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Circular with twelve-lobed, slightly raised edge, standing on a low foot with concave-curved, twelve-lobed sides.There is a hole for suspension inside the edge of the stand. In the centre of the top painted in polychrome is a small floral spray, including a rose, encircled by two gold-edged green ribbons, interlaced to form six ovals, around and in which is entwined a garland of flowers. The outer edge of the tray is green, with a scalloped gold line inside it, following the curves of the lobes and having a floriated loop at the intersection of each."}],"identifier":[{"accession_number":"C.2-1957","primary":true,"type":"accession number","value":"C.2-1957"},{"priref":"93544","type":"priref","value":"93544"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93544","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93544"}],"inscription":[{"description":[{"value":"interlaced L's enclosing E"}],"location":"on base","method":"in blue enamel","type":"factory mark"},{"description":[{"value":"not as typed"}],"location":"on base, below interlaced L's","method":"in blue enamel","transcription":[{"value":"d."}],"type":"painter's mark"},{"description":[{"value":"script Lf"}],"location":"on base","method":"incised underglaze","transcription":[{"value":"Lf"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1957,"latest":1957,"value":"1957-11-21"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1757,"from":{"earliest":1757,"era":["CE"],"latest":1757,"value":"1757"},"latest":1758,"note":[{"value":"The tray bears the date letter for 1757-8"}],"range":true,"to":{"earliest":1758,"era":["CE"],"latest":1758,"value":"1758"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"}],"note":[{"value":"Soucoupes \u00e0 pied were used as a stands for ice cream cups, or for dried fruits. This is probably one of eight soucoupes \u00e0 pied costing 144 livres each from the service given to the Empress Maria-Theresa by Louis XV in 1758, the much of which is in the Hofburg, Vienna. The pieces in the service bear date letters for 1757 (D) and 1758 (E)"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"22.9"},{"dimension":"Height","units":"cm","value":"3.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-67057","uid":"adlib-media-67057","uuid":"8dc06733-1017-3e53-84dd-0255ac4d7558"},"processed":{"large":{"format":"jpeg","location":"aa\/aa23\/C_2_1957.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":584}]},"modified":1616265953557,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa23\/mid_C_2_1957.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":651},{"dimension":"width","units":"pixels","value":500}]},"modified":1616265953557,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa23\/C_2_1957.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":584}]},"modified":1616265953557,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa23\/preview_C_2_1957.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1616265953557,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-3760866751","source":"portfolio","uid":"portfolio-media-3760866751","uuid":"359d96a5-4936-33f4-b5bb-bc066581cf40"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/652\/large_C_2_1957_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1536},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529202633000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/652\/mid_C_2_1957_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":750},{"dimension":"width","units":"pixels","value":500}]},"modified":1529202633000,"resizable":true,"type":"image"},"original":{"location":"C.2-1957_200902_mfj22_mas.tif","modified":1529202633000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/652\/preview_C_2_1957_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":375},{"dimension":"width","units":"pixels","value":250}]},"modified":1529202633000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Tray for ice cups, Sevres Factory"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120422","uid":"adlib-term-120422","uuid":"7dd6d416-47f7-35ef-ac4b-c79f08377dc6"},"summary_title":"Tray for ice cups"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-124243","uid":"adlib-term-124243","uuid":"709b7797-ac7f-39cf-a04c-04aa4b02daa5"},"summary_title":"dessert ware"},"type":"category"},{"type":"factory name","value":"soucoupe \u00e0 pied pour tasses \u00e0 glace"}],"note":[{"type":"history note","value":"Ole Olsen Collection, Copenhagen. Purchased from H.E. Backer, London; given by the Friends of the Fitzwilliam Museum"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Illustrated, front cover and p. 2","page":"p. 2","type":"reference"},"admin":{"id":"publication-3855","uid":"adlib-publication-3855","uuid":"d20590cf-6884-3559-a30c-6cabad9407af"},"summary_title":"Friends of the Fitzwilliam Museum, Forty-ninth Annual Report, for the Year 1957"},{"@link":{"notes":"Ref. and mention, vol. II, pp. 307-08, service, 58-3, for the components, date of manufacture, current locations of known pieces, and sales of components, and literature for the Maria Theresa Service.","page":"307-08","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"},{"@link":{"notes":"Ref. 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For the mark, see p. 76.","page":"68, 76","type":"reference"},"admin":{"id":"publication-4636","uid":"adlib-publication-4636","uuid":"86468de7-cccc-399e-931c-e99ba2128b1b"},"summary_title":"Davids Samling Fransk Porcelaen\/The David Collection, French Porcelain"},{"@link":{"notes":"Cf. p. 73, lot 242, a pair of seaux \u00e0 bouteille of 1758 painted by Tandart, from the Maria Theresa Service.","page":"73","type":"reference"},"admin":{"id":"publication-2645","uid":"adlib-publication-2645","uuid":"b1b69b1c-707f-3c05-a267-31713b4eb4c0"},"summary_title":"British and Continental Ceramics"},{"@link":{"notes":"Cf. lot 85, an oval mustard pot stand said to be from this service, no date letter. Estimate \u00a3750-950; E1,150-1,450","page":"54","type":"reference"},"admin":{"id":"publication-4812","uid":"adlib-publication-4812","uuid":"f51a10e5-f465-3e0e-904a-8fa72eb95d7c"},"summary_title":"European