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Round the neck there are looped garlands of gold leaves, and two sprays descend inside on either side of the lip All the applied flowers and leaves are gilded, and there are touches of gilding on the handle and feet."}],"identifier":[{"accession_number":"MAR.C.34-1912","primary":true,"type":"accession number","value":"MAR.C.34-1912"},{"priref":"82589","type":"priref","value":"82589"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82589","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82589"}],"inscription":[{"location":"on two of the feet","method":"in blue enamel","transcription":[{"value":"interlaced Ls"}],"type":"factory mark"},{"location":"on the foot under the handle","method":"painted in blue enamel","transcription":[{"value":"J"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"C.B. 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Oval with four lobes on the long sides, and flattened ends to which are attached handles with foliated terminals. There are two suspension holes in the footring at right angles to each other (at bottom of scene and right when back is facing viewer).                                                                      The ground is bleu nouveau vermicul\u00e9 d'or. The central oval reserve is framed by a gold band with tooled striations, and painted in polychrome with a scene depicting a woman, a merchant, and sailors on a wharf, with cliffs and the sea in the background. One box on the left below the mast is inscribed 'J A' and another '1759'. The box with a jar on top is inscribed 'R' with a six-armed cross formed by two triangles beside it. The large bale on the right is inscribed on the left of its end: interlaced Cs with below, '2' with reversed 'S' beside it, upside down when the scene is the correct way up; and on the right side of the end with a double lined cross and on either side of the cord, 'XX'. On the left of its top 'JV' and top right an 'H' with to its left another not legible sign. There is a band of gilding round the edge of the rim, and footring, and touches of gilding on the handles and leaf terminals."}],"identifier":[{"accession_number":"C.25-1961","primary":true,"type":"accession number","value":"C.25-1961"},{"priref":"73644","type":"priref","value":"73644"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73644","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73644"}],"inscription":[{"description":[{"value":"interlaced L's enclosing L"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"the mark of the painter Jean-Louis Morin (1732-87)"}],"location":"on base, above the factory mark","method":"painted in blue enamel","transcription":[{"value":"M"}],"type":"painter's mark"},{"location":"on base","method":"incised","transcription":[{"value":"25"}],"type":"incised mark"},{"location":"on base","method":"incised","transcription":[{"value":"14"}],"type":"mark"},{"description":[{"value":"square white paper, now discoloured brown"}],"location":"on base","method":"hand-written in black ink","transcription":[{"value":"Quay Scene\/by Morin\/1764"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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(see Documentation, Savill, 1988, III) The plateau H\u00e9bert, which was used to support a tea set (dejeuner)  was made in two forms, with or without handles. One version, had four lobes of equal size on each side and flattened ends, as this one does, and the other had four large lobes with much smaller ones between them. The handles were also of two forms, one plain with foliated terminals, and the other reeded with looped and foliated terminals. This tray has the former type. The trays  were being made by November 1752 and a second size was in production in 1753. Models for both survive at the factory. The overglaze bleu nouveau ground colour was introduced in 1763."},{"value":"Jean-Louis Morin (1732-87) was employed at the factory from 1754 until 1787. He became a specialist in painting in military, seascape, and harbour scenes, from the end of the  1750s, having worked earlier on cherubs, birds in landscapes, trophies and, from about 1758-63, Teniers scenes. 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The shallow oval tray (C.177.1) has lobed ends and wavy sides with an indentation in the middle and stands on a footring. The rounded cup (C.177.2) has a scrolled handle.  The saucer (C.177.2A) has shallow curved sides and stands on a footring. The sugar bowl (C.177.3) has almost straight sides which curve inwards to the footring and a slightly domed cover (C.177.3A) with a knob in the form of a multi-petalled flower on a stalk with two leaves. There are suspension holes in the footrings of the tray and saucer.\n\nThe tray is decorated with rose border with blue and gold striations, and narrow gold and blue lines on the outer and inner edges, the latter scalloped. The white flat area is decorated with four floral sprays of different sizes. There is a gold band round the rim, dentilated on the exterior. The cup has a similar ground and one truncated heart-shaped reserve, containing an arrangement of flowers. There is a dentilated band round the rim, a plain band round the footring, and gold lines on the edges of the handle. The saucer has a similar border and a bouquet of flowers in the centre. The sugar bowl has two truncated heart-shaped reserves with a scalloped gold line round the edge containing floral sprays, and the cover has two kidney-shaped reserves similarly edged and painted with a smaller floral sray. 