bought out his partner and continued to trade as Enoch Wood and Sons."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-108171","uid":"adlib-term-108171","uuid":"c943fe08-bd72-32ab-823c-e1eeb56717b3"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Burslem"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-121303","uid":"adlib-term-121303","uuid":"ec91b069-9e11-397d-92ad-6ab224992074"},"summary_title":"red earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"14.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-34822","uid":"adlib-media-34822","uuid":"b95a76a8-f2dd-3a0c-b0e4-6cc6e84c473a"},"processed":{"large":{"format":"jpeg","location":"aa\/aa2\/C_1182_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1742582373420,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa2\/mid_C_1182_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1742582373420,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa2\/C_1182_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1742582373420,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa2\/preview_C_1182_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1742582373420,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-34823","uid":"adlib-media-34823","uuid":"8a84d14f-c277-33e9-a429-a3aa81c399d1"},"processed":{"large":{"format":"jpeg","location":"aa\/aa2\/C_1182_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1742582387032,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa2\/mid_C_1182_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1742582387032,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa2\/C_1182_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1742582387032,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa2\/preview_C_1182_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1742582387032,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}}],"note":[{"type":"history note","value":"Collection of Mr Freeman, Cambridge. Bought for 15\/- (fifteen shillings) in March 1905, by Dr J.W.L.Glaisher, FRS, Trinity College, Cambridge."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71444","uid":"adlib-object-71444","uuid":"146303bd-f5c7-3e0d-a8c4-d7da6ab77711"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71411","uid":"adlib-object-71411","uuid":"6db69136-bd44-32d3-abcf-bf291c790400"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91188","uid":"adlib-term-91188","uuid":"40f320f4-04b6-3303-8129-f9e81e2b4671"},"summary_title":"mug"}},"summary_title":"mug"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71400","uid":"adlib-object-71400","uuid":"5003d587-ea24-3e08-962c-4c19d6df1e93"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71571","uid":"adlib-object-71571","uuid":"196fa8e3-2969-3847-8c65-8cb5c68601fe"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107609","uid":"adlib-term-107609","uuid":"71b65ef8-c0fb-319e-925f-37526bfc6764"},"summary_title":"flask"}},"summary_title":"flask"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71401","uid":"adlib-object-71401","uuid":"bc0f86c9-07dc-3855-95b7-78993a128ed7"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91188","uid":"adlib-term-91188","uuid":"40f320f4-04b6-3303-8129-f9e81e2b4671"},"summary_title":"mug"}},"summary_title":"mug"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Plates 739-740 for other jugs with the same \u2018No Corn Bill\u2019 transfer and Plates 731-742 for jugs featuring Henry Hunt and Peterloo, with background information.","page":"253-6","type":"reference"},"admin":{"id":"publication-3569","uid":"adlib-publication-3569","uuid":"acb8fe53-eaa3-350b-8a4f-30281485bc73"},"summary_title":"Printed English Pottery, History and Humour in the reign of George III 1760-1820"},{"@link":{"notes":"Ref. Examples of different types of lustreware.","page":"183-192","type":"reference"},"admin":{"id":"publication-7733","uid":"adlib-publication-7733","uuid":"081a9ae5-2994-3649-bb78-c748f5c8a2c9"},"summary_title":"Illustrated Guide to British Jugs : from mediaeval times to the twentieth century"},{"@link":{"notes":"Ref. for lustring, including recipes, and other techniques.","page":"174-176","type":"reference"},"admin":{"id":"publication-400001969","uid":"adlib-publication-400001969","uuid":"19c55534-da06-32e2-808b-5dba40b2787d"},"summary_title":"Manufacturing Processes of Tableware during the Eighteenth and Nineteenth Centuries"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-134262","uid":"adlib-term-134262","uuid":"a2229e0e-b55d-3c58-be61-5149b91ed348"},"summary_title":"Peterloo Massacre"},{"@link":{"type":"reference"},"admin":{"id":"term-130005","uid":"adlib-term-130005","uuid":"c2549600-20ac-374b-bccd-4c3ddd8925a7"},"summary_title":"Repeal of the Corn Laws"},{"@link":{"type":"reference"},"admin":{"id":"term-134263","uid":"adlib-term-134263","uuid":"e0248dae-83f5-3737-a774-da021e6ffdaf"},"summary_title":"electoral reform"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug","techniques":[{"description":[{"value":"Red earthenware, slipped, glazed, transfer-printed and dipped in copper lustre"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}],"title":[{"value":"Henry Hunt jug"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71443","_score":16.974598,"_source":{"admin":{"added":1592996605000,"created":1312637261000,"flag":"Standard Record","id":"object-71443","indexed":1752602706356,"modified":1714466048000,"processed":1752602690710,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71443","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71443","uuid":"4b0d97ef-185b-36c1-b6a0-e41f3f855ee5","version":6},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-193106","uid":"adlib-agent-193106","uuid":"49e6b051-0dc9-328a-a876-ff8fbb2c2dad"},"summary_title":"Pay, W"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-110727","uid":"adlib-term-110727","uuid":"ebeafa07-8aa4-35ee-93de-94d5a21e0274"},"summary_title":"lustreware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"green, yellow, red, brown, black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"note":[{"value":"pink\/purple"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107831","uid":"adlib-term-107831","uuid":"6da005f1-0bd3-3597-bf45-b3dc0027c837"},"summary_title":"lustre"}}],"name":"Decoration","techniques":[{"note":[{"value":"dark pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120092","uid":"adlib-term-120092","uuid":"2df02199-fd39-3f80-a2d3-049cdf9a1736"},"summary_title":"lustring"}},{"note":[{"value":"green, red, brown, black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"name":"Body","techniques":[{"description":[{"value":"white lead-glazed earthenware painted in green, red, brown, and black enamels, and dark pink lustre"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Thrown earthenware, glazed, painted in enamels with text and images and decorated with pink-lustre."},{"value":"White lead-glazed earthenware jug with ovoid body tapering slightly to a projecting foot, cylindrical neck, curved lip and loop handle. Decorated on the body with three large and roughly round areas of text and image, each on a clear glaze ground. Otherwise the exterior of the jug and handle, and the interior of the neck is covered with purple lustre which has been smeared in a random pattern or, in two places, mottled. The underside is flat and glazed, with a raised foot-rim."},{"value":"The text and images are as follows:\n(i)\tunder the lip:  `W. Pay.