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(sold by order of the executors), lot 319; sold for \u00a34.10s.0d. to Dr J.W.L. Glaisher"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Vol. I, p. 413, no. 3201, vol. II, pl. 263A","page":"413","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. for the history of the factory, and see pp. 106-7 for workmen whose name began with F. 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Cylindrical cup with an arched and incurved loop handle. The upper part of the cup is decorated with alternately facing and backing green foliated scrolls, linked by swags of red and turquoise blue 'jewels' and separated by stylised flowers and leaves. The lower part is decorated by a border of paired berries with stylised buds between them. There is a band of gilding round the lower edge, a dentilated band round the rim, gold lines down the sides of the handle which has a large leaf and two small trilobate leaves separated by dots of graduated size down its back."}],"identifier":[{"accession_number":"C.56-1961","primary":true,"type":"accession number","value":"C.56-1961"},{"priref":"86622","type":"priref","value":"86622"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86622","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86622"}],"inscription":[{"location":"on base","method":"painted in faded gold","transcription":[{"value":"interlaced L's enclosing 99"}],"type":"factory mark"},{"description":[{"value":"IP joined together by the arc of the P, or HP with second stroke of H and P having same stroke"}],"location":"on base","method":"painted in gold","transcription":[{"value":"IP or HP monogram"}],"type":"gilder's mark"},{"location":"on base","method":"incised","transcription":[{"value":"41"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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For example, two juice pots, one with cover, jewelled in green, red, and turquoise on a white ground gilded by Vincent (2000), and dated to c. 1780 and are in the Hermitage. (See Documentation Birioukova and Kasakevitch, 2005),  A milk jug in the British Museum, also with 2000 gilder\u2019s mark, is described as 18th century, with decoration later, probably late 19th century. (see Documentation, Dawson, 1994).  It is possible that this cup was decorated in the 19th century. A miniature gobelet litron with decoration very close to that on the Fitzwilliam's cup is at Haughton, Norfolk."},{"value":"Jewelled enamelling is recorded as being introduced by Philippe Parpette, a flower painter at the factory, and Joseph Cotteau, an Parisian enameller in 1778. Parpette worked mainly on this type of decoration between 1780-5. The latter left the factory in 1784, and after 1786 this type of decoration was rarely executed. The jewelled decoration was created by placing drops of translucent or opaque enamel over gold foils of different shapes formed by steel dies, and firing them so that they fused. The motif was then attached to the porcelain by an enamel and fired again at a lower temperature. This technique had been used much earlier on silver foil on early 16th century Limoges enamels on copper, and was also used, somewhat differently to create jewel effects on gold snuffboxes. The designs were usually by J.-B.-E. Genest, head of the artists\u2019 studio, and the steel dies were made by the Parisian engraver Jean-Pascal Le Guay (see Documentation, Bellaigue, 1979)"},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Savill, 1988, Bellaigue 2009,)\n\nThis is a gobelet litron of the third size with Savill's handle shape B."},{"value":"When inventoried by Sotheby\u2019s in October 1948, the gilding  was attributed to Henry-Martin Pr\u00e9vost, but the joined form of the HP or IP is not similar to his mark."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120998","uid":"adlib-term-120998","uuid":"f836095f-43c8-3016-826a-de974dd72678"},"summary_title":"18th Century, Late-19th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"5.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-59082","uid":"adlib-media-59082","uuid":"bab6b3ec-c65b-308c-a13c-7fb663271ef1"},"processed":{"large":{"format":"jpeg","location":"aa\/aa23\/C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":642}]},"modified":1616274703421,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa23\/mid_C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":592},{"dimension":"width","units":"pixels","value":500}]},"modified":1616274703421,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa23\/C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":642}]},"modified":1616274703421,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa23\/preview_C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":296},{"dimension":"width","units":"pixels","value":250}]},"modified":1616274703421,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-1504262525","source":"portfolio","uid":"portfolio-media-1504262525","uuid":