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In the drawing the boy is portrayed as a gardener leaning on a spade, and the figure was originally known as 'Le petit jardinier' but although he appears with a spade in painted form on tableware, the spade was omitted from the figures The Boucher drawing and the figure can be related to a series of tapestries of children, and a set of chair covers made for Madame de Pompadour by Neilson 1751-2, and listed in her inventory of 1764.This example is unusual in being glazed rather than biscuit.\n\nThe boy was one of a series of eight 'Enfants' designed by Boucher, described as \u2018Enfans de M. Boucher\u2019 or \u2018Enfans de Boucher\u2019 in the biscuit firing records and inventories after 1752, but not differentiated as to subject, although they were grouped into large, medium and small sizes. 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The glaze is slightly speckled inside and outside. The vase stands on a D-shaped solid base. The back of the bowl is almost flat with a depression on either side of the centre. The front is curved, and divided into two lobes, separated by stylised palms in relief which curve below each lobe and rise to form small handles at each end. The wavy upper edge is divided and folded back at each end. Each of the lobes is painted with a bouquet of flowers. The relief leaves are touched with blue and gold; the upper edge is feathered in blue, and there are gold bands round the upper edge, and round the edge of the base.\nA pair with C.4B-1955."}],"identifier":[{"accession_number":"C.4A-1955","primary":true,"type":"accession number","value":"C.4A-1955"},{"priref":"82570","type":"priref","value":"82570"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82570","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82570"}],"inscription":[{"description":[{"value":"the dots are one above the other"}],"location":"on base","method":"painted in blue enamel onto the unglazed body","transcription":[{"value":"interlaced, foliate Ls with a group of three dots above, three in the centre and one below"}],"type":"mark"},{"description":[{"value":"an illegible inscription in which some letters are readable"}],"location":"on base","method":"hand-written, probably in ink, appearing pale brown","type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Leverton Harris Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-161362","uid":"adlib-agent-161362","uuid":"d1288bdc-73de-34c6-86d1-0acf56e103d7"},"summary_title":"Gould, Cecil"}],"date":[{"earliest":1955,"latest":1955,"value":"1955-05-26"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1955-05-26"}]}],"creation":[{"date":[{"earliest":1751,"from":{"earliest":1751,"era":["CE"],"latest":1751,"precision":"circa","value":"1751"},"latest":1752,"note":[{"value":"Perhaps c.1750-1, see documentation Eriksen and Bellaigue, 1987"}],"range":true,"to":{"earliest":1752,"era":["CE"],"latest":1752,"value":"1752"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-140732","uid":"adlib-agent-140732","uuid":"1cccf6bc-5e51-3e11-a849-d05785821974"},"summary_title":"Vincennes Porcelain Manufactory"}],"note":[{"value":"This open bowl-like flower vase, is likely to have been the form referred to in the Vincennes factory's records as a 'cuvette \u00e0 fleurs' or a 'pot \u00e0 fleur'. With its pair, C.4B-1955, it may have formed part of a garniture of three vases, with a larger one in the centre. \n\nIn the absence of other wide bowl-like Vincennes flower vases during the early 1750s, Eriksen and Bellaigue  (see Documentation 1987) identified this form as probably corresponding to a garniture of vases, listed twice, once as 'vases \u00e0 fleurs' and again as 'cuvettes \u00e0 fleurs' in the probate inventory of Jean-Henry-Louis Orry de Fulvy (1703-51), which was begun on 26  May 1751, and is now in the Archives Nationales.  In the inventory of the factory's stock taken of 1 October 1752 among the glazed wares there were five chimney garnitures in the form of bowls for flowers each defective costing 100 livres and amounting to 500 livres, which were still unsold in the inventory of 1 April 1753. (MNS I 7,p. 23) The report of the biscuit firing of 4 November 1752 included under moulded ware, one 'cuvette a fleur' of the first size and two of the second size which seems likely to have been another garniture of this type.  (Ledger in the Institut de France, MS 5673, p. 3. ) \n\nIt seems plausible to imagine that the large central vase resembled the one filled with an arrangement of porcelain flowers on metal stems acquired by the Mus\u00e9e national de C\u00e9ramique, S\u00e8vres in 1983 (MNC 25058). The museum already owned a pair of matching smaller bowls. (MNC 24427.1, 2), similar to the Fitzwilliam\u2019s but having pink edges, which suggests that they may have been decorated before July 1751 when the factory's chemist, Jean Helot, introduced a blue enamel. The Fitzwilliam's examples were probably made between that date and the introduction of the date lettering system in 1753. Another of the smaller size bowls with pink edges is in the Toledo Museum of Art, Ohio (71.147), and another with blue edges was sold at Christies, New York, on 24 October 2012, lot 21.  The bowls were also made with turquoise grounds."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113744","uid":"adlib-term-113744","uuid":"da105475-9705-3ee7-94ad-24892e6217d4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Val-de-Marne"}],"summary_title":"Val-de-Marne","type":"region"}]],"summary_title":"Vincennes"}]}]},"materials":[{"note":[{"value":"except underside of base; presumed 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Oval with four lobes on the long sides, and flattened ends to which are attached handles with foliated terminals. There are two suspension holes in the footring at right angles to each other (at bottom of scene and right when back is facing viewer).                                                                      The ground is bleu nouveau vermicul\u00e9 d'or. The central oval reserve is framed by a gold band with tooled striations, and painted in polychrome with a scene depicting a woman, a merchant, and sailors on a wharf, with cliffs and the sea in the background. One box on the left below the mast is inscribed 'J A' and another '1759'. The box with a jar on top is inscribed 'R' with a six-armed cross formed by two triangles beside it. The large bale on the right is inscribed on the left of its end: interlaced Cs with below, '2' with reversed 'S' beside it, upside down when the scene is the correct way up; and on the right side of the end with a double lined cross and on either side of the cord, 'XX'. On the left of its top 'JV' and top right an 'H' with to its left another not legible sign. There is a band of gilding round the edge of the rim, and footring, and touches of gilding on the handles and leaf terminals."