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The underside is flat and glazed, with a raised foot-rim."},{"value":"The images and text are as follows:\n(i)\tunder the lip: a ship in full sail flanked by a sailor and a woman holding an anchor, personifying \u2018Hope\u2019.\n(ii)\ta garland enclosing a verse: \u2018This world is a good one to live in\/To lend, to spend, to buy, or give in\/But to beg, borrow, or get a mans own\/It is such a world as never was known\u2019\n(iii)\ta garland enclosing the verse: \u2018We Sailors are born for all Weathers\/Great Guns let them blow high blow low\/Our duty keeps us to our Tethers\/And where the Gale drives we must go.\u2019"}],"identifier":[{"accession_number":"C.1089-1928","primary":true,"type":"accession number","value":"C.1089-1928"},{"priref":"71294","type":"priref","value":"71294"},{"date":[{"earliest":1908,"latest":1908,"value":"1908"}],"source":"Glaisher MS Catalogue, vol. 7","type":"old object number","value":"2987"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71294","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71294"}],"inscription":[{"location":"underside of base","method":"rectangular paper label handwritten in black ink","transcription":[{"value":"No 2987 Sunderland jug, with a ship on the front, and a ship [...] on the other side. b. 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The designs usually have local or topical relevance and often allude to seafaring. Mottled-pink lustre is also associated with Sunderland. Sometimes called \u2018splashed lustre\u2019, the effect is produced by spraying fine drops of oil onto still-wet lustre, which leaves the surface mottled when the oil burns away during firing."},{"value":"The texts on this jug are both traditional English verses and their reproduction in contemporary anthologies and magazines attests to their popularity around 1820-40. The verse \u2018We sailors are born for all weathers\u2019 comes from a sailors\u2019 song \u2018The Tar for all Weathers\u2019 about sailors battling a gale near Gibraltar, printed in \u2018Hodgson's national songster\u2019, 1832.   The writer Washington Irving records seeing a slightly varied version of the  rhyme \u2018This world\u2026\u2019, on an inn window, in \u2018Tales of a Traveller\u2019, 1824; it also appeared in the monthly journal \u2018The Nic-Nac\u2019 the same year."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, 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Decorated on the body, under the lip, with a transfer-print over-painted with pink lustre and yellow and green enamels showing a view of the Wear Bridge, with a potter\u2019s kiln on the right-hand bank, and the inscription : \u2018A WEST VIEW of the CAST IRON BRIDGE OVER THE RIVER WEAR built by R. BURDON ESQr  \/ Span 236 Feet He [\u2026] t 100 Feet Begun [\u2026] Find 9 Aug. 1796.\u2019 . The rim and the sides of the lip are coated with a broad band of pink lustre, there are ovals of pink lustre around the image and on the back of the body and a lustre line runs down the handle. The underside is flat and glazed, with a raised foot-rim."}],"identifier":[{"accession_number":"C.1087-1928","primary":true,"type":"accession number","value":"C.1087-1928"},{"priref":"71292","type":"priref","value":"71292"},{"date":[{"earliest":1908,"latest":1908,"value":"1908"}],"source":"Glaisher MS catalogue, volume 6","type":"old object number","value":"2914"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71292","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71292"}],"inscription":[{"description":[{"value":"(partly illegible)"}],"location":"interior, on base","method":"rectangular paper label, handwritten in black script","transcription":[{"value":"No. 2914 Small Sunderland jug with view of the iron bridge over the Wear [\u2026] 1908"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr. J.W.L. 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The bridge was rebuilt in 1858-59."},{"value":"Sunderland potteries were particularly known for their use of thinly applied lustre and hand-painted transfer-prints. The designs usually have local or topical relevance and here feature shipping and river transport, along with a west view of the Wear Bridge, a major Sunderland landmark first opened in August 1796. The bridge was built and sponsored by Rowland Burden, MP for County Durham. 