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Lozenge-shaped with deep, sloping sides, pierced to resemble stylised leaves with an anthemion in the centre of each side. The rim is scalloped and the lower part of the outer edge of the footring is moulded to resemble basketwork. There is a suspension hole in the footring. The ground is bleu celeste decorated with garlands of gilt husks. In the centre there is an oval reserve framed by a band of chased gilding, and painted in polychrome enamels with a bouquet of flowers. 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The house became Brooks Club."}]}],"creation":[{"date":[{"earliest":1769,"era":["CE"],"latest":1769,"note":[{"value":"The tray bears the date letter for 1769"}],"value":"1769"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"possibly","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-162415","uid":"adlib-agent-162415","uuid":"baae0116-646d-3d9d-b238-79fa655e11e6"},"summary_title":"Censier, Charles"}],"note":[{"value":"David Peters (Documentation 2005) has posited that the bulk of this service, mainly for dessert, was purchased on 5 November 1768 by an unnamed buyer, whom he considered may have been the Monsieur de Cotensky who on on 9 March 1769 purchased 24 plates and 2 ice buckets, pieces which were items not included in the order of 5 November 1768. Monsieur de Cotensky was possibly Nikolai Konstantinovich Chotinski, Russian charg\u00e9 d\u2019affaires to France from 24 December 1767 to January 1774. There were two corbeilles losanges at 216 livres in the November 1768 order, which as the Fitzwilliam's are dated 1769 raises a question of whether they are the same ones, particularly as there are two in the Dodge Collection (71.222, 71,223), which have similar gilding, and reserves painted with birds after Buffon. Those however, were painted by Aloncle. In the exhibition of S\u00e8vres from the Sheremeteff collection held  by Asher Wertheimer in Bond Street, two plateaux-corbeilles losanges ajour\u00e9es were nos. 10 and 11, said to be painted by Dodin, and a further two, nos. 12 and 13 by Le Bel. It seems possible that the last two were the two now in the Fitzwilliam and that the identification of the painter who signed L. as Le Bel was in error for Lev\u00e9, although the catalogue appears to indicate that all the pieces in this service in the list were painted with birds."},{"value":"The plateau -corbeille lozange was introduced in 1755"},{"value":"This plateau-corbeille losange ajour\u00e9e, and its pair (C.41A-1961) with two compotiers ronds C.37A & B-1961, are all decorated with swags of husks or wheat ear, and probably formed part of a service decorated with birds from Buffon or  flowers, which in the 19th century belonged to Count A.D. 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label), 69 & 71 Brook Street, London; Mary Ethel, Viscountess Harcourt (n\u00e9e Burns); sold Christie's, London, 22 June 1927, Old English and Continental porcelain, decorative objects and old French furniture, lot 19 CHECK SALE CATALOGUE;. 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These plateaux have the same gilded decoration as the Fitzwilliam's examples with floral bouquets in the centre. The author, Clare Corbeiller cites Peters, as her source for the use of plateaux lozenges as stands for sauceboats in addition to their use with a cup but is not referring to the basket-like variety.","page":"194-5","type":"reference"},"admin":{"id":"publication-5305","uid":"adlib-publication-5305","uuid":"da091c04-392c-3f11-add1-632cea602e03"},"summary_title":"The Dodge Collection of Eighteenth-Century French and English Art in the Detroit Institute of Arts"},{"@link":{"notes":"Ref.Vol. II, pp. 401-02, for the bleu c\u00e9leste ground service formerly in the Ch\u00e9r\u00e9m\u00e8eff Collection, which Peters considers is likely to have been a service, mainly for dessert, sold on 5 November 1768 to an unnamed buyer, who may have been a Monsieur de Cotensky who on 9 March 1769 purchased 24 plates and 2 ice buckets, pieces missing from the earlier order. Cotensky may have been Nikolai Konstantinovich Chotinski, Russian charg\u00e9 d'affaires to France from 24 December 1767 to January 1774. The Fitzwilliam's pair of plateau -corbeille losange ajour\u00e9 mentioned on p. 402 as possibly from the same service, but see the two with bird decoraton in the Dodge Collection.","page":"Vol. II, 401-02","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-106795","uid":"adlib-term-106795","uuid":"619c7689-2029-3c57-b0e2-12f5b54bedb8"},"summary_title":"flower"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-51570","uid":"adlib-term-51570","uuid":"60c9a2b0-88e3-31c4-a903-cb3bfbb73411"},"summary_title":"rose"},{"@link":{"type":"literal"},"name":[{"value":"flower"}],"summary_title":"flower"},{"@link":{"type":"literal"},"name":[{"value":"rose"}],"summary_title":"rose"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89196","uid":"adlib-term-89196","uuid":"daa8a4b5-42b3-3b6b-bbb3-b5e1703fc2c4"},"summary_title":"tray"}},"summary_title":"tray","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Plateau-corbeille losange \u00e0jour\u00e9"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-93545","_score":14.711456,"_source":{"admin":{"added":1592984355000,"created":1312637261000,"flag":"Standard Record","id":"object-93545","indexed":1755194527849,"modified":1599144062000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-93545","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93545","uuid":"48942e6f-a2ac-3d4d-8037-507bcfe5d6b0","version":8},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. 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The cup is of truncated conical form with two loop handles with a longitudinal ridge, and a slightly domed cover with a knob in the shape of a multi-petalled flower and six leaves on a stalk. The saucer is circular with a flat base and deep, sloping sides. The cup, cover, and saucer are decorated all over with a trellis pattern of green and gold twisted ribbons, with sprays of polychrome flowers in the spaces. On the cover, the trellis is in the form of overlapping petal outlines radiating from the centre. The green and the gilding on the twisted ribbons is different from that on the other two pieces, and there are no yellow and orange flowers in the floral sprays. The flower knob is pink, and the leaves green. There is a plain band of gilding round the foot and scalloped  bands round rim of the cup, cover, and saucer. The handles have a longitudinal twisted ribbon, and gold lines on the edges."