Ceramics, Glass, Silver and Vertu, 29 June 2004"},{"@link":{"notes":"Ref. and cf. catalogue nos 274-286 various pieces from the service, and illustrations of a compotiers coquille and a terrine gondole and plateau  (one each from 280 and 275) showing the interlace ribbon design","page":"334-5","type":"reference"},"admin":{"id":"publication-5983","uid":"adlib-publication-5983","uuid":"a8deeedb-4869-3a50-a871-c3d2d0f2fbc7"},"summary_title":"Versailles et les Tables Royales en Europe XVII\u00e8me - XIX\u00e8me si\u00e8cles"},{"@link":{"notes":"Cf. p. 18-19, lot 17 four plates of 1757-8 from the Maria Theresa Service, p. 20, lot 18, a similar plate probably one of six bought by Madame de Pompadour from Lazare Duvaux in March 1758, and p. 21, lot 19 four plates, from either the 'Rubans Verds' service delivered to the marquis de Paulmy or Madame Lair in 1760 (see Peters, 2005, II, pp. 317-20.). All these plates differ from the soucoupe \u00e0 pieds in having pairs of arched gilt floral sprays around the outer edge","page":"18-21","type":"reference"},"admin":{"id":"publication-5543","uid":"adlib-publication-5543","uuid":"1c2eeaac-af10-3342-83cb-cb894a9789df"},"summary_title":"Important French & Continental Furniture, decorations & Ceramics"},{"@link":{"type":"reference"},"admin":{"id":"publication-8495","uid":"adlib-publication-8495","uuid":"39d527d2-aa40-398e-b10b-eb9f3b02e036"},"summary_title":"A thing of Beauty is a Joy For Ever. Vincennes and S\u00e8vres Porcelain from a Private Collection"},{"@link":{"notes":"Ref. For another completely different example of green ribbon decoration, see p. 140-3, lot 161, a garniture of three vases hollandais with green ribbon decoration, flowers, gardening trophies and putti with date letter D for 1756-1757.","page":"140-3","type":"reference"},"admin":{"id":"publication-5539","uid":"adlib-publication-5539","uuid":"d35ced23-464b-3892-a133-776253c9e873"},"summary_title":"Bel Ameublement et Objets d'Art,  Mobilier Provenanant de la Villa Fal'eze"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107511","uid":"adlib-term-107511","uuid":"d27e0338-6e3f-37b3-9f1c-96fd22189f74"},"summary_title":"garland"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-51570","uid":"adlib-term-51570","uuid":"60c9a2b0-88e3-31c4-a903-cb3bfbb73411"},"summary_title":"rose"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107622","uid":"adlib-term-107622","uuid":"523e46be-6c51-3455-8391-3ea334aab2f0"},"summary_title":"flowers"},{"@link":{"type":"literal"},"name":[{"value":"garland"}],"summary_title":"garland"},{"@link":{"type":"literal"},"name":[{"value":"rose"}],"summary_title":"rose"},{"@link":{"type":"literal"},"name":[{"value":"flowers"}],"summary_title":"flowers"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120422","uid":"adlib-term-120422","uuid":"7dd6d416-47f7-35ef-ac4b-c79f08377dc6"},"summary_title":"Tray for ice cups"}},"summary_title":"Tray for ice cups","techniques":[{"description":[{"value":"Soft-paste porcelain, moulded, painted in blue, green, yellow, pink, orange-red, mauve, and black enamels and gilded."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"translation":[{"value":"footed saucer  for ice cream cups"}],"value":"Soucoupe \u00e0 pied pour tasses \u00e0 glace"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-93751","_score":17.4164,"_source":{"admin":{"added":1592984355000,"created":1312637261000,"flag":"Standard Record","id":"object-93751","indexed":1755194528751,"modified":1610464365000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-93751","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93751","uuid":"cc31c806-664d-301b-a590-8620c00e1d05","version":7},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-175250","uid":"adlib-agent-175250","uuid":"3812efbe-2be4-3524-bb59-d0c77d5f92c4"},"summary_title":"Paley, Princess"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. 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Circular, with slightly shelving rim and shallow well. There is a suspension hole in the footring.\nIn the centre, painted in polychrome, a goose 'Oye de Canada' stands on an island beside a willow tree, with a small bird flying towards it. There are stones and grasses in the foreground and hazy trees in the background. The rim is decorated with red and gold oeil-de-perdrix on a pale yellow ground with three rectangular reserves with cut-out corners, framed by gold bands tooled alternatively with areas of striations and criss-cross trellis, each painted in polychrome with a bird in a landscape: 'Petite Perruche verte de Cayenne', 'Le Grand Pingoun des Mers du Nord' and 'Oye de Guin\u00e9e'. Between them there are three small, oval reserves painted en grisaille with female heads in profile, two facing to the left, and one to the right. 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Circular, the rim scalloped with twelve alternately large and small arcs. The rim is slightly concave and the well has a shallow, concave sides. There is a suspension hole in the footring. In the centre, reserved on a white ground, is a circular panel, framed by a wide band of gilding tooled with bound laurel leaves and a narrow band of gilding tooled with straight lines outside it. The panel is painted with three voluptuous nymphs sleeping in the shelter of a purple hanging beside a tree, unaware of a satyr who peers at them over the hanging. The rim has a bleu nouveau ground decorated with gold scrolls, sprays of flowers and foliage, between which are four, elongated oval reserves framed by wide bands of gilding tooled with overlapping scales and crossed ribbons. The panels are painted in polychrome as follows: (1) Combat des Horiaces et Curiaces - A contest between two soldiers carrying swords and shields while another lies dead beside them and a fourth approaches from behind. (2) Cincinnatus - Two standing men, one wearing armour, invite Cincinnatus dressed as a farmer to come into the palace standing behind them. (3) Les Vestales portant le feu sacr\u00e9 - A young woman kneels in front of a brazier which is being carried by two priestesses. (4) Paul Emile appelle \u00e0 l'arm\u00e9e - A seated man refuses to look at a young woman being presented to him by another man. All the figures wear classical dress. 