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Reports on investigation of Sunderland pottery at the Sunderland Museum, including identification of some of the original engravings and information about Wearside potteries and decorators.","page":"73-92","type":"reference"},"admin":{"id":"publication-3598","uid":"adlib-publication-3598","uuid":"c89a6014-c396-314a-a80b-d45e3302f62d"},"summary_title":"Sunderland Pottery"},{"@link":{"notes":"Ref. for descriptions of the lustre and transfer processes and information about Sunderland potteries and the Wear Bridge transfers.","page":"16,17, 14, 32, 102,120","type":"reference"},"admin":{"id":"publication-3570","uid":"adlib-publication-3570","uuid":"80862fb5-f40b-3068-9bf9-8104e1a21a32"},"summary_title":"19th Century Lustreware"},{"@link":{"notes":"Ref. 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Decorated on the body with four transfer-prints over-painted with enamels. The rim is coated with mottled pink lustre and there are squiggles of pink lustre on the body, between the transfers. There are two pink lustre bands round the foot and a  pink line runs down the back of the handle. The underside is flat and glazed, with a raised foot-rim."},{"value":"The images and text are as follows:\n(i)To left of handle:  'THE SAILOR'S FAREWELL', above an image of same with a ship in the background, above verse: 'Far from Home across the Sea\/To Foreign climes I go.\/While far away O think on me\/And I'll remember you'. \n(ii)To right of handle: 'THE SAILOR'S RETURN', above an image of same with ship, above verse: 'Now safe returned from dangers past\/With joy I hail the shore.\/And fear no more the tempests blast\/Nor Oceans angry roar.' \n(iii) Under the spout, to the left: a trophy with a lion, an eagle, the Union Jack, the French flag, a shield inscribed 'CRIMEA', and the words, 'MAY THEY EVER BE UNITED. VIVe L'EMPREUR GOD SAVE THE QUEEN'. \n(iv) Under the spout to the right, in a wreath, the lines: 'England, England, the glorious name\/Home of freedom star of fame\/Light o'er Ocean widely sent\/Empress of the element\/Gorgeous sea encircled gem\/Of the world's bright diadem\/ Nations nations to command\/Who but points admiring hand\/To thee our own our native land'."}],"identifier":[{"accession_number":"C.1090-1928","primary":true,"type":"accession number","value":"C.1090-1928"},{"priref":"71296","type":"priref","value":"71296"},{"source":"Glaisher MS Catalogue, vol. 7","type":"old object number","value":"2986"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71296","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71296"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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A contemporary account records that \u2018The Sailor\u2019s Farewell\u2019, hung on the wall when the sailor left shore, would be swapped for \u2018Return\u2019 when he came safely home."},{"value":"Sunderland potteries were particularly known for their use of thinly hand-painted lustre,  together with hand-painted transfer-prints which feature designs, verses and mottos. The designs usually have local or topical relevance and often allude to seafaring. Scott Brothers (also known as Scott\u2019s Pottery), founded in 1788, was one of the most important Sunderland producers of lustre transfer-print designs and had a substantial export market as well as domestic customers."},{"value":"The \u2018Crimea\u2019 transfer dates the jug to the time of the Crimean War, 1853-56. It was used by Scott Brothers on jugs, mugs and bowls, although the design is thought to have been bought from another pottery, known as \u2018Garrison\u2019, and was also used by Moore. Designs were frequently copied between potteries and the original copper printing plates changed hands when firms closed.  All three verses have been found on bowls made by Scott Brothers and by other Sunderland potteries such as Moore, Ball and another known as \u2018Garrison\u2019. The poem \u2018England, England\u2026\u2019 is the first of two verses by Richard Howitt, published in \u2018The Metropolitan Magazine\u2019 in 1852 and later in the author\u2019s collected poems. The first verse of the poem was also printed, alongside \u2018Crimea\u2019 and an image of a frigate, on a large jug exhibited at the Royal Naval Exhibition 1891 (cat. p.319-20, 2922).  