"2af0b94c-24e7-3b40-b0d9-1736fc6bc66e"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/large_C_56_1961_200904_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1279},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529203013000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/mid_C_56_1961_200904_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":624},{"dimension":"width","units":"pixels","value":500}]},"modified":1529203013000,"resizable":true,"type":"image"},"original":{"location":"C.56-1961_200904_mfj22_mas.tif","modified":1529203013000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/preview_C_56_1961_200904_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":312},{"dimension":"width","units":"pixels","value":250}]},"modified":1529203013000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/C_56_1961_200904_mfj22_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":4262},{"dimension":"width","units":"pixels","value":3413}]},"modified":1529203013000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Cup, Sevres Factory"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91165","uid":"adlib-term-91165","uuid":"d22ea1ae-0f87-36a8-8ece-86eb0f380b42"},"summary_title":"cup"}},{"type":"factory name","value":"gobelet litron"},{"type":"category","value":"teaware"}],"note":[{"type":"history note","value":"Louis C.G. 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The small medallions each contain a profile head: a Roman soldier and a young woman. The larger medallion has a scene with two Roman soldiers, the one on the right seated, probably Cincinnatus, and the one on the left standing. On the underside of the spout there is a circular reserve painted in polychrome with a wreath made up of two branches of different trees (? laurel and olive) tied with a bow at the bottom. At the top the branches meet on either side of a gold Imperial crown. Within the wreath is an E made up of flowers in monogram with II in gold, for Ekaterina II. The ground on either side is decorated with gold rinceaux. There is a gold band round the foot and a dentilated band and close-set strokes of different lengths round the lip. 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The other part comprised the pieces for dining. The service was remarkable for its immense size, 797 pieces including the biscuit figures for table decoration, and the speed with which it was made. It was the first wholly neoclassical service to be made at S\u00e8vres, and the forms were specially designed for it, the plates for example having smooth instead of lobed rims. The use of illusionistic cameos in the decoration reflected the Empress's interest in this aspect of antique art, and innovatory techniques were used to produce them .For descriptions of the service, see Savill (1988), Dawson (1994), and Peters ( 2005,  III) Four of the jugs are in the Hermitage in St Petersburg (see  Birioukova and Kazakevitch, (2005)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis 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II, pp. 762-7, for the pieces components of the service, documentation, the commission, design, designers, completion, costs, payment, and technical aspects of the manufacture of the service, followed by extensive notes. See note 79 for a list of pieces not in the Hermitage, including the two in the Fitzwilliam Museum. Cf. pp. 467-72, two wine coolers C474-5, and pp. 472-79, four ice-cream coolers, C476-9","page":"762-7","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. pp. 141-44, no. 121, and colour pl. 20, a dessert plate (1948,12-3,13). 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On the saucer: (a) in the centre, a large fish amid reeds, (b) on the sides, a trophy comprising a basket, a girl's hat, houlette tied with ribbon, and a bag; a trophy comprising a boy's hat, lyre, trumpet, and wind instrument; and a fanciful building, each supported by an arrangemens of scolls, floral sprays and foliage. The handles are gold and there are gold bands round the foot and rim of the cup, the central rim of the saucer, and the outer edges of the saucer and cover."}],"identifier":[{"accession_number":"MAR.C.37 & A & B-1912","primary":true,"type":"accession number","value":"MAR.C.37 & A & B-1912"},{"priref":"82456","type":"priref","value":"82456"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82456","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82456"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"C.B. 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A drawing so described  and dated 19 February 1753 is in the factory's archives (MNS, Archives de S\u00e8vres R 1, dossier 2, liasse 2, f. 1.). Two sets decorated in gold were sold for 30 livres each on 20 November 1752 (Vy1 fol. 1), another set on 24 May 1753 at the same price, and another, presumably less perfect on 5 June 1753 for 24 livres. (Vy1, fol. 3). Two sets decorated in gold with birds costing 48 livres each were delivered to Lazare Duvaux on 17 October 1752 (Vy1 fol. 5) and two more decorated in gold for 30 livres on 31 December 1753 (Vy 1, fol. 26v).