}],"identifier":[{"accession_number":"C.14 & A & B-1961","primary":true,"type":"accession number","value":"C.14 & A & B-1961"},{"priref":"93545","type":"priref","value":"93545"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93545","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93545"}],"inscription":[{"description":[{"value":"on saucer the mark is faint and slightly blurred"}],"location":"on base of the cup and saucer in middle","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls, enclosing a D"}],"type":"factory mark"},{"description":[{"value":"4 on the left and ap further to the right"}],"location":"on base of cup beside the footring","method":"incised","transcription":[{"value":"4  and ap"}],"type":"incised mark"},{"location":"on base of saucer beside the footring","method":"incised","transcription":[{"value":"4"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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The bucket-shaped cup has a double entwined branch handle. The saucer is circular with a narrow, deep cylindrical well, and a wide rim, curving upwards slightly at the edge. It has a suspension hole in the footrim.  Both pieces have a white ground. The cup has two almost circular reserves framed by bands of gilding tooled with panels of criss-cross alternating with panels of striations. One reserve is painted with a trophy, comprising a book of music, tambourine, a recorder, an houlette, an arrow, and a basket with a pink bow on its handle, and a garland of flowerst. The other has a trophy comprising a quiver of arrows, a bow and an arrow, a torch an oboe (?), and a garland of flowers. Between the trophies, round the upper edge of the cup there is a border of gilded scrolls, and panels of dots and trellis diaper patterns. There is a band of gilding round the foot, a dentilated band round the lip and touches of gilding on the handle, whose terminals are heavily gilded. The saucer is decorated en suite with two kidney-shaped reserves containing trophies. One comprises a shield, quiver of arrows, spear, an arrow, a sword, a laurel wreath and a spray of flowers and foliage; the other, a woman's broad-brimmed hat with two feathers in it, a distaff, an houlette, and a garland of flowers. The edge of the well has a scalloped and dotted gold border"}],"identifier":[{"accession_number":"MAR.C.36 & A-1912","primary":true,"type":"accession number","value":"MAR.C.36 & A-1912"},{"priref":"82597","type":"priref","value":"82597"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82597","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82597"}],"inscription":[{"location":"on base of cup","method":"incised underglaze","transcription":[{"value":"2, O"}],"type":"incised mark"},{"description":[{"value":"AR joined back to back"}],"location":"on base of cup","method":"incised underglaze","transcription":[{"value":"AR  C or 6"}],"type":"incised mark"},{"location":"on base of saucer","method":"incised underglaze","transcription":[{"value":"8"}],"type":"incised mark"},{"location":"on base of both pieces","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls enclosing N"}],"type":"factory mark"},{"location":"on base of both pieces below the factory mark","method":"painted in blue enamel","transcription":[{"value":"an anchor"}],"type":"painter's mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"C.B. 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After the annexation of the duchy to Italy the service was divided between the Palazzo Pitti in Florence and the Palazzo Reale, Milan and was reunited in the Quirinale in Rome in 1893."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-113159","uid":"adlib-term-113159","uuid":"4bdfb4a7-b307-3dfa-a3d6-8ada4683271e"},"summary_title":"18th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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Mallett and Son; from whom purchased by Louis C.G. Clarke  in 1933, for \u00a375; bequeathed by Louis C.G. 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For the mark of two dots attributed to Jean-Baptiste Tandart l'ain\u00e9, but pointing out that three dots was his normal mark.","page":"69","type":"reference"},"admin":{"id":"publication-5938","uid":"adlib-publication-5938","uuid":"a3784223-c3bf-3f73-9caf-7861ade1c75e"},"summary_title":"Decorator and Date marks on C18th Vincennes and S\u00e8vres Porcelain"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106793","uid":"adlib-term-106793","uuid":"22b6e359-d3ca-39fd-a07c-7e014e8e7bd3"},"summary_title":"owl"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-25536","uid":"adlib-term-25536","uuid":"dc50e6b9-2ea9-373f-b7ab-4ee201ca0256"},"summary_title":"birds"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-58471","uid":"adlib-term-58471","uuid":"ce00216e-da4e-37b3-974c-c2b6377d6c19"},"summary_title":"tree"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107622","uid":"adlib-term-107622","uuid":"523e46be-6c51-3455-8391-3ea334aab2f0"},"summary_title":"flowers"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-30746","uid":"adlib-term-30746","uuid":"c9b49335-33a0-3ee8-b9d3-3f1f3abc5414"},"summary_title":"foliage"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-106692","uid":"adlib-term-106692","uuid":"ed7baa11-5901-3307-81b6-77370e40ebb4"},"summary_title":"wood"},{"@link":{"type":"literal"},"name":[{"value":"owl"}],"summary_title":"owl"},{"@link":{"type":"literal"},"name":[{"value":"birds"}],"summary_title":"birds"},{"@link":{"type":"literal"},"name":[{"value":"tree"}],"summary_title":"tree"},{"@link":{"type":"literal"},"name":[{"value":"flowers"}],"summary_title":"flowers"},{"@link":{"type":"literal"},"name":[{"value":"foliage"}],"summary_title":"foliage"},{"@link":{"type":"literal"},"name":[{"value":"wood"}],"summary_title":"wood"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89196","uid":"adlib-term-89196","uuid":"daa8a4b5-42b3-3b6b-bbb3-b5e1703fc2c4"},"summary_title":"tray"}},"summary_title":"tray","techniques":[{"description":[{"value":"soft-paste porcelain, moulded, decorated with turquise (bleu c\u00e9leste) ground colour, painting in blue, several shades of green, yellow, pink, mauve, brown, and black enamels, and gilding, some areas tooled"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}],"title":[{"value":"Plateau"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-86622","_score":14.711456,"_source":{"admin":{"added":1592970448000,"created":1312637261000,"flag":"Standard