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Cylindrical cup with double curved handle. Circular saucer with a flat centre, deep sloping side, and a suspension hole in the footrim. The front of the cup is painted in polychrome with a tall, narrow-necked jar, standing on grass with a wheelbarrow and trees behind, and a basket of grapes and apples on the right. On the jar is a letter C made up of small blue flowers. On each side there are three diagonally placed sprays of alternately yellow and blue flowers. Above and below there are maroon bands entwined with curving gold lines. There is a dentilated gold band round the rim, a plain gold band round the foot, and gold lines down the sides of the handle, which also has stylised gold leaves alternating with spots down its back. The saucer is decorated with a posy of blue flowers with green leaves, surrounded by a dark crimson band entwined with curved gold lines. The sides are decorated with diagonally placed sprays of alternately yellow and blue flowers, with above a dark crimson band entwined with curved gold lines. The rim is encircled by a dentilated gold band."}],"identifier":[{"accession_number":"C.194 & A-1918","primary":true,"type":"accession number","value":"C.194 & A-1918"},{"priref":"86623","type":"priref","value":"86623"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86623","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86623"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls enclosing KK"}],"type":"factory mark"},{"location":"on base of kup and saucer","method":"painted in blue enamel","transcription":[{"value":"V."}],"type":"painter's mark"},{"description":[{"value":"41 with the 1 slanting to the right"}],"location":"on base of cup","method":"incised underglaze","transcription":[{"value":"41"}],"type":"incised mark"},{"description":[{"value":"3 a dash, longer than shown above, 1 slanting, possibly 31 or 37"}],"location":"on base of saucer","method":"incised underglaze","transcription":[{"value":"3-1 or 37"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166982","uid":"adlib-agent-166982","uuid":"379e05a8-af03-3c3f-8302-1ff6e68b6c8b"},"summary_title":"Griffin, Ralph"}],"date":[{"earliest":1918,"latest":1918,"value":"1918"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1918-08-28"}]}],"creation":[{"date":[{"earliest":1787,"era":["CE"],"latest":1787,"note":[{"value":"Both pieces bear the date letter for 1787"}],"value":"1787"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-175457","uid":"adlib-agent-175457","uuid":"6e9d1bf1-1dae-33ad-bff1-1da53a119152"},"summary_title":"Noualher, Antoinette-Marie"}],"note":[{"value":"Cups decorated with initials were a new venture initiated by the comte d\u2019Angiviller in the summer of 1784, after he had seen Clignancourt cups decorated in this way. Between then and 1789 over 1000 were produced. Sir Geoffrey de Bellaigue cites over 80 in 1784, over 400 in 1785,nearly 500 in 1786, about 160 in 1787 and fewer than 20 in 1788. (See Documentation, Bellaigue, 1980)."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Savill, 1988, Bellaigue 2009)  This is a gobelet litron of the second size with Savill's handle B."},{"value":"The incised mark on the cup, 41, is recorded on cups and saucers in the 1780s and 1790s, and on two vases of 1779 and 1780 respectively. It also occurs on C.56-1961, a cup of 1784, also on a saucer of 1780 in the Royal Collection"},{"value":"The painter's mark does not occur in MS Vj\u20192 but has been deduced from payments in the Artistis Lists of payments as that of Mme Antoinette-Marie Noualher (n\u00e9e Huet) , working from c. 1762-98. An almost similar mark was used by her daughter from c. 1790-98, and possibly earlier in the late 1780s, who about 1796 became Mme Weydinger."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis 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There is a dentilated gilt band round the rim.\nA pair with C.19B-1961."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1766","uid":"adlib-exhibition-1766","uuid":"50dc1734-4ec9-32ea-b76e-4e9ef08bfc00"},"summary_title":"Image and Text"}],"identifier":[{"accession_number":"C.19A-1961","primary":true,"type":"accession number","value":"C.19A-1961"},{"priref":"72954","type":"priref","value":"72954"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72954","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72954"}],"inscription":[{"description":[{"value":"interlaced L's enclosing G"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"an arrow, pointing downwards, with split tail, and a circle in the middle of the shaft, with a horizontal line through it"}],"location":"on base, above factory mark","method":"painted in blue enamel","type":"painter's mark"},{"location":"on base in front of suspension hole","method":"incised","transcription":[{"value":"gp"}],"type":"incised mark"},{"description":[{"value":"elongated rectangular gold paper label with cut corners inscribed in black ink with 'Strawberry Hill'"}],"location":"on base","method":"inscribed in black ink","transcription":[{"value":"Strawberry Hill"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"This stand and its pair do not appear in the Strawberry Hill sale catalogue, Mr George Robins, 25 April, 1842,The Valuable Contents of Strawberry Hill, nor are they described in Horace Walpole, A Description of the Villa of Mr. Horace Walpole . . . Strawberry Hill . . ., 1784."