Three of the four transfers used here (\u2018Crimea\u2019 , \u2018Farewell\u2019 and \u2018Return\u2019) are found on a pink-lustred punchbowl, marked \u2018SCOTT\u2019S \/ PARIS\u2019,  in the Fitzwilliam Collection (C.96-1997). The National Maritime Museum holds a Sunderland pink lustre jug, c.1854, of similar shape with the same \u2018Sailor\u2019s Farewell\u2019 and \u2018Crimea\u2019 transfers, though other aspects of the decoration are different (No. AAA5175)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria I"},{"@link":{"type":"reference"},"admin":{"id":"term-108082","uid":"adlib-term-108082","uuid":"1c5310ee-4d1a-3a9a-98b3-45edd40b2c0e"},"summary_title":"Crimean 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Fig.53, a pink lustred jug of this shape, with a different \u2018Sailor\u2019s farewell\u2019 image and text,  by Scott Brothers, c.1840-50; and this \u2018Sailor\u2019s return\u2019 image and text on a mug, c.1830-40. Fig. 56, a jug of different shape with this \u2018Crimea\u2019 transfer. Also information about Scott Bothers, lists of transfer-printed designs used by Scott\u2019s and rhymes known to have been used on Sunderland pottery and, p. 16, another \u2018Sailor\u2019s farewell\u2019 mug by Dixon, Austin & Co,  Sunderland.","page":"22, 49-52, 93-96, 106","type":"reference"},"admin":{"id":"publication-3598","uid":"adlib-publication-3598","uuid":"c89a6014-c396-314a-a80b-d45e3302f62d"},"summary_title":"Sunderland Pottery"},{"@link":{"notes":"Cf. Plate 118, this \u2018Crimea\u2019 transfer and a different \u2018Sailor\u2019s farewell\u2019 transfer on Sunderland \u2018frog\u2019 mugs. 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Decorated on the body with two transfer-prints, in black. The underside is flat and glazed, with a raised foot-rim."},{"value":"The image and texts are as follows:\n(i)\tA bust of Queen Caroline, wearing plumed hat, lace collar and cameo necklace, above \u2018GOD SAVE \/ QUEEN CAROLINE!\u2019\n(ii)\tA garland of leaves woven with ribbon inscribed \u2018LONG LIVE CAROLINE!\u2019 at the top, \u2018QUEEN OF ENGLAND\u2019 at the bottom, and the names \u2018Brougham\u2019, \u2018Wood\u2019, \u2018Lushington\u2019, \u2018Williams\u2019, \u2018Waithman\u2019, \u2018Denman\u2019 at the sides. The garland encloses the verse:\n\u2018As for the Green-Bag crew,\/ Justice will have its due,\/God save the Queen!\/Confound their politicks,\/Frustrate their knavish tricks,\/On HER our hopes we fix,\/\tGod save the Queen!\u2019"}],"identifier":[{"accession_number":"C.1162-1928","primary":true,"type":"accession number","value":"C.1162-1928"},{"priref":"71440","type":"priref","value":"71440"},{"date":[{"earliest":1812,"latest":1812,"value":"1812"}],"source":"Glaisher MS Catalogue, vol. 14","type":"old object number","value":"3489"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71440","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71440"}],"inscription":[{"location":"below bust","transcription":[{"value":"GOD SAVE \/ QUEEN CAROLINE!"}],"type":"inscription"},{"description":[{"value":"on a wavy ribbon over verse and under verse"}],"location":"on other side","transcription":[{"value":"LONG LIVE CAROLINE!\u2019 at the top, \u2018QUEEN OF ENGLAND at the bottom; Brougham WOOD Lushington Williams Waithman Denman"}],"type":"inscription"},{"location":"inside garland","transcription":[{"value":"As for the Green-Bag crew,\/ Justice will have its due,\/God save the Queen!\/Confound their politicks,\/Frustrate their knavish tricks,\/On HER our hopes we fix,\/God save the Queen!\u2019"}],"type":"inscription"},{"location":"underside of base","method":"rectangular paper label handpainted in black ink","transcription":[{"value":"\u2018No. 3489. Queen Caroline jug with portrait & verse & copper lustre. 6\u201d. b. inCambridge Feb 17, 1912\u2019"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest, 1928"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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Cf. p. 40, pl. 30 right, a jug with similar decoration and maker's name on one side and on the other a print of The Battle of the Nile, celebrating Nelson's victory over the French Fleet in 1798.","page":"37-42","type":"reference"},"admin":{"id":"publication-3598","uid":"adlib-publication-3598","uuid":"c89a6014-c396-314a-a80b-d45e3302f62d"},"summary_title":"Sunderland Pottery"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-80826","uid":"adlib-term-80826","uuid":"0aa155f8-d4d1-3df9-9bd8-a3b54c4d9618"},"summary_title":"ship"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-103838","uid":"adlib-term-103838","uuid":"132fc3b4-7cab-353d-bae1-5d93936923c9"},"summary_title":"flags"},{"@link":{"type":"literal"},"name":[{"value":"ship"}],"summary_title":"ship"},{"@link":{"type":"literal"},"name":[{"value":"flags"}],"summary_title":"flags"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91188","uid":"adlib-term-91188","uuid":"40f320f4-04b6-3303-8129-f9e81e2b4671"},"summary_title":"mug"}},"summary_title":"mug","type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71432","_score":16.861032,"_source":{"admin":{"added":1592999559000,"created":1312637261000,"flag":"Standard Record","id":"object-71432","indexed":1752602705415,"modified":1714466046000,"processed":1752602690710,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71432","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71432","uuid":"bd701129-8596-3f9f-8d8d-aa5fadc85614","version":6},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-110727","uid":"adlib-term-110727","uuid":"ebeafa07-8aa4-35ee-93de-94d5a21e0274"},"summary_title":"lustreware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. 