Record","id":"object-86622","indexed":1755194528892,"modified":1610463592000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-86622","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86622","uuid":"64e08a4d-8c18-3d01-8442-6660a68ccd0b","version":7},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. G. Clarke"}],"component":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in green, orange-red, turquoise and white enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28662","uid":"adlib-term-28662","uuid":"dd47e505-ccda-3f2b-b576-6104109430e8"},"summary_title":"enamelling"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"5.5"}]},"name":"Rim"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"7.6"}]},"name":"Including Handle"}],"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain cup, decorated with gold paillons and jewelling in translucent and opaque enamels"},{"value":"Soft-paste porcelain, decorated with gold paillons and with translucent green, and red, and opaque turquoise and white enamels. Cylindrical cup with an arched and incurved loop handle. The upper part of the cup is decorated with alternately facing and backing green foliated scrolls, linked by swags of red and turquoise blue 'jewels' and separated by stylised flowers and leaves. The lower part is decorated by a border of paired berries with stylised buds between them. There is a band of gilding round the lower edge, a dentilated band round the rim, gold lines down the sides of the handle which has a large leaf and two small trilobate leaves separated by dots of graduated size down its back."}],"identifier":[{"accession_number":"C.56-1961","primary":true,"type":"accession number","value":"C.56-1961"},{"priref":"86622","type":"priref","value":"86622"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86622","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86622"}],"inscription":[{"location":"on base","method":"painted in faded gold","transcription":[{"value":"interlaced L's enclosing 99"}],"type":"factory mark"},{"description":[{"value":"IP joined together by the arc of the P, or HP with second stroke of H and P having same stroke"}],"location":"on base","method":"painted in gold","transcription":[{"value":"IP or HP monogram"}],"type":"gilder's mark"},{"location":"on base","method":"incised","transcription":[{"value":"41"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1784,"era":["CE"],"latest":1784,"value":"1784"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"uncertain","role":[{"value":"gilder"}],"type":"reference"},"admin":{"id":"agent-110671","uid":"adlib-agent-110671","uuid":"3eca4388-f66f-3727-af9c-e8bcb76157f2"},"summary_title":"Pr\u00e9vost, Jean Louis"}],"note":[{"value":"Eighteenth-century jewelling on S\u00e8vres porelain was often executed with blue ground colour or other darkish colours, but there are examples with a white ground. For example, two juice pots, one with cover, jewelled in green, red, and turquoise on a white ground gilded by Vincent (2000), and dated to c. 1780 and are in the Hermitage. (See Documentation Birioukova and Kasakevitch, 2005),  A milk jug in the British Museum, also with 2000 gilder\u2019s mark, is described as 18th century, with decoration later, probably late 19th century. (see Documentation, Dawson, 1994).  It is possible that this cup was decorated in the 19th century. A miniature gobelet litron with decoration very close to that on the Fitzwilliam's cup is at Haughton, Norfolk."},{"value":"Jewelled enamelling is recorded as being introduced by Philippe Parpette, a flower painter at the factory, and Joseph Cotteau, an Parisian enameller in 1778. Parpette worked mainly on this type of decoration between 1780-5. The latter left the factory in 1784, and after 1786 this type of decoration was rarely executed. The jewelled decoration was created by placing drops of translucent or opaque enamel over gold foils of different shapes formed by steel dies, and firing them so that they fused. The motif was then attached to the porcelain by an enamel and fired again at a lower temperature. This technique had been used much earlier on silver foil on early 16th century Limoges enamels on copper, and was also used, somewhat differently to create jewel effects on gold snuffboxes. The designs were usually by J.-B.-E. Genest, head of the artists\u2019 studio, and the steel dies were made by the Parisian engraver Jean-Pascal Le Guay (see Documentation, Bellaigue, 1979)"},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Savill, 1988, Bellaigue 2009,)\n\nThis is a gobelet litron of the third size with Savill's handle shape B."},{"value":"When inventoried by Sotheby\u2019s in October 1948, the gilding  was attributed to Henry-Martin Pr\u00e9vost, but the joined form of the HP or IP is not similar to his mark."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120998","uid":"adlib-term-120998","uuid":"f836095f-43c8-3016-826a-de974dd72678"},"summary_title":"18th Century, Late-19th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"5.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-59082","uid":"adlib-media-59082","uuid":"bab6b3ec-c65b-308c-a13c-7fb663271ef1"},"processed":{"large":{"format":"jpeg","location":"aa\/aa23\/C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":642}]},"modified":1616274703421,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa23\/mid_C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":592},{"dimension":"width","units":"pixels","value":500}]},"modified":1616274703421,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa23\/C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":642}]},"modified":1616274703421,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa23\/preview_C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":296},{"dimension":"width","units":"pixels","value":250}]},"modified":1616274703421,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-1504262525","source":"portfolio","uid":"portfolio-media-1504262525","uuid":"2af0b94c-24e7-3b40-b0d9-1736fc6bc66e"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/large_C_56_1961_200904_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1279},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529203013000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/mid_C_56_1961_200904_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":624},{"dimension":"width","units":"pixels","value":500}]},"modified":1529203013000,"resizable":true,"type":"image"},"original":{"location":"C.56-1961_200904_mfj22_mas.tif","modified":1529203013000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/preview_C_56_1961_200904_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":312},{"dimension":"width","units":"pixels","value":250}]},"modified":1529203013000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/C_56_1961_200904_mfj22_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":4262},{"dimension":"width","units":"pixels","value":3413}]},"modified":1529203013000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Cup, Sevres