}],"identifier":[{"accession_number":"C.25-1961","primary":true,"type":"accession number","value":"C.25-1961"},{"priref":"73644","type":"priref","value":"73644"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73644","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73644"}],"inscription":[{"description":[{"value":"interlaced L's enclosing L"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"the mark of the painter Jean-Louis Morin (1732-87)"}],"location":"on base, above the factory mark","method":"painted in blue enamel","transcription":[{"value":"M"}],"type":"painter's mark"},{"location":"on base","method":"incised","transcription":[{"value":"25"}],"type":"incised mark"},{"location":"on base","method":"incised","transcription":[{"value":"14"}],"type":"mark"},{"description":[{"value":"square white paper, now discoloured brown"}],"location":"on base","method":"hand-written in black ink","transcription":[{"value":"Quay Scene\/by Morin\/1764"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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(see Documentation, Savill, 1988, III) The plateau H\u00e9bert, which was used to support a tea set (dejeuner)  was made in two forms, with or without handles. One version, had four lobes of equal size on each side and flattened ends, as this one does, and the other had four large lobes with much smaller ones between them. The handles were also of two forms, one plain with foliated terminals, and the other reeded with looped and foliated terminals. This tray has the former type. The trays  were being made by November 1752 and a second size was in production in 1753. Models for both survive at the factory. The overglaze bleu nouveau ground colour was introduced in 1763."},{"value":"Jean-Louis Morin (1732-87) was employed at the factory from 1754 until 1787. He became a specialist in painting in military, seascape, and harbour scenes, from the end of the  1750s, having worked earlier on cherubs, birds in landscapes, trophies and, from about 1758-63, Teniers scenes. 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Clarke by whom lent to the Fitzwilliam Museum in 1948; bequeathed on his death on 13 December 1960"}],"objects":[{"@link":{"cascade":true,"role":[{"value":"similar incised mark"}],"type":"reference"},"admin":{"id":"object-75708","uid":"adlib-object-75708","uuid":"c6e4dc98-60e5-35f2-b93d-571a58a81c2c"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90921","uid":"adlib-term-90921","uuid":"743cd8b7-9f18-3c65-9283-a5a0c17e68c4"},"summary_title":"sauce boat"}},"summary_title":"sauce boat"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-93486","uid":"adlib-object-93486","uuid":"de6e3e2b-cb87-3bc9-a116-5691ff858a83"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group"},{"@link":{"cascade":true,"role":[{"value":"similar incised mark"}],"type":"reference"},"admin":{"id":"object-93753","uid":"adlib-object-93753","uuid":"3492b7ed-cc00-3957-9d14-40d5dce182fd"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89328","uid":"adlib-term-89328","uuid":"7426f28e-0b60-31b2-bfb8-3502da83b1da"},"summary_title":"\u00e9cuelle"}},"summary_title":"\u00e9cuelle"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Ref. for the form, see p. 67, no. 32","page":"67","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Ref. pp. 332-3 for biography and work of Morin. For examples of his work, see nos. 12, 24-5, 29, 33, 35, 36, 40, 43, 48, 49, 54, 60, 62, 69, 72, and 109.","page":"332-3","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. Vol. III, pp. 982-3 for H\u00e9bert and pp. 1051-2, for the biography and work of Morin.","page":"982-3 and 1051-2","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. For the form and title, see p. 181,under  no. 85 and p. 184, under no. 86.The author illustrates two moulds for the handled version on p. 184, fig. 86-1 and 86-2. 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yellow, dark pink, purple, brown, grey, and black enamels, and gilding. Cylindrical cup with ear-shaped handle. Circular saucer with convex central area and deep, sloping sides. Both pieces have a suspension hole in the footrim.                                                                       Both pieces have a white ground. The front of the cup is painted in polychrome with a trophy comprising a guitar tied with a bow of dark pink ribbon, a recorder, and another wind instruments, an arrow, an houlette decked with a dark pink ribbon and garland of leaves, surrounded by a chased gold frame of approximately three-quarters of a circle tooled panels of trellis alternating with smaller plain areas . On each side of the frame there is a gold lozenge enclosing four spots in dotted circles from which are suspended trailing sprays of gilt leaves which cross over under the handle. Round the top of the cup there is a sable d'or border between bands of gilding and there is a further band of gilding round the foot. There are gold lines down the sides of the handle and four horizontal bands of vertical strokes down its back.                                                                                          The centre of the saucer is painted  with a gardening trophy comprising a basket of grapes, a hoe, a stick, and a horn surrounded by a band of gilding. The sides are decorated with three gold lozenges similar to those on the cup, linked by trailing sprays of gilt leaves. The border is en suite with that of the cup."}],"identifier":[{"accession_number":"C.2 & A-X","primary":true,"type":"accession number","value":"C.2 & A-X"},{"priref":"72980","type":"priref","value":"72980"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72980","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72980"}],"inscription":[{"location":"on base of both pieces","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing M"}],"type":"factory mark"},{"description":[{"value":"an anchor"}],"location":"on base of both pieces","method":"painted in blue enamel","type":"painter's mark"},{"location":"on the cup","method":"incised","transcription":[{"value":"script J6 or I6 or 9C"}],"type":"incised mark"},{"location":"on the saucer","method":"incised","transcription":[{"value":"6 or 9"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Donor and date of acquisition unknown"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149652","uid":"adlib-agent-149652","uuid":"0d4f90dc-b166-3d4b-b0db-25f4118b6e98"},"summary_title":"Unknown"}],"method":{"value":"unknown"}}],"creation":[{"date":[{"earliest":1765,"era":["CE"],"latest":1765,"value":"1765"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-20788","uid":"adlib-agent-20788","uuid":"67caff28-28b1-35ff-b568-b398a88d7c1a"},"summary_title":"Buteux, Charles"}],"note":[{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 in diameter in pouces and lignes, which was larger than the largest of the porcelain cups.The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being earlier (records are lacking).The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms. A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis) They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988, Bellaigue, 2009)"},{"value":"This is a gobelet litron of the second size which was in production by 1753 with Savill's handle shape C, and tooling pattern 5. The trophies are typical of the gaily coloured ones painted by Charles Buteux. Unsuccessful as a figure painter in his early years at the factory, he became ts most prolific painter of trophies and attributes."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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The cup has straight sides which curve inwards slightly at the base, and an ear-shaped  handle. The circular saucer has sloping sides and a flat centre. There is a suspension hole in the footrim of the saucer. The cup is decorated with a bird in a tree, with one bird in flight on each side, and has a dentilated gold rim, a gold line round the base, and lines on the sides of the handle. The centre of the saucer is decorated with two buildings in a landscape, and on the sides with three birds in flight. The edge is encircled by a dentilated gold band.  The colour of the crimson on the saucer is darker than that on the cup."}],"identifier":[{"accession_number":"C.1 & A-1949","primary":true,"type":"accession number","value":"C.1 & A-1949"},{"priref":"71107","type":"priref","value":"71107"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71107","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71107"}],"inscription":[{"location":"on base of cup","method":"incised","transcription":[{"value":"'I' or I  and dt"}],"type":"incised mark"},{"description":[{"value":"is this in fact there?"