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The base has an eight-lobed edge decorated with eight moulded cockle shells alternately face up and face down. The foot of the vase has an eight-lobed edge and rises into an incurved stem which expands into the shallow bulb-shaped lower part of the vase. The sides of the vase are trumpet-shaped, and it has eight scallops round the rim.  On each side, is a handle rising from the foot into an elaborate scroll, joined to the widest part of the bulb and rising above to form a hollow foliated projection. The decoration is of alternating areas of bleu lapis lightly marbled with gilding and white panels painted on each side of the upper part with a spray of flowers which ignores the blue divisions. On the stem the white panels are decorated underglaze in blue with  four trefoil-shaped leaves with three dots above.The edges of the bleu lapis areas, the edges of the handles, the upper part of the base and the edges of the shells are gilded. A non-identical pair with C.9-1961"}],"identifier":[{"accession_number":"C.8-1961","primary":true,"type":"accession number","value":"C.8-1961"},{"priref":"82587","type":"priref","value":"82587"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82587","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82587"}],"inscription":[{"location":"on base","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls with a spot in the centre"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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The 'vase Duplessis' was made in four sizes, and in three main shapes, differing in details.  One, represented by the Fitzwilliam\u2019s pair, has a lobed foot and rim, and stands on either a low rocky base or a shell base. The body, rim, and handles but not the foot conform to an unsigned  drawing at the factory (R.1, liasse 3, dossier 6, fol. 2; fol. 1 shows outline minus handles).  It does not conform exactly to any of the three plaster models which survive, although its basic outline is similar to 'vase \u00e0 fleurs Duplessis uni' (see Documentation, Troude), The other versions were known as 'vase Duplessi enfants' and 'vase a fleurs Duplessis orn\u00e9' For illustrations of all three forms, see  Documentation, Roth and Corbeiller. \n\nExamples of the  'vase Duplessis' were fired in 1748  and in 1751 the posthumous inventory of the director, Jean-Henry-Louis Orry de Fulvy (1703-51) begun on 26 May 1751 mentions seven vases whose descriptions appear to corre\u00acspond to it, and which were described twice, once as part of his own estate and again on 15 September when it had been found that they belonged to the factory. Four sizes were mentioned among glazed and fire pieces in the inventory of 1 October 1752, of which the first size was the largest, and in the sale room there were nine decorated with a lapis ground and flowers but defective and only valued at 60 livres each. (MNS I 7 Inventaire g\u00e9neraux\/de la Manufacture 1752, p. 23-4 and p. 39).The first mention of the sale of a vase Duplessis in the marchand-mercier, Lazare Duvaux\u2019s 'Livre Journal' was on 16 January, 1752 to a M. Leonor La Resnaye, for 84 livres. The factory's sale ledger's record sales of vases Duplessis with a lapis (bleu lapis) ground and floral decoration on 25 January 1753  (Vy 1, p. 7 verso). three of the first size on 9 April 1753 (Vy 1, p. 11 recto), two of the first size on 19 July 1753, and three of the first size on 14 October 1754. \n\nIn addition to this one, seven vases Duplessis with bleu lapis grounds and scalloped rims are known, each decorated slightly differently with regard to the areas of ground colour and the shape of the handles and base: one in the Fitzwilliam Museum (C.9-1961) one in the Louvre (OA 7610) two in the Mineappolis Museum of Art (82.2.1 and 82.2.2), one in the Hermitage (3\u042423291), one in the Belvedere Collection (Catalogue no. 86), one with Adrian Sassoon, London, in Summer 2008 (inv. no. 979). A smaller and later example of 1759-60  with a plain rim, and a large floral reserve on each side, is in the Victoria & Albert Museum (C.1363-1919)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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The base has an eight-lobed edge decorated with eight moulded cockle shells alternately face up and face down. The foot of the vase has an eight-lobed edge and rises into an incurved stem which expands into the shallow bulb-shaped lower part of the vase. The sides of the vase are trumpet-shaped, and it has eight scallops round the rim.  On each side, is a handle rising from the foot into an elaborate scroll, joined to the widest part of the bulb and rising above to form a hollow foliated projection. The decoration is of alternating areas of bleu lapis lightly marbled with gilding and white panels painted on each side of the upper part with a spray of flowers which ignores the blue divisions. On the stem the white panels are decorated underglaze in blue with  four trefoil-shaped leaves with three dots above.The edges of the bleu lapis areas, the edges of the handles, the upper part of the base and the edges of the shells are gilded. 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The jug stands on a low, circular foot. The ovoid body contracts at the neck and then rises and flares out slightly to form a wavy-edged lip at the front. The handle springs from the rim and rises up slightly before curving outwards and downwards to meet the body at a point just above its junction with the foot. There is a band of white beading at the junction of the foot and body; stiff leaves in relief forming a calyx round the lower part of the body; and two husks and a cord in relief down the back of the handle. The ground is bleu c\u00e9leste, interrupted above and below the widest point by two reserved white bands between narrow gilt lines, painted with sprays of polychrome flowers separated by two gold husks. The wide bleu c\u00e9leste zone between them is decorated with gold rinceaux between which are two small and one large oval medallions, each painted en grisaille on a reddish-brown ground to resemble brown and white sardonyx cameos. The small medallions each contain a profile head: a Roman soldier and a young woman. The larger medallion has a scene with two Roman soldiers, the one on the right seated, probably Cincinnatus, and the one on the left standing. On the underside of the spout there is a circular reserve painted in polychrome with a wreath made up of two branches of different trees (? laurel and olive) tied with a bow at the bottom. At the top the branches meet on either side of a gold Imperial crown. Within the wreath is an E made up of flowers in monogram with II in gold, for Ekaterina II. The ground on either side is decorated with gold rinceaux. There is a gold band round the foot and a dentilated band and close-set strokes of different lengths round the lip. 