\n\nThe purpose of these small covered cups is not known. 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Illustrated p. 157, no. 131. Dated to c. 1750-52. 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The sides have a rose ground on the interior, and the pierced design is outlined in gold on the interior and exterior. 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Circular with a wide rim, and deep well, standing on a fooring with a suspension hole.  The dish is heavy for its size. The well has a turquoise (bleu c\u00e9leste) ground with a central circular reserve framed by a chased gold band. Within it is a wreath made up of branches of laurel and myrtle,  tied with a gold bow at the bottom.  At the top the branches meet on either side of a gold Imperial crown. Within the wreath is a large script E made up of pink and blue flowers in monogram with 'II' in gold, for Ekaterina II. The rim has white inner and outer borders decorated with small floral sprays separated by husks. Beween them is a broad turquoise band decorated with finely tooled gold foliated scrolls, interupted by three small oval reserves and three larger horizontal oval reserves, each painted en grisaille on a reddish-brown ground to imitate cameos. The small reserves enclose profile heads, respectively of a young woman, a young man, and Pan. The larger reserves enclose mythological scenes from Ovid's Metamorphoses: Apollo and Daphne from Book 1; The competition between Apollo and Marsyas, and the Flaying of Marsyas from Book 6. There is a gold band round the edge, dentilated on the reverse, and a wide gold band round the outer edge of the footring."}],"identifier":[{"accession_number":"C.51-1961","primary":true,"type":"accession number","value":"C.51-1961"},{"priref":"93541","type":"priref","value":"93541"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93541","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93541"}],"inscription":[{"location":"on base","method":"incised","transcription":[{"value":"33"}],"type":"incised mark"},{"location":"on base","method":"painted in bluish-violet enamel","transcription":[{"value":"interlaced Ls enclosing aa"}],"type":"mark"},{"location":"on base above the factory mark","method":"painted in violet enamel","transcription":[{"value":"K"}],"type":"painter's mark"},{"location":"on base below factory mark","method":"painted in violet enamel","transcription":[{"value":"nq"}],"type":"painter's mark"},{"description":[{"value":"with a curved upright stroke"}],"location":"on base below the other marks","method":"painted in brighter blue","transcription":[{"value":"script B"}],"type":"gilder's mark"},{"location":"on base","method":"painted in red enamel which has partly worn away","transcription":[{"value":"H P"}],"type":"mark"},{"location":"on base","method":"hand-written probably in black ink","transcription":[{"value":"illegible"}],"type":"inscription"},{"description":[{"value":"narrow rectangular label"}],"location":"on base","method":"printed in black","transcription":[{"value":"'From Lord Dudley's Collection'"}],"type":"label"},{"description":[{"value":"circular label printed round the edge with a narrow blue band and a wider blue band"}],"location":"on base","method":"hand-written in black crayon","transcription":[{"value":"55 underlined"}],"type":"label"},{"description":[{"value":"rectangular with the left end torn off"}],"location":"on the base","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"(S) EVRES printed 'Niquet & Dodin\/Date\/1778' hand-written"}],"type":"label"},{"description":[{"value":"rectangular with part of the right side torn off"}],"location":"on the base","method":"hand-written in black ink","transcription":[{"value":"Part of the service\/made for the\/Empress Cath.....\/of Russia"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The service was remarkable for its immense size, and the speed with which it was made. It was the first wholly neoclassical service to be made at S\u00e8vres, and the forms were specially designed for it, the plates for example having smooth instead of lobed rims. The use of illusionistic cameos in the decoration reflected the Empress's interest in this aspect of antique art, and innovatory techniques were used to produce them. The outlines of those on the plates were transfer-printed before painting, a technique not normally employed on S\u00e8vres porcelain. For descriptions of the service, see Savill (1988), Dawson (1994), and Peters ( 2005,  III). The Fitzwilliam Museum also owns a jug from the service, C.47-1961."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis XVI"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste 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which have been dispersed during the last fifty years which (by order of the Executors), lot 95, 108 guineas. D.M. Currie; Mrs Alistair Currie, sold Christie's, 13 June 1946,  Catalogue of Old French Furniture and S\u00e8vres Porcelain . .. p. 7,, lot 55 sold for 78 guineas to  F. Partridge for L.C.G. 