}],"location":"on base of saucer","method":"S","type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Louis C.G. 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This cup and saucer have been dated to the Vincennes period, but might have been made at S\u00e8vres. A Vincennes cup and saucer of Bouillard shape of c. 1753 painted in crimson with a bird in a landscape is in the Mus\u00e9e des Arts D\u00e9coratifs.(Inv. no. 33263A-B)."},{"value":"The shape of this cup resembles several in the Wallace Collection which Savill (see Documentation, 1988, vol. II) suggests may be the form described as gobelet 'couvert' et soucoupe, but lacking its cover. If so, this would be the first size which without its cover measured between 6.4 to 7 cm, with, a saucer of the form normally accompanying a gobelet litron, between 12.8 and 14.5 cm in diameter. This one has a gobelet litron style handle of Savill\u2019s shape C, and a litron saucer.The gobelet couvert might also have a Bouillard shape saucer. 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The circular cup stands on a low foot and has two handles in the form of branches with leaves in relief at the junction of their lower ends with the body. The domed cover has a handle in the shape of a branch with leaves in relief at the junction of one end with the cover. The circular saucer has curved sides and a circular rib in the centre to enclose the foot of the cup. The white ground is painted in gold with trophies, vignettes of animals and fish, and with arrangements of rocaille scrolls, foliage and flowers. On the cup: (a) a spaniel chasing a duck and (b) a stag brought down by a hound. On the cover (a) a squirrel amid plants, (b) a stag couchant, (c) a posy of flowers and leaves. On the saucer: (a) in the centre, a large fish amid reeds, (b) on the sides, a trophy comprising a basket, a girl's hat, houlette tied with ribbon, and a bag; a trophy comprising a boy's hat, lyre, trumpet, and wind instrument; and a fanciful building, each supported by an arrangemens of scolls, floral sprays and foliage. The handles are gold and there are gold bands round the foot and rim of the cup, the central rim of the saucer, and the outer edges of the saucer and cover."}],"identifier":[{"accession_number":"MAR.C.37 & A & B-1912","primary":true,"type":"accession number","value":"MAR.C.37 & A & B-1912"},{"priref":"82456","type":"priref","value":"82456"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82456","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82456"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"C.B. 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The base has an eight-lobed edge decorated with eight moulded cockle shells alternately face up and face down. The foot of the vase has an eight-lobed edge and rises into an incurved stem which expands into the shallow bulb-shaped lower part of the vase. The sides of the vase are trumpet-shaped, and it has eight scallops round the rim.  On each side, is a handle rising from the foot into an elaborate scroll, joined to the widest part of the bulb and rising above to form a hollow foliated projection. The decoration is of alternating areas of bleu lapis lightly marbled with gilding and white panels painted on each side of the upper part with a spray of flowers which ignores the blue divisions. On the stem the white panels are decorated underglaze in blue with  four trefoil-shaped leaves with three dots above.The edges of the bleu lapis areas, the edges of the handles, the upper part of the base and the edges of the shells are gilded. A non-identical pair with C.9-1961"}],"identifier":[{"accession_number":"C.8-1961","primary":true,"type":"accession number","value":"C.8-1961"},{"priref":"82587","type":"priref","value":"82587"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82587","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82587"}],"inscription":[{"location":"on base","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls with a spot in the centre"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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The 'vase Duplessis' was made in four sizes, and in three main shapes, differing in details.  One, represented by the Fitzwilliam\u2019s pair, has a lobed foot and rim, and stands on either a low rocky base or a shell base. The body, rim, and handles but not the foot conform to an unsigned  drawing at the factory (R.1, liasse 3, dossier 6, fol. 2; fol. 1 shows outline minus handles).  It does not conform exactly to any of the three plaster models which survive, although its basic outline is similar to 'vase \u00e0 fleurs Duplessis uni' (see Documentation, Troude), The other versions were known as 'vase Duplessi enfants' and 'vase a fleurs Duplessis orn\u00e9' For illustrations of all three forms, see  Documentation, Roth and Corbeiller. \n\nExamples of the  'vase Duplessis' were fired in 1748  and in 1751 the posthumous inventory of the director, Jean-Henry-Louis Orry de Fulvy (1703-51) begun on 26 May 1751 mentions seven vases whose descriptions appear to corre\u00acspond to it, and which were described twice, once as part of his own estate and again on 15 September when it had been found that they belonged to the factory. Four sizes were mentioned among glazed and fire pieces in the inventory of 1 October 1752, of which the first size was the largest, and in the sale room there were nine decorated with a lapis ground and flowers but defective and only valued at 60 livres each. (MNS I 7 Inventaire g\u00e9neraux\/de la Manufacture 1752, p. 23-4 and p. 39).The first mention of the sale of a vase Duplessis in the marchand-mercier, Lazare Duvaux\u2019s 'Livre Journal' was on 16 January, 1752 to a M. Leonor La Resnaye, for 84 livres. The factory's sale ledger's record sales of vases Duplessis with a lapis (bleu lapis) ground and floral decoration on 25 January 1753  (Vy 1, p. 7 verso). three of the first size on 9 April 1753 (Vy 1, p. 11 recto), two of the first size on 19 July 1753, and three of the first size on 14 October 1754. \n\nIn addition to this one, seven vases Duplessis with bleu lapis grounds and scalloped rims are known, each decorated slightly differently with regard to the areas of ground colour and the shape of the handles and base: one in the Fitzwilliam Museum (C.9-1961) one in the Louvre (OA 7610) two in the Mineappolis Museum of Art (82.2.1 and 82.2.2), one in the Hermitage (3\u042423291), one in the Belvedere Collection (Catalogue no. 86), one with Adrian Sassoon, London, in Summer 2008 (inv. no. 979). A smaller and later example of 1759-60  with a plain rim, and a large floral reserve on each side, is in the Victoria & Albert Museum (C.1363-1919)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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The base has an eight-lobed edge decorated with eight moulded cockle shells alternately face up and face down. The foot of the vase has an eight-lobed edge and rises into an incurved stem which expands into the shallow bulb-shaped lower part of the vase. The sides of the vase are trumpet-shaped, and it has eight scallops round the rim.  On each side, is a handle rising from the foot into an elaborate scroll, joined to the widest part of the bulb and rising above to form a hollow foliated projection. The decoration is of alternating areas of bleu lapis lightly marbled with gilding and white panels painted on each side of the upper part with a spray of flowers which ignores the blue divisions. On the stem the white panels are decorated underglaze in blue with  four trefoil-shaped leaves with three dots above.The edges of the bleu lapis areas, the edges of the handles, the upper part of the base and the edges of the shells are gilded. 