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Probably W.J. Goode; sold Christie\u2019s, 17 July 1895, lot 250. Acquired by Louis Colville Gray Clarke, Cambridge before October 1948"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-93554","uid":"adlib-object-93554","uuid":"8657e874-6b27-3b11-843c-1ed51d417677"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107559","uid":"adlib-term-107559","uuid":"7f8f2ef8-86fb-318c-b509-1a70260fce87"},"summary_title":"stand"}},"summary_title":"stand"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-93567","uid":"adlib-object-93567","uuid":"7fe7cd93-b01c-3b64-bb0c-18e71be0d48d"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. p. 60, no. 107, with bleu lapis ground, and flying birds in the reserves.","page":"59-60","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Ref. For the mark attributed to Yvernel, a landscape painter, working at Vincennes and S\u00e8vres between 1750 and 1759, but this is not identical to the mark on this piece.","page":"35","type":"reference"},"admin":{"id":"publication-3653","uid":"adlib-publication-3653","uuid":"a5169280-301b-31bd-9138-472d4d94a3ca"},"summary_title":"Les Marques de S\u00e8vres"},{"@link":{"notes":"Ref. Vol. I, Part II, Unattributed marks (Devices), p. 97, the arrow mark attributed in the 19th century to Pierre-Fran\u00e7ois Yvernel, and below it the mark on this piece, with a note that it is found on bird-decorated items of 1758-59. Peters suggests two possibel painters, Auclos or Kn\u00fcpfer who worked in those years.","page":"97","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"},{"@link":{"notes":"Ref. For the incised mark gp recorded on a tray (plateau) of 1759 in the Wrightsman Collection, which the author suggests may be for Gratien Poulain working between 1758 and 77 as a r\u00e9pareur of soft-paste","page":"199","type":"reference"},"admin":{"id":"publication-5544","uid":"adlib-publication-5544","uuid":"28882f1d-7a13-30af-86be-c19a99274fc9"},"summary_title":"S\u00e8vres Porcelain, Makers and Marks of the Eighteenth Century"},{"@link":{"notes":"Rev. Vol. III, p. 1106, for the incised mark gp. The author cites its occurrence on pieces in the Wallace collection and elsewhere. She mentions the possibility that this is the mark of Gratien Poulain, working 1758-77,a soft-paste r\u00e9pareur.","page":"1104","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. The incised mark gp also occurs on nos. 32, 46, and 75,F The author suggests that the letters might be the mark of Claude-Jean-Baptiste Gr\u00e9mont p\u00e8re, employed between 1746 and 1775.","page":"327-28","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. p. 272-3, the incised mark gp on a tray (18.9.16).","page":"272-3","type":"reference"},"admin":{"id":"publication-3641","uid":"adlib-publication-3641","uuid":"94467386-3f8b-3dcb-89a5-19fb77f49041"},"summary_title":"Frick Collection, An Illustrated Catalogue, Volume VII - Porcelains Oriental and French"},{"@link":{"notes":"Cf. p. 219, no. 87, plateau of 1759, with the incised mark gp, and also p. 247, no. 102, a pair of compotiers ovales; and p. 262, no. 109, a tray for ice cups.  The author considered this might be the mark of Gr\u00e9mont p\u00e8re, see p. vi.","page":"219","type":"reference"},"admin":{"id":"publication-3644","uid":"adlib-publication-3644","uuid":"98152442-d20d-3780-aea4-f7a43bb51263"},"summary_title":"The Wrightsman Collection IV: Porcelain"},{"@link":{"notes":"Cf. p. 147, lot 198 a pair of mustard pots with covers, bleu lapis grounds, and birds in landscapes in the reserves, dated for 1759-60, one bearing the mark on this example, and the other that of J.-L. Morin, and said to come from Strawberry Hill, which suggests that they might have been the mustards which went with this dish and its pair. Previously sold Christie's, London, 28 February 1994, lot 142.","page":"147","type":"reference"},"admin":{"id":"publication-4654","uid":"adlib-publication-4654","uuid":"d85cfd87-80cb-3509-b001-361acbb42605"},"summary_title":"Collection Charles-Otto Zieseniss"},{"@link":{"notes":"Cf. p. 210, figs. 238 and 239, and p. 232, catalogue no. 240, a gobelet litron and saucer of 1765, the cup bearing a similar gold label inscribed 'Strawberry Hill', thought to be lot 84 on day 11 of the Strawberry Hill sale of 1842; bought by John P. Beavan, Esq.; possibly Alice Hay-Appleton and bequeathed by her to W. S. Lewis, now The Lewis Walpole Library, Yale University","page":"210, 232","type":"reference"},"admin":{"id":"publication-6736","uid":"adlib-publication-6736","uuid":"61e8e6aa-4262-3e84-a2df-b8c4f8c40156"},"summary_title":"Horace Walpole's Strawberry Hill"},{"@link":{"type":"reference"},"admin":{"id":"publication-7713","uid":"adlib-publication-7713","uuid":"13ecce43-21cf-3376-aa97-9167d26f86b9"},"summary_title":"An examination of Vincennes and early S\u00e8vres date letters. A transcript of the talk given at the French Porcelain Society Study Day on 17 June 2014"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106419","uid":"adlib-term-106419","uuid":"6a020a7a-d710-3cb6-af17-8cd664abcf90"},"summary_title":"bird"},{"@link":{"relation":"place type","type":"reference"},"admin":{"id":"term-106275","uid":"adlib-term-106275","uuid":"a1bd9046-a422-36ac-a493-60fa7c7f7e91"},"summary_title":"landscape"},{"@link":{"type":"literal"},"name":[{"value":"bird"}],"summary_title":"bird"},{"@link":{"type":"literal"},"name":[{"value":"landscape"}],"summary_title":"landscape"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-123169","uid":"adlib-term-123169","uuid":"6e47fb5c-dbf9-39e1-8fab-101e974ed882"},"summary_title":"stand for a mustard pot"}},"summary_title":"stand for a mustard pot","techniques":[{"description":[{"value":"Soft-paste porcelain, moulded, decorated in underglaze blue, painted overglaze in blue, pale turquoise-green, yellowish and brownish green, puce pink, grey, brown, and black enamels, and gilding."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-93543","_score":16.682407,"_source":{"admin":{"added":1592984355000,"created":1312637261000,"flag":"Standard Record","id":"object-93543","indexed":1768327321148,"modified":1609855745000,"processed":1768327318468,"source":"adlib","stream":"fitz-online","uid":"adlib-object-93543","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93543","uuid":"030addb2-88a3-39ce-960e-e3c4fc339ae4","version":7},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. G. Clarke"}],"component":[{"materials":[{"note":[{"value":"blue and maroon"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"note":[{"value":"pale yellow"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113756","uid":"adlib-term-113756","uuid":"79bc070a-703b-3bad-a71d-db930b9fccf0"},"summary_title":"ground colour"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"blue and maroon"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"note":[{"value":"pale yellow"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120423","uid":"adlib-term-120423","uuid":"49c03045-1936-389b-82bc-13662efdec88"},"summary_title":"ground laying"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"14.7"},{"dimension":"Height","units":"cm","value":"3.5"}]},"name":"Saucer"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"7.4"}]},"name":"Rim Of Cup"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"7.5"}]},"name":"Cup"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"10"}]},"name":"Cup Including Handle"},{"name":"Handle","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain cup and saucer with a pale yellow ground, painted in blue and maroon enamels with a continuous landscape on the cup, and a horticultural vignette and landscape on the saucer, and gilded."