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Plates nos. 472-811,  one illustrated on p. 149.","page":"130-52","type":"reference"},"admin":{"id":"publication-5976","uid":"adlib-publication-5976","uuid":"7c4b2d91-bb08-3697-bd4d-29880542e1ac"},"summary_title":"Mus\u00e9e de l\u2019Ermitage, La porcelaine de S\u00e8vres du XVIII si\u00e8cle, Catalogue de la Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-3880","uid":"adlib-publication-3880","uuid":"2a919a18-5edb-3d2e-9336-3d08e969cd38"},"summary_title":"The Soft Porcelain of S\u00e8vres"},{"@link":{"notes":"Ref. pp. 88-9, for the Empress Catherine Service, and pl. on p. 91","page":"88-9, 91","type":"reference"},"admin":{"id":"publication-3671","uid":"adlib-publication-3671","uuid":"5a0e7ed7-b0be-33c8-a7b3-4b7dca0fda70"},"summary_title":"La Manufacture de Porcelaine de S\u00e8vres"},{"@link":{"type":"reference"},"admin":{"id":"publication-3655","uid":"adlib-publication-3655","uuid":"b008e74d-7bac-33c4-ad80-37f31f9fe1ce"},"summary_title":"European Ceramic Art"},{"@link":{"notes":"Ref. Frontispiece to the plates, a plate similar to the Fitzwilliams, and pl. 82, two ice cups and a sucrier, cover, and stand, and pp. 217-18, text for all which were in a private collection.","page":"217-18","type":"reference"},"admin":{"id":"publication-3688","uid":"adlib-publication-3688","uuid":"6e82b986-e237-3d96-8b61-f057ec352107"},"summary_title":"S\u00e8vres, Le XVIIIe Si\u00e8cle"},{"@link":{"notes":"Ref. For the mark of Niquet","page":"33","type":"reference"},"admin":{"id":"publication-3653","uid":"adlib-publication-3653","uuid":"a5169280-301b-31bd-9138-472d4d94a3ca"},"summary_title":"Les Marques de S\u00e8vres"},{"@link":{"notes":"Ref.pp. 317-18 for Boulanger, p\u00e8re, pp. 323-4, for Charles-Nicolas Dodin","page":"323-4, 317-1","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. pp. 18-19, and fig. 5, an oval dish in the Forsyth Wickes Collection at the Museum of Fine Arts, Boston","page":"18-19","type":"reference"},"admin":{"id":"publication-5244","uid":"adlib-publication-5244","uuid":"aabb51b8-9c78-33ab-90e3-873bfea9593d"},"summary_title":"S\u00e8vres"},{"@link":{"notes":"Cf. p. 295, no. 18.9.34, a plate from a different service with the incised mark '33'.","page":"295","type":"reference"},"admin":{"id":"publication-200001937","uid":"adlib-publication-200001937","uuid":"f7f00645-7544-35c8-ac44-54048c5c3b48"},"summary_title":"French Pottery and Porcelains"},{"@link":{"notes":"Cf. p. 198 and 199, nos. 223 and 224.","page":"198-9","type":"reference"},"admin":{"id":"publication-3651","uid":"adlib-publication-3651","uuid":"b6570ad2-e4e9-30b7-8f3d-5e91ee060031"},"summary_title":"S\u00e8vres des Origines \u00e0 nos Jours"},{"@link":{"notes":"Ref. Information on painters of the services and the sources of their designs","page":"667","type":"reference"},"admin":{"id":"publication-200001276","uid":"adlib-publication-200001276","uuid":"f85e7326-af51-3e34-a9bb-dce3271e7358"},"summary_title":"S\u00e8vres Artists and their Sources I: Paintings and Drawings"},{"@link":{"notes":"Cf. p. 6, lot 6, with colour illustration, a plate, 1782","page":"6","type":"reference"},"admin":{"id":"publication-4651","uid":"adlib-publication-4651","uuid":"9ed2d142-68df-3f5b-8081-f5f150d9cc57"},"summary_title":"Continental Porcelain"},{"@link":{"notes":"Cf. p. 8, lot 8, illustrated, a compotier, marked with interlaced Ls, AA, painter's mark for Foure in blue enamel, 2000 in gold for Henry-Fran\u00e7ois Vincent jeune, 20 incised. Estimate \u00a3600-800","page":"8","type":"reference"},"admin":{"id":"publication-4652","uid":"adlib-publication-4652","uuid":"020af38a-73b1-3989-a119-c13fe9b7ea18"},"summary_title":"Important Italian Maiolica and Continental Pottery and Porcelain"},{"@link":{"notes":"Cf. p. 128, no. 101, a cup and saucer of 1778 from the service.","page":"128","type":"reference"},"admin":{"id":"publication-5985","uid":"adlib-publication-5985","uuid":"0003a292-18c8-307d-a8db-1cb02302b5be"},"summary_title":"La  porcelaine fran\u00e7aise du XVIIIe si\u00e8cle dans les mus\u00e9es Nord-Pas-de-Calais"},{"@link":{"type":"reference"},"admin":{"id":"publication-8495","uid":"adlib-publication-8495","uuid":"39d527d2-aa40-398e-b10b-eb9f3b02e036"},"summary_title":"A thing of Beauty is a Joy For Ever. Vincennes and S\u00e8vres Porcelain from a Private Collection"},{"@link":{"notes":"Cf. Vol. II, pp. 762-82, two wine-bottle coolers, and four ice-cream coolers from the Empress Catherine Service, nos. 474-5 and 476-9. The author describes the history, design, and composition of the service,  and the techniques employed, including the method of transfer printing the painted cameos. A sheet of heads in reverse, including Pan, is illustrated on p. 765. The Fitzwilliam's plate is mentioned on pp. 767 and 