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The use of illusionistic cameos in the decoration reflected the Empress's interest in this aspect of antique art, and innovatory techniques were used to produce them .For descriptions of the service, see Savill (1988), Dawson (1994), and Peters ( 2005,  III) Four of the jugs are in the Hermitage in St Petersburg (see  Birioukova and Kazakevitch, (2005)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis 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Circular with a wide rim, and deep well, standing on a fooring with a suspension hole.  The dish is heavy for its size. The well has a turquoise (bleu c\u00e9leste) ground with a central circular reserve framed by a chased gold band. Within it is a wreath made up of branches of laurel and myrtle,  tied with a gold bow at the bottom.  At the top the branches meet on either side of a gold Imperial crown. Within the wreath is a large script E made up of pink and blue flowers in monogram with 'II' in gold, for Ekaterina II. The rim has white inner and outer borders decorated with small floral sprays separated by husks. Beween them is a broad turquoise band decorated with finely tooled gold foliated scrolls, interupted by three small oval reserves and three larger horizontal oval reserves, each painted en grisaille on a reddish-brown ground to imitate cameos. The small reserves enclose profile heads, respectively of a young woman, a young man, and Pan. The larger reserves enclose mythological scenes from Ovid's Metamorphoses: Apollo and Daphne from Book 1; The competition between Apollo and Marsyas, and the Flaying of Marsyas from Book 6. There is a gold band round the edge, dentilated on the reverse, and a wide gold band round the outer edge of the footring."}],"identifier":[{"accession_number":"C.51-1961","primary":true,"type":"accession number","value":"C.51-1961"},{"priref":"93541","type":"priref","value":"93541"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93541","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93541"}],"inscription":[{"location":"on base","method":"incised","transcription":[{"value":"33"}],"type":"incised mark"},{"location":"on base","method":"painted in bluish-violet enamel","transcription":[{"value":"interlaced Ls enclosing aa"}],"type":"mark"},{"location":"on base above the factory mark","method":"painted in violet enamel","transcription":[{"value":"K"}],"type":"painter's mark"},{"location":"on base below factory mark","method":"painted in violet enamel","transcription":[{"value":"nq"}],"type":"painter's mark"},{"description":[{"value":"with a curved upright stroke"}],"location":"on base below the other marks","method":"painted in brighter blue","transcription":[{"value":"script B"}],"type":"gilder's mark"},{"location":"on base","method":"painted in red enamel which has partly worn away","transcription":[{"value":"H P"}],"type":"mark"},{"location":"on base","method":"hand-written probably in black ink","transcription":[{"value":"illegible"}],"type":"inscription"},{"description":[{"value":"narrow rectangular label"}],"location":"on base","method":"printed in black","transcription":[{"value":"'From Lord Dudley's Collection'"}],"type":"label"},{"description":[{"value":"circular label printed round the edge with a narrow blue band and a wider blue band"}],"location":"on base","method":"hand-written in black crayon","transcription":[{"value":"55 underlined"}],"type":"label"},{"description":[{"value":"rectangular with the left end torn off"}],"location":"on the base","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"(S) EVRES printed 'Niquet & Dodin\/Date\/1778' hand-written"}],"type":"label"},{"description":[{"value":"rectangular with part of the right side torn off"}],"location":"on the base","method":"hand-written in black ink","transcription":[{"value":"Part of the service\/made for the\/Empress Cath.....\/of Russia"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The service was remarkable for its immense size, and the speed with which it was made. It was the first wholly neoclassical service to be made at S\u00e8vres, and the forms were specially designed for it, the plates for example having smooth instead of lobed rims. The use of illusionistic cameos in the decoration reflected the Empress's interest in this aspect of antique art, and innovatory techniques were used to produce them. The outlines of those on the plates were transfer-printed before painting, a technique not normally employed on S\u00e8vres porcelain. For descriptions of the service, see Savill (1988), Dawson (1994), and Peters ( 2005,  III). 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which have been dispersed during the last fifty years which (by order of the Executors), lot 95, 108 guineas. D.M. Currie; Mrs Alistair Currie, sold Christie's, 13 June 1946,  Catalogue of Old French Furniture and S\u00e8vres Porcelain . .. p. 7,, lot 55 sold for 78 guineas to  F. Partridge for L.C.G. Clarke, MA, Leckhampton, Cambridge (1881-1960)."