Factory"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91165","uid":"adlib-term-91165","uuid":"d22ea1ae-0f87-36a8-8ece-86eb0f380b42"},"summary_title":"cup"}},{"type":"factory name","value":"gobelet litron"},{"type":"category","value":"teaware"}],"note":[{"type":"history note","value":"Louis C.G. Clarke, MA, Leckhampton, Cambridge"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-86623","uid":"adlib-object-86623","uuid":"19fa13f2-a828-3152-8f36-655836767bf5"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91165","uid":"adlib-term-91165","uuid":"d22ea1ae-0f87-36a8-8ece-86eb0f380b42"},"summary_title":"cup"}},"summary_title":"cup"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75632","uid":"adlib-object-75632","uuid":"967f3464-e849-3b10-92fa-80c8e6023d54"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107532","uid":"adlib-term-107532","uuid":"f00fbddb-30d4-39ff-bcf3-a87fbac64158"},"summary_title":"cup and saucer"}},"summary_title":"cup and saucer"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Ref., p. 132 no. 46 for the gobelet litron form","page":"p. 132","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. Vol. II, pp. 501-2, for the gobelet litron form, sizes, title, introduction, use, and sales records. Cf. Two cups and saucers and a milk jug with a combination of beau bleu ground and jewelling on bands of plain porcelain, pp. 636-7, nos. C.421-3, illustrated pp. 638-9 respectively.","page":"501-2","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. p. 104, for the introduction of gold paillons and jewels at S\u00e8vres, and pl. on p. 103","page":"103-04","type":"reference"},"admin":{"id":"publication-3671","uid":"adlib-publication-3671","uuid":"5a0e7ed7-b0be-33c8-a7b3-4b7dca0fda70"},"summary_title":"La Manufacture de Porcelaine de S\u00e8vres"},{"@link":{"type":"reference"},"admin":{"id":"publication-6636","uid":"adlib-publication-6636","uuid":"8a6e2d82-65e4-3d44-a739-2e4c393fd9c6"},"summary_title":"French Porcelain in the Collection of Her Majesty the Queen"},{"@link":{"type":"reference"},"admin":{"id":"publication-3879","uid":"adlib-publication-3879","uuid":"79ac4b01-50d0-3dad-9e3e-37c9e3dcfedf"},"summary_title":"S\u00e8vres Porcelain from the Royal Collection"},{"@link":{"notes":"Ref. p. 397 for technique of jewelling","page":"p. 397","type":"reference"},"admin":{"id":"publication-200002872","uid":"adlib-publication-200002872","uuid":"acf702a9-5c0e-3e04-a7d4-84ca3ec5df21"},"summary_title":"S\u00e8vres enamelled porcelain: eight dies (and a quarrel) rediscovered"},{"@link":{"type":"reference"},"admin":{"id":"publication-3616","uid":"adlib-publication-3616","uuid":"7ae45eaf-b5a1-314c-856f-7e3419f1a94e"},"summary_title":"French Porcelain, A Catalogue of the British Museum Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-5976","uid":"adlib-publication-5976","uuid":"7c4b2d91-bb08-3697-bd4d-29880542e1ac"},"summary_title":"Mus\u00e9e de l\u2019Ermitage, La porcelaine de S\u00e8vres du XVIII si\u00e8cle, Catalogue de la Collection"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis XVI"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91165","uid":"adlib-term-91165","uuid":"d22ea1ae-0f87-36a8-8ece-86eb0f380b42"},"summary_title":"cup"}},"summary_title":"cup","techniques":[{"description":[{"value":"soft-paste porcelain decorated with gold paillons and with green, orange-red, turquoise and white enamels."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Gobelet litron"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-82590","_score":14.711456,"_source":{"admin":{"added":1592999705000,"created":1312637261000,"flag":"Standard Record","id":"object-82590","indexed":1755194529051,"modified":1611142640000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-82590","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82590","uuid":"2ad75b77-820d-38fd-867b-a4dc73903614","version":7},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-107444","uid":"adlib-term-107444","uuid":"571df7cf-e062-3968-ae5e-bec9d5a82f92"},"summary_title":"C. 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The cup is cylindrical with an ear-shaped scroll handle. The saucer is circular with flat central area and sloping sides. Both pieces have a suspension hole in the rootrings. The cup has a bleu c\u00e9leste ground with an elongated oval reserve on the front framed by a gold band, tooled alternately with panels of criss-crosses and striations, and painted in polychrome with a floral spray. There is a band of gilding round the foot, a dentilated band round the lip, and lines down the sides of the handle. The saucer has a bleu c\u00e9leste ground on the sides, and a circular reserve in the centre,framed by a similarly tooled gold band, and painted in polychrome with a different floral spray. 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Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux 1991, Saville, 1988, Bellaigue 2009).\n\nThis is a gobelet litron and saucer of the third size, with Savill's handle C. \n\nBleu c\u00e9leste was an overglaze ground colour introduced in 1753. It was was often combined with flower painting in the reserves."