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The glaze is slightly speckled inside and outside. The vase stands on a D-shaped solid base. The back of the bowl is almost flat with a depression on either side of the centre. The front is curved, and divided into two lobes, separated by stylised foliage in relief which curve below each lobe and rise to form small handles at each end. The wavy upper edge is divided and folded back at each end. Each of the lobes is painted with a bouquet of flowers. The relief foliage is touched with blue and gold; the upper edge is feathered in blue, and there are gold bands round the upper edge, and round the edge of the base.\n\nAs a pair with C.4A-1955."}],"identifier":[{"accession_number":"C.4B-1955","primary":true,"type":"accession number","value":"C.4B-1955"},{"priref":"82572","type":"priref","value":"82572"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82572","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82572"}],"inscription":[{"description":[{"value":"the dots are one above the other"}],"location":"on base","method":"painted in blue enamel onto the unglazed body","transcription":[{"value":"interlaced, foliated Ls with a group of one dot above, and one inside the Ls"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Leverton Harris Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-161362","uid":"adlib-agent-161362","uuid":"d1288bdc-73de-34c6-86d1-0acf56e103d7"},"summary_title":"Gould, Cecil"}],"date":[{"earliest":1955,"latest":1955,"value":"1955-05-26"}],"method":{"value":"bought"},"note":[{"value":"The price was for the pair of vases"}]}],"creation":[{"date":[{"earliest":1751,"from":{"earliest":1751,"era":["CE"],"latest":1751,"precision":"circa","value":"1751"},"latest":1752,"note":[{"value":"Perhaps  as early as 1750-1, see documentation Eriksen and Bellaigue, 1987"}],"range":true,"to":{"earliest":1752,"era":["CE"],"latest":1752,"value":"1752"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-140732","uid":"adlib-agent-140732","uuid":"1cccf6bc-5e51-3e11-a849-d05785821974"},"summary_title":"Vincennes Porcelain Manufactory"}],"note":[{"value":"This open bowl-like flower vase, is likely to have been the form referred to in the Vincennes factory's records as a 'cuvette \u00e0 fleurs' or a 'pot \u00e0 fleur'. With its pair, C.4A-1955, it may have formed part of a garniture of three vases, with a larger one in the centre. \n\nIn the absence of other wide bowl-like Vincennes flower vases during the early 1750s, Eriksen and Bellaigue  (see Documentation 1987) identified this form as probably corresponding to a garniture of vases, listed twice, once as 'vases \u00e0 fleurs' and again as 'cuvettes \u00e0 fleurs' in the probate inventory of Jean-Henry-Louis Orry de Fulvy (1703-51), which was begun on 26  May 1751, and is now in the Archives Nationales.  In the inventory of the factory's stock taken of 1 October 1752 among the glazed wares there were five chimney garnitures in the form of bowls for flowers each costing 100 livres and amounting to 500 livres, which were still unsold in the inventory of 1 April 1753. (MNS I 7,p. 23) The report of the biscuit firing of 4 November 1752 included under moulded ware, one 'cuvette a fleur' of the first size and two of the second size which seems likely to have been another garniture of this type.  (Ledger in the Institut de France, MS 5673, p. 3. ) \n\nIt seems plausible to imagine that the large central vase resembled the one filled with an arrangement of porcelain flowers on metal stems acquired by the Mus\u00e9e national de C\u00e9ramique, S\u00e8vres in 1983 (MNC 25058). The museum already owned a pair of matching smaller bowls. (MNC 24427.1, 2), similar to the Fitzwilliam\u2019s but having pink edges, which suggests that they may have been decorated before July 1751 when the factory's chemist, Jean Helot, introduced a blue enamel. The Fitzwilliam's examples were probably made between that date and the introduction of the date lettering system in 1753 (or more likely 1754). Another of the smaller size bowls with pink edges is in the Toledo Museum of Art, Ohio (71.147), and another with blue edges was sold at Christies, New York, on 24 October 2012, lot 21.  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Eriksen and Bellaigue suggest a date of c. 1750-1. Nothing resembling them was listed in the 1752 stock list.","page":"p. 234","type":"reference"},"admin":{"id":"publication-2708","uid":"adlib-publication-2708","uuid":"8bd0fe01-f1e7-391a-9790-39dfbcf6c941"},"summary_title":"S\u00e8vres Porcelain: Vincennes and S\u00e8vres 1740-1800"},{"@link":{"type":"reference"},"admin":{"id":"publication-3650","uid":"adlib-publication-3650","uuid":"a6c9b778-9484-30c5-8834-65c60bb2e6ba"},"summary_title":"Important Continental Porcelain and Pottery"},{"@link":{"type":"reference"},"admin":{"id":"publication-3664","uid":"adlib-publication-3664","uuid":"f25efea3-7517-3d67-8795-3fed23e56bde"},"summary_title":"Sotheby's Sale Catalogue, 29th-30th March 1971"},{"@link":{"notes":"Cf. pp. 75-6, nos. 155-6, two examples with pink edges in the Mus\u00e9e national de C\u00e9ramique, S\u00e8vres (MNC 24427 1 and 2) and p. 75, no. 154, a larger one in private collection, since 1983 also at S\u00e8vres (MNC 25058). The Fitzwilliam's pair are mentioned, p. 75","page":"pp. 75-6","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Cf. p. 132, fig. 27, examples at S\u00e8vres. Fitzwilliam's example mentioned in text.","page":"p. 132","type":"reference"},"admin":{"id":"publication-3651","uid":"adlib-publication-3651","uuid":"b6570ad2-e4e9-30b7-8f3d-5e91ee060031"},"summary_title":"S\u00e8vres des Origines \u00e0 nos Jours"},{"@link":{"notes":"Cf. colour pl. p. 27 and p. 146, nos. 101, with the larger central bowl, at S\u00e8vres  (MNC 25058). These have different marks from the Fitzwilliam's pair, the large bowl has double L; the smaller two double L orn\u00e9 with central dot. They date them to c. 1750-1. They have pink edges instead of blue, suggesting a slightly earlier date than the Fitzwilliam's.","page":"p. 146","type":"reference"},"admin":{"id":"publication-3638","uid":"adlib-publication-3638","uuid":"9fdd0b21-49ec-37e9-9467-969617c4e941"},"summary_title":"La Porcelaine de Vincennes"},{"@link":{"notes":"Cf. p. 106, lot 396, illustrated p. 107, a pair with bleu c\u00e9leste grounds on lower part, and flowers on the lobes, with date letter A for 1753-4, and incised mark BU. Estimate \u00a330-40,000. The Fitzwilliam's examples are mentioned.","page":"106-7","type":"reference"},"admin":{"id":"publication-2645","uid":"adlib-publication-2645","uuid":"b1b69b1c-707f-3c05-a267-31713b4eb4c0"},"summary_title":"British and Continental Ceramics"},{"@link":{"notes":"Cf. p. 298-303, no. 47, a flower vase, probably vase 'cuvette \u00e0 fleurs ancienne forme', c. 1752-3, with pink feathering round the top, probably a pair to the example in the Toledo Museum of Art, p. 301, fig. 2. On p. 298 the Fitzwilliam's example and the one in the Belvedere Collection with blue feathering round the top edge are mentioned, but not as a possible pair.","page":"298-303","type":"reference"},"admin":{"id":"publication-9068","uid":"adlib-publication-9068","uuid":"e5e8918c-4973-3482-84a6-3995ddee6118"},"summary_title":"Brittle Beauty: Reflections on 18th-century European Porcelain"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107622","uid":"adlib-term-107622","uuid":"523e46be-6c51-3455-8391-3ea334aab2f0"},"summary_title":"flowers"},{"@link":{"type":"literal"},"name":[{"value":"flowers"}],"summary_title":"flowers"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89480","uid":"adlib-term-89480","uuid":"f1ea518e-351c-3f42-b2a7-db0f8559fa2c"},"summary_title":"vase"}},"summary_title":"vase","techniques":[{"description":[{"value":"Soft-paste porcelain, moulded, glazed, and decorated with painting in blue, pale green, greyish-green, yellow, brownish-orange, dark pink, and mauve enamels, and gilding."