},{"value":"Soft-paste porcelain decorated overglaze with a pale yellow ground, painting in blue and maroon enamels, and gilding. The glaze on the lower part of the cup handle is speckly, and base of the saucer is very speckly particularly in the middle. Cylindrical cup with double-curved handle. Circular saucer with flat central area and deep sloping sides. There is a suspension hole in the footring of the saucer. Both pieces have a pale yellow ground. The cup is painted in blue with continuous landscape including buildings and figures, with above and below a maroon band with dark blue dots below. Round the upper part of the cup there is a border composed of a series of blue Ss linked by wavy sprays of blue leaves with a maroon band above. There are bands of gilding round the foot and rim, lines of gilding down the sides of the handle, and down its back, a large leaf, a spot, a bell flower, three spots a smaller bell flower and eight spots.                                            The centre of the saucer is painted in blue with a horticultural vignette, encircled by a maroon band with dark blue dots outside it. A similar band encircles the outer edge of the base. The sides are painted in blue with a continuous landscape with buildings. The border is en suite with that on the cup."}],"identifier":[{"accession_number":"C.8 & A-1956","primary":true,"type":"accession number","value":"C.8 & A-1956"},{"priref":"93543","type":"priref","value":"93543"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93543","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93543"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced L's with KK beneath"}],"type":"factory mark"},{"description":[{"value":"four dots unevenly arranged in a horizontal row"}],"location":"on base of cup between factory mark and date letters","method":"painted in blue enamel","transcription":[{"value":"...."}],"type":"painter's mark"},{"description":[{"value":"an horizontal line with three dots evenly dispersed above"}],"location":"on base saucer between factory mark and date letters","method":"painted in blue enamel","type":"painter's mark"},{"description":[{"value":"a 4 with a sideways v possibly a 7"}],"location":"on base of cup by footring","method":"incised","transcription":[{"value":"4 7"}],"type":"incised mark"},{"location":"on base of saucer by footring","method":"incised","transcription":[{"value":"3 6"}],"type":"incised mark"},{"description":[{"value":"square white paper label, now buff"}],"location":"on base of cup","method":"hand-written in greyish-blue ink","transcription":[{"value":"'SEVRES\/Date 1788\/Painter\/Veiiellard'"}],"type":"label"},{"description":[{"value":"rectanuglar white lined paper labelw tih cut corners"}],"location":"on base of cup and saucer","method":"hand-written in faded black ink","transcription":[{"value":"Lent by Louis C.G. Clarke\/X.Dec.1947."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by L.C.G. Clarke, MA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1956,"latest":1956,"value":"1956-07-19"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1956"}]}],"creation":[{"date":[{"earliest":1787,"from":{"earliest":1787,"era":["CE"],"latest":1787,"precision":"circa","value":"1787"},"latest":1788,"note":[{"value":"Both pieces bear the date letter for 1788, but may have been made a year earlier."}],"range":true,"to":{"earliest":1788,"era":["CE"],"latest":1788,"precision":"crica","value":"1788"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-140351","uid":"adlib-agent-140351","uuid":"c7d542ac-aafe-3e9f-9375-9cd93cfe24b6"},"summary_title":"Vielliard, Andr\u00e9-Vincent"}],"note":[{"value":"Andr\u00e9-Vincent Vieillard (1717-90) joined the factory at Vincennes in 1752. He was a versatile artist but not so talented at figure painting as Dodin and Morin. Fom the mid 1760s he concentrated on landscapes with small figures, and in the 1780s also executed continuous landscapes on a coloured grounds, as on this cup and saucer, and C.62 & A-1961."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988, Bellaigue 2009). This is a gobelet litron of the third size."},{"value":"Yellow grounds were not really popular until about 1775 and then continued to be so through the 1780s, particularly after 1787. See other examples C.60 & A-1961 an \u00e9cuelle also by Vielliard, painted with continuous landscapes, in purple."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis XVI"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed lead 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Ovoid body with gently curving spout and ear-shaped handle, the slightly domed cover surmounted by a knob in the shape of a multi-petalled flower on a stalk with two leaves. There are five strainer holes on the interior between spout and body, and on the cover, a ventilation hole beside the knob, and a suspension hole in the inner rim. The ground is bleu c\u00e9leste with two heart-shaped reserves on the body and two kidney-shaped on the cover, framed by gold scrolls and floral sprays which project at the sides. The reserves are painted in polychrome with two exotic birds (two in each panel on the body and one in each panel on the cover), standing on the branches of low tree, with bushes and trees in the background. There is a single bird in flight on the lower part of the spout, which like the handle is left white. The flower knob is yellow with agreen centre. There are bands of gilding round the foot and the junction of the spout and body; dentilated bands of gilding round the rim of the pot and edge of the cover; and lines of gilding down the sides of the handle. The stem of the knob is gilded."