\/1838' in large black letters, below an image of a goat, enclosed by a wreath of stylised green and black leaves, tied at top and bottom with a red-brown bow. \n(ii)\tto left of handle: a three-masted paddle-steamer flying the red ensign and two other red flags, with rigging and smoke, on a grey\/brown sea, with a rock face to the right and a blue and yellow sky.\n(iii)\tto right of handle: `The Brewer has sent his Clerk,\\And I must pay my score;\\And if I trust my Beer,\\What shall I do for more\u2019 above a tankard inscribed `W.P.' set over two long-handled clay pipes, with a plate of food below. All these in black and enclosed by a wreath of stylised green and black leaves, tied at top and bottom with a red-brown bow."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1682","uid":"adlib-exhibition-1682","uuid":"4e7148c5-e3d5-3b39-8195-7ad42d347c5f"},"summary_title":"Variations on Ceramic Themes, Big is Beautiful?"}],"identifier":[{"accession_number":"C.1165-1928","primary":true,"type":"accession number","value":"C.1165-1928"},{"priref":"71443","type":"priref","value":"71443"},{"source":"Glaisher MS Catalogue, vol.","type":"old object number","value":"3324"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71443","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71443"}],"inscription":[{"location":"to right of handle","method":"painted in black","transcription":[{"value":"The Brewer has sent his Clerk,\\And I must pay my score;\\And if I trust my Beer,\\What shall I do for more"}],"type":"inscription"},{"description":[{"value":"within a wreath below a goat"}],"location":"on front","method":"painted in black","transcription":[{"value":"W. Pay.\/ 1838"}],"type":"inscription"},{"description":[{"value":"inscribed on image of tankard"}],"transcription":[{"value":"'W.P'"}],"type":"inscription"},{"location":"underside of base","method":"rectangular paper label handpainted in black ink","transcription":[{"value":"\u2018No.3324. Very large jug of Sunderland Potterty inscribed W. Pay 1838 and with verses and the picture of a steam boat. Bought at Christie\u2019s Dec 13 1910'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1838,"era":["CE"],"latest":1838,"note":[{"value":"dated"}],"value":"1838"}],"maker":[{"@link":{"qualifier":"probably","type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"Dr Glaisher bought this jug at Christie\u2019s, in 1910, \u2018as being the largest and finest representative of its class that I have seen, and also for the careful representation of the early steam boat\u2019. He speculated that \u2018 Mr W. Pay for whom the jug was made was no doubt an innkeeper and perhaps the sign of the inn was the Goat\u2019. The verse, which is found on other mugs and jugs from the region and is sometimes titled \u2018The Landlord\u2019s Caution\u2019, tends to support this view and also indicates the jug\u2019s intended use. The ocean-going paddle-steamer is indicative of Newcastle\u2019s importance as a centre for shipbuilding, coal exports and trade."},{"value":"Sunderland and Tyneside  potteries were particularly known for their use of thinly hand-painted lustre together with images, verses and mottos, on domestic and commemorative  wares produced from around 1820 to 1840. The two regions and their various potteries often used the same designs and verses, which were transfer-printed then hand-painted with enamels or sometimes, as here, painted freehand. This jug displays features typical of jugs and mugs made in Newcastle-upon-Tyne potteries during the 1830s, which include: dark pink\/purple lustre; strong enamel colours, notably yellow, green and red\/brown; and borders of stylised green leaves. Smeared lustre also indicates Tyneside origin; the Sunderland potteries preferring the mottled finish, which was produced using oil or turpentine spirit."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120816","uid":"adlib-term-120816","uuid":"b8c35cb6-f02f-34c9-9dda-b3120e12c749"},"summary_title":"19th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-109918","uid":"adlib-term-109918","uuid":"b99df2d6-5877-350a-aba8-e750da5d9ef0"},"summary_title":"William 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The cylindrical mug has a loop handle. Transfer-printed in front with the arms of the Worshipful Company of Framework Knitters. In the centre is a knitting machine surrounded by a scroll border, which sprouts sprays of leaves and flowers at the corners, with the Company motto \u2013 \u2018SPEED, STRENGTH AND TRUTH UNITED\u2019 \u2013 on a ribbon below. To the left is a man in an academic cap and gown; he points to the knitting machine with his right hand. To the right is a woman in a dress and a bonnet; she points to the inscription with her left hand. The print is signed below the motto on the left \u2018J Aynsley\u2019 and on the right \u2018Lane end\u2019. 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The wheel-thrown bulbous jug has a loop handle and a sparrow\u2019s beak lip. It is printed on one side with an image bearing the title \u2018THE APOTHEOSIS OF BONAPARTE\u2019. This image represents John Bull, kneeling and saying \u2018AMEN\u2019 opposite a gibbet which Napoleon hangs. Napoleon has a large sword and hat and is labelled \u2018TYRANT\u2019. Against the gibbet leans a ladder with inscriptions on the rungs: (top to bottom) \u2018Revenge\u2019; \u2018Madrid Massacre\u2019; \u2018Hanover Pillaged\u2019; \u2018Holland Ruined\u2019; \u2018Switzerland enslaved\u2019; 'Jaffa Soup 300 Sick\u2019; \u2018El Arish 5000 Turks\u2019; \u2018Alexandria Massacre\u2019; \u2018In gratitude to Barras\u2019. Beneath the gibbet is a crowd of figures with inscriptions describing their cries: (left to right) \u2018Ah Mynheer der Gran Bonaparte haf make oon big Mistook about being God in dis Earth\u2019; \u2018Enemy ov la Suisse ov Tell A boys Reding & la libbertay\u2019; \u2018Oh boderation long life to Ireland I tought we would catch the tief he wanted to palaver me\u2019; \u2018Dat be ton plagues of Yarmany gone in a Kick Vid a great big Sword dat I wich dey giv me for I want it by by\u2019; 'Ala lantern Ala lantern Vive la France A bas le Corsican et tous meurtrier et scelerets Vive Johnny Bull\u2019. Printed on the other side of the jug is an image entitled \u2018A SPANISH PATRIOT\u2019, which represents a British sailor handing a scroll labelled \u2018COMMERCE\u2019 to a Spanish soldier with a ribbon inscribed \u2018LONG LIVE FERDINAND VII\u2019."