781","page":"762-82","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. A similar plate, with text on the commissioning, design, and history of the service, with particular reference to the plates.","page":"141-4","type":"reference"},"admin":{"id":"publication-3616","uid":"adlib-publication-3616","uuid":"7ae45eaf-b5a1-314c-856f-7e3419f1a94e"},"summary_title":"French Porcelain, A Catalogue of the British Museum Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002992","uid":"adlib-publication-200002992","uuid":"4f8caf6e-00d1-3283-8a36-0392e6257e5d"},"summary_title":"Catherine the Great & Classical Imagery: An Analysis of her S\u00e8vres Porcelain Service of 1779"},{"@link":{"notes":"Cf. pp. 24-5, lot 25. a plate, estimate FF 75,000-120,000 . Provenance, Robert Napier of Shandon, Christie's, London, 11 April 1877, lot 160 or 161; L. Thomson, probably for the Earl of Dudley; Earl of Dudley, sold Christie's, London, 21 May 1886, lot 96 or 97; sold to Grindely.","page":"24-5","type":"reference"},"admin":{"id":"publication-4838","uid":"adlib-publication-4838","uuid":"a6f6fa46-1bdb-30fe-b7f7-d3226b96004a"},"summary_title":"Porcelain et Fa\u00efence Fran\u00e7aises, Mobilier et Objets d'Art, 8 December 1990"},{"@link":{"notes":"Cf. p. 87, lot 289, a plate from the collection of the late Robert Clarke, dated AA for 1778 with painter's mark of Dodin and FB for Fran\u00e7ois-Marie Barrat. D. 16.5 cm. Estimate \u00a310,000-15,000; fetched \u00a3","page":"87","type":"reference"},"admin":{"id":"publication-4653","uid":"adlib-publication-4653","uuid":"25e7f7aa-fbc2-385e-9976-1240f2a3c855"},"summary_title":"Continental and British Ceramics: including Meissen porcelain from Korthaus Collection: properties of the St. Germans 1962 Settlement, the late Robert Clarke"},{"@link":{"notes":"Ref.","page":"48-54","type":"reference"},"admin":{"id":"publication-200001798","uid":"adlib-publication-200001798","uuid":"ae666f1f-7c30-31c2-a3ca-921a644de069"},"summary_title":"The S\u00e8vres Porcelain Service of Catherine II of Russia: The Truth Concerning Payment"},{"@link":{"notes":"Cf. p. 66, no. 18, illustrated in colour on p. 67, a bronze-mounted ice cup. No year mark. Painter's mark HP for Henri Martin Pr\u00e9vost (active 1757-97). Inv. no. FAS PE 188.","page":"66","type":"reference"},"admin":{"id":"publication-4655","uid":"adlib-publication-4655","uuid":"4c795466-ef5c-3139-af87-252991660c24"},"summary_title":"K\u00f6nigliches Porzellan aus Frankreich, Sammlerst\u00fccke und Service der Manufaktur Vincennes\/S\u00e8vres"},{"@link":{"type":"reference"},"admin":{"id":"publication-7524","uid":"adlib-publication-7524","uuid":"9aae2908-1105-3fa5-8365-0c981a52dccf"},"summary_title":"Treasures of France from the Sun King to the Belle Epoque"},{"@link":{"notes":"Cf. pp. 281-3, no. 144, a S\u00e8vres factory replica with date letter for 1785 (1917.1095), which differs in having a shaped rim and being slightly smaller, 23.8 cm instead of about 26.5 cm.","page":"281-3","type":"reference"},"admin":{"id":"publication-2724","uid":"adlib-publication-2724","uuid":"e1cfd19f-1a09-348b-8813-f71b68d85f84"},"summary_title":"French Eighteenth-Century Porcelain at the Wadsworth Atheneum, The J. Pierpont Morgan Collection"},{"@link":{"notes":"Cf. p. 182-3, lot 265, a plate described as 'une replique' of the 18th century, 23.5 diameter with date letters ee for 1783,  painter's mark of Tandart, and gilder's mark of Chauvaux. Estimate E 15,245-18,295; fetched E","page":"182-3","type":"reference"},"admin":{"id":"publication-4654","uid":"adlib-publication-4654","uuid":"d85cfd87-80cb-3509-b001-361acbb42605"},"summary_title":"Collection Charles-Otto Zieseniss"},{"@link":{"notes":"Cf. Lot 99, a reproduction plate probably made by the Imperial Porcelain Manufactory in the late 19th century. D. 26 cm. Estimate \u00a32-3,000.","page":"73","type":"reference"},"admin":{"id":"publication-4699","uid":"adlib-publication-4699","uuid":"6cacf516-5595-300d-b383-656e14e2a766"},"summary_title":"Russian Works of Art, Faberg\u00e9 and Icons"},{"@link":{"notes":"Cf. p. 24, lot 38, a plate from the Empress Catherine Service with the date letter for 1778 and painter's mark for Dodin. Estimate \u00a323-31,000; E25-35,000. Cf also p. 23, lot 37 a tassa \u00e0 glaze from the service with marks of the painter Buteux cadet and gilder Pr\u00e9vost. Estimate \u00a327-45,000; E 30-50,000","page":"23-4","type":"reference"},"admin":{"id":"publication-8611","uid":"adlib-publication-8611","uuid":"19cabd61-c687-331c-99fc-fedcd318d801"},"summary_title":"500 Ans, Arts D\u00e9coratifs Europ\u00e9ans"},{"@link":{"notes":"Ref. for the career and work of Dodin. Cf. pp. 151-3, no. 63, twelve pieces from the Empress Catherine Service, from the Hermitage Museum. An assiette plat unie is shown on p. 152 and an assiette \u00e0 potage on p. 153","page":"151-3","type":"reference"},"admin":{"id":"publication-8896","uid":"adlib-publication-8896","uuid":"dab82d54-022d-3cc0-b9d7-b6d3139c29d4"},"summary_title":"Splendeur