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Glaisher"}],"component":[{"materials":[{"note":[{"value":"pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107831","uid":"adlib-term-107831","uuid":"6da005f1-0bd3-3597-bf45-b3dc0027c837"},"summary_title":"lustre"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-121345","uid":"adlib-term-121345","uuid":"161ef46a-4cb9-3e99-9aa9-49eea63d9d44"},"summary_title":"dipping"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-122641","uid":"adlib-term-122641","uuid":"d5fb75d8-097d-3fd7-8e70-87e9d96d77f7"},"summary_title":"glazing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware, glazed and painted with pink lustre."},{"value":"Small jug with bulbous body, short flaring neck and angular handle. On one side is a realistic floral design, on the other an image of a cottage with trees, both hand-painted and highlighted with additional lustre. Stylised leaves run down the outside of the handle. The rim has been dipped in a thick coat of pink lustre, which also coats the outside of the spout and the ends of the handle. There is a thick lustre band around the shoulder and thin bands around the neck and just above the foot. The underside is flat and recessed, forming a low foot rim"}],"identifier":[{"accession_number":"C.1160-1928","primary":true,"type":"accession number","value":"C.1160-1928"},{"priref":"71432","type":"priref","value":"71432"},{"date":[{"earliest":1894,"latest":1894,"value":"1894"}],"source":"Glaisher MS Catalogue, vol. 1","type":"old object number","value":"147"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71432","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71432"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest, 1928"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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Potters used minute amounts of gold to produce copper, gold, pink or purple lustre, depending on the type of clay, lustre formula, number of layers and firing temperature; platinum was used to mimic silver. Factory markings are rare. Most lustreware was made for everyday use, with simple cottage-style decoration, as on this example, or designs commemorating popular events, royalty or other prominent people. The type of decoration on this jug is particularly delicate for lustred earthenware, and more often found on porcelain."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-109799","uid":"adlib-term-109799","uuid":"d1e2c24f-9bc8-354b-88e6-1d959fcd849a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Newcastle-upon-Tyne"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107611","uid":"adlib-term-107611","uuid":"790e5a19-a186-34d5-a16e-2d8dff9f6247"},"summary_title":"white earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"12"},{"dimension":"Width","units":"cm","value":"14"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-34731","uid":"adlib-media-34731","uuid":"e1015ba1-9c07-3a7b-af49-cedec5b606aa"},"processed":{"large":{"format":"jpeg","location":"aa\/aa2\/C_1160_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742582345742,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa2\/mid_C_1160_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742582345742,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa2\/C_1160_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742582345742,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa2\/preview_C_1160_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742582345742,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-34732","uid":"adlib-media-34732","uuid":"4962c55c-2a1e-35a4-b260-850468340f10"},"processed":{"large":{"format":"jpeg","location":"aa\/aa2\/C_1160_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742582359998,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa2\/mid_C_1160_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742582359998,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa2\/C_1160_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742582359998,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa2\/preview_C_1160_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742582359998,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91373","uid":"adlib-term-91373","uuid":"171ec8ee-d171-3136-92a4-c7b7ea2d16b1"},"summary_title":"milk jug"}}],"note":[{"type":"history note","value":"From the Bateman collection. Given by Miss Kingsland, Croydon, to Dr J.W.L. Glaisher, Trinity College, Cambridge, in March 1894."