}]}],"creation":[{"date":[{"earliest":1760,"era":["CE"],"latest":1760,"note":[{"value":"Accessioned as 1759 but as a result of the revision of the dates for the date letters, A now standing for 1754, it has been changed to 1760."}],"precision":"circa","value":"1760"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"perhaps","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-162406","uid":"adlib-agent-162406","uuid":"ae08b23b-043d-3334-a062-764b683be1e1"},"summary_title":"Gr\u00e9mont, Claude-Jean-Baptiste"},{"@link":{"qualifier":"perhaps","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-175222","uid":"adlib-agent-175222","uuid":"26cc5a91-e0d9-3fdf-bfda-38d39acea11e"},"summary_title":"Poulain, Gratien"}],"note":[{"value":"Both Gr\u00e9mont and Poulain were working at the factory when this stand was made, and have been suggested as the user of the incised mark gp, but given the initials the latter seems more likely."},{"value":"The painter's mark on this piece appears on objects decorated with birds made c. 1759, and is somewhat like another arrow mark which since the 19th century has been attributed to Pierre-Fran\u00e7ois Yvernel, who worked at the factory from 1750-59. But no evidence has been found for this attribution. On accession this dish was attributed to Yvernel, but if Peters' proposed revision of the years allocated to date letters is accepted, this dish would have been decorated in 1760 after he had left the factory (see Documentation, Peters, 2014)."},{"value":"This is one of two different stand forms which accompanied barrel-shaped mustard pots (moutardiers ordinaires), the other has a cusped rather than indented outline, and a central depression to take the pot. This stand and its pair may have been intended to accompany a pair of similarly decorated mustard pots decorated by the same two decorators and said to have come from Strawberry Hill formerly in the Charles-Otto Zieseniss Collection (see Documentation)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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For the mark attributed to Yvernel, a landscape painter, working at Vincennes and S\u00e8vres between 1750 and 1759, but this is not identical to the mark on this piece.","page":"35","type":"reference"},"admin":{"id":"publication-3653","uid":"adlib-publication-3653","uuid":"a5169280-301b-31bd-9138-472d4d94a3ca"},"summary_title":"Les Marques de S\u00e8vres"},{"@link":{"notes":"Ref. Vol. I, Part II, Unattributed marks (Devices), p. 97, the arrow mark attributed in the 19th century to Pierre-Fran\u00e7ois Yvernel, and below it the mark on this piece, with a note that it is found on bird-decorated items of 1758-59. Peters suggests two possibel painters, Auclos or Kn\u00fcpfer who worked in those years.","page":"97","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"},{"@link":{"notes":"Ref. 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The author considered this might be the mark of Gr\u00e9mont p\u00e8re, see p. vi.","page":"219","type":"reference"},"admin":{"id":"publication-3644","uid":"adlib-publication-3644","uuid":"98152442-d20d-3780-aea4-f7a43bb51263"},"summary_title":"The Wrightsman Collection IV: Porcelain"},{"@link":{"notes":"Cf. p. 147, lot 198 a pair of mustard pots with covers, bleu lapis grounds, and birds in landscapes in the reserves, dated for 1759-60, one bearing the mark on this example, and the other that of J.-L. Morin, and said to come from Strawberry Hill, which suggests that they might have been the mustards which went with this dish and its pair. 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The glaze on the lower part of the cup handle is speckly, and base of the saucer is very speckly particularly in the middle. Cylindrical cup with double-curved handle. Circular saucer with flat central area and deep sloping sides. There is a suspension hole in the footring of the saucer. Both pieces have a pale yellow ground. The cup is painted in blue with continuous landscape including buildings and figures, with above and below a maroon band with dark blue dots below. Round the upper part of the cup there is a border composed of a series of blue Ss linked by wavy sprays of blue leaves with a maroon band above. There are bands of gilding round the foot and rim, lines of gilding down the sides of the handle, and down its back, a large leaf, a spot, a bell flower, three spots a smaller bell flower and eight spots.                                            