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same service"}],"type":"reference"},"admin":{"id":"object-93592","uid":"adlib-object-93592","uuid":"38f70bab-d288-34f4-8dd0-c0fbf534c2d1"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-6030","uid":"adlib-publication-6030","uuid":"493da1ea-dbf5-35b7-b1c3-1b4dac45a4cd"},"summary_title":"Catalogue of\/the Splendid Collection formed by the Right Honourable the late Earl of Dudley from the most celebrated cabinets which have been dispersed during the last fifty years which (by order of the Executors),Will be sold by Auction by Messrs. Christie, Manson & Woods at their Great Rooms 8 King Street, St James\u2019s Square"},{"@link":{"notes":"Publ. Illustrated, pp. 377-83, on p. 381, fig. 13","page":"p. 381","type":"reference"},"admin":{"id":"publication-200000779","uid":"adlib-publication-200000779","uuid":"23351138-8d80-3072-8cc1-3cf4e9f33fdc"},"summary_title":"Louis Clarke as a Collector"},{"@link":{"notes":"Publ. p. 29, short text with colour illustration","page":"29","type":"reference"},"admin":{"id":"publication-200001843","uid":"adlib-publication-200001843","uuid":"4fa33587-103a-3608-9de5-1afa6891542b"},"summary_title":"Earth and Fire"},{"@link":{"notes":"Publ. p. 162, illustrated with short text","page":"162","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"notes":"Ref. p. 36, no. 11 where the whole service is listed","page":"36","type":"reference"},"admin":{"id":"publication-4634","uid":"adlib-publication-4634","uuid":"d0262d0c-496d-3bf6-a95b-8c6d7ada2ceb"},"summary_title":"Les Grands Services de S\u00e8vres"},{"@link":{"notes":"Cf. pp. 322-7, M. Kasakevitch, 'Le Service de Porcelain de Catherine II de Russie',  where the entire service is listed n p. 325, and catalogue nos. 232-55.","page":"322-7","type":"reference"},"admin":{"id":"publication-5983","uid":"adlib-publication-5983","uuid":"a8deeedb-4869-3a50-a871-c3d2d0f2fbc7"},"summary_title":"Versailles et les Tables Royales en Europe XVII\u00e8me - XIX\u00e8me si\u00e8cles"},{"@link":{"notes":"Ref. and mention, vol. III, pp. 601-06, service  79-13, for the Empress Catherine of Russia:  the commission, components, date of manufacture and delivery,  painters and gilders employed on it, current locations and sales of pieces from the service. The Fitzwilliam's dish is mentioned on p. 604, with an incorrect accession number C.19-1961.","page":"601-06","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"},{"@link":{"notes":"Ref. pp. 130-52, nos. 129-811 for the pieces which remain in the Hermitage. Cf. Plates nos. 472-811,  one illustrated on p. 149.","page":"130-52","type":"reference"},"admin":{"id":"publication-5976","uid":"adlib-publication-5976","uuid":"7c4b2d91-bb08-3697-bd4d-29880542e1ac"},"summary_title":"Mus\u00e9e de l\u2019Ermitage, La porcelaine de S\u00e8vres du XVIII si\u00e8cle, Catalogue de la Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-3880","uid":"adlib-publication-3880","uuid":"2a919a18-5edb-3d2e-9336-3d08e969cd38"},"summary_title":"The Soft Porcelain of S\u00e8vres"},{"@link":{"notes":"Ref. pp. 88-9, for the Empress Catherine Service, and pl. on p. 91","page":"88-9, 91","type":"reference"},"admin":{"id":"publication-3671","uid":"adlib-publication-3671","uuid":"5a0e7ed7-b0be-33c8-a7b3-4b7dca0fda70"},"summary_title":"La Manufacture de Porcelaine de S\u00e8vres"},{"@link":{"type":"reference"},"admin":{"id":"publication-3655","uid":"adlib-publication-3655","uuid":"b008e74d-7bac-33c4-ad80-37f31f9fe1ce"},"summary_title":"European Ceramic Art"},{"@link":{"notes":"Ref. Frontispiece to the plates, a plate similar to the Fitzwilliams, and pl. 82, two ice cups and a sucrier, cover, and stand, and pp. 217-18, text for all which were in a private collection.","page":"217-18","type":"reference"},"admin":{"id":"publication-3688","uid":"adlib-publication-3688","uuid":"6e82b986-e237-3d96-8b61-f057ec352107"},"summary_title":"S\u00e8vres, Le XVIIIe Si\u00e8cle"},{"@link":{"notes":"Ref. For the mark of Niquet","page":"33","type":"reference"},"admin":{"id":"publication-3653","uid":"adlib-publication-3653","uuid":"a5169280-301b-31bd-9138-472d4d94a3ca"},"summary_title":"Les Marques de S\u00e8vres"},{"@link":{"notes":"Ref.pp. 317-18 for Boulanger, p\u00e8re, pp. 323-4, for Charles-Nicolas Dodin","page":"323-4, 317-1","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. pp. 18-19, and fig. 5, an oval dish in the Forsyth Wickes Collection at the Museum of Fine Arts, Boston","page":"18-19","type":"reference"},"admin":{"id":"publication-5244","uid":"adlib-publication-5244","uuid":"aabb51b8-9c78-33ab-90e3-873bfea9593d"},"summary_title":"S\u00e8vres"},{"@link":{"notes":"Cf. p. 295, no. 18.9.34, a plate from a different service with the incised mark '33'.","page":"295","type":"reference"},"admin":{"id":"publication-200001937","uid":"adlib-publication-200001937","uuid":"f7f00645-7544-35c8-ac44-54048c5c3b48"},"summary_title":"French Pottery and Porcelains"},{"@link":{"notes":"Cf. p. 198 and 199, nos. 223 and 224.","page":"198-9","type":"reference"},"admin":{"id":"publication-3651","uid":"adlib-publication-3651","uuid":"b6570ad2-e4e9-30b7-8f3d-5e91ee060031"},"summary_title":"S\u00e8vres des Origines \u00e0 nos Jours"},{"@link":{"notes":"Ref. Information on painters of the services and the sources of their designs","page":"667","type":"reference"},"admin":{"id":"publication-200001276","uid":"adlib-publication-200001276","uuid":"f85e7326-af51-3e34-a9bb-dce3271e7358"},"summary_title":"S\u00e8vres Artists and their Sources I: Paintings and Drawings"},{"@link":{"notes":"Cf. p. 6, lot 6, with colour illustration, a plate, 1782","page":"6","type":"reference"},"admin":{"id":"publication-4651","uid":"adlib-publication-4651","uuid":"9ed2d142-68df-3f5b-8081-f5f150d9cc57"},"summary_title":"Continental Porcelain"},{"@link":{"notes":"Cf. p. 8, lot 8, illustrated, a compotier, marked with interlaced Ls, AA, painter's mark for Foure in blue enamel, 2000 in gold for Henry-Fran\u00e7ois Vincent jeune, 20 incised. Estimate \u00a3600-800","page":"8","type":"reference"},"admin":{"id":"publication-4652","uid":"adlib-publication-4652","uuid":"020af38a-73b1-3989-a119-c13fe9b7ea18"},"summary_title":"Important Italian Maiolica and Continental Pottery and Porcelain"},{"@link":{"notes":"Cf. p. 128, no. 101, a cup and saucer of 1778 from the service.","page":"128","type":"reference"},"admin":{"id":"publication-5985","uid":"adlib-publication-5985","uuid":"0003a292-18c8-307d-a8db-1cb02302b5be"},"summary_title":"La  