}],"identifier":[{"accession_number":"C.736-1928","primary":true,"type":"accession number","value":"C.736-1928"},{"priref":"75951","type":"priref","value":"75951"},{"source":"Glaisher MS catalogue, volume 10","type":"old catalogue number","value":"3136"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75951","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75951"}],"inscription":[{"description":[{"value":"title of print"}],"location":"over print of Napoleon being hung on side of jug","method":"transfer-printed in red","transcription":[{"value":"'THE APOTHEOSIS OF BONAPARTE\u2019"}],"type":"inscription"},{"location":"on top rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'Revenge'"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Madrid Massacre\u2019"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'Hanover Pillaged'"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Holland Ruined\u2019"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Switzerland Enslaved\u2019"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'Jaffa Soup 300 Sick'"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'El Arish 5000 Turks\u2019"}],"type":"inscription"},{"location":"on rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Alexandria Massacre\u2019"}],"type":"inscription"},{"location":"on bottom rung of ladder in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018In gratitude to Barras\u2019"}],"type":"inscription"},{"location":"over the crowd below the gibbet in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'Ah Mynheer der Gran Bonaparte haf make oon big Mistook about being God in dis Earth\u2019"}],"type":"inscription"},{"location":"over the crowd below the gibbet in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Enemy ov la Suisse ov Tell A boys Reding & la libbertay\u2019"}],"type":"inscription"},{"location":"over the crowd below the gibbet in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Oh boderation long life to Ireland I tought we would catch the tief he wanted to palaver me\u2019"}],"type":"inscription"},{"location":"over the crowd below the gibbet in 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"\u2018Dat be ton plagues of Yarmany gone in a Kick Vid a great big Sword dat I wich dey giv me for I want it by by\u2019"}],"type":"inscription"},{"location":"over the crowd below the gibbet in the 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'Ala lantern Ala lantern Vive la France A bas le Corsican et tous meurtrier et scelerets Vive Johnny Bull\u2019"}],"type":"inscription"},{"location":"over kneeling John Bull in the 'Apotheosis' print","method":"transfer-printed in red","transcription":[{"value":"'AMEN'"}],"type":"inscription"},{"location":"over print of sailor and soldier on side of jug","method":"transfer-printed in red","transcription":[{"value":"\u2018A SPANISH PATRIOT\u2019"}],"type":"inscription"},{"location":"on scroll held by sailor in 'Patriot' print","method":"transfer-printed in red","transcription":[{"value":"'COMMERCE'"}],"type":"inscription"},{"location":"on ribbon held by solider in 'Patriot' print","method":"transfer-printed in red","transcription":[{"value":"\u2018LONG LIVE FERDINAND VII\u2019"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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Until recently, it was believed that transfer printed wares of the 18th and early 19th centuries were made using tissue paper to transfer the image onto the object from an engraved copper plate. Ceramic printing ink would be applied to the copper plate so that the engraved lines were filled; the plate would then be passed through a printing press to transfer the image to a sheet of tissue paper and the printed tissue paper placed on the ceramic and rubbed to transfer the design. However, Paul Holdway has demonstrated that most early transfer-printed ware uses another technique, one which involved the use of glue bats. This technique also relied on a copper plate but it was linseed oil, rather than ink, that was applied. The bat, a thin sheet of animal glue, would be pressed onto the oiled plate and then applied to the ware. Once the bat was removed, the ware was dusted with powdered metallic oxide, which adhered to the oil, and fired to fix the design. For round-bodied vessels like this jug, this technique had a distinct advantage over the tissue paper method: whereas tissue paper wrinkles when it is applied to a curved object, a flexible glue bat stretches round the shape. There is evidence that this jug was decorated using the glue bat technique: there are a number of small bubble-like interruptions to the design. 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The wheel-thrown mug is a cylindrical shape with a loop handle. Opposite the handle is printed an image with the title \u2018THE DEATH OF GENL WOLFE\u2019. The collapsed General is shown surrounded by his supporters with his musket and battle gear in front on him; two more onlookers are placed off to the left. The scene takes place in a landscape with trees in the background."}],"identifier":[{"accession_number":"C.731-1928","primary":true,"type":"accession number","value":"C.731-1928"},{"priref":"75941","type":"priref","value":"75941"},{"source":"Glaisher MS catalogue, volume 26","type":"old catalogue number","value":"4407"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75941","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75941"}],"inscription":[{"location":"over print on front of mug","method":"transfer-printed in black ink","transcription":[{"value":"THE DEATH OF GENL WOLFE"}],"type":"inscription"},{"description":[{"value":"stick-on octagonal white paper label"}],"location":"inside mug","method":"handwritten in black ink","transcription":[{"value":"\u201c4407 white transfer printed mug with the Death of General Wolfe upon it. b at Christie\u2019s May 8 1924 Swaythling heirloom.\u201d"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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The battle was turning point in the British struggle against the French in North America and Wolfe was heralded as a hero. In 1771, Benjamin West painted the General at the moment of his death, surrounded by his supporters, although the image should not be taken as a record of historical fact as it omits Wolfe\u2019s friend Colonel John Hale, who refused to pay the \u2018admission fee' West charged for inclusion in the painting. The painting was engraved by William Woollett and published in 1776, when it became hugely popular; it is from Woollett\u2019s print that the mug image is derived. Commemorative subjects such as this were designed to reinforce patriotic feelings."},{"value":"Transfer printing was introduced to English pottery in the second half of the 18th century. Until recently, it was believed that transfer printed wares of the 18th and early 19th centuries were made using tissue paper to transfer the image onto the object from an engraved copper plate. However, Paul Holdway has demonstrated that most early transfer-printed ware uses another technique, one which involved the use of glue bats. This technique also relied on a copper plate but it was linseed oil, rather than ink, that was applied. The bat, a thin sheet of animal glue, would be pressed onto the oiled plate and then applied to the ware. Once the bat was removed, the ware was dusted with powdered metallic oxide, which adhered to the oil, and fired to fix the design. For round-bodied vessels like this mug, this technique had a distinct advantage over the tissue paper method: whereas tissue paper wrinkles when it is applied to a curved object, a flexible glue bat stretches round the shape. There is evidence that this mug was decorated using the glue bat technique: there are a number of small bubble-like interruptions to the design. Such flaws are a hallmark of glue bat printed wares, occurring where pockets of air or grains of dirt are trapped between the bat and the object."