The centre of the saucer is painted in blue with a horticultural vignette, encircled by a maroon band with dark blue dots outside it. A similar band encircles the outer edge of the base. The sides are painted in blue with a continuous landscape with buildings. The border is en suite with that on the cup."}],"identifier":[{"accession_number":"C.8 & A-1956","primary":true,"type":"accession number","value":"C.8 & A-1956"},{"priref":"93543","type":"priref","value":"93543"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93543","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93543"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced L's with KK beneath"}],"type":"factory mark"},{"description":[{"value":"four dots unevenly arranged in a horizontal row"}],"location":"on base of cup between factory mark and date letters","method":"painted in blue enamel","transcription":[{"value":"...."}],"type":"painter's mark"},{"description":[{"value":"an horizontal line with three dots evenly dispersed above"}],"location":"on base saucer between factory mark and date letters","method":"painted in blue enamel","type":"painter's mark"},{"description":[{"value":"a 4 with a sideways v possibly a 7"}],"location":"on base of cup by footring","method":"incised","transcription":[{"value":"4 7"}],"type":"incised mark"},{"location":"on base of saucer by footring","method":"incised","transcription":[{"value":"3 6"}],"type":"incised mark"},{"description":[{"value":"square white paper label, now buff"}],"location":"on base of cup","method":"hand-written in greyish-blue ink","transcription":[{"value":"'SEVRES\/Date 1788\/Painter\/Veiiellard'"}],"type":"label"},{"description":[{"value":"rectanuglar white lined paper labelw tih cut corners"}],"location":"on base of cup and saucer","method":"hand-written in faded black ink","transcription":[{"value":"Lent by Louis C.G. Clarke\/X.Dec.1947."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by L.C.G. 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He was a versatile artist but not so talented at figure painting as Dodin and Morin. Fom the mid 1760s he concentrated on landscapes with small figures, and in the 1780s also executed continuous landscapes on a coloured grounds, as on this cup and saucer, and C.62 & A-1961."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988, Bellaigue 2009). This is a gobelet litron of the third size."},{"value":"Yellow grounds were not really popular until about 1775 and then continued to be so through the 1780s, particularly after 1787. See other examples C.60 & A-1961 an \u00e9cuelle also by Vielliard, painted with continuous landscapes, in purple."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis XVI"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed lead 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Oval with curved, slightly lobed sides, and undulating rim with four notches at the cardinal points and four less prominent notches between them. There is a suspension hole in the footring. The stand has a bleu lapis ground with a shaped reserve each end, surrounded by an elaborate rococo frame composed of gilt scrolls, flowers and foliage. The reserves are each painted with two birds in a landscape, one bird standing and the other flying or perched in a tree. There is a dentilated gilt band round the rim. 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Savill notes that a group of pieces possibly by Morin are decorated with birds in landscapes, with examples dating from 1753-65. Also that from 1758 he began to work on pieces with coloured reserves. For occurences of the incised mark gp, see p. 1106, which following Dauterman, she suggests may be the soft-paste r\u00e9pareur Gratien Poulain, op. 1758-77.","page":"1106","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. Vol. I, Part I, p. 61 for variants of the M mark used by Morin, including an M followed by a dot half-way up the right stroke of the M.","page":"61","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"},{"@link":{"notes":"Cf. p. 147, lot 198 a pair of mustard pots with covers, bleu lapis ground and coloured birds in landscapes in the reserves, date letter for 1759-60, and marks of Morin, and the mark which appears on C.19A-1961, possibly Yvernel. They are said to have come from Strawberry Hill, and this suggests strongly that they could be the pots which were originally with this one and its pair. Previously sold Christie's London, 28 February 1994, lot 142","page":"147","type":"reference"},"admin":{"id":"publication-4654","uid":"adlib-publication-4654","uuid":"d85cfd87-80cb-3509-b001-361acbb42605"},"summary_title":"Collection Charles-Otto Zieseniss"},{"@link":{"notes":"Cf. p. 210, figs. 238 and 239, and p. 232, no. 240, a gobelet litron and saucer of 1765, the cup bearing a similar gold label inscribed 'Strawberry Hill', thought to be lot 84 on day 11 of the Strawberry Hill sale of 1842; bought by John P. Beavan, Esq.; possibly Alice Hay-Appleton and bequeathed by her to W. S. 