porcelaine fran\u00e7aise du XVIIIe si\u00e8cle dans les mus\u00e9es Nord-Pas-de-Calais"},{"@link":{"type":"reference"},"admin":{"id":"publication-8495","uid":"adlib-publication-8495","uuid":"39d527d2-aa40-398e-b10b-eb9f3b02e036"},"summary_title":"A thing of Beauty is a Joy For Ever. Vincennes and S\u00e8vres Porcelain from a Private Collection"},{"@link":{"notes":"Cf. Vol. II, pp. 762-82, two wine-bottle coolers, and four ice-cream coolers from the Empress Catherine Service, nos. 474-5 and 476-9. The author describes the history, design, and composition of the service,  and the techniques employed, including the method of transfer printing the painted cameos. A sheet of heads in reverse, including Pan, is illustrated on p. 765. The Fitzwilliam's plate is mentioned on pp. 767 and 781","page":"762-82","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. A similar plate, with text on the commissioning, design, and history of the service, with particular reference to the plates.","page":"141-4","type":"reference"},"admin":{"id":"publication-3616","uid":"adlib-publication-3616","uuid":"7ae45eaf-b5a1-314c-856f-7e3419f1a94e"},"summary_title":"French Porcelain, A Catalogue of the British Museum Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002992","uid":"adlib-publication-200002992","uuid":"4f8caf6e-00d1-3283-8a36-0392e6257e5d"},"summary_title":"Catherine the Great & Classical Imagery: An Analysis of her S\u00e8vres Porcelain Service of 1779"},{"@link":{"notes":"Cf. pp. 24-5, lot 25. a plate, estimate FF 75,000-120,000 . Provenance, Robert Napier of Shandon, Christie's, London, 11 April 1877, lot 160 or 161; L. Thomson, probably for the Earl of Dudley; Earl of Dudley, sold Christie's, London, 21 May 1886, lot 96 or 97; sold to Grindely.","page":"24-5","type":"reference"},"admin":{"id":"publication-4838","uid":"adlib-publication-4838","uuid":"a6f6fa46-1bdb-30fe-b7f7-d3226b96004a"},"summary_title":"Porcelain et Fa\u00efence Fran\u00e7aises, Mobilier et Objets d'Art, 8 December 1990"},{"@link":{"notes":"Cf. p. 87, lot 289, a plate from the collection of the late Robert Clarke, dated AA for 1778 with painter's mark of Dodin and FB for Fran\u00e7ois-Marie Barrat. D. 16.5 cm. Estimate \u00a310,000-15,000; fetched \u00a3","page":"87","type":"reference"},"admin":{"id":"publication-4653","uid":"adlib-publication-4653","uuid":"25e7f7aa-fbc2-385e-9976-1240f2a3c855"},"summary_title":"Continental and British Ceramics: including Meissen porcelain from Korthaus Collection: properties of the St. Germans 1962 Settlement, the late Robert Clarke"},{"@link":{"notes":"Ref.","page":"48-54","type":"reference"},"admin":{"id":"publication-200001798","uid":"adlib-publication-200001798","uuid":"ae666f1f-7c30-31c2-a3ca-921a644de069"},"summary_title":"The S\u00e8vres Porcelain Service of Catherine II of Russia: The Truth Concerning Payment"},{"@link":{"notes":"Cf. p. 66, no. 18, illustrated in colour on p. 67, a bronze-mounted ice cup. No year mark. Painter's mark HP for Henri Martin Pr\u00e9vost (active 1757-97). Inv. no. FAS PE 188.","page":"66","type":"reference"},"admin":{"id":"publication-4655","uid":"adlib-publication-4655","uuid":"4c795466-ef5c-3139-af87-252991660c24"},"summary_title":"K\u00f6nigliches Porzellan aus Frankreich, Sammlerst\u00fccke und Service der Manufaktur Vincennes\/S\u00e8vres"},{"@link":{"type":"reference"},"admin":{"id":"publication-7524","uid":"adlib-publication-7524","uuid":"9aae2908-1105-3fa5-8365-0c981a52dccf"},"summary_title":"Treasures of France from the Sun King to the Belle Epoque"},{"@link":{"notes":"Cf. pp. 281-3, no. 144, a S\u00e8vres factory replica with date letter for 1785 (1917.1095), which differs in having a shaped rim and being slightly smaller, 23.8 cm instead of about 26.5 cm.","page":"281-3","type":"reference"},"admin":{"id":"publication-2724","uid":"adlib-publication-2724","uuid":"e1cfd19f-1a09-348b-8813-f71b68d85f84"},"summary_title":"French Eighteenth-Century Porcelain at the Wadsworth Atheneum, The J. Pierpont Morgan Collection"},{"@link":{"notes":"Cf. p. 182-3, lot 265, a plate described as 'une replique' of the 18th century, 23.5 diameter with date letters ee for 1783,  painter's mark of Tandart, and gilder's mark of Chauvaux. Estimate E 15,245-18,295; fetched E","page":"182-3","type":"reference"},"admin":{"id":"publication-4654","uid":"adlib-publication-4654","uuid":"d85cfd87-80cb-3509-b001-361acbb42605"},"summary_title":"Collection Charles-Otto Zieseniss"},{"@link":{"notes":"Cf. Lot 99, a reproduction plate probably made by the Imperial Porcelain Manufactory in the late 19th century. D. 26 cm. Estimate \u00a32-3,000.","page":"73","type":"reference"},"admin":{"id":"publication-4699","uid":"adlib-publication-4699","uuid":"6cacf516-5595-300d-b383-656e14e2a766"},"summary_title":"Russian Works of Art, Faberg\u00e9 and Icons"},{"@link":{"notes":"Cf. p. 24, lot 38, a plate from the Empress Catherine Service with the date letter for 1778 and painter's mark for Dodin. Estimate \u00a323-31,000; E25-35,000. Cf also p. 23, lot 37 a tassa \u00e0 glaze from the service with marks of the painter Buteux cadet and gilder Pr\u00e9vost. Estimate \u00a327-45,000; E 30-50,000","page":"23-4","type":"reference"},"admin":{"id":"publication-8611","uid":"adlib-publication-8611","uuid":"19cabd61-c687-331c-99fc-fedcd318d801"},"summary_title":"500 Ans, Arts D\u00e9coratifs Europ\u00e9ans"},{"@link":{"notes":"Ref. for the career and work of Dodin. Cf. pp. 151-3, no. 63, twelve pieces from the Empress Catherine Service, from the Hermitage Museum. An assiette plat unie is shown on p. 152 and an assiette \u00e0 potage on p. 153","page":"151-3","type":"reference"},"admin":{"id":"publication-8896","uid":"adlib-publication-8896","uuid":"dab82d54-022d-3cc0-b9d7-b6d3139c29d4"},"summary_title":"Splendeur de la peinture sur porcelaine au XVIIIe si\u00e8cle, Charles Nicolas Dodin et la Manufacture de