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-121310","uid":"adlib-term-121310","uuid":"5e488133-3cf0-3e4a-8ec1-844b07079193"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106944","uid":"adlib-term-106944","uuid":"8e183a88-c2c5-3ba8-8ced-c5e1cc027cf6"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Liverpool"}]}]},"materials":[{"note":[{"value":"cream 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Montagu, First Lord Swaythling deceased, being part of the Swaythling heirlooms', lot 53, where it was bought by Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Glaisher"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow dark pink, flesh tones, reddish-brown, brown, grey, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}}],"name":"Decoration","techniques":[{"note":[{"value":"blue, green, yellow dark pink, flesh tones, reddish-brown, brown, grey, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"materials":[{"note":[{"value":"slightly blue tinted; unevenly applied leaving bare patches on the underside of base"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Surface","techniques":[{"note":[{"value":"slightly blue tinted; partial glazing on underside"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}]},{"measurements":{"dimensions":[{"dimension":"Length","units":"cm","value":"17.8"}]},"name":"Base"}],"department":{"value":"Applied Arts"},"description":[{"value":"Lead-glazed earthenware painted in polychrome enamels. An inebriated parson clutching a bottle being led by the parish clerk holding a lantern"},{"value":"Off-white earthenware, moulded, covered with slightly blue-tinted lead glaze, and painted in blue, green, yellow dark pink, flesh tones, reddish-brown, brown, grey, and black enamels. The figures stand on a grassy mound with a tree trunk at the back, rising from an elongated pink octagonal base which is hollow underneath and partially covered with blue-tinted glaze. The Clerk, on the viewer's right, has a ruddy complexion and brown hair, and wears a black hat, reddish-brown coat, green breeches, blue stockings and black shoes, and holds a lantern in his left hand. He grasps the parson's left arm to steady him and lead him to the churchyard.The parson, wears a black tricorn hat over a bluish-white wig, a black jacket, a pink and blue horizontally striped waistcoat with yellow buttons, yellow breeches, white stockings and black shoes with yellow buckles. He  looks down and leans away from the clerk, holding a glass in his left hand, and clutching a green bottle to him with his right hand. He stands on his left leg and drags his right behind him as if unsteady and not wanting to go forward."}],"identifier":[{"accession_number":"C.917-1928","primary":true,"type":"accession number","value":"C.917-1928"},{"priref":"76358","type":"priref","value":"76358"},{"source":"Glaisher MS Catalogue, vol. 8","type":"old object number","value":"3008"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76358","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76358"}],"inscription":[{"description":[{"value":"rectangular white paper stick on label with a blue line edging on left side and plant motifs in the two top corners."}],"location":"on back of underside of base","method":"hand-written in black ink","transcription":[{"value":"No 3009\/Staffordshire\/group of the\/Parson and\/Clerk.\/A good specimen\/of this group.\/b. at Sotheby's\/March 12 1909."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. W. L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"The Glaisher ceramic collection was entered in the accession register as one item with the date of Dr Glaisher's death."}]}],"creation":[{"date":[{"earliest":1800,"from":{"earliest":1800,"latest":1800,"precision":"circa","value":"1800"},"latest":1815,"range":true,"to":{"earliest":1815,"latest":1815,"value":"1815"}}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-188993","uid":"adlib-agent-188993","uuid":"7550c9da-135b-3f18-9344-2303a850cf51"},"summary_title":"Unidentified Staffordshire factory"}],"note":[{"value":"This group was first made in the late 1780s or early 1790s, but the bold, rather crudely applied colouring indicates that this example was probably made in the early nineteenth century. It may have been made in the factory of Enoch Wood and James Caldwell at Burslem. The theme of the group derives from a song, 'The Vicar and Moses' published in 1773 by Charles and Samuel Thomson in London. The earliest known illustration of 'The Vicar and Moses' appeared above the title and verses on a broadsheet attributed to Thomas Colley published in January 1782 by Hannah Humphrey, a London print shop owner. An example of the ballad is in the British Museum (inv. no. 1872,1012.4907). Although the print is a more cruelly anticlerical satire showing an immensely stout vicar and a wretchedly thin clerk holding a lantern, it was probably the inspiration for this Staffordshire group. Another print with differently represented characters appears as decoration on creamware jugs and mugs. It was published by Bowles & Carver after Robert Dighton (1752-1814) in 1785. (British Museum inv. 1935,0522.1.174) \n\nIn the song, the Vicar is called out to undertake the burial of a baby, which, as parish registers show, was an all too frequent occurrence in that era because of the high infant mortality rate. The satirist shows the vicar as a bon viveur, who forgetting his religious duties, and the sorrowing parents, has to be dragged out of the village inn where he has been drinking and smoking, to go to the churchyard to attend the burial. But on arrival, is too inebriated to read the service and the infant is interred without it.  The theme reflects the high level of anti-clerical sentiment in the late 18th century.\n\nA probably earlier group on a lower base and with less garish colouring is in the Willett Collection in the Brighton Museum (Willett Collection no. 807), and one with a mound base similar in shape to the Fitzwilliam's is in the Victoria and Albert Museum (inv. no. 298-1969)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-134369","uid":"adlib-term-134369","uuid":"e802f29c-a259-3ff8-940a-81beac6a5913"},"summary_title":"19th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107658","uid":"adlib-term-107658","uuid":"824d3ecf-92c1-33aa-8d45-2f0239317270"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Staffordshire"}]}]},"materials":[{"note":[{"value":"off-white"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"23.2"},{"dimension":"Length","units":"cm","value":"18.6"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-47531","uid":"adlib-media-47531","uuid":"b12f8097-c8ab-37de-b633-8daef419121e"},"processed":{"large":{"format":"jpeg","location":"aa\/aa8\/C_917_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583646366,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa8\/mid_C_917_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583646366,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa8\/C_917_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583646366,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa8\/preview_C_917_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583646366,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-47532","uid":"adlib-media-47532","uuid":"3ea53d90-e52b-3828-aab6-aef80de35f31"},"processed":{"large":{"format":"jpeg","location":"aa\/aa8\/C_917_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583593236,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa8\/mid_C_917_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583593236,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa8\/C_917_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583593236,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa8\/preview_C_917_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583593236,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}}],"note":[{"type":"history