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The design in black chalk on paper is inscribed on the back \u2018Dessein de m. Boucher apartenant \u00e0 la\/Manufacture de Vincennes, ce 23 aoust 1749 . . .\u2019. (MNS Archives, Inventaire Brongniart Section F \u00a7 F. 1858. No. 3) It is the earliest known design made by Boucher for the factory, and is the only one which survives in the factory\u2019s archives today. The plaster model is also preserved at the factory. In the drawing the boy is portrayed as a gardener leaning on a spade, and the figure was originally known as 'Le petit jardinier' but although he appears with a spade in painted form on tableware, the spade was omitted from the figures The Boucher drawing and the figure can be related to a series of tapestries of children, and a set of chair covers made for Madame de Pompadour by Neilson 1751-2, and listed in her inventory of 1764.This example is unusual in being glazed rather than biscuit.\n\nThe boy was one of a series of eight 'Enfants' designed by Boucher, described as \u2018Enfans de M. Boucher\u2019 or \u2018Enfans de Boucher\u2019 in the biscuit firing records and inventories after 1752, but not differentiated as to subject, although they were grouped into large, medium and small sizes. 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This group was modelled in 1766 and put into production in 1767 under the direction of Jean-Jacques Bachelier, his successor  as director of the sculpture workshop between 1766 and 1773. The terre cuite (terracotta) model is preserved in the Mus\u00e9e national de C\u00e9ramique, S\u00e8vres (MNC 7737). The group shows a gardener, Jacquot, and his lover Colette from a play, 'La F\u00eate au Ch\u00e2teau' by Charles-Simon Favart or his wife, which was commissioned by Mme de Mauconseil to celebrate the recovery of her daughter after an illness. The premier took place at the Villa de Bagatelle before the old king of Poland, Stanislas. The play was performed four times at Versailles and once at the Trianon, and entered the repertoire of the Th\u00e9\u00e2tre-Italien on 25 September 1766. The first biscuit group sold cost 144 livres (AMNS, Vy4, fo 135). The group was often sold paired with another, 'La f\u00e9e Urg\u00e8le', the title of an op\u00e9ra comique  with libretto by Favart.  This particular group is marked with an incised B which may be that of Bachelier, but could be interpreted as the Bo mark of his successor, Louis-Simon Boizot between 1775-70."},{"value":"Unglazed biscuit porcelain was introduced at Vincennes from 1751, and production continued after the factory moved in S\u00e8vres in the late summer of 1756. 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VI and example of this model in the author's collection.","page":"18-23","type":"reference"},"admin":{"id":"publication-200001941","uid":"adlib-publication-200001941","uuid":"f27858c8-2e6a-3d55-a6d0-10d9ad76c290"},"summary_title":"Falconet and S\u00e8vres biscuit"},{"@link":{"notes":"Cf. pp. 194-7, fig. 8, an example in the Elizabeth Parke Firestone Collection.","page":"194-7","type":"reference"},"admin":{"id":"publication-200001307","uid":"adlib-publication-200001307","uuid":"6c67f1c6-922d-3c28-b5ef-b6e3467aa007"},"summary_title":"Soft-paste biscuit figures from Vincennes and S\u00e8vres"},{"@link":{"notes":"Ref. pp. 27-8, see the postscript for the interpretation of the marks on biscuit figures.","page":"27-8","type":"reference"},"admin":{"id":"publication-200001238","uid":"adlib-publication-200001238","uuid":"ee3c8789-6896-350f-95d5-88483fee27ac"},"summary_title":"Les Marques sur les Biscuits en Pat\u00e9 Tendre de Vincennes et S\u00e8vres"},{"@link":{"notes":"Ref. For an interpretation of the marks on biscuit figures. The mark on this model is most like the B which the author attributes to Boizot, but is also very like that attributed to the sculptor Bourdois, working 1773.","page":"257-60","type":"reference"},"admin":{"id":"publication-200001239","uid":"adlib-publication-200001239","uuid":"e9b958a1-7a9a-3cfd-8377-dab5ddba0941"},"summary_title":"\u00c0 propos des Marques sur les Biscuits de Vincennes et de S\u00e8vres"},{"@link":{"notes":"Ref., Vol. II, pp. 819-821 for a short introduction to the technique  and models","page":"819-21","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. p. 156-7 no. 87a the model in terracotta of 1766. p. 157, no. 87b for a biscuit model MNC 25 220, marked with a B. H. 22 cm. For biography of Falconet, and marks on biscuit figures and groups, see pp. 11-24 and 25-29","page":"11-29, 156-7","type":"reference"},"admin":{"id":"publication-3881","uid":"adlib-publication-3881","uuid":"469244df-ef0f-3eb8-9d0c-757e58162458"},"summary_title":"Falconet \u00e0 S\u00e8vres 1756-1766 ou l'art de plaire"},{"@link":{"type":"reference"},"admin":{"id":"publication-3882","uid":"adlib-publication-3882","uuid":"9e4efd43-b7f2-3164-8737-8177dc4fbe1d"},"summary_title":"An Important Collection of European Porcelain, the property of the late Oscar Dusendschen of Geneva"},{"@link":{"notes":"Cf. p. 17, lot 34, an example from the collection of Wilfred J.Sainsbury","page":"17","type":"reference"},"admin":{"id":"publication-3662","uid":"adlib-publication-3662","uuid":"d4172bcd-2e6d-3b33-8769-33691d629025"},"summary_title":"Important Continental Porcelain"},{"@link":{"notes":"Cf. Day 1, 21 March, p. 144, lot 144. Estimate $3,500-4,500. 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