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Vol. I, p. 150, no. 1160","page":"150","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. for descriptions of the lustre and transfer processes. Also information about Staffordshire and Newcastle-on-Tyne potteries.","page":"14,32","type":"reference"},"admin":{"id":"publication-3570","uid":"adlib-publication-3570","uuid":"80862fb5-f40b-3068-9bf9-8104e1a21a32"},"summary_title":"19th Century Lustreware"},{"@link":{"notes":"Ref. for lustre recipe and process","page":"173-76","type":"reference"},"admin":{"id":"publication-400001969","uid":"adlib-publication-400001969","uuid":"19c55534-da06-32e2-808b-5dba40b2787d"},"summary_title":"Manufacturing Processes of Tableware during the Eighteenth and Nineteenth Centuries"},{"@link":{"type":"reference"},"admin":{"id":"publication-3598","uid":"adlib-publication-3598","uuid":"c89a6014-c396-314a-a80b-d45e3302f62d"},"summary_title":"Sunderland Pottery"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug","techniques":[{"description":[{"value":"Thrown earthenware, glazed and hand painted and dipped in lustre."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}],"title":[{"value":"Cottage-style jug"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-76460","_score":16.861032,"_source":{"admin":{"added":1592964753000,"created":1312637261000,"flag":"Standard Record","id":"object-76460","indexed":1747246321399,"modified":1594852342000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-76460","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76460","uuid":"542f38e5-2702-33ae-9d9e-c0e5a38521e4","version":4},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-128085","uid":"adlib-term-128085","uuid":"3ad27c20-613b-3b26-ad89-1bd3be4f6669"},"summary_title":"transfer-printed ware"},{"@link":{"type":"reference"},"admin":{"id":"term-110727","uid":"adlib-term-110727","uuid":"ebeafa07-8aa4-35ee-93de-94d5a21e0274"},"summary_title":"lustreware"},{"@link":{"type":"reference"},"admin":{"id":"term-134040","uid":"adlib-term-134040","uuid":"5e0507d3-7ad7-32cc-84a1-022a03beacc4"},"summary_title":"transfer-printed lustreware"}],"component":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107831","uid":"adlib-term-107831","uuid":"6da005f1-0bd3-3597-bf45-b3dc0027c837"},"summary_title":"lustre"}}],"name":"Decoration","techniques":[{"description":[{"value":"Earthenware, transfer-printed, clear glazed, lustred and painted in enamels."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27516","uid":"adlib-term-27516","uuid":"4ca4faa9-b8b1-339a-abe0-8b8a8a4a647f"},"summary_title":"transfer-printing"}},{"note":[{"value":"in enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"note":[{"value":"in pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120092","uid":"adlib-term-120092","uuid":"2df02199-fd39-3f80-a2d3-049cdf9a1736"},"summary_title":"lustring"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-122641","uid":"adlib-term-122641","uuid":"d5fb75d8-097d-3fd7-8e70-87e9d96d77f7"},"summary_title":"glazing"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware, transfer-printed in black with text and images, clear glazed and painted with enamels and pink lustre."},{"value":"Hemispherical body standing on a low, slightly flaring, foot. Decorated with four transfer-prints over-painted with enamels on the inside, and three more on the outside. The rim is coated with pink lustre and there are squiggles of pink lustre on the body, between the transfers. A pink lustre band runs around the foot. The underside is flat and glazed, with a raised foot-rim."},{"value":"The images and text are as follows:\n(i)\tinside, centre: a trophy with a lion, an eagle, the Union Jack, the French flag, a shield inscribed 'CRIMEA', and the words, 'MAY THEY EVER BE UNITED. VIVe L'EMPREUR GOD SAVE THE QUEEN'\n(ii)\tinside: Three sailors with a Union Jack entitled below 'THE FLAG THATS BRAVED A THOUSAND YEARS\/THE BATTLE AND THE BREEZE'. \n(iii)\tinside:  'THE SAILOR\u2019S RETURN', above an image of same, with ship, above verse: 'Now safe returned from dangers past\/With joy I hail the shore.