note","value":"Sotheby's, 12 March, 1909, lot 161;  purchased for \u00a32.16s. by  S. Fenton, Cranbourn Street, London, with 10% commission on behalf of Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Vol. l, p. 121, no. 917, attributed to Enoch Wood after 1818, and identified as Parson and Clerk","page":"121","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"type":"reference"},"admin":{"id":"publication-6492","uid":"adlib-publication-6492","uuid":"8f7a7c8d-d834-39c7-aba5-eddaaff4dd0c"},"summary_title":"English Earthenware Figures 1740-1840"},{"@link":{"notes":"Cf.  pp. 74-5 for the words of the song 'The Vicar and Moses'. Cf. p. 75, fig. 178 a mug decorated with an anti-clerical transfer-print showing a parson being led from an inn by a clerk holding a lantern going in the same direction as the pottery group, and p. 74, fig. 175 a mug with a different parson and clerk going to the left, and fig. 176 a jug with the same print.","page":"pp. 74-5","type":"reference"},"admin":{"id":"publication-3569","uid":"adlib-publication-3569","uuid":"acb8fe53-eaa3-350b-8a4f-30281485bc73"},"summary_title":"Printed English Pottery, History and Humour in the reign of George III 1760-1820"},{"@link":{"notes":"Cf. p. 174, no. 807, an earlier version with a different base and more subtle colouring, dated c. 1790, with a jug, no. 803 printed with the entire poem signed by John Aynsley. 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Body decorated with a continuous under-glaze blue image of a hunting scene, starting from the handle, of three hounds, a man dismounted from his horse and an upturned dead stag on a grassy ground, framed by tree trunks to either side and scrolling branches above. The neck is decorated with an underglaze-blue image of leaves and flowers and the handle with a vertical band of lines and stylised leaves. Pink lustre has been applied to suggest a pink ground which frames the major parts of the imagery, with a solid band of pink lustre around the base and inside the neck. The interior is clear-glazed. The underside is slightly recessed and flat, with an incised circle towards the centre, and glazed."}],"identifier":[{"accession_number":"C.8-2018","primary":true,"type":"accession number","value":"C.8-2018"},{"priref":"223220","type":"priref","value":"223220"},{"date":[{"earliest":2017,"latest":2017,"value":"2017"}],"source":"Fitzwilliam Museum","type":"Entry form number","value":"1345"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/223220","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/223220"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bequeathed by Sir Peter Shaffer"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-198457","uid":"adlib-agent-198457","uuid":"6c044808-cb40-3d86-86ff-39b6ae45bfb6"},"summary_title":"Shaffer, Peter"}],"date":[{"earliest":2018,"latest":2018,"value":"2018-07-09"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1810,"from":{"earliest":1810,"latest":1810,"precision":"circa","value":"1810"},"latest":1830,"note":[{"value":"lustre may be later?"}],"range":true,"to":{"earliest":1830,"latest":1830,"precision":"circa","value":"1830"}}],"maker":[{"@link":{"type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"English lustreware was commercially produced from c.1805 and popular in the first half of the 19th Century. Minute amounts of gold were used to produce copper, gold, pink or purple lustre, depending on the type of clay, lustre formula, number of layers and firing temperature; platinum was used to mimic silver. Most lustreware was made for everyday use, and factory markings are rare."},{"value":"The huntsman design perhaps comes from a print by George Morland (1763-1804)."},{"value":"This jug was finished by painting a resist mask (perhaps a sugar and glycerine mix) over the design, before coating with lustre -  which only adhered to the unpainted parts. Swansea, Staffordshire and Leeds were the main production centres for resist lustreware. Combining  under-glaze blue decoration with lustre is unusual, although a silver lustre jug with the same huntsman scene is known."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-114523","uid":"adlib-term-114523","uuid":"435b2a3c-ff47-31ed-bed3-17b95d739d0a"},"summary_title":"19th Century, first half"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"16"},{"dimension":"Width","units":"cm","value":"19"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}}],"note":[{"type":"history note","value":"Bought from Constance Storo, 31 Holland St, London W8, for \u00a31,050, by Peter Shaffer, on 6 November 1987."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. Examples of different types of lustreware. 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Glaisher"}],"component":[{"materials":[{"note":[{"value":"copper"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107831","uid":"adlib-term-107831","uuid":"6da005f1-0bd3-3597-bf45-b3dc0027c837"},"summary_title":"lustre"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-132688","uid":"adlib-term-132688","uuid":"5af17cdc-2827-330a-b4e2-f49530ed0aa8"},"summary_title":"transfers"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-121345","uid":"adlib-term-121345","uuid":"161ef46a-4cb9-3e99-9aa9-49eea63d9d44"},"summary_title":"dipping"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-122641","uid":"adlib-term-122641","uuid":"d5fb75d8-097d-3fd7-8e70-87e9d96d77f7"},"summary_title":"glazing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware, transfer-printed in black with text and images, then painted with and dipped in copper lustre."},{"value":"Jug with ovoid body, cylindrical neck, curved lip and loop handle (with thumb-piece). Decorated on the body with two transfer-prints, in black. The underside is flat and glazed, with a raised foot-rim."},{"value":"The image and texts are as follows:\n(i)\tA bust of Queen Caroline, wearing plumed hat, lace collar and cameo necklace, above \u2018GOD SAVE \/ QUEEN CAROLINE!\u2019\n(ii)\tA garland of leaves woven with ribbon inscribed \u2018LONG LIVE CAROLINE!\u2019 at the top, \u2018QUEEN OF ENGLAND\u2019 at the bottom, and the names \u2018Brougham\u2019, \u2018Wood\u2019, \u2018Lushington\u2019, \u2018Williams\u2019, \u2018Waithman\u2019, \u2018Denman\u2019 at the sides. The garland encloses the verse:\n\u2018As for the Green-Bag crew,\/ Justice will have its due,\/God save the Queen!\/Confound their politicks,\/Frustrate their knavish tricks,\/On HER our hopes we fix,\/\tGod save the Queen!\u2019"}],"identifier":[{"accession_number":"C.1162-1928","primary":true,"type":"accession number","value":"C.1162-1928"},{"priref":"71440","type":"priref","value":"71440"},{"date":[{"earliest":1812,"latest":1812,"value":"1812"}],"source":"Glaisher MS Catalogue, vol. 14","type":"old object number","value":"3489"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71440","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71440"}],"inscription":[{"location":"below bust","transcription":[{"value":"GOD SAVE \/ QUEEN CAROLINE!"}],"type":"inscription"},{"description":[{"value":"on a wavy ribbon over verse and under verse"}],"location":"on other side","transcription":[{"value":"LONG LIVE CAROLINE!