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Clarke"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, pink,pale purple, brown, grey, and dark grey"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"15"},{"dimension":"Height","units":"cm","value":"3.1"}]},"name":"Saucer"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"6.7"}]},"name":"Cup Rim"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"6.8"}]},"name":"Cup"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"9"}]},"name":"Cup With Handle"}],"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain cup and saucer, with a turquoise and mid-blue pointill\u00e9 ground, painted in enamels, and gilded, with military and musical trophies, and floral sprays in reserves."},{"value":"Soft-paste porcelain decorated with a pale turquoise and mid-blue pointill\u00e9 ground, painting in blue, green, yellow, pink, pale purple, brown, grey and dark grey enamels, and gilding. Cylindrical cup with ear-shaped handle. Circular saucer with flat central area and sloping sides. Both pieces have a suspension hole in the footring.                                                                 Both pieces have a pale turquoise ground with regularly spaced white circles surrounded by blue dots. On the front of the cup there is acircular reserve framed by a gold band tooled with trellis, and painted in polychrome with a military trophy comprising a cornet bound by a pink cord with a tassel, a helmet, fasces, an axe, and spray of laurel (?). On the opposite side, running under the handle is a long, gold-edged rectangular reserve painted with polychrome flowers and foliage. There are bands of gilding round the foot and rim and and lines of gilding down the sides of the handle. The saucer has a circular central reserve, framed by a gold band and painted in polychrome with a posy of flowers. On the sides there are two long rectangular panels, framed by gold bands and painted in polychrome with floral sprays, alternating with two elongated oval panels, framed by gold bands faintly tooled with trellis. One contains a musical trophy comprising a lyre, a sheet of music, an arrow, and a houlette tied with a pink bow, and foliage; the other, a ewer, flaming torch, halberd, staff with a finial in the form of Ceres (?) holding a sheaf of corn and a sickle.The edge is encircled by a gold and."}],"identifier":[{"accession_number":"C.17 & A-1961","primary":true,"type":"accession number","value":"C.17 & A-1961"},{"priref":"72474","type":"priref","value":"72474"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72474","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72474"}],"inscription":[{"description":[{"value":"interlaced L's enclosing the letter f or possibly another later letter"}],"location":"on base of cup","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"an anchor, the left side worn off"}],"location":"on base of cup, below factory mark","method":"painted in blue enamel","type":"painter's mark"},{"description":[{"value":"joined at the tail"}],"location":"on base of cup by footring","method":"incised","transcription":[{"value":"qf"}],"type":"incised mark"},{"location":"on base of saucer by footring to left of suspension hole","method":"incised","transcription":[{"value":"ja or da"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1765,"from":{"earliest":1765,"era":["CE"],"latest":1765,"precision":"circa","value":"1765"},"latest":1770,"range":true,"to":{"earliest":1770,"era":["CE"],"latest":1770,"value":"1770"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-20788","uid":"adlib-agent-20788","uuid":"67caff28-28b1-35ff-b568-b398a88d7c1a"},"summary_title":"Buteux, Charles"}],"note":[{"value":"Charles Buteux, p\u00e8re ain\u00e9 was employed as a painter and gilder between 1756 and 1782. In the 1760s he became a specialist in painting trophies."},{"value":"The cup bears a date letter which appears to be an F but 1758 is too early for pointill\u00e9 decoration, and for Buteux to have developed his mature trophy style."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 in diameter in pouces and lignes, which was larger than the largest of the porcelain cups.The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier (records are lacking).The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms. A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis) They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988, Bellaigue, 2009)"},{"value":"This is a gobelet litron of the second size made at S\u00e8vres which ranges from 6.5 - 7 cm high. The handle is Savill's shape C. The saucer however it a little larger, approximating to the first size  from 14.3 to 15.5 cm."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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