}],"identifier":[{"accession_number":"C.22 & A-1961","primary":true,"type":"accession number","value":"C.22 & A-1961"},{"priref":"93562","type":"priref","value":"93562"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93562","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93562"}],"inscription":[{"location":"on base","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing I"}],"type":"factory mark"},{"description":[{"value":"N"}],"location":"on base, below factory mark","method":"painted in blue enamel","type":"painter's mark"},{"location":"on base","method":"incised","transcription":[{"value":"o"}],"type":"incised mark"},{"description":[{"value":"rectangular white paper label now pale buff"}],"location":"on base below painter's mark","method":"printed in black and hand-written in black ink, now faded","transcription":[{"value":"SEVRES printed and Painter Aloncle\/Date\/ 1761 hand-written"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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A pair with C.29A-1961"},{"value":"Soft-paste porcelain, decorated with a green ground, painting in blue, two shades  of green, yellow, brownish-orange, pale and dark pink, mauve,  grey, and black enamels, and gilding Square with lobed and curved corners and concave edges down the sides.There is a suspension hole in the footring. The ground is green with four semi-circular reserves, framed and linked by scrolls and trailing flowers and foliage in gold. In the centre there is a gold circle entwined with a garland of gold leaves. Part of the garland is extended to cover a fault in the ground colour. The reserves are painted in polychrome with bouquets of flowers. There is a dentilated gold band round the edge of the rim. A pair with C.29A-1961\n\nAs a pair with C.29A-1961."}],"exhibitions":[{"@link":{"catalogue":"no. 858","type":"reference"},"admin":{"id":"exhibition-1767","uid":"adlib-exhibition-1767","uuid":"bc15b744-f3b4-33c4-bfb9-a3217852c56c"},"summary_title":"Art Treasures Exhibition, 1932"}],"identifier":[{"accession_number":"C.29B-1961","primary":true,"type":"accession number","value":"C.29B-1961"},{"priref":"93567","type":"priref","value":"93567"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93567","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93567"}],"inscription":[{"description":[{"value":"interlaced L's enclosing M"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"mark fof the painter Philippe Xhrowet, 1725-75"}],"location":"on base","method":"painted in blue enamel","transcription":[{"value":"X"}],"type":"painter's mark"},{"location":"on base","method":"incised","transcription":[{"value":"gp"}],"type":"mark"},{"location":"on the base","method":"hand-written in ink","transcription":[{"value":"Collection of\/H.R.H. Princess Paley"}],"type":"label"},{"location":"on base","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"SEVRES (printed) Painter Xhrouet\/Date\/1765 (hand-written)"}],"type":"label"},{"description":[{"value":"858 is hand-written"}],"location":"on base","method":"paper printed in black and hand-written in faded black ink","transcription":[{"value":"BRITISH ANTIQUE DEALERS ASSOCIATION\/ART TREASURES EXHIBITION\/CHRISTIES 1932\/ No. 858"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1765,"era":["CE"],"latest":1765,"note":[{"value":"date letter fro 1765"}],"value":"1765"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"probably","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-91565","uid":"adlib-agent-91565","uuid":"34f4a89f-1c61-3327-bf7f-7bb3acc40865"},"summary_title":"Micaud, Jacques-Fran\u00e7ois"},{"@link":{"qualifier":"possibly","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-147975","uid":"adlib-agent-147975","uuid":"f3f9cfb3-0f42-3ba1-8d90-d878fb27d5f8"},"summary_title":"Xhrowet, Philippe"},{"@link":{"qualifier":"possibly","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-175222","uid":"adlib-agent-175222","uuid":"26cc5a91-e0d9-3fdf-bfda-38d39acea11e"},"summary_title":"Poulain, Gratien"},{"@link":{"qualifier":"possibly","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-162406","uid":"adlib-agent-162406","uuid":"ae08b23b-043d-3334-a062-764b683be1e1"},"summary_title":"Gr\u00e9mont, Claude-Jean-Baptiste"}],"note":[{"value":"Square dishes for fruit, compotiers carr\u00e9s, were made at Vincennes from 1754. The models and moulds for two sizes were listed in the work of that year in the inventory of 1 January 1755, and the first examples are listed in the biscuit firing of 8 May 1754 (Institut de France, MS 5673, p. 22). See Documentation, Pr\u00e9aud and Albis, 1991. They were supplied with services, usually in multiples of two, together with compotiers ronds, compotiers ovales, and compotiers coquilles, although not all forms were present in each service."},{"value":"The decoration of this compotier and its pair is similar to that of a service decorated with a green ground and reserves painted with flowers or flowers and fruit supplied in 1765 to Claude Bonnet probably acting for Louise-Elizabeth of Parma. The service comprised 286 pieces made between 1760-66 with most made in 1763, 1764 and 1765. After the annexation of the duchy to Italy the service was divided between the Palazzo Pitti in Florence and the Palazzo Reale, Milan and was reunited in the Quirinale in Rome in 1893."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"4.2"},{"dimension":"Length","units":"cm","value":"21.8"},{"dimension":"Width","units":"cm","value":"21.