\u2019 at the top, \u2018QUEEN OF ENGLAND at the bottom; Brougham WOOD Lushington Williams Waithman Denman"}],"type":"inscription"},{"location":"inside garland","transcription":[{"value":"As for the Green-Bag crew,\/ Justice will have its due,\/God save the Queen!\/Confound their politicks,\/Frustrate their knavish tricks,\/On HER our hopes we fix,\/God save the Queen!\u2019"}],"type":"inscription"},{"location":"underside of base","method":"rectangular paper label handpainted in black ink","transcription":[{"value":"\u2018No. 3489. 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The jug was then coated in lustre, which only adhered to the unpainted parts. Silver lustre, made using minute deposits of platinum on a white, yellow or blue ground, was popular from around 1810-1830; and pots were sometimes coated all over to mimic Georgian silver. Pink and purple lustre was also produced, using gold.  Leeds and Staffordshire were the main production centres for resist lustreware."},{"value":"Sir Francis Burdett (1770-1884) entered Parliament in 1796 and campaigned against political corruption and the restriction of press freedom. In 1810 he published pamphlets supporting Gale Jones, who had been imprisoned in Newgate for publicly questioning the exclusion of the press from Parliament. This lead to Parliament committing Burdett to the Tower of London. His public arrest was carried out by a military cavalcade before an enormous mob of his supporters. Variations of the bust used on this jug also appear on other printed wares of the time, often paired with the inscriptions found here."},{"value":"This type of jug was made for everyday use. The shape and size of this example suggest it may be a milk jug. The inscription indicates a date of 1810, or soon after."},{"value":"Transfer printing was introduced in the second half of the 18th century, generally using the glue bat method. The design was engraved on a copper plate, which was covered with linseed oil; a thin bat of animal glue was pressed onto the oiled plate and then applied to the ware. The ware was then dusted with powdered metallic oxide, which adhered to the oil, and fired to fix the design. Round-bodied vessels were particularly well suited to this method as the  flexible bat could be stretched around curves. 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The jug has an ovoid body, a cylindrical neck with pointed lip, and an applied strap handle with a leaf terminals.  The body is decorated with Frederick, Duke of York, holding a sword, mounted on a horse galloping to the viewer's right. Behind him there is a large bush.  Further to the right there is a row of six soldiers, a canon, a mounted officer galloping to the right, a row of tents, one of which is flying a flag, and in the foreground, a tree. In the background there is a ruin on a hill, a fortified town, and some trees. The lower part of the neck is  printed in black with 'His Royal Highness FREDERICK DUKE of YORK'. The upper part of the neck has a broad border of alternating blue and yellow flower heads and panels of black trellis pattern, which is repeated inside the rim, and down the upper part of the back of the handle."}],"identifier":[{"accession_number":"C.1143-1928","primary":true,"type":"accession number","value":"C.1143-1928"},{"priref":"71409","type":"priref","value":"71409"},{"source":"Glaisher MS Catalogue, vol. 15","type":"old object number","value":"3495"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71409","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71409"}],"inscription":[{"location":"on neck","method":"printed in black","transcription":[{"value":"His Royal Highness FREDERICK DUKE of YORK"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. W. L. 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The man has a dog by his side and holds a stick in his right hand and a pig in his left. The woman holds a small child. Turning away from the couple is a vicar. Beside him is a peacock and behind him a church. In front of the figures are sheaves of wheat, apples, pears and baskets of fruit. Beneath the image are the title - \u2018The TYTHE PIG\u2019 - and a verse divided into two columns. The first column reads: \u2018In Country Village lives a Vicar \/ Fond \u2013 as all are - of Tythes and Liquor; \/ To Mirth his Ears are seldom shut, \/ He\u2019ll Crack a Joke, and laugh at smut, \/ But when he Tythes he gathers in, \/ True Parson then - no Coin, no Grin; \/ On Fish, on Flesh, on Bird, on Beast, \/ Alike lays hold the Chulish Priest.\u2019 The second column reads: \u2018Hob\u2019s Wife and sow \u2013 as Gossips tell \/ Both at a time in Pieces fell; \/ The Parson comes, the Pig he claims, \/ And the Good Wife with Taunts inflames; \/ But she, quite Arch, bow\u2019d low and smil\u2019d, \/ Kept back the Pig, and held the Child; \/ The Priest look\u2019d gruff, the Wife look\u2019d big, \/ Z\u2026d Sir! quoth she, no Child, no Pig.\u2019"}],"identifier":[{"accession_number":"C.735-1928","primary":true,"type":"accession number","value":"C.735-1928"},{"priref":"75950","type":"priref","value":"75950"},{"source":"Glaisher MS catalogue, volume 13","type":"old catalogue number","value":"3382"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75950","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75950"}],"inscription":[{"location":"under the image on the front of the mug","method":"transfer-printed onglaze in black","transcription":[{"value":"\u201cThe TYTHE PIG\u201d"}],"type":"inscription"},{"location":"under the image on the front of the mug","method":"transfer-printed onglaze in black","transcription":[{"value":"In Country Village lives a Vicar \/ Fond - as all are - of Tythes and Liquor; \/ To Mirth his Ears are seldom shut, \/ He\u2019ll Crack a Joke, and laugh at smut, \/ But when he Tythes he gathers in, \/ True Parson then - no Coin, no Grin; \/ On Fish, on Flesh, on Bird, on Beast, \/ Alike lays hold the Chulish Priest. \/ Hob\u2019s Wife and sow - as Gossips tell \/ Both at a time in Pieces fell; \/ The Parson comes, the Pig he claims, \/ And the Good Wife with Taunts inflames; \/ But she, quite Arch, bow\u2019d low and smil\u2019d, \/ Kept back the Pig, and held the Child; \/ The Priest look\u2019d gruff, the Wife look\u2019d big, \/ Z\u2026d Sir! quoth she, no Child, no Pig."}],"type":"inscription"},{"description":[{"value":"stick-on octagonal white paper stick on label with red border"}],"location":"on base","method":"handwritten in black ink","transcription":[{"value":"No 3382 Large mug of Leeds\/cream ware with\/picture \u2018The Tythe\/Pig\u2019 and verses. From the W. Turner\/Collection. b. March 14, 1911."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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Although the print on the jug varies a few of the details of Boitard\u2019s image, such as the buildings in the background, the inscription beneath is copied exactly. Boitard\u2019s print was designed as a satire of the greed of the clergy. The print and inscription describe a not-so-pious parson who enjoys drink and smutty jokes and gets his comeuppance when he comes to claim a pig as tythe from a farmer\u2019s wife: she insists that if he wants the pig, he must also take her child; the parson then turns away in distaste. The \u2018Tythe Pig\u2019 print was very popular throughout the second half of the 18th-century, a time when satirical and humorous prints were an common form of entertainment; some print-makers even published sequels to it, showing the greedy parson returning to try and claim the pig again, only to be outfoxed by the sow herself!"