Vincennes-S\u00e8vres"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9044","uid":"adlib-term-9044","uuid":"99dcb503-1a64-3792-8a40-48eda95dd763"},"summary_title":"Neoclassical"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-125761","uid":"adlib-term-125761","uuid":"bce2de03-432e-3676-bb62-4a5042d2c1d3"},"summary_title":"dining"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-109779","uid":"adlib-term-109779","uuid":"97366b6e-3308-3da7-bfe7-195c4dc9e54b"},"summary_title":"wreath"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-110367","uid":"adlib-term-110367","uuid":"09dcd231-d9d1-3ef5-9ba1-2fe42701eadb"},"summary_title":"olive"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107523","uid":"adlib-term-107523","uuid":"083efb08-b78e-3ba4-b2b7-98b7667f2e9d"},"summary_title":"laurel"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-125932","uid":"adlib-term-125932","uuid":"5d6f0ca0-2f7b-3b86-b7ed-582d8d950779"},"summary_title":"flaying"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-125931","uid":"adlib-term-125931","uuid":"ac6db4e6-507a-3394-ab87-bf6239ce1188"},"summary_title":"fleeing"},{"@link":{"type":"literal"},"name":[{"value":"wreath"}],"summary_title":"wreath"},{"@link":{"type":"literal"},"name":[{"value":"olive"}],"summary_title":"olive"},{"@link":{"type":"literal"},"name":[{"value":"laurel"}],"summary_title":"laurel"},{"@link":{"type":"literal"},"name":[{"value":"flaying"}],"summary_title":"flaying"},{"@link":{"type":"literal"},"name":[{"value":"fleeing"}],"summary_title":"fleeing"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate","techniques":[{"description":[{"value":"soft-paste porcelain decorated with a turquoise (bleu c\u00e9leste) ground, painted in blue, green, pink, red, and reddish-brown enamels, transfer-printed cameo heads painted in reddish-brown enamel, and chased gilding."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Plate from the Empress Catherine Service"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-75072","_score":16.97058,"_source":{"admin":{"added":1592984312000,"created":1312637261000,"flag":"Standard Record","id":"object-75072","indexed":1755194530706,"modified":1702908587000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-75072","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75072","uuid":"a0dba82f-cecc-3583-a711-b35edd3149da","version":8},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"},{"@link":{"type":"reference"},"admin":{"id":"term-113690","uid":"adlib-term-113690","uuid":"207e9fd2-c0ad-3831-8ed1-f68ea34e9a50"},"summary_title":"teaware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. G. Clarke"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, pink, and mauve"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue, green, yellow, pink, and mauve enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-115812","uid":"adlib-term-115812","uuid":"5ff69ea6-7a8e-307d-89e3-0a960ba42e8a"},"summary_title":"applying"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"12.2"}]},"name":"Over Lip"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"13"}]},"name":"Handle-spout"}],"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain milk jug, decorated with applied sprays of flowers and foliage, two panels painted in blue and gold with a triangular mosa\u00efque pattern, and one panel painted in polychrome with a spray of flowers."},{"value":"Soft-paste porcelain painted in blue, green, yellowish-green, yellow, pink, and mauve enamels, and gilded. The jug stands on three rustic feet. The bulbous body contracts at the neck and then flares upwards and outwards towards the notched rim, which is elongated at the front to form a lip. The rim is notched. The rustic handle rises up from the rim and curves upwards and then outwards in a single loop until it meets the most bulbous part of the body. Sprays of flowers and foliage in relief sprout from the junctions of the legs and handle with the body.                              The ground is white with under the spout a gilt, squat, shield-shaped outline enclosing a floral spray comprising a yellow rose, two blue flowers and three pink, with foliage. On each side of it there is an inverted outline of the same shape, filled with a mosa\u00efque design comprising a triangular mesh of gilt lines, every alternate triangle painted in blue. The flowers in relief are painted in pink, mauve, yellow and blue. There is a dentilated gilt band round the rim and touches of gilding on the handle, feet and relief foliage."}],"identifier":[{"accession_number":"C.43-1961","primary":true,"type":"accession number","value":"C.43-1961"},{"priref":"75072","type":"priref","value":"75072"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75072","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75072"}],"inscription":[{"description":[{"value":"interlaced L's with a dot above"}],"location":"on the underside of the body","method":"painted in blue enamel","type":"factory mark"},{"location":"to right of the crossed Ls","method":"painted indistinctly in blue enamel","transcription":[{"value":"possibly D"}],"type":"mark"},{"description":[{"value":"unidentifiable but does not look like a smudge"}],"location":"on one foot","method":"painted in maroon","type":"mark"},{"description":[{"value":"unidentifiable but different from the other maroon mark, and does not look like a smudge"}],"location":"on same foot as the other maroon mark","method":"painted in marroon","type":"mark"},{"description":[{"value":"a vertical line with a circle over the top of the line"}],"location":"on the foot, below the handle","method":"incised","type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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Circular with twelve indentations in the edge, sloping rim, and shallow curved well, standing on a low footrim. The plate is decorated in the centre with a monogram comprising a C in gold, and an L formed of pink roses and leaves. On the rim there are three oval medallions containing sepia towers surrounded by gold frames and roses, alternating with three kidney-shaped panels containing polychrome landscapes surrounded by gold frames, and flanked by gold swags terminating in tassels. The edge of the rim is gilded."