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"note":[{"value":"presumed lead-glaze; except for the base"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Cuvette ou pot \u00e0 fleurs"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-131366","_score":15.789221,"_source":{"admin":{"added":1592964858000,"created":1312637261000,"flag":"Standard Record","id":"object-131366","indexed":1755194553447,"modified":1714401418000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-131366","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131366","uuid":"f8c7de9c-4cf9-340f-9094-8eb86883e28a","version":6},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"turquoise, green and pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in turquoise, green and pink enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120086","uid":"adlib-term-120086","uuid":"cdecca31-5ec3-3fe3-9e5d-455d9771fda5"},"summary_title":"painting overglaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain vase, decorated overglaze with flowers and insects in polychrome enamels and gilt."},{"value":"Soft-paste porcelain vase, painted in turquoise, green and pink enamels, and gilt. Each is of fluted angular urn shape with waisted neck and flared mouth, with double rococo scroll handles, standing on a waisted socle, with ground foot-ring. The turquoise ground is reserved with gilt-edged medallions, each enclosing a pink rose. Each vase with a V-shaped upper white panel, with pendant swags of flowers and scattered insects in cisel\u00e9 gilding."}],"identifier":[{"accession_number":"EC.4A-1939","primary":true,"type":"accession number","value":"EC.4A-1939"},{"priref":"131366","type":"priref","value":"131366"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131366","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131366"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by C.H.B. Caldwell"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-154394","uid":"adlib-agent-154394","uuid":"80248c02-39e8-3bcd-b6b0-cd0165e00189"},"summary_title":"Caldwell, C.H.B."}],"date":[{"earliest":1939,"latest":1939,"value":"1939-02-01"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1939-02-01"}]}],"creation":[{"date":[{"earliest":1765,"from":{"earliest":1765,"latest":1765,"precision":"circa","value":"1765"},"latest":1770,"range":true,"to":{"earliest":1770,"latest":1770,"value":"1770"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-157802","uid":"adlib-agent-157802","uuid":"e51ed5e2-3605-39a0-b953-487f1f622a3a"},"summary_title":"Chelsea Porcelain Manufactory"}],"note":[{"value":"This type is after a Vincennes original. See documentation."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-113159","uid":"adlib-term-113159","uuid":"4bdfb4a7-b307-3dfa-a3d6-8ada4683271e"},"summary_title":"18th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110773","uid":"adlib-term-110773","uuid":"68c8f10b-41e6-3cdd-addf-92be95627be1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Middlesex"}],"summary_title":"Middlesex","type":"region"}]],"summary_title":"Middlesex"}]}]},"materials":[{"note":[{"value":"presumed lead"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"17.5"},{"dimension":"Height","units":"in","value":"6 7\/8"},{"dimension":"Width","units":"cm","value":"14"},{"dimension":"Width","units":"in","value":"5 1\/2"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89480","uid":"adlib-term-89480","uuid":"f1ea518e-351c-3f42-b2a7-db0f8559fa2c"},"summary_title":"vase"}}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-131364","uid":"adlib-object-131364","uuid":"986436e7-d5f7-3390-a2e5-71cb97207df7"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89480","uid":"adlib-term-89480","uuid":"f1ea518e-351c-3f42-b2a7-db0f8559fa2c"},"summary_title":"vase"}},"summary_title":"vase"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-131365","uid":"adlib-object-131365","uuid":"ec7e05c5-f674-36fb-9858-709923c21674"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89480","uid":"adlib-term-89480","uuid":"f1ea518e-351c-3f42-b2a7-db0f8559fa2c"},"summary_title":"vase"}},"summary_title":"vase"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. p.124, no.50, ill. p. 125, for the original type in the Royal Collection, known as 'Vase'Cannel\u00e9' or 'Vase \u00e0 Corset', it was made in three sizes from 1754-55.","page":"124","type":"reference"},"admin":{"id":"publication-3638","uid":"adlib-publication-3638","uuid":"9fdd0b21-49ec-37e9-9467-969617c4e941"},"summary_title":"La Porcelaine de Vincennes"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-109302","uid":"adlib-term-109302","uuid":"4947b8fd-1ece-3526-8cf6-3aad8b169739"},"summary_title":"insects"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107622","uid":"adlib-term-107622","uuid":"523e46be-6c51-3455-8391-3ea334aab2f0"},"summary_title":"flowers"},{"@link":{"type":"literal"},"name":[{"value":"insects"}],"summary_title":"insects"},{"@link":{"type":"literal"},"name":[{"value":"flowers"}],"summary_title":"flowers"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89480","uid":"adlib-term-89480","uuid":"f1ea518e-351c-3f42-b2a7-db0f8559fa2c"},"summary_title":"vase"}},"summary_title":"vase","techniques":[{"description":[{"value":"soft-paste porcelain, decorated overglaze with flowers and insects in polychrome enamels and gilt"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27616","uid":"adlib-term-27616","uuid":"61e6a95d-84c8-3893-b6c8-213392262987"},"summary_title":"glazing (coating)"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-75684","_score":15.789221,"_source":{"admin":{"added":1592999663000,"created":1312637261000,"flag":"Standard Record","id":"object-75684","indexed":1768327321071,"modified":1768299144000,"processed":1768327318468,"source":"adlib","stream":"fitz-online","uid":"adlib-object-75684","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75684","uuid":"e3c45f69-0739-36d4-a414-0f79fe2484ae","version":8},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. G. Clarke"}],"component":[{"materials":[{"note":[{"value":"blue and purple"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"note":[{"value":"pale yellow"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113756","uid":"adlib-term-113756","uuid":"79bc070a-703b-3bad-a71d-db930b9fccf0"},"summary_title":"ground colour"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"blue and purple enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"note":[{"value":"pale yellow"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120423","uid":"adlib-term-120423","uuid":"49c03045-1936-389b-82bc-13662efdec88"},"summary_title":"ground laying"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"12.2"},{"dimension":"Height","units":"cm","value":"3"}]},"name":"Saucer","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"5.6"}]},"name":"Cup Rim"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"5.9"}]},"name":"Cup","techniques":[{"description":[{"value":"soft-paste porcelain with presumed lead-glaze, decorated with a pale yellow ground, painting in blue and purple enamels, and gilding"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"7.9"}]},"name":"Cup With Handle"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-106275","uid":"adlib-term-106275","uuid":"a1bd9046-a422-36ac-a493-60fa7c7f7e91"},"summary_title":"landscape"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain cup and saucer, with pale yellow ground, painted in blue with a continuous landscape, and gilded."