},{"value":"Transfer printing was introduced to English pottery in the second half of the 18th century. Most early transfer-printed ware used the glue bat method. In this method, the design was engraved on a copper plate, which was then covered with linseed oil.  The thin bat of animal glue was pressed onto the oiled plate and then applied to the ware. Once the bat was removed, the ware was dusted with powdered metallic oxide, which adhered to the oil, and fired to fix the design. This method was common for round-bodied vessels like this mug because the flexible glue bat can easily stretch round curving body."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106944","uid":"adlib-term-106944","uuid":"8e183a88-c2c5-3ba8-8ced-c5e1cc027cf6"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Liverpool"}]}]},"materials":[{"note":[{"value":"black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108168","uid":"adlib-term-108168","uuid":"0fcc3e04-2ff3-3bde-810f-0474bbfa0943"},"summary_title":"ceramic printing 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The jug has a bulbous body, cyclindrical neck and scroll handle. Printed on one side of the neck of the jug is \u2018EUROPE PRESERVED \/ September 14th 1812\u2019. Beneath this title, on the body of the jug, is the inscription \u2018Specimen of RUSSIAN chopping BLOCKS\u2019 over a bearded Russian soldier with a sabre hanging from his belt. He raises an axe, ready to bring it down on a Napoleonic soldier, who kneels over two of his fallen comrades, both of whom have bloodied head wounds. Underneath is a Russian inscription, which translates as \u2018There were hordes of you weren\u2019t there? Well, that's the lot! That\u2019s what you were up to, trying to hack your way through; in future you won\u2019t give any trouble\u2019, and an English one, which reads \u2018So you\u2019r the last! says this brave honest Man. Now Nap return to Russia if you can\u2019. Underneath the lip of the jug is a figure mounted on a horse with a sabre hanging from his belt and a tall fur-trimmed hat; he is labelled \u2018COSACK\u2019. On the other side of the jug, '\u201cHOURRAH Your SERENE HIGHNESS!!\u201d\u2019 is printed on the neck. Beneath, on the body of the jug, is a Russian soldier, carrying his gun over his right shoulder: hanging from the barrel are three Napoleonic soldiers with two more skewered on the bayonet. The Russian soldier is led by a small boy who carries a standard in the shape of an eagle. In the background are military tents. Underneath is an inscription in Russian, which has been translated as \u2018Bringing home a bunch of spillikins for the pleasure of the children\u2019, and an English inscription: \u2018A RUSSIAN BOOR returning from his FIELD SPORTS\u2019. Enamels have been used to colour the prints: the Napoleonic soldiers have blue coats, red waistcoats, yellow breeches and black hats with red feathers. The Russian soldiers have red hats and belts, ochre coats and blue breeches. The Cosack and small boy are clad all in red. The ground painted with bands of green, light brown and dark brown. The rim of the jug and the edges of the handle are painted green."}],"identifier":[{"accession_number":"C.740-1928","primary":true,"type":"accession number","value":"C.740-1928"},{"priref":"75956","type":"priref","value":"75956"},{"source":"Glaisher MS catalogue, volume 22","type":"old catalogue number","value":"4100"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75956","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75956"}],"inscription":[{"location":"neck of jug","method":"transfer-printed onglaze in black","transcription":[{"value":"EUROPE PRESERVED \/ September 14th 1812"}],"type":"inscription"},{"location":"side of jug","method":"transfer-printed onglaze in black","transcription":[{"value":"Specimen of RUSSIAN chopping BLOCKS"}],"type":"inscription"},{"location":"side of jug","method":"transfer-printed onglaze in black","type":"inscription"},{"location":"side of jug","method":"transfer-printed onglaze in black","transcription":[{"value":"So you\u2019r the last! says this brave honest Man. Now Nap return to Russia if you can."}],"type":"inscription"},{"location":"front of jug","method":"transfer-printed onglaze in black","transcription":[{"value":"COSACK"}],"type":"inscription"},{"location":"neck of jug","method":"transfer-printed onglaze in black","transcription":[{"value":"\u201cHOURRAH Your SERENE HIGHNESS!!\u201d"}],"type":"inscription"},{"location":"side of jug","method":"transfer-printed onglaze in black","transcription":[{"value":"A RUSSIAN BOOR returning from his FIELD SPORTS"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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This jug belongs to the \u2018EUROPE PRESERVED\u2019 series, which consisted of jugs of various sizes that reproduced Cruikshank\u2019s prints in combination with various other pro-Russian prints and with the titles of \u2018EUROPE PRESERVED, September 14th 1812\u2019 and \u2018HOURRAH Your SERENE HIGHNESS\u2019. The \u2018Serene Highness\u2019 referred to was Mikhail Kutozov, Prince of Smolensk, who, as the Field-Marshal in charge of the Russian army, oversaw the defeat of Napoleon."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George 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A  rectangular pulpit, with curved lower tier at the front, occupied at the top by a sleeping vicar with his head resting on his left hand; and at the bottom, by a speaking clerk. Each  figure has his right hand draped over the front of his pulpit, on which rests an open bible, each having 'chap' written at the top of the left page and ' +' at the top of the right. The clerk's left hand was originally lifted upwards as if blessing, but is now missing. The vicar wears a white wig and clerical dress - a black cassock with white bands; the clerk has brown hair and wears a brown jacket and a grey and black striped waistcoat. the bibles have brown bindings and pages edged in blue. The pulpit has a flat back and is dappled all over in two shades of red and reddish-brown and decorated with four small angels moulded in relief.  The underside is flat and unglazed, with a large central ventilation hole."}],"identifier":[{"accession_number":"C.916-1928","primary":true,"type":"accession number","value":"C.916-1928"},{"priref":"76357","type":"priref","value":"76357"},{"date":[{"earliest":1905,"latest":1905,"value":"1905"}],"source":"Glaisher MS catalogue, Volume 2","type":"old object number","value":"2551"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76357","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76357"}],"inscription":[{"location":"on left and right sides of both open bibles","method":"painted in black enamel","transcription":[{"value":"chap        +"}],"type":"inscription"},{"description":[{"value":"rectangular white paper stick on label with a blue line edging the right and left sides, and two small leaf motifs in the top corners"}],"location":"underside of base","method":"rectangular paper label handwritten in black ink","transcription":[{"value":"No.2551\/Group of the\/Vicar and Moses\/(Staffordshire),\/ good colour\/& modelling. the\/stand\/ b. in Cambridge\/Nov 17 1905"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. 