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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Circular, the rim scalloped with twelve alternately large and small arcs. The rim is slightly concave and the well has a shallow, concave sides. There is a suspension hole in the footring. In the centre, reserved on a white ground, is a circular panel, framed by a wide band of gilding tooled with bound laurel leaves and a narrow band of gilding tooled with straight lines outside it. The panel is painted with three voluptuous nymphs sleeping in the shelter of a purple hanging beside a tree, unaware of a satyr who peers at them over the hanging. The rim has a bleu nouveau ground decorated with gold scrolls, sprays of flowers and foliage, between which are four, elongated oval reserves framed by wide bands of gilding tooled with overlapping scales and crossed ribbons. The panels are painted in polychrome as follows: (1) Combat des Horiaces et Curiaces - A contest between two soldiers carrying swords and shields while another lies dead beside them and a fourth approaches from behind. (2) Cincinnatus - Two standing men, one wearing armour, invite Cincinnatus dressed as a farmer to come into the palace standing behind them. (3) Les Vestales portant le feu sacr\u00e9 - A young woman kneels in front of a brazier which is being carried by two priestesses. (4) Paul Emile appelle \u00e0 l'arm\u00e9e - A seated man refuses to look at a young woman being presented to him by another man. All the figures wear classical dress. There are bands of gilding round the inner and outer edges of the rim, and the footring, and a band of gold laurel leaves and berries on the underside of the rim."}],"identifier":[{"accession_number":"C.55-1961","primary":true,"type":"accession number","value":"C.55-1961"},{"priref":"93749","type":"priref","value":"93749"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93749","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93749"}],"inscription":[{"location":"on base","method":"painted in gold","transcription":[{"value":"interlaced Ls"}],"type":"factory mark"},{"description":[{"value":"in script"}],"location":"on base, below factory mark","method":"painted in gold","transcription":[{"value":"LG"}],"type":"gilder's mark"},{"location":"on base","method":"incised underglaze","transcription":[{"value":"33"}],"type":"incised mark"},{"location":"on base","method":"incised underglaze","transcription":[{"value":"t"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The service was the most costly ever made at S\u00e8vres, and was manufactured in stages up to 1793, when it was not complete. The majority of the service is at Windsor Castle, having been acquired in 1811 and 1812 by George, Prince of Wales, the future George IV. 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The interior and exterior of the sides have a bleu celeste ground alternating with reserved white zones outlined with gold.\n\nOne of a pair with C.41B-1961."}],"identifier":[{"accession_number":"C.41A-1961","primary":true,"type":"accession number","value":"C.41A-1961"},{"priref":"93586","type":"priref","value":"93586"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93586","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93586"}],"inscription":[{"description":[{"value":"interlaced L's enclosing q"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"L in script"}],"location":"on base, below factory mark","method":"painted in blue enamel","transcription":[{"value":"L"}],"type":"painter's mark"},{"location":"on base","method":"hand-written in ink","transcription":[{"value":"Collection of\/Viscount Harcourt"}],"type":"label"},{"location":"on base","method":"in ink and print","transcription":[{"value":"FROM THE\/CH\u00c9R\u00c9MET\u00c8FF S\u00c8VRES\/COLLECTION\nMrs. Burns\nASHER WERTHEIMER,\/158, NEW BOND STREET,\/LONDON"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G.Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1769,"era":["CE"],"latest":1769,"note":[{"value":"The tray bears the date letter q for 1769"}],"precision":"dated","value":"1769"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"possibly","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-79183","uid":"adlib-agent-79183","uuid":"bb0bf7ee-5fbd-3c02-9c61-8d6072844779"},"summary_title":"Lev\u00e9, Denis"}],"note":[{"value":"The painter, Denis Lev\u00e9 is recorded as using a Roman L as his mark, but Riocreux also gives a script L which on this piece is followed by a dot. 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Oval with four lobes on the long sides, and flattened ends to which are attached handles with foliated terminals. There are two suspension holes in the footring at right angles to each other (at bottom of scene and right when back is facing viewer).                                                                      The ground is bleu nouveau vermicul\u00e9 d'or. The central oval reserve is framed by a gold band with tooled striations, and painted in polychrome with a scene depicting a woman, a merchant, and sailors on a wharf, with cliffs and the sea in the background. One box on the left below the mast is inscribed 'J A' and another '1759'. The box with a jar on top is inscribed 'R' with a six-armed cross formed by two triangles beside it. The large bale on the right is inscribed on the left of its end: interlaced Cs with below, '2' with reversed 'S' beside it, upside down when the scene is the correct way up; and on the right side of the end with a double lined cross and on either side of the cord, 'XX'. On the left of its top 'JV' and top right an 'H' with to its left another not legible sign. There is a band of gilding round the edge of the rim, and footring, and touches of gilding on the handles and leaf terminals."}],"identifier":[{"accession_number":"C.25-1961","primary":true,"type":"accession number","value":"C.25-1961"},{"priref":"73644","type":"priref","value":"73644"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73644","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73644"}],"inscription":[{"description":[{"value":"interlaced L's enclosing L"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"the mark of the painter Jean-Louis Morin (1732-87)"}],"location":"on base, above the factory mark","method":"painted in blue enamel","transcription":[{"value":"M"}],"type":"painter's mark"},{"location":"on base","method":"incised","transcription":[{"value":"25"}],"type":"incised mark"},{"location":"on base","method":"incised","transcription":[{"value":"14"}],"type":"mark"},{"description":[{"value":"square white paper, now discoloured brown"}],"location":"on base","method":"hand-written in black ink","transcription":[{"value":"Quay Scene\/by Morin\/1764"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1764,"era":["CE"],"latest":1764,"note":[{"value":"The tray bears the date letter for 1764"}],"value":"1764"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-95505","uid":"adlib-agent-95505","uuid":"7328c5c0-b03c-38b9-a24e-9c8130bc3201"},"summary_title":"Morin, Jean-Louis"}],"note":[{"value":"Forms described as H\u00e9bert were named after the marchand-mercier, Thomas-Joachim H\u00e9bert, or possibly another H\u00e9bert, secr\u00e9taire du roi, who had been involved in the transfer of the factory from the Charles Adam company to the Eloi Brichard company in 1752. (see Documentation, Savill, 1988, III) The plateau H\u00e9bert, which was used to support a tea set (dejeuner)  was made in two forms, with or without handles. One version, had four lobes of equal size on each side and flattened ends, as this one does, and the other had four large lobes with much smaller ones between them. The handles were also of two forms, one plain with foliated terminals, and the other reeded with looped and foliated terminals. This tray has the former type. The trays  were being made by November 1752 and a second size was in production in 1753. Models for both survive at the factory. The overglaze bleu nouveau ground colour was introduced in 1763."