},{"value":"Soft-paste porcelain decorated with a pale yellow ground, painting blue and purple enamels, and gilding. Cylindrical cup with arched and incurved handle. Circular saucer with flat central area and deep sloping sides. There is a suspension hole in the footring of the saucer. Both pieces have a pale yellow ground. The lower part of the cup is painted in blue with a continuous landscape including buildings and figures, beneath which there is a band of purple. Above the landscape there is a dainty border of undulating blue garlands, manganese-purple dots in threes one above the other, and U-shapes. Round the rim there is a gold band, a reserved white band and a purple band. There are gold lines down the sides of the handle, a stylised leaf, and two smaller trefoil leaves seaparated by dots down its back. The central area of the saucer is decorated with a circular wreath of the same border pattern as the cup. The sides are decorated en suite with those of the cup, but the landscape is different and includes ships as well as buildings and figures. There is a purple line and a band of gilding round the rim."}],"exhibitions":[{"@link":{"catalogue":"handlist B9","type":"reference"},"admin":{"id":"exhibition-1071","uid":"adlib-exhibition-1071","uuid":"1e2a642b-176c-3627-bc33-da9966fc1da6"},"summary_title":"Curious Variations on Ceramic Themes, Geometrical and Zoomorphic Forms"}],"identifier":[{"accession_number":"C.62 & A-1961","primary":true,"type":"accession number","value":"C.62 & A-1961"},{"priref":"75684","type":"priref","value":"75684"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75684","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75684"}],"inscription":[{"description":[{"value":"interlaced Ls"}],"location":"on the base of both pieces","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls"}],"type":"factory mark"},{"description":[{"value":"horizontal mark with three evenly dispersed dots along it"}],"location":"on the base of both pieces, below the factory mark","method":"painted in blue enamel","type":"painter's mark"},{"location":"on the base of both pieces, below painter's mark","method":"painted in blue enamel","transcription":[{"value":"LL"}],"type":"date"},{"location":"on base of cup","method":"incised","transcription":[{"value":"11"}],"type":"incised mark"},{"location":"on base of saucer","method":"incised","transcription":[{"value":"43"}],"type":"incised mark"},{"location":"on base of cup","method":"printed in black and hand-written in black ink","transcription":[{"value":"SEVRES printed and 'Painter Lecot' hand-written"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-24"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1788,"era":["CE"],"latest":1788,"note":[{"value":"The date letter LL should indicate 1789 but it appears from examples and archival evidence that it was used in 1788. This seems to have occurred because after II for 1786, JJ was used for 1786-7, KK for 1787 and LL for 1788."}],"value":"1788"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-140351","uid":"adlib-agent-140351","uuid":"c7d542ac-aafe-3e9f-9375-9cd93cfe24b6"},"summary_title":"Vielliard, Andr\u00e9-Vincent"}],"note":[{"value":"Andr\u00e9-Vincent Vieillard (1717-90) worked for the factory from 1752 to 1790.  From the mid 1760s he often painted landscapes with small figures, and sometimes continuous landscapes over a ground, as opposed to inside reserves."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Savill, 1988, Pr\u00e9sux and d'Albis, 1991, Bellaigue 2009) This is a gobelet litron and soucoupe of the third size with Savill's handle shape B."},{"value":"Yellow grounds were not really popular until about 1775 and then continued to be so through the 1780s, particularly after 1787. 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Gagny"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-123464","uid":"adlib-term-123464","uuid":"eab8eef4-1668-371e-bed7-5038cae50bf8"},"summary_title":"ground laying underglaze"}},{"note":[{"value":"blue, green, yellow, dark pink, red, purple, and grey enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porelain decorated with an underglaze blue ground, reserves painted in enamels with flying birds, and gilding"},{"value":"Soft-paste porcelain, moulded, decorated with an underglaze bleu lapis ground, painting in blue, green, yellow, dark pink, red, purple, grey enamels, and gilding. The basin is oval in plan with undulating curved sides and rim, slightly higher at one end than the other. On each side there is a depression to facilitate handling. The middle of the base has been ground down to flatten it, and there is a small suspension hole. nInside there are two circular and two oval reserves, each painted in enamels with two flying birds, two framed by gilt garlands of flowers, and foliage, and two by palms, flowers, and foliage, . In two of the reserves one bird holds a branch in its claws, and in one reserve, one bird holds a branch in its beak. In the centre there is an arrangement of gold flowers and foliage. There is a dentilated gold band round the edge and on the exterior, two sprays of gold flowers on each side. Part of a set with ewer C.7-1961"}],"identifier":[{"accession_number":"C.7A-1961","primary":true,"type":"accession number","value":"C.7A-1961"},{"priref":"140366","type":"priref","value":"140366"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140366","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140366"}],"inscription":[{"location":"on base","method":"incised","transcription":[{"value":"V."}],"type":"incised mark"},{"location":"on base","method":"painted underglaze in dark blue","transcription":[{"value":"interlaced Ls enclosing A"}],"type":"factory mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The set would have been used in the owner's private apartments for washing.  The model for the basin has not survived at the factory.\n\nDark blue underglaze grounds were being executed at Vincennes by 1751, and are now usually termed 'bleu lapis'. The very brilliant dark blue ground on this ewer and its basin may be the bleu antique or bleu de M. Gagny which was introduced about October 1752. (See Documentation, Pr\u00e9au and d\u2019Albis). However, the term lapis continued to be used in sales records. The dark blue ground was often combined with bird painting in gold or colours in reserves surrounded by lavish and delicately chased gilding which concealed their edges, and produced a most luxurious and sophisticated effect.\n\nThe Fitzwilliam\u2019s ewer and basin might have been one of three sets with bleu lapis grounds and polychrome bird decoration sold in 1753 and 1754. Monsieur de Betz bought one set for 300 livres  on 26 December 1753. Another was sold to the Parisian marchand-mercier, Lazare Duvaux on 31 December 1753 for 220 livres, and a third was sold to Madame la Marquise de Pompadour by Lazare Duvaux on 23 June 1754. This does not appear to have been the set he bought earlier. His Livre Journal entry does not state whether the birds were gold or coloured, but the price was the same as M. de Betz\u2019s set which had coloured birds. (See Documentation, Roth and