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-67096","uid":"adlib-media-67096","uuid":"9276d5dc-4661-3bb6-a5c2-e6a70144f1ac"},"processed":{"large":{"format":"jpeg","location":"aa\/aa23\/C_29B_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":560}]},"modified":1616266826489,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa23\/mid_C_29B_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":679},{"dimension":"width","units":"pixels","value":500}]},"modified":1616266826489,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa23\/C_29B_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":560}]},"modified":1616266826489,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa23\/preview_C_29B_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":339},{"dimension":"width","units":"pixels","value":250}]},"modified":1616266826489,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-3221231742","source":"portfolio","uid":"portfolio-media-3221231742","uuid":"79cfd7d1-9fb2-3d64-8f29-794cb31e314b"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/795\/large_C_29B_1961_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1536},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529202744000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/795\/mid_C_29B_1961_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":750},{"dimension":"width","units":"pixels","value":500}]},"modified":1529202744000,"resizable":true,"type":"image"},"original":{"location":"C.29B-1961_200902_mfj22_mas.tif","modified":1529202744000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/795\/preview_C_29B_1961_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":375},{"dimension":"width","units":"pixels","value":250}]},"modified":1529202744000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/795\/C_29B_1961_200902_mfj22_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":5120},{"dimension":"width","units":"pixels","value":3413}]},"modified":1529202744000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Dish painted with flowers, Sevres Factory"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},{"value":"compotier carr\u00e9"}],"note":[{"type":"history note","value":"Princess Paley; sold sold Christie, Manson & Woods, 6-7 June 1929, Catalogue of the Collection of French Furniture Objects of Art and Porcelain formed by Her Highness Princess Paley (Widow of the Grand Duke Paul of Russia, Uncle of the late Czar) removed from The Paley Palace, Tsarskoye Selo, now sold by the Princess Paley and the Members of the Syndicate, p. 6, part of lot 16; purchased by Louis C.G. Clarke from Mallett and Sons in 1933, for \u00a375; bequeathed by Louis C.G. Clarke, 1960."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"pair"}],"type":"reference"},"admin":{"id":"object-93566","uid":"adlib-object-93566","uuid":"a944d76f-3b1b-3efc-b0f4-6b4f3248b4dd"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish"},{"@link":{"cascade":true,"note":[{"value":"has same incised mark gp"}],"type":"reference"},"admin":{"id":"object-72954","uid":"adlib-object-72954","uuid":"1c5a3dae-ca0d-3450-bac1-f4ecb9541932"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-123169","uid":"adlib-term-123169","uuid":"6e47fb5c-dbf9-39e1-8fab-101e974ed882"},"summary_title":"stand for a mustard pot"}},"summary_title":"stand for a mustard pot"},{"@link":{"cascade":true,"note":[{"value":"has same incised mark gp"}],"type":"reference"},"admin":{"id":"object-93554","uid":"adlib-object-93554","uuid":"8657e874-6b27-3b11-843c-1ed51d417677"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107559","uid":"adlib-term-107559","uuid":"7f8f2ef8-86fb-318c-b509-1a70260fce87"},"summary_title":"stand"}},"summary_title":"stand"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 113, no. 858, exhibited by Mallett & Son. Provenance given as From the collection of the Princess Paley.","page":"113","type":"reference"},"admin":{"id":"publication-5780","uid":"adlib-publication-5780","uuid":"b7643731-7b9e-3ca9-b7a8-ecbe9b7ef657"},"summary_title":"Art Treasures Exhibition 1932"},{"@link":{"notes":"Ref. pp. 41-2, no. 63 for the form  known as compotier carr\u00e9","page":"41-2","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Ref. p. 179, no. 193, for the form known as compotier carr\u00e9","page":"193","type":"reference"},"admin":{"id":"publication-3638","uid":"adlib-publication-3638","uuid":"9fdd0b21-49ec-37e9-9467-969617c4e941"},"summary_title":"La Porcelaine de Vincennes"},{"@link":{"notes":"Ref.p. 339, and no. 39  for Philippe  Xhrouuet, See p. 94 where Eriksen suggests that the incised mark 'gp' on this piece signifies Claude-Jean-Baptiste Gr\u00e9mont p\u00e8re, a r\u00e9pareur-acheveur, working 1746-1775.","page":"p. 339","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. p. 337-9 for Philippe Xhrouuet. 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The elongated, lobed oval vase stands on a low foot, and has a slightly concave back and a bowed front. The rim is curved and rises at either end to form handles, moulded from half way up the sides with acanthus leaves. The glaze on the interior has areas of blue and grey speckling. There are two suspension holes in the footring.                                                     The ground is bluish-green with an oval reserve on the front and back framed by wide bands of gilding tooled with short lines crossed at intervals by crossed ribbons, and flanked by rectangular vertical panels filled by four vertical rows of gold dotted circles. The reserve on the curved side is painted in polychrome enamels with a harbour scene featuring two sailors leaning on a barrel beside a fire, and behind them three others working on the rigging of a ship. The shore on the right is backed by  high cliffs, and on the left, the sea extends to the horizon. The reserve on the back is painted with a spray of flowers with a flying bird on each side The handles are white with touches of gilding on the moulded leaves. There is a band of gilding round the foot and a dentilated band round the rim."