},{"value":"Jean-Louis Morin (1732-87) was employed at the factory from 1754 until 1787. He became a specialist in painting in military, seascape, and harbour scenes, from the end of the  1750s, having worked earlier on cherubs, birds in landscapes, trophies and, from about 1758-63, Teniers scenes. He was one of the factory's best figure painters."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Length","units":"cm","value":"30.5"},{"dimension":"Width","units":"cm","value":"22.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-40495","uid":"adlib-media-40495","uuid":"d94f6f6e-4c7b-3383-9a65-418ec863adbd"},"processed":{"large":{"format":"jpeg","location":"aa\/aa23\/C_25_1961_20_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":507},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926360903,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa23\/mid_C_25_1961_20_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":334},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926360903,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa23\/C_25_1961_20_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":507},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926360903,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa23\/preview_C_25_1961_20_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":167},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926360903,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-718002693","source":"portfolio","uid":"portfolio-media-718002693","uuid":"0c82c0a1-27c2-3fb1-868e-c21272fbfcac"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/758\/large_C_25_1961_1_200901_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":683},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529202716000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/758\/mid_C_25_1961_1_200901_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":333},{"dimension":"width","units":"pixels","value":500}]},"modified":1529202716000,"resizable":true,"type":"image"},"original":{"location":"C.25-1961_1_200901_mfj22_mas.tif","modified":1529202716000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/758\/preview_C_25_1961_1_200901_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":167},{"dimension":"width","units":"pixels","value":250}]},"modified":1529202716000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/758\/C_25_1961_1_200901_mfj22_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":3328},{"dimension":"width","units":"pixels","value":4992}]},"modified":1529202716000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Tray, with a scene of merchants and sailors, Sevres Factory"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89196","uid":"adlib-term-89196","uuid":"daa8a4b5-42b3-3b6b-bbb3-b5e1703fc2c4"},"summary_title":"tray"}},{"type":"factory name","value":"plateau H\u00e9bert"}],"note":[{"type":"history note","value":"Louis C.G. Clarke by whom lent to the Fitzwilliam Museum in 1948; bequeathed on his death on 13 December 1960"}],"objects":[{"@link":{"cascade":true,"role":[{"value":"similar incised mark"}],"type":"reference"},"admin":{"id":"object-75708","uid":"adlib-object-75708","uuid":"c6e4dc98-60e5-35f2-b93d-571a58a81c2c"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90921","uid":"adlib-term-90921","uuid":"743cd8b7-9f18-3c65-9283-a5a0c17e68c4"},"summary_title":"sauce boat"}},"summary_title":"sauce boat"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-93486","uid":"adlib-object-93486","uuid":"de6e3e2b-cb87-3bc9-a116-5691ff858a83"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group"},{"@link":{"cascade":true,"role":[{"value":"similar incised mark"}],"type":"reference"},"admin":{"id":"object-93753","uid":"adlib-object-93753","uuid":"3492b7ed-cc00-3957-9d14-40d5dce182fd"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89328","uid":"adlib-term-89328","uuid":"7426f28e-0b60-31b2-bfb8-3502da83b1da"},"summary_title":"\u00e9cuelle"}},"summary_title":"\u00e9cuelle"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Ref. for the form, see p. 67, no. 32","page":"67","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Ref. pp. 332-3 for biography and work of Morin. For examples of his work, see nos. 12, 24-5, 29, 33, 35, 36, 40, 43, 48, 49, 54, 60, 62, 69, 72, and 109.","page":"332-3","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. Vol. III, pp. 982-3 for H\u00e9bert and pp. 1051-2, for the biography and work of Morin.","page":"982-3 and 1051-2","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. For the form and title, see p. 181,under  no. 85 and p. 184, under no. 86.The author illustrates two moulds for the handled version on p. 184, fig. 86-1 and 86-2. The incised mark 25 occurs on a basin for a fountain i p. 301, no. 151, of c. 1786","page":"181, 184","type":"reference"},"admin":{"id":"publication-2724","uid":"adlib-publication-2724","uuid":"e1cfd19f-1a09-348b-8813-f71b68d85f84"},"summary_title":"French Eighteenth-Century Porcelain at the Wadsworth Atheneum, The J. Pierpont Morgan Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-3638","uid":"adlib-publication-3638","uuid":"9fdd0b21-49ec-37e9-9467-969617c4e941"},"summary_title":"La Porcelaine de Vincennes"},{"@link":{"notes":"Ref. p. 300, the incised mark 25 followed by an a, occurs on a square fruit dish, without date letter (18.9.39).  