Corbeiller)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113744","uid":"adlib-term-113744","uuid":"da105475-9705-3ee7-94ad-24892e6217d4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"Vincennes"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"8"},{"dimension":"Length","units":"cm","value":"36.2"},{"dimension":"Width","units":"cm","value":"23.7"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-115354","uid":"adlib-media-115354","uuid":"b947de46-f09e-38c0-a921-a6e371900733"},"processed":{"large":{"format":"jpeg","location":"aa\/aa23\/C_7_20_26_20A_1961_20_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":507},{"dimension":"width","units":"pixels","value":760}]},"modified":1742589604885,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa23\/mid_C_7_20_26_20A_1961_20_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":334},{"dimension":"width","units":"pixels","value":500}]},"modified":1742589604885,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa23\/C_7_20_26_20A_1961_20_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":507},{"dimension":"width","units":"pixels","value":760}]},"modified":1742589604885,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa23\/preview_C_7_20_26_20A_1961_20_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":167},{"dimension":"width","units":"pixels","value":250}]},"modified":1742589604885,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-4137408251","source":"portfolio","uid":"portfolio-media-4137408251","uuid":"2f281c6a-6d87-3e1c-ada9-5ef5dabdb1b7"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/266\/large_C_7A_1961_1_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":683},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529203117000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/266\/mid_C_7A_1961_1_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":333},{"dimension":"width","units":"pixels","value":500}]},"modified":1529203117000,"resizable":true,"type":"image"},"original":{"location":"C.7A-1961_1_200902_mfj22_mas.tif","modified":1529203117000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/266\/preview_C_7A_1961_1_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":167},{"dimension":"width","units":"pixels","value":250}]},"modified":1529203117000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/266\/C_7A_1961_1_200902_mfj22_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":3413},{"dimension":"width","units":"pixels","value":5120}]},"modified":1529203117000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Basin from a set with a ewer, Vincennes Porcelain Factory"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},{"value":"jatte ovale"}],"note":[{"type":"history note","value":"Acquired before October 1948 by L.C.G. 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The Fitzwilliam's set is mentioned on p. 294.  The authors give detailed documentary references for this form, and examples made and sold c. 1752-4.","page":"293-5","type":"reference"},"admin":{"id":"publication-2724","uid":"adlib-publication-2724","uuid":"e1cfd19f-1a09-348b-8813-f71b68d85f84"},"summary_title":"French Eighteenth-Century Porcelain at the Wadsworth Atheneum, The J. Pierpont Morgan Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-7713","uid":"adlib-publication-7713","uuid":"13ecce43-21cf-3376-aa97-9167d26f86b9"},"summary_title":"An examination of Vincennes and early S\u00e8vres date letters. A transcript of the talk given at the French Porcelain Society Study Day on 17 June 2014"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106419","uid":"adlib-term-106419","uuid":"6a020a7a-d710-3cb6-af17-8cd664abcf90"},"summary_title":"bird"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-106795","uid":"adlib-term-106795","uuid":"619c7689-2029-3c57-b0e2-12f5b54bedb8"},"summary_title":"flower"},{"@link":{"type":"literal"},"name":[{"value":"bird"}],"summary_title":"bird"},{"@link":{"type":"literal"},"name":[{"value":"flower"}],"summary_title":"flower"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},"summary_title":"basin","techniques":[{"description":[{"value":"soft-paste porcelain. moulded, and  decorated with underglaze bleu lapis ground, painting in blue, green, yellow, dark pink, red, purple, grey enamels, and gilding"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Basin from a ewer and basin set"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-82575","_score":15.404617,"_source":{"admin":{"added":1592996729000,"created":1312637261000,"flag":"Standard Record","id":"object-82575","indexed":1747246322641,"modified":1554212472000,"processed":1747245848890,"source":"adlib","stream":"fitz-online","uid":"adlib-object-82575","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82575","uuid":"7dbfe6ba-0d76-329b-8c27-89a4552184eb","version":8},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"component":[{"materials":[{"note":[{"value":"reddish-light brown and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}}],"name":"Decoration","techniques":[{"note":[{"value":"in light reddish-brown and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"14"}]},"name":"Base"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain figure of a dog, painted with light reddish-brown and black enamels."},{"value":"Soft-paste porcelain, press-moulded and hand-modelled, and painted with light reddish-brown and black enamels. Small, long-haired dog with a short snout, large eyes, and a long tail curved over its back. Its hair is coloured light reddish-brown and the eyes and nose are black. It sits on a rectangular, lightly carved base, which is hollow underneath with a supporting horizontal strut about a third of the way along from the hindquarters of the dog"}],"exhibitions":[{"@link":{"catalogue":"no. 465","type":"reference"},"admin":{"id":"exhibition-1740","uid":"adlib-exhibition-1740","uuid":"96b6b10c-f213-3173-8808-bf132377b4aa"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"catalogue":"no. 112","type":"reference"},"admin":{"id":"exhibition-201","uid":"adlib-exhibition-201","uuid":"14c86d72-5b3b-32f3-85f5-cf71b1bb9878"},"summary_title":"Treasures from the Fitzwilliam, \"The Increase of Learning and other great Objects of that Noble Foundation\""}],"identifier":[{"accession_number":"C.5-1961","primary":true,"type":"accession number","value":"C.5-1961"},{"priref":"82575","type":"priref","value":"82575"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82575","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82575"}],"inscription":[{"description":[{"value":"large size with the lower part of the B only slightly impressed into the clay"}],"location":"on underside of base at head end of dog","method":"incised","transcription":[{"value":"script B"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-05-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1751,"from":{"earliest":1751,"era":["CE"],"latest":1751,"precision":"circa","value":"1751"},"latest":1757,"range":true,"to":{"earliest":1757,"era":["CE"],"latest":1757,"value":"1757"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-140732","uid":"adlib-agent-140732","uuid":"1cccf6bc-5e51-3e11-a849-d05785821974"},"summary_title":"Vincennes Porcelain Manufactory"}],"note":[{"value":"The mid-18th century fashion for porcelain figures of dogs emanated from Meissen where J.J. Kaendler had modelled pugs and other breeds during the 1740s. They were probably being made at Vincennes by 1750, as by October, 1752, when a general inventory was taken, 259 dogs were in stock. The solid construction, speckly glaze and firing cracks in the Fitzwilliam's model and the few others known, suggest a date in the early 1750s. No moulds have survived for this model, nor does the factory's register of sales in the 1750s mention any dogs in sufficient detail to enable any of them to be matched with it. 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Cylindrical cup with double-curved handle. Circular saucer with flat central area and deep, sloping sides. There is a suspension hole in the footring of the saucer.   