\/And fear no more the tempests blast\/Nor Oceans angry roar.'\n(iv)\tinside: A wreath of eyes and eyelashes with a ship at top centre, enclosing the verse: 'When tempests mingle sea and sky\/And winds like lions rage and rend\/Ships o'er the mountain waters fly,\/Or down unfathom'd depths descend\/Though skill avail not, strength decay\/Deliver us good Lord we pray.' \n(v)\toutside: An oval view of Sunderland Bridge entitled 'A WEST VIEW of the CAST IRON BRIDGE over the RIVER WEAR built by R BURDON Esq.\/Span 236 Feet Height 100 Feet Begun 24 Sept. Opend. 9 Augt 1796'\n(vi)\toutside: 'THE SAILOR'S FAREWELL', above an image of same, with a ship in the background, above verse: 'Far from Home across the Sea\/To Foreign climes I go.\/While far away O think on me\/And I'll remember you'. \n(vii)\toutside: A wreath of lozenges with a sun face at top centre, enclosing a verse: 'The sun is up we'll brush the dew\/To hear the huntsman's gay halloo\/And hark the dog's enlivening cry\/Now see the horseman gallop by,\/And now we hear the distant horn,\/Upon the dying echoes borne.\/From copse to copse the hunters hie\/On hearing Drivers well known cry.'"}],"identifier":[{"accession_number":"C.96-1997","primary":true,"type":"accession number","value":"C.96-1997"},{"priref":"76460","type":"priref","value":"76460"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76460","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76460"}],"inscription":[{"method":"impressed, small","transcription":[{"value":"SCOTT's\/PARIS"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by G.H.W. Rylands in memory of his mother Betha Wolferstan Rylands."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151478","uid":"adlib-agent-151478","uuid":"2074e5a7-51c1-3bd3-aa50-9f830f8160ec"},"summary_title":"Rylands, G.H.W."}],"date":[{"earliest":1997,"latest":1997,"value":"1997"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1997-07-14"}]}],"creation":[{"date":[{"earliest":1854,"from":{"earliest":1854,"era":["CE"],"latest":1854,"precision":"circa","value":"1854"},"latest":1856,"range":true,"to":{"earliest":1856,"era":["CE"],"latest":1856,"value":"1856"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-171576","uid":"adlib-agent-171576","uuid":"a0006426-f97d-3f21-8599-e323c9d356d3"},"summary_title":"Scott Brothers & Co"},{"@link":{"qualifier":"(alternative name)","type":"reference"},"admin":{"id":"agent-161261","uid":"adlib-agent-161261","uuid":"8b4aee01-92f1-3d41-a22d-9e6d710d521c"},"summary_title":"Scott's Southwick Pottery"}],"note":[{"value":"Images of \u2018the Sailor\u2019s Farewell and Happy Return\u2019, popular from the mid-18th Century in engravings or on ceramic plaques as well as on jugs and bowls, were used as a mark of  patriotism during the Crimean War. A contemporary account records that \u2018The Sailor\u2019s Farewell\u2019, hung on the wall when the sailor left shore, would be swapped for \u2018Return\u2019 when he came safely home."},{"value":"Sunderland potteries were particularly known for their use of thinly hand-painted lustre, together with hand-painted transfer-prints which feature designs, verses and mottos. The designs usually have local or topical relevance and often allude to seafaring. Scott Brothers (also known as Scott\u2019s Pottery), founded in 1788, was one of the most important Sunderland producers of lustre transfer-print designs and had a substantial export market as well as domestic customers."},{"value":"The \u2018Crimea\u2019 transfer dates the jug to the time of the Crimean War, 1853-56. It was used by Scott Brothers on jugs, mugs and bowls, although the design is thought to have been bought from another pottery, known as \u2018Garrison\u2019, and was also used by Moore. Designs were frequently copied between potteries and the original copper printing plates changed hands when firms closed.  Both this and the \u2018Sailor\u2019s Farewell\u2019 and \u2018Return\u2019 verses were used by other Sunderland potteries such as Moore, Ball and another known as \u2018Garrison\u2019. These three transfers are also found on a Sunderland jug in the Fitzwilliam Collection (C.1090-1928). Images of the Wear Bridge appeared on Sunderland pottery as early as 1793-6. This oval text and image transfer dates from c.1820-40; Moore & Co produced a very similar one soon after, though the style of the text is different."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106851","uid":"adlib-term-106851","uuid":"e155f998-1e0b-3f2a-851c-24f44d05dd59"},"summary_title":"19th Century, 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