For Morin, see pp. 331-2, and p. 290-4, a ewer and basin decorated with marine views (34.9.44-5)","page":"300","type":"reference"},"admin":{"id":"publication-3641","uid":"adlib-publication-3641","uuid":"94467386-3f8b-3dcb-89a5-19fb77f49041"},"summary_title":"Frick Collection, An Illustrated Catalogue, Volume VII - Porcelains Oriental and French"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-24787","uid":"adlib-term-24787","uuid":"b14c69fa-2922-37ee-9bc3-cfdee85aba7d"},"summary_title":"fire"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-108133","uid":"adlib-term-108133","uuid":"db7e9d78-91c7-3bdb-a70d-28fbb1872d39"},"summary_title":"barrel"},{"@link":{"relation":"object 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colour, pale brown, grey, white, and black enamels, and gilding"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Plateau H\u00e9bert"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-72980","_score":14.711456,"_source":{"admin":{"added":1592999602000,"created":1312637261000,"flag":"Standard 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black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"14.1"},{"dimension":"Height","units":"cm","value":"3.9"}]},"name":"Saucer","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"7"}]},"name":"Cup Rim"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"6.9"},{"dimension":"Width","units":"cm","value":"9.5"}]},"name":"Cup","techniques":[{"description":[{"value":"soft-paste porcelain painted overglaze in in blue, green, yellow, dark pink, purple, brown, grey, and black enamels, gilded, and tooled."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]},{"name":"Handle","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain cup and saucer, painted in enamels, and gilded, with a musical trophy on the front of the cup and a gardening trophy in the centre of the saucer."},{"value":"Soft-paste porcelain painted in blue, green, yellow, dark pink, purple, brown, grey, and black enamels, and gilding. Cylindrical cup with ear-shaped handle. Circular saucer with convex central area and deep, sloping sides. Both pieces have a suspension hole in the footrim.                                                                       Both pieces have a white ground. The front of the cup is painted in polychrome with a trophy comprising a guitar tied with a bow of dark pink ribbon, a recorder, and another wind instruments, an arrow, an houlette decked with a dark pink ribbon and garland of leaves, surrounded by a chased gold frame of approximately three-quarters of a circle tooled panels of trellis alternating with smaller plain areas . On each side of the frame there is a gold lozenge enclosing four spots in dotted circles from which are suspended trailing sprays of gilt leaves which cross over under the handle. Round the top of the cup there is a sable d'or border between bands of gilding and there is a further band of gilding round the foot. There are gold lines down the sides of the handle and four horizontal bands of vertical strokes down its back.                                                                                          The centre of the saucer is painted  with a gardening trophy comprising a basket of grapes, a hoe, a stick, and a horn surrounded by a band of gilding. The sides are decorated with three gold lozenges similar to those on the cup, linked by trailing sprays of gilt leaves. The border is en suite with that of the cup."}],"identifier":[{"accession_number":"C.2 & A-X","primary":true,"type":"accession number","value":"C.2 & A-X"},{"priref":"72980","type":"priref","value":"72980"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72980","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72980"}],"inscription":[{"location":"on base of both pieces","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing M"}],"type":"factory mark"},{"description":[{"value":"an anchor"}],"location":"on base of both pieces","method":"painted in blue enamel","type":"painter's mark"},{"location":"on the cup","method":"incised","transcription":[{"value":"script J6 or I6 or 9C"}],"type":"incised mark"},{"location":"on the saucer","method":"incised","transcription":[{"value":"6 or 9"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Donor and date of acquisition unknown"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149652","uid":"adlib-agent-149652","uuid":"0d4f90dc-b166-3d4b-b0db-25f4118b6e98"},"summary_title":"Unknown"}],"method":{"value":"unknown"}}],"creation":[{"date":[{"earliest":1765,"era":["CE"],"latest":1765,"value":"1765"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-20788","uid":"adlib-agent-20788","uuid":"67caff28-28b1-35ff-b568-b398a88d7c1a"},"summary_title":"Buteux, Charles"}],"note":[{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 in diameter in pouces and lignes, which was larger than the largest of the porcelain cups.The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being earlier (records are lacking).The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms. A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis) They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988, Bellaigue, 2009)"},{"value":"This is a gobelet litron of the second size which was in production by 1753 with Savill's handle shape C, and tooling pattern 5. The trophies are typical of the gaily coloured ones painted by Charles Buteux. Unsuccessful as a figure painter in his early years at the factory, he became ts most prolific painter of trophies and attributes."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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For further reproductions of 'La Chasse' and 'La Pesche' and their use on Vincennes and S\u00e8vres porcelains, see pp. 6-35, esp. p. 20 and figs. 6, 7 and p. 24.","page":"pp. 6-35","type":"reference"},"admin":{"id":"publication-200001232","uid":"adlib-publication-200001232","uuid":"4e606662-3b57-31e4-8767-41d5699370cb"},"summary_title":"L'oeuvre de Vielliard d'Apr\u00e8s Boucher"},{"@link":{"notes":"Ref. This shape is thought to be that described in the factory archives as plat long uni or ovale. See p. 64, no. 124, an example in the Mus\u00e9e Nationale de C\u00e9ramique at S\u00e8vres. Similar models at the Wallace Collection and in the late Prof. Sir John Plumb's collection. The incised mark on the Fitzwilliam's plateau is reproduced on the chart at the back of the book, no. 115, shown sideways on.","page":"p. 64","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Ref. For information about the shape, see II, pp. 590-93 and pp. 593-97, C.384-6, the Fitzwilliam's tray mentioned on p. 596 under the first size. Savill notes that the term 'plateau long uni, ovale' and '\u00e0 hors d'oeuvre' do not appear to have been used to describe a tray for jam pots or a dejeuner and that this was probably described as 'plateau du roi'. For the painter, Charles-Nicolas Dodin (1734-1803, see III, pp. 1029-32.","page":"pp. 590-3","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. p. 478, a jardini\u00e8re decorated with les Jeunes Oiseleurs","page":"p. 478","type":"reference"},"admin":{"id":"publication-200001237","uid":"adlib-publication-200001237","uuid":"a71d37aa-d058-3813-a1b3-67dbf7302da3"},"summary_title":"S\u00e8vres Porcelain in the Collection of the Earl of Harewood. Part I: the early period: 1750-60"},{"@link":{"type":"reference"},"admin":{"id":"publication-7713","uid":"adlib-publication-7713","uuid":"13ecce43-21cf-3376-aa97-9167d26f86b9"},"summary_title":"An examination of Vincennes and early S\u00e8vres date letters. 