de la peinture sur porcelaine au XVIIIe si\u00e8cle, Charles Nicolas Dodin et la Manufacture de Vincennes-S\u00e8vres"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9044","uid":"adlib-term-9044","uuid":"99dcb503-1a64-3792-8a40-48eda95dd763"},"summary_title":"Neoclassical"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-125761","uid":"adlib-term-125761","uuid":"bce2de03-432e-3676-bb62-4a5042d2c1d3"},"summary_title":"dining"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-109779","uid":"adlib-term-109779","uuid":"97366b6e-3308-3da7-bfe7-195c4dc9e54b"},"summary_title":"wreath"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-110367","uid":"adlib-term-110367","uuid":"09dcd231-d9d1-3ef5-9ba1-2fe42701eadb"},"summary_title":"olive"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107523","uid":"adlib-term-107523","uuid":"083efb08-b78e-3ba4-b2b7-98b7667f2e9d"},"summary_title":"laurel"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-125932","uid":"adlib-term-125932","uuid":"5d6f0ca0-2f7b-3b86-b7ed-582d8d950779"},"summary_title":"flaying"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-125931","uid":"adlib-term-125931","uuid":"ac6db4e6-507a-3394-ab87-bf6239ce1188"},"summary_title":"fleeing"},{"@link":{"type":"literal"},"name":[{"value":"wreath"}],"summary_title":"wreath"},{"@link":{"type":"literal"},"name":[{"value":"olive"}],"summary_title":"olive"},{"@link":{"type":"literal"},"name":[{"value":"laurel"}],"summary_title":"laurel"},{"@link":{"type":"literal"},"name":[{"value":"flaying"}],"summary_title":"flaying"},{"@link":{"type":"literal"},"name":[{"value":"fleeing"}],"summary_title":"fleeing"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate","techniques":[{"description":[{"value":"soft-paste porcelain decorated with a turquoise (bleu c\u00e9leste) ground, painted in blue, green, pink, red, and reddish-brown enamels, transfer-printed cameo heads painted in reddish-brown enamel, and chased gilding."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Plate from the Empress Catherine Service"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-74645","_score":15.749155,"_source":{"admin":{"added":1592999646000,"created":1312637261000,"flag":"Standard Record","id":"object-74645","indexed":1755194530666,"modified":1702908573000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-74645","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74645","uuid":"afe3f1c8-e209-3c66-92bc-eae46f65f19c","version":9},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-152510","uid":"adlib-agent-152510","uuid":"661e584e-548f-3a8e-bd6c-1d544320b7e0"},"summary_title":"sailor"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37642","uid":"adlib-term-37642","uuid":"8f36efe3-4fe1-3da2-9944-000db5687ad7"},"summary_title":"porcelain"},{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. G. Clarke"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellowish-green, yellow, pink, pale purple, red, brown, grey, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"note":[{"value":"green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113756","uid":"adlib-term-113756","uuid":"79bc070a-703b-3bad-a71d-db930b9fccf0"},"summary_title":"ground colour"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120423","uid":"adlib-term-120423","uuid":"49c03045-1936-389b-82bc-13662efdec88"},"summary_title":"ground laying"}},{"note":[{"value":"in enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-110350","uid":"adlib-term-110350","uuid":"ab450de1-5dfc-3514-9493-1f724d7255a7"},"summary_title":"trade\/occupation"},{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain, decorated with a green ground, and reserves painted in enamels with scenes of sailors, ships, flowers and birds, and gilded."},{"value":"Soft-paste porcelain, moulded, and decorated on the outside with a green ground, painting in blue, green, yellowish-green, yellow, pink, pale purple, red, brown, grey, and black enamels, and gildin. The elongated, lobed oval vase stands on a low foot, and has a slightly concave back and a bowed front. The rim is curved and rises at either end to form handles, moulded from half way up the sides with acanthus leaves. The glaze on the interior has areas of blue and grey speckling. There are two suspension holes in the footring.                                                     The ground is bluish-green with an oval reserve on the front and back framed by wide bands of gilding tooled with short lines crossed at intervals by crossed ribbons, and flanked by rectangular vertical panels filled by four vertical rows of gold dotted circles. The reserve on the curved side is painted in polychrome enamels with a harbour scene featuring two sailors leaning on a barrel beside a fire, and behind them three others working on the rigging of a ship. The shore on the right is backed by  high cliffs, and on the left, the sea extends to the horizon. The reserve on the back is painted with a spray of flowers with a flying bird on each side The handles are white with touches of gilding on the moulded leaves. There is a band of gilding round the foot and a dentilated band round the rim."