}],"identifier":[{"accession_number":"C.35-1961","primary":true,"type":"accession number","value":"C.35-1961"},{"priref":"74645","type":"priref","value":"74645"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74645","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74645"}],"inscription":[{"location":"on base","method":"painted in manganese-purple  enamel","transcription":[{"value":"interlaced L's enclosing O"}],"type":"factory mark"},{"description":[{"value":"a quaver"}],"location":"on base, at one side of factory mark","method":"painted in violet enamel","type":"painter's mark"},{"description":[{"value":"vertical line with a circle at the top, and running through shape"}],"location":"on base","method":"incised","type":"incised mark"},{"description":[{"value":"rectangular discoloured white paper label"}],"location":"on base","method":"inscribed in black ink","transcription":[{"value":"From the collections of\/Lord Willoughby D'Eresbyof\/Marquess of Lincolnshire"}],"type":"label"},{"location":"on base","method":"printed in black and hand-written in black ink","transcription":[{"value":"SEVRES (printed) Date\/1767\/PtR. CORNAILE"}],"type":"label"},{"description":[{"value":"small rectangular buff paper label"}],"location":"on base","method":"printed","transcription":[{"value":"39"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Lord Carrington married for the second time to Charlotte Augusta Annabella, 2nd and youngest surviving sister, and coheir of Alberic, Lord Willoughby d'Eresby. On her death, their son Charles Robert Carrington inherited a moiety of the office of Joint Hereditary Great Chamberlain of England, held by his maternal grandfather and maternal uncle, both Lords Willoughby d'Eresby. Hence this name appearing on the label with Marquess of Lincolnshire. 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This example is of the third size which ranged from height 10 to 11.3 cm and length 23.7 to 24.4 cm. The moulds and models for three sizes were mentioned in the work of 1754 in the inventory of January 1755 (MNS, Inventaire de 1755 I 7, pp. 6, 8), A design survives  which shows outlines of two sizes of the plan, and three sizes of the elevation (MNS R.1, liasse 3, dossier 1, fol. 3). The drawing was illustrated by Rosalind Savill in her 'Catalogue of the Wallace Collection '(see Documention). She provided an extensive list of examples of the various sizes, including under the third size the Fitzwilliam\u2019s, and examples in the Frick Collection, New York, the British Museum, London, the Walters Art Gallery, Baltimore, and the Louvre, Paris. \n\nThis example is a genuine piece of S\u00e8vres soft paste, and bears an incised mark which also appears one of a pair of caisse \u00e0  fleurs at Waddesdon Manor,  and on two of a set of three cuvettes \u00e0 tombeau, in the Wadsworth Atheneum (1917.1047 and 1917.1049), It also occurs on a milk jug of c. 1756-60 in the Fitzwilliam\u2019s collection (C.43-1961). But although the vase bears the musical quaver note mark of Cornaille, a specialist flower painter, the quality and design of the floral panel is very poor, and the painted decoration and gilding must have been executed outside the factory, probably in the early 19th century. The quay scene might have been by Morin or one of the other paintings painting harbour scenes but the colouring is not typical, and its quality does not compare well with the quay  scenes on S\u00e8vres vases in the Royal Collection (see Documentation). Another point indicating later decoration is that on both sides the oval reserves overlap the vertical moulding on either side of them, which was not normal practice, although their gilded frames sometimes did so.  The decoration must have been executed before 1864 when the vase was recorded as no. 15 in an inventory and valuation ceramics in the possession of Lord Carrington at 8 Whitehall, London.\n\nDuring the late 18th and early 19th century the Manufacture Royale at S\u00e8vres sold large quantities of soft-paste porcelain \u2018seconds\u2019, both white (rebut blanc), and partially decorated which were decorated outside the factory in Paris and elsewhere.  Revealing discussions of this practice are given by Savill (1988) and Bellaigue (2009), see Documentation."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-113159","uid":"adlib-term-113159","uuid":"4bdfb4a7-b307-3dfa-a3d6-8ada4683271e"},"summary_title":"18th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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There is a band of gilding round the foot of the cup, dentilated bands round the rims of the cup and saucer and lines of gilding down the sides of the cup handle, which has touches of gilding down the back also."}],"identifier":[{"accession_number":"C.32 & A-1961","primary":true,"type":"accession number","value":"C.32 & A-1961"},{"priref":"74499","type":"priref","value":"74499"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74499","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74499"}],"inscription":[{"description":[{"value":"interlaced L's enclosing o"}],"location":"on base of both pieces","method":"painted in blue enamel","type":"factory mark"},{"location":"on base of both pieces, below factory mark","method":"painted in blue enamel","transcription":[{"value":"four dots"}],"type":"painter's mark"},{"location":"on the base of the cup near rim","method":"incised","transcription":[{"value":"51"}],"type":"incised mark"},{"location":"on the base of the saucer","method":"incised","transcription":[{"value":"Ju"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux 1991, Bellaigue 2009, Savill, 1988) This is a gobelet litron of the third size with Savill's handle shape B."},{"value":"The mark of four dots, previously identified simply as that of Th\u00e9odore (MNS Vj\u20192) is now recognized as Pierre-Th\u00e9odore Buteux, who was working at S\u00e8vres from 1765 to 80."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-106853","uid":"adlib-term-106853","uuid":"25492eb4-1164-35eb-8dce-3601486f3415"},"summary_title":"19th 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Cylindrical cup with arched and incurved handle. Circular saucer with flat central area and deep, sloping sides. There is a suspension hole in the footring of the saucer.                                                                                                                            