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W. L. Glaisher"}],"component":[{"name":"Body","techniques":[{"description":[{"value":"wheel-thrown white earthenware with applied handle covered in a bluish lead-glaze (badly crazed), transfer-printed onglaze in brownish-black probably using the glue-bat method, painted onglaze in coloured enamels and painted around the neck and rim with bands of silver (platinum) lustre"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware, transfer-printed over-glaze in brown with text and images, and painted with green, yellow, purple and orange-red enamels and silver (platinum) lustre."},{"value":"Ovoid body tapering slightly to a projecting foot, with a concave cylindrical neck, curved lip and curving, angular handle.  Inscription under the lip, \u2018Hannah Robinson \/ 1812\u2019, with scroll decorative motifs, painted in dark brown.  Text and image transfer-prints, over-painted with enamels, on each side of the body. A thin band of silver lustre around the rim of the jug, another where the neck meets the body and a thicker band around the middle of the neck. The underside is flat and glazed, with a raised foot-rim."},{"value":"The images and texts are as follows:\n(a)\ta scene of a plough pulled by three horses in front of farm buildings and trees. Above are  a barrel and an ear of barley to the left and a beehive and an ear of wheat to the right.  Below are a man with a flail,  a jug and a dog; a maid milking a cow; and a woman with a sickle, a sheaf of wheat and a dog. In the centre of the image is the inscription \u2018HE \/ THAT BY THE PLOUGH WOULD THRIVE \/ HIMSELF \/ MUST EITHER HOLD OR DRIVE\u2019. Below, on a u-shaped ribbon, is the motto \u2018INDUSTRY PRODUCETH WEALTH\u2019."},{"value":"(b)\ta verse: \u2018Let the wealthy and great \/ Roll in splendour and state \/ I envy them not I declare it \/ I eat my own lamb \/ My own chickens and ham \/ I shear my own fleece and I ware it \/ I have lawns I have bowers \/ I have fruits I have flowers \/ the lark is my morning alarmer \/ So jolly boys now \/ Heres God speed the plough \/ Long life and success to the farmer\u2019 bordered by plants and agricultural and domestic objects. Above the verse is the inscription \u2018IN GOD IS ALL OUR TRUST\u2019 on a ribbon with a beehive and below is the motto \u2018INDUSTRY PRODUCETH WEALTH\u2019 on a ribbon with a plough."}],"exhibitions":[{"@link":{"catalogue":"44","type":"reference"},"admin":{"id":"exhibition-3305","uid":"adlib-exhibition-3305","uuid":"534a3247-91a9-398f-abe9-7b419586f568"},"summary_title":"Feast and Fast: The Art of Food in Europe (1500-1800)"}],"identifier":[{"accession_number":"C.774-1928","primary":true,"type":"accession number","value":"C.774-1928"},{"priref":"76036","type":"priref","value":"76036"},{"source":"Glaisher MS catalogue, volume 7","type":"old catalogue number","value":"2989"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76036","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76036"}],"inscription":[{"location":"front of jug, on body below lip","method":"painted onglaze in black enamel","transcription":[{"value":"Hannah Robinson 1812"}],"type":"inscription"},{"location":"above the ploughing scene on side of jug","method":"transfer-printed onglaze in brownish-black","transcription":[{"value":"HE \/ THAT BY THE PLOUGH WOULD THRIVE \/ HIMSELF \/ MUST EITHER HOLD OR DRIVE"}],"type":"inscription"},{"location":"below the ploughing scene on side of jug","method":"transfer-printed onglaze in brownish-black","transcription":[{"value":"INDUSTRY PRODUCETH WEALTH"}],"type":"inscription"},{"location":"on side of jug","method":"transfer-printed onglaze in brownish-black","transcription":[{"value":"Let the wealthy and great \/ Roll in splendour and state \/ I envy them not I declare it \/ I eat my own lamb \/ My own chickens and ham \/ I shear my own fleece and I ware it \/ I have lawns I have bowers \/ I have fruits I have flowers \/ the lark is my morning alarmer \/ So jolly boys now \/ Heres God speed the plough \/ Long life and success to the farmer"}],"type":"inscription"},{"location":"above the verse on side of jug","method":"transfer-printed onglaze in brownish-black","transcription":[{"value":"IN GOD IS ALL OUR TRUST"}],"type":"inscription"},{"location":"below the verse on side of jug","method":"transfer-printed onglaze in brownish-black","transcription":[{"value":"INDUSTRY PRODUCETH WEALTH"}],"type":"inscription"},{"description":[{"value":"rectangular, stick-on white paper label with blue border"}],"location":"on base","method":"rectangular paper label handwritten in black ink","transcription":[{"value":"No2989 Staffordshire jug inscribed \u2018Hannah Robinson 1812\u2019 and with verses &c. in coloured borders, b. in London May 15, 1909"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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The imagery celebrates the production of grain, with verses from a traditional English ballad sung on Plough Monday, when farm labourers returned to work after Christmas and started ploughing. Although the song celebrates self-sufficiency, the jug is a promotion of work, with the motto \u2018INDUSTRY PRODUCETH WEALTH\u2019 reproduced twice."},{"value":"On purchasing this jug in 1909, Dr Glaisher was told that Hannah Robinson was given this jug on the occasion of her marriage to Gabriel Store, in 1812, probably at Burslem. He was also told that both Hannah and Gabriel came from Staffordshire families associated with the pottery business, though the decorative theme on this jug is clearly agriculture. Staffordshire was the first, and remained the largest, producer of lustreware, though it was also made in other regions, notably Sunderland. Silver lustre is generally made from platinum, as real silver suffers from tarnishing."},{"value":"The verse \u2018Let the wealthy and great\u2026\u2019 is common on jugs celebrating agriculture. It is drawn from a traditional English song based on the 15th century ballads sung by ploughmen on Plough Monday, the first Monday following the Twelfth Day of Christmas, when farm labourers returned to work. The inscription on the other side of the jug \u2013 \u2018He that by the plough would thrive, himself must either hold or drive\u2019 \u2013 is a traditional proverb"},{"value":"Transfer printing was introduced to English pottery in the second half of the 18th century. Most early transfer-printed ware used the glue bat method. In this method, the design was engraved on a copper plate, which was then covered with linseed oil.  The thin bat of animal glue was pressed onto the oiled plate and then applied to the ware. Once the bat was removed, the ware was dusted with powdered metallic oxide, which adhered to the oil, and fired to fix the design. This method was common for round-bodied vessels because the flexible glue bat can easily stretch round curving body."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107658","uid":"adlib-term-107658","uuid":"824d3ecf-92c1-33aa-8d45-2f0239317270"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Staffordshire"}]}]},"materials":[{"note":[{"value":"brownish-black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108168","uid":"adlib-term-108168","uuid":"0fcc3e04-2ff3-3bde-810f-0474bbfa0943"},"summary_title":"ceramic printing 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