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The jug stands on three rustic feet. The bulbous body contracts into a short neck and flares upwards and outwards towards the notched rim which is elongated at the front to form a lip. The crabstock handle rises up from the rim and then downwards in a single loop until it meets the widest part of the body. Sprays of flowers and leaves sprout from the junctions of the legs and handle with the body.                                         Encircling the body just above the legs and below the rim is an bluish-green zone, each decorated with a wavy continuous stem of gilt leaves flanked by gilt horizontal bands. Between these zones the ground is white. Under the spout is a motif comprising two intersecting vertical zig-zag lines of polychrome flowers and leaves, repeated three times more round the body, and alternating with a similar motif comprising intersecting zig-zag lines of pink and blue ribbons, the diamond-shapes between filled with a gold diaper pattern, and the ribbons outlined with gold dots. There are touches of gilding on the feet and handle, and on the relief flowers and leaves."}],"identifier":[{"accession_number":"C.196-1918","primary":true,"type":"accession number","value":"C.196-1918"},{"priref":"86629","type":"priref","value":"86629"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86629","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86629"}],"inscription":[{"location":"in middle of base","method":"painted in purple enamel","transcription":[{"value":"interlaced Ls enclosing R"}],"type":"factory mark"},{"location":"below the factory mark","method":"painted in purple  enamel","transcription":[{"value":"LB"}],"type":"painter's mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166982","uid":"adlib-agent-166982","uuid":"379e05a8-af03-3c3f-8302-1ff6e68b6c8b"},"summary_title":"Griffin, Ralph"}],"date":[{"earliest":1918,"latest":1918,"value":"1918"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1918-08-28"}]}],"creation":[{"date":[{"earliest":1770,"era":["CE"],"latest":1770,"note":[{"value":"date letter for 1770"}],"value":"1770"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"probably","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-76990","uid":"adlib-agent-76990","uuid":"46c7cf2b-ceb7-3ee1-99f4-9b6752969bb1"},"summary_title":"Le Bel, jeune"}],"note":[{"value":"This is a pot \u00e0 lait \u00e0 trois pieds of the second size 9.2 to 10.4 cm high. 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The cup curves upwards and outwards from the footring and almost vertically up to the rim, and has a loop handle. The saucer has deep curved sides, and a suspension hole in the footring. Both pieces have a bleu c\u00e9leste ground with an almost heart-shaped reserve on the cup and a circular reserve on the saucer, each framed by elaborate gilding comprising rococo scrolls, and sprays of flowers and foliage. The reserve on the cup is painted with a landscape in which a man carrying a fishing rod is walking beside a stream. The reserve on the saucer is painted with a view of a river, spanned by a bridge, on the right-hand side of which is a large tree and some buildings including a tower. On the left there is a steep hill with buildings on the top. There is a band of gilding round the foot of the cup and dentilated bands round the rims of both cup and saucer. 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(See Documentation, Saville, 1988, III), The gobelet Calabre was introduced before October 1752, and two sizes of cup, and three of saucers was recorded in 1753. A drawing showing two sizes of the cup and saucer is in the factory's archive at S\u00e8vres. The cup could have almost straight sides, as here, or could flare slightly towards the rim.This is a gobelet Calabre of the first size, although the saucer is a little larger than the size given by Savill (see Documentation). The landscapes in the reserves are reminiscent of Boucher\u2019s landscapes, such as his Premi\u00e8re Vue de Charenton, engraved in 1747 by J.P. Le Bas, or Second Vue des Environs de Charenton, also engraved by Le Bas in 1747."},{"value":"The incised cs mark also occurs on Tray, C.41B-1961 and on Jug, C.20.2-1961. It is attributed by Eriksen and Savill (see documentation) to members of the Censier family. Taking the date into consideration, the likely person was Charles Censier, fils jeune, working 1758-75. The incised mark o is relatively common. It appears on Cups MAR.C.35-1912 and MAR.C.36-1912 and Teapot C.22 & A-1961, as well as a piece from the Frick Collection and a number of pieces from the Wrightsman Collection (see documentation)."},{"value":"The mark y usually situated away from the factory mark was used, at the time of manufacture of this cup and saucer, by Edme-Fran\u00e7ois Bouillat, p\u00e8re who worked at S\u00e8vres from 1758 until the year of his death in 1810. Initially specializing in flowers, his work became more diverse later in his career, including flowers in vases, and garden landscapes. 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The small medallions each contain a profile head: a Roman soldier and a young woman. The larger medallion has a scene with two Roman soldiers, the one on the right seated, probably Cincinnatus, and the one on the left standing. On the underside of the spout there is a circular reserve painted in polychrome with a wreath made up of two branches of different trees (? laurel and olive) tied with a bow at the bottom. At the top the branches meet on either side of a gold Imperial crown. Within the wreath is an E made up of flowers in monogram with II in gold, for Ekaterina II. The ground on either side is decorated with gold rinceaux. There is a gold band round the foot and a dentilated band and close-set strokes of different lengths round the lip. 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