Both pieces are white. The cup has an oval medallion on the front painted in polychrome with a fishing scene and framed by gold, red and blue bands with S-shaped sprays of gold leaves over them. On either side of it there is a smaller circular medallion, one painted with a seated girl holding a fishing rod, and the other with a boy fishing both framed by a gold band and a red band dotted with gold. The medallions are linked by swags of gold leaves. Between the upper edges of the medallions there is a zone with a pink ground which is straight along the top and on its lower edge, between the medallions has pairs of blue and gold C-scrolls with a pendant between them. Below each pair of scrolls there is a crimson rose and a crimson rose bud. Round the top and bottom of the cup there is a border composed of red and blue bands with S-shaped sprays of leaves over them. There is a gold band round the foot and rim; gold lines down the sides of the handle and a leaf and four inverted tear-drop shaped strokes down its back. The saucer has a circular medallion in the centre painted in polychrome with a lady and gentleman and a house beside a river. The sides have four smaller circular medallions, each painted with a different scene: a woman riding a horse; a small ship; a man playing a trumpet; and a woman holding a distaff. The remainder of the decoration is en suite with the cup."}],"identifier":[{"accession_number":"C.49 & A-1961","primary":true,"type":"accession number","value":"C.49 & A-1961"},{"priref":"75270","type":"priref","value":"75270"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75270","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75270"}],"inscription":[{"description":[{"value":"interlaced L's"}],"location":"on base of cup and saucer","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"horizontal line with three evenly spaced dots above"}],"location":"on base of cup and saucer, below factory mark","method":"painted in blue enamel","type":"painter's mark"},{"description":[{"value":"date mark for the year 1778"}],"location":"on base of cup and saucer, below painter's mark","method":"painted in blue enamel","transcription":[{"value":"AA"}],"type":"date"},{"location":"on base of cup by edge","method":"incised","transcription":[{"value":"36"}],"type":"incised mark"},{"location":"on base of cup by edge to right of 36","method":"incised faintly","transcription":[{"value":"2 \\ (or 7)"}],"type":"incised mark"},{"location":"on base of saucer by footring","method":"incised","transcription":[{"value":"45"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"This cup and saucer was probably bought by L.C.G. Clarke from H.E. Backer in 1944. See letter dated 15December, 1944 from Backer to Clarke and attached photograph in object's file."}]}],"creation":[{"date":[{"earliest":1778,"era":["CE"],"latest":1778,"note":[{"value":"date letter AA for 1778"}],"value":"1778"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-140351","uid":"adlib-agent-140351","uuid":"c7d542ac-aafe-3e9f-9375-9cd93cfe24b6"},"summary_title":"Vielliard, Andr\u00e9-Vincent"}],"note":[{"value":"Andr\u00e9 Vincent Vielliard, p\u00e8re (1717-90), worked at the factory from 1752-90. Small landscapes with figures were characteristic of his work in the 1770s."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988, Bellaigue 2009) This is a gobelet litron of the third size, with Savill's handle shape B (see Documentation). When offered for sale in December 1944 it was accompanied by another cup and saucer and a teapot Calabre with matching borders and different scenes in the medallions."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis XVI"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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Cylindrical cup with double-curved handle, the upper part of the back of which is decorated with small knobs. Circular saucer with flat central area and deep, sloping sides. There is a suspension hole in the footring of both pieces. The cup has a bleu nouveau ground with an approximately oval reserve framed by a wide chased gilt band and painted in polychrome with a basket of flowers standing on a marble table. The ground is decorated with two oval wreaths of gilt flowers and leaves enclosed in oval scrolled frames linked to each other and to the reserve by projecting scrolls. There is a gilt band round the foot, and round the rim, a wide undulating gilt band, dentilated on the interior. The handle is entirely gilt. The centre of the saucer is painted in polychrome with a tall basket of flowers, with a bow of pink ribbon on its handle. Two roses and a yellow flower lie beside the basket, which stands on a marble table. The sides have a bleu nouveau ground decorated with six circular wreaths of gilt flowers and leaves enclosed in scrolled frames linked by projecting scrolls with pendant husks at the junctions. There is a wide, chased gilt band round the lower edge of the sides and a wide, undulating gilt band round the rim, dentilated on the exterior."}],"identifier":[{"accession_number":"C.48 & A-1961","primary":true,"type":"accession number","value":"C.48 & A-1961"},{"priref":"75238","type":"priref","value":"75238"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75238","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75238"}],"inscription":[{"description":[{"value":"interlaced L's enclosing V"}],"location":"on the base of the cup and saucer","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"the X is now obscured by a label"}],"location":"on the base of the cup, below factory mark","method":"painted in blue enamel","transcription":[{"value":"X"}],"type":"painter's mark"},{"description":[{"value":"a horizontal line, and a line above with an arch in the middle"}],"location":"on the base of the cup and saucer, above factory mark","method":"painted in gold","type":"gilder's mark"},{"location":"on the base of the saucer, below factory mark","method":"painted in gold","transcription":[{"value":"X"}],"type":"painter's mark"},{"description":[{"value":"in script letters"}],"location":"on base of cup","method":"incised","transcription":[{"value":"OL"}],"type":"mark"},{"description":[{"value":"in script"}],"location":"on base of saucer","method":"incised","transcription":[{"value":"CL"}],"type":"mark"},{"description":[{"value":"large circular paper label with a red circle near the edge"}],"location":"on the base of the cup","method":"printed in red and black, and hand-written in black ink","transcription":[{"value":"FOLEY (in ink)\/HEIRLOOM, (printed in red)\/Gilder=Grison (hand-written)\/SEVRES (printed in black)\/1774\/RUXLEY LODGE (hand-written)"}],"type":"label"},{"description":[{"value":"rectangular paper label wtih rounded corners"}],"location":"on base of saucer","method":"printed in black, and hand-written in faded black ink","transcription":[{"value":"SEVRES (printed in black) Painter Noel\/Date\/1774 (hand-written)"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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It was either renamed or replaced by beau bleu from 1768 (see Documentation, Savill, 1988, vol. III)"},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier (records are lacking).The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux 1991, Bellaigue 2009, Savill, 1988) This is a gobelet litron of the second size, with Savill's handle D. A richly decorated cup and saucer like this might have been purchased as an ornament rather than for use."