}],"identifier":[{"accession_number":"C.35-1961","primary":true,"type":"accession number","value":"C.35-1961"},{"priref":"74645","type":"priref","value":"74645"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74645","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74645"}],"inscription":[{"location":"on base","method":"painted in manganese-purple  enamel","transcription":[{"value":"interlaced L's enclosing O"}],"type":"factory mark"},{"description":[{"value":"a quaver"}],"location":"on base, at one side of factory mark","method":"painted in violet enamel","type":"painter's mark"},{"description":[{"value":"vertical line with a circle at the top, and running through shape"}],"location":"on base","method":"incised","type":"incised mark"},{"description":[{"value":"rectangular discoloured white paper label"}],"location":"on base","method":"inscribed in black ink","transcription":[{"value":"From the collections of\/Lord Willoughby D'Eresbyof\/Marquess of Lincolnshire"}],"type":"label"},{"location":"on base","method":"printed in black and hand-written in black ink","transcription":[{"value":"SEVRES (printed) Date\/1767\/PtR. CORNAILE"}],"type":"label"},{"description":[{"value":"small rectangular buff paper label"}],"location":"on base","method":"printed","transcription":[{"value":"39"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Lord Carrington married for the second time to Charlotte Augusta Annabella, 2nd and youngest surviving sister, and coheir of Alberic, Lord Willoughby d'Eresby. On her death, their son Charles Robert Carrington inherited a moiety of the office of Joint Hereditary Great Chamberlain of England, held by his maternal grandfather and maternal uncle, both Lords Willoughby d'Eresby. Hence this name appearing on the label with Marquess of Lincolnshire. See Documentation"}]}],"creation":[{"date":[{"earliest":1767,"era":["CE"],"latest":1767,"note":[{"value":"date letter for 1767, but this  may have been added later with the decoration probably in the  19th century"}],"precision":"dated","value":"1767"}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-30263","uid":"adlib-agent-30263","uuid":"5344cb31-8dc9-3364-a8ef-9a8f75734180"},"summary_title":"Cornaille, Antoine-Toussaint"}],"note":[{"value":"This flower vase known as a 'caisse \u00e0 fleurs Verdun' was  named after Jean-Fran\u00e7ois Verdun de Monchiroux, a share-holder in in both the Charles Adam and Eloi Brichard companies. It was introduced in three sizes in 1754, but the second and third sizes were  not produced until 1759. This example is of the third size which ranged from height 10 to 11.3 cm and length 23.7 to 24.4 cm. The moulds and models for three sizes were mentioned in the work of 1754 in the inventory of January 1755 (MNS, Inventaire de 1755 I 7, pp. 6, 8), A design survives  which shows outlines of two sizes of the plan, and three sizes of the elevation (MNS R.1, liasse 3, dossier 1, fol. 3). The drawing was illustrated by Rosalind Savill in her 'Catalogue of the Wallace Collection '(see Documention). She provided an extensive list of examples of the various sizes, including under the third size the Fitzwilliam\u2019s, and examples in the Frick Collection, New York, the British Museum, London, the Walters Art Gallery, Baltimore, and the Louvre, Paris. \n\nThis example is a genuine piece of S\u00e8vres soft paste, and bears an incised mark which also appears one of a pair of caisse \u00e0  fleurs at Waddesdon Manor,  and on two of a set of three cuvettes \u00e0 tombeau, in the Wadsworth Atheneum (1917.1047 and 1917.1049), It also occurs on a milk jug of c. 1756-60 in the Fitzwilliam\u2019s collection (C.43-1961). But although the vase bears the musical quaver note mark of Cornaille, a specialist flower painter, the quality and design of the floral panel is very poor, and the painted decoration and gilding must have been executed outside the factory, probably in the early 19th century. The quay scene might have been by Morin or one of the other paintings painting harbour scenes but the colouring is not typical, and its quality does not compare well with the quay  scenes on S\u00e8vres vases in the Royal Collection (see Documentation). Another point indicating later decoration is that on both sides the oval reserves overlap the vertical moulding on either side of them, which was not normal practice, although their gilded frames sometimes did so.  The decoration must have been executed before 1864 when the vase was recorded as no. 15 in an inventory and valuation ceramics in the possession of Lord Carrington at 8 Whitehall, London.\n\nDuring the late 18th and early 19th century the Manufacture Royale at S\u00e8vres sold large quantities of soft-paste porcelain \u2018seconds\u2019, both white (rebut blanc), and partially decorated which were decorated outside the factory in Paris and elsewhere.  