Both pieces have an opaque, bright yellow ground strewn with small five-petalled flowers and bordered by brown bands, zig-zags and dots. The borders at the top of the cup and round the inside edge of the saucer have a reserved white ground decorated with circular blue medallions, each painted with a spray of white flowers and encircled by a gold band (four on the cup and eight on the saucer). Between each of the medallions there is spray of blue flowers and foliage enclosed in an oval of gold dots, linked to the blue medallions by garlands of red flowers and foliage. There are gold bands on both sides of the borders, dentilated on the interior of the cup and exterior of the saucer. The handle has gold lines down its sides, and a stylised leaf, husks and dots down its back."}],"identifier":[{"accession_number":"C.59 & A-1961","primary":true,"type":"accession number","value":"C.59 & A-1961"},{"priref":"75591","type":"priref","value":"75591"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75591","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75591"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing ii"}],"type":"factory mark"},{"description":[{"value":"in script"}],"location":"on base of cup and saucer below factory mark","method":"painted in blue enamel","transcription":[{"value":"mb"}],"type":"painter's mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"47"}],"type":"incised mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"44"}],"type":"incised mark"},{"location":"on base of saucer","method":"incised","transcription":[{"value":"49"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. Clarke Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1786,"era":["CE"],"latest":1786,"value":"1786"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"uncertain","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-20074","uid":"adlib-agent-20074","uuid":"271ed45c-46f4-3b82-a3ae-0d8cf0050f91"},"summary_title":"Bunel, Marie-Barbe"}],"note":[{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988,  Bellaigue 2009)\n\nThis is a gobelet litron and soucoupe of the third size with Savill's handle shape B. Yellow grounds were not very common prior to 1775 after which they became increasingly fashionable, especially after 1787."},{"value":"The painter's mark is not precisely like any listed by Brunet, 1953 (see documentation), but it is fairly close to alternative fig. 18 in Desir\u00e9 Riocreux's chart, see Jacquemart and Blant, 1862 (in documentation), attributed to Mme Bunel, n\u00e9e Buteux, painter of 'bouquets detach\u00e9s', who was working at the factory 1778-1816 according to Mlle Brunet, who gave the other mark illustrated by Riocreux MB. 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The jug stands on three crabstock feet. The bulbous body contracts at the neck and then flares upwards and outwards at the front to form a lip; the sides of the rim are notched and slightly everted. The crabstock handle rises from the rim and curves outwards and then downwards and inwards to rejoin the body at the most bulbous point. Sprays of flowers and leaves in relief sprout from the junctions of the handle and legs with the body. Under the lip, painted in crimson monochrome (camaieu pourpre), there is a putto wearing a garland, who sits on a drapery on top of a voluminous cloud. To his right, on the side of the jug, there is a floral spray and to his left, a flying bird holding a branch in its beak. 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The models and moulds for two sizes were listed in the work of that year in the inventory of 1 January 1755, and the first examples are listed in the biscuit firing of 8 May 1754 (Institut de France, MS 5673, p. 22). See Documentation, Pr\u00e9aud and Albis, 1991. They were supplied with services, usually in multiples of two, together with compotiers ronds, compotiers ovales, and compotiers coquilles, although not all forms were present in each service."},{"value":"The decoration of this compotier and its pair is similar to that of a service decorated with a green ground and reserves painted with flowers or flowers and fruit supplied in 1765 to Claude Bonnet probably acting for Louise-Elizabeth of Parma. The service comprised 286 pieces made between 1760-66 with most made in 1763, 1764 and 1765. 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sold sold Christie, Manson & Woods, 6-7 June 1929, Catalogue of the Collection of French Furniture Objects of Art and Porcelain formed by Her Highness Princess Paley (Widow of the Grand Duke Paul of Russia, Uncle of the late Czar) removed from The Paley Palace, Tsarskoye Selo, now sold by the Princess Paley and the Members of the Syndicate, p. 6, part of lot 16; purchased by Louis C.G. Clarke from Mallett and Sons in 1933, for \u00a375; bequeathed by Louis C.G. Clarke, 1960."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"pair"}],"type":"reference"},"admin":{"id":"object-93566","uid":"adlib-object-93566","uuid":"a944d76f-3b1b-3efc-b0f4-6b4f3248b4dd"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish"},{"@link":{"cascade":true,"note":[{"value":"has same incised mark gp"}],"type":"reference"},"admin":{"id":"object-72954","uid":"adlib-object-72954","uuid":"1c5a3dae-ca0d-3450-bac1-f4ecb9541932"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-123169","uid":"adlib-term-123169","uuid":"6e47fb5c-dbf9-39e1-8fab-101e974ed882"},"summary_title":"stand for a mustard pot"}},"summary_title":"stand for a mustard pot"},{"@link":{"cascade":true,"note":[{"value":"has same incised mark gp"}],"type":"reference"},"admin":{"id":"object-93554","uid":"adlib-object-93554","uuid":"8657e874-6b27-3b11-843c-1ed51d417677"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107559","uid":"adlib-term-107559","uuid":"7f8f2ef8-86fb-318c-b509-1a70260fce87"},"summary_title":"stand"}},"summary_title":"stand"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 113, no. 858, exhibited by Mallett & Son. Provenance given as From the collection of the Princess Paley.","page":"113","type":"reference"},"admin":{"id":"publication-5780","uid":"adlib-publication-5780","uuid":"b7643731-7b9e-3ca9-b7a8-ecbe9b7ef657"},"summary_title":"Art Treasures Exhibition 1932"},{"@link":{"notes":"Ref. pp. 41-2, no. 63 for the form  known as compotier carr\u00e9","page":"41-2","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Ref. p. 179, no. 193, for the form known as compotier carr\u00e9","page":"193","type":"reference"},"admin":{"id":"publication-3638","uid":"adlib-publication-3638","uuid":"9fdd0b21-49ec-37e9-9467-969617c4e941"},"summary_title":"La Porcelaine de Vincennes"},{"@link":{"notes":"Ref.p. 339, and no. 39  for Philippe  Xhrouuet, See p. 94 where Eriksen suggests that the incised mark 'gp' on this piece signifies Claude-Jean-Baptiste Gr\u00e9mont p\u00e8re, a r\u00e9pareur-acheveur, working 1746-1775.","page":"p. 339","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. p. 337-9 for Philippe Xhrouuet. Cf. The mark of Jacques-Fran\u00e7ois Micaud, p. 256.","page":"337-9","type":"reference"},"admin":{"id":"publication-3641","uid":"adlib-publication-3641","uuid":"94467386-3f8b-3dcb-89a5-19fb77f49041"},"summary_title":"Frick Collection, An Illustrated Catalogue, Volume VII - Porcelains Oriental and French"},{"@link":{"notes":"Ref.  p. 199, Dauterman attributes the gp incised mark to Poulain; see also p. 123 for Gratien Poulain, 1758-73 r\u00e9pareur, 1773-77 r\u00e9pareur, p\u00e2te tendre.","page":"123, 199","type":"reference"},"admin":{"id":"publication-5544","uid":"adlib-publication-5544","uuid":"28882f1d-7a13-30af-86be-c19a99274fc9"},"summary_title":"S\u00e8vres Porcelain, Makers and Marks of the Eighteenth Century"},{"@link":{"notes":"Ref. Vol. III, pp. 1049-51 for biography and mark of Jaques-Fran\u00e7ois Micaud (1732\/5-1811) , and pp. 1077-8 for Philippe Xchrowet, p\u00e8re (1725-75). Savill notes that it is difficult to distinguish Xchrowet's X mark from that of Micaud. 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