},{"value":"When purchased by L.C.G. Clarke Clarke, the x mark was interpreted as that of Jean-Charles Grison l\u2019ain\u00e9, whose mark resembles back to back Cs, and was working 1772-74. (Peters, 2005, vol. I, p.47.)   but seems more like to be the mark of Micaud, who was mainly a flower-painter.  No\u00ebl was identified as the painter, whereas in this instance he was probably the gilder."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-113159","uid":"adlib-term-113159","uuid":"4bdfb4a7-b307-3dfa-a3d6-8ada4683271e"},"summary_title":"18th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis 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The panel on the back is painted with a marine trophy including a pink bow and a string of pearls, coral, a rope around an anchor, a blue flag and pennant, a compass with a mauve ribbon around it and two sprays of seaweed.\nA pair with C.23B-1961."}],"identifier":[{"accession_number":"C.23A-1961","primary":true,"type":"accession number","value":"C.23A-1961"},{"priref":"93563","type":"priref","value":"93563"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93563","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93563"}],"inscription":[{"description":[{"value":"interlaced L's enclosing q"}],"location":"on base","method":"painted in pale maroon enamel","type":"factory mark"},{"location":"on base, above to the right of factory mark","method":"painted in maroon enamel","transcription":[{"value":"m"}],"type":"painter's mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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Cylindrical cup with double-curved handle. Circular saucer with flat central area and sloping sides. There is a suspension hole in the footring of the saucer. Both pieces have a bright yellow ground decorated with continuous landscapes in violet enamel, with above and below borders of crimson zig-zags, curving gilt lines and blue dots on a reserved white ground. The cup has one large and two small circular reserves, painted in polychrome with landscapes, each framed by a gilt band and a blue band dotted with gold. The large reserve has a windmill beside a house in the background and a seated man in the foreground. There are two gold bands round the foot and rim, gold lines down the sides of the handle and three stylised leaves separated by dots down its back. The saucer has a circular reserve in the centre and three small circular reserves on the sides, each painted with a landscape with buildings and framed with a gilt band and a blue band dotted with gold. There are two gilt bands round the rim."}],"identifier":[{"accession_number":"C.61 & A-1961","primary":true,"type":"accession number","value":"C.61 & A-1961"},{"priref":"75632","type":"priref","value":"75632"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75632","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75632"}],"inscription":[{"location":"on base of both pieces","method":"painted in blue enamel","transcription":[{"value":"interlaced L's"}],"type":"factory mark"},{"description":[{"value":"horizontal line with three dots evenly dispersed above"}],"location":"on base of both pieces, below the factory mark","method":"painted in blue enamel","type":"painter's mark"},{"location":"on base of both pieces, below painter's mark","method":"painted in blue enamel","transcription":[{"value":"KK"}],"type":"date"},{"location":"on base of the cup by the edge","method":"incised","transcription":[{"value":"41"}],"type":"incised mark"},{"location":"on base of the cup","method":"incised","transcription":[{"value":"11"}],"type":"mark"},{"description":[{"value":"indistinct perhaps 40 or 49"}],"location":"on base of the saucer to left of suspension hole","method":"incised","type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1787,"era":["CE"],"latest":1787,"note":[{"value":"The date letter KK should have indicated 1788 but was apparently used in 1787 (see Documentation, Savill)."}],"value":"1787"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"possibly","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-140351","uid":"adlib-agent-140351","uuid":"c7d542ac-aafe-3e9f-9375-9cd93cfe24b6"},"summary_title":"Vielliard, Andr\u00e9-Vincent"},{"@link":{"qualifier":"possibly","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-175213","uid":"adlib-agent-175213","uuid":"ef88a7ff-b4dc-3a0c-b82a-4c1f09d97ffa"},"summary_title":"Vielliard, Pierre-Joseph-Andr\u00e9"}],"note":[{"value":"See other examples of landscape decoration by Vieilliard in The Fitzwilliam Museum: Cup and Saucer C.8 & A-1956, 1788 and C.62 & A-1961, 1789, and \u00c9cuelle ronde, C.60 & A-1961, 1788."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux 1991, Savill, 1988,  Bellaigue 2009). This is a gobelet litron et soucoupe of the third size with Savill's handle B."},{"value":"The incised mark 41 occurs mainly on cups and saucer after 1780"},{"value":"Yellow grounds were not very common at S\u00e8vres prior to 1775, after which they were popular, especially after 1787. Vielliard p\u00e8re, seems to have been made a speciality of painting landscapes on coloured grounds at the end of the 1780s, but there is a possiblity that this cup and saucer may have been painted by his son Andr\u00e9-Vincent Vielliard, fils, who worked at the factory from 1783-93, and adopted a style similar to his father. Roth & Corbeiller (see Documentation 2000), note that on 30 June 1787 Vielliard fils, was recorded as having been paid for painting two cups and saucers with yellow ground, landscapes, and friezes, at 9 livres each set (AMNS, Vj'4, fol. 261). 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