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Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux 1991, Bellaigue 2009, Savill, 1988)"},{"value":"The painter's mark is that identified as for Pierre-Nicolas Pithou a\u00een\u00e9 who was the older brother of Nicolas-Pierre Pithou jeune (1750-1818), both of whom were unusual among S\u00e8vres painters in undertaking portraits, and were among the first to work on hard-paste. Pierre-Nicolas Pithou, was employed at the factory from 1757 until his retirement in April 1790 and Nicholas-Pierre from 1759\/6-7, 1769-95 and 1814-18. However, in the records of payments to painters for 1777-80 (Vj 1, fol. 231) on 18 July 1777, two gobelet litron 2 (second size) with \u2018Teste de Voltaire\u2019 are listed under Pithou jeune\u2019s work for 1777 but without the amount paid being cited."},{"value":"The profile was probably based on the bust of Voltaire for which models were produced by the S\u00e8vres factory in 1767. 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The stand is oval with rim notched to create two long and two short lobes. The basin is oval with deep sloping sides and a domed cover with a handle formed by two looped and interlaced branches with moulded leaves at the junction of the ends with the cover. The basin and stand each has one suspension hole in the footring, and the cover one in the middle of one side of the internal flange.\nAll pieces have a bleu lapis ground. The bowl is decorated with  two oval reserves and the cover and stand with two tri-lobate reserves, framed by gold palms, flowers and foliage. Each reserve is painted in polychrome enamels with two flying birds. On the bowl, one bird carries a branch in its claws.  On the stand one in each reserve carries a branch in its claws, and on the cover, one bird in one reserve carries a branch in its claws, and in the other one carries one in its beak. The stand has a plain band of gilding round the foot and a dentilated band round the rim. The bowl has a plain band of gilding round the foot and a dentilated band round the rim. The cover has a dentilated band of gilding round the outer edge and touches of gilding on the handle terminals and where they cross in the centre."}],"identifier":[{"accession_number":"C.13.1 & A & B-1961","primary":true,"type":"accession number","value":"C.13.1 & A & B-1961"},{"priref":"82517","type":"priref","value":"82517"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82517","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82517"}],"inscription":[{"description":[{"value":"interlaced L's"}],"location":"on basin and stand","method":"in underglaze blue (bleu lapis)","type":"factory mark"},{"description":[{"value":"f slopes forward"}],"location":"on basin","method":"incised","transcription":[{"value":"6 f"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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This is the smaller size."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113744","uid":"adlib-term-113744","uuid":"da105475-9705-3ee7-94ad-24892e6217d4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Val-de-Marne"}],"summary_title":"Val-de-Marne","type":"region"}]],"summary_title":"Vincennes"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107664","uid":"adlib-term-107664","uuid":"87231139-26fe-3838-b903-3243fad94d96"},"summary_title":"sugar basin"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107478","uid":"adlib-term-107478","uuid":"81002e74-5083-37b8-a429-4a303fc40695"},"summary_title":"cover"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107559","uid":"adlib-term-107559","uuid":"7f8f2ef8-86fb-318c-b509-1a70260fce87"},"summary_title":"stand"}},{"type":"factory name","value":"boite \u00e0 sucre ou sucrier ovale uni et plateau"}],"note":[{"type":"history note","value":"unknown before Louis C.G. 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According to Eriksen, this type of conical sugar basin is rare, see no. 7, p. 39, an example lacking its cover.","page":"p. 39","type":"reference"},"admin":{"id":"publication-3645","uid":"adlib-publication-3645","uuid":"1a73c781-10fc-349e-8a13-c56f8b0eea9d"},"summary_title":"Le porcellane francesi a Palazzo Pitti"},{"@link":{"notes":"Ref. For the shape of the sugar basin and stand, see p. 86, nos. 201-202. It was made from at least 1752. 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The basin and stand each has a hole in the footrim, and the cover in the middle of the internal flange"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Boite \u00e0 sucre or sucrier ovale uni et plateau"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":2,"last_page_url":"?page=2","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":"?page=2","label":"2","active":false},{"url":"?page=2","label":"Next »","active":false}],"next_page_url":"?page=2","path":"","per_page":24,"prev_page_url":null,"to":24,"total":26}]