}],"identifier":[{"accession_number":"EC.22A-1945","primary":true,"type":"accession number","value":"EC.22A-1945"},{"priref":"76910","type":"priref","value":"76910"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76910","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76910"}],"inscription":[{"description":[{"value":"the fleur-de-lys is greyish-blue and the dot is turquoise"}],"location":"on base","method":"painted in bluish-grey enamel and turquoise","transcription":[{"value":"fleur-de-lys with a dot above"}],"type":"factory mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by L.C.G. 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The service was delivered in stages beginning in 1775 with supplements in 1776. 1783, 1786, 1787 and 1789."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107009","uid":"adlib-term-107009","uuid":"9f035764-0b30-3836-9814-1669b4caa0ec"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Spain"}],"summary_title":"Spain","type":"country"}]],"summary_title":"Madrid"}]}]},"materials":[{"note":[{"value":"presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32652","uid":"adlib-term-32652","uuid":"82d8ae3b-f165-395c-ba93-dfa1c282b7be"},"summary_title":"glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"24"},{"dimension":"Height","units":"cm","value":"3.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-48854","uid":"adlib-media-48854","uuid":"c8c9b3f0-fcb5-3d63-b84b-f49f86ce5aa0"},"processed":{"large":{"format":"jpeg","location":"aa\/aa4\/EC_22A_1945.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1616277419626,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa4\/mid_EC_22A_1945.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1616277419626,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa4\/EC_22A_1945.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1616277419626,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa4\/preview_EC_22A_1945.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1616277419626,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-140407","uid":"adlib-object-140407","uuid":"a718bb47-4751-3d60-a4dc-c6214279a4ea"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 57 mentioned in footnote 1.","page":"57","type":"reference"},"admin":{"id":"publication-4911","uid":"adlib-publication-4911","uuid":"06fd9fc8-9d5a-343d-8584-88264da28960"},"summary_title":"Italian Porcelain, with a note on Buen Retiro"},{"@link":{"notes":"Ref. pp. 59-61, and pl. 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G. Clarke"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, pink, red, and mauve"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue, green, yellow, pink, red, and mauve enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"13.9"},{"dimension":"Height","units":"cm","value":"3.2"}]},"name":"Saucer"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"7"}]},"name":"Cup"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"9.4"}]},"name":"Cup Including Handle"}],"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain cup and saucer, painted in enamels with mauve and white stripes, and with wreaths, bows, and posies in reserves, and gilded"},{"value":"Soft-paste porcelain painted in blue, green, yellow, pink, red, and mauve enamels, and gilded. Cylindrical cup with double-curved handle. Circular saucer with flat central area and deep, sloping sides. There is a hole for suspension in the footring of each piece.The cup has a ground of mauve stripes, each flanked by a gold line, a blue line and a line of gold dots, alternating with reserved white stripes decorated with small gold floral sprays. Encircling the cup there are two large and two small shaped reserves linked to each other. The two large ones contain wreaths of laurel leaves and red berries tied at the top with a bow of mauve ribbon from which is suspended a posy of three pink roses and leaves. The wreaths are linked by swags passing through the two small reserves, each composed of three posies of three pink roses linked by sprays of leaves. There are bands of gilding round the base and rim, lines down the sides of the handle and a stylised leaf. and two bell flowers separated by spots down its back.  In the centre of the saucer there are two concentric gold circles from which radiate mauve stripes like those on the cup. They end at varying distances from the centre, so that they form a cross-shape with incurved sides and ends. The sides are decorated en suite with the cup with four large reserved linked by four small, each containing a posy of three roses and leaves. There is a band of gilding round the rim."}],"identifier":[{"accession_number":"C.7 & A-1956","primary":true,"type":"accession number","value":"C.7 & A-1956"},{"priref":"93542","type":"priref","value":"93542"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93542","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93542"}],"inscription":[{"location":"on base of cup and saucer, over a large chip on the latter","method":"painted in pink enamel","transcription":[{"value":"interlaced L's enclosing Z"}],"type":"factory mark"},{"description":[{"value":"horizontal line, with above, a line parallel to it with a hump in the middle"}],"location":"on base of cup and saucer above the factory mark","method":"in pink enamel","type":"painter's mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"3 c\/"}],"type":"incised mark"},{"description":[{"value":"rectangular white paper label now buff"}],"location":"on base of cup","method":"printed in black and hand-written in faed black ink","transcription":[{"value":"SEVRES printed and Ptr Noel\/date 1777 L.C.G.C. handwritten"}],"type":"label"},{"description":[{"value":"rectangular lined white paper label with cut corners now discoloured"}],"location":"on base of cup and saucer","method":"hand-written in faded black ink","transcription":[{"value":"Lent by Louis C.G. Clarke\/Dec.1947."}],"type":"label"},{"description":[{"value":"rectangular white paper label with printed rectangular frame comprising a wide and a narrow blue line"}],"location":"on base of cup and saucer","method":"hand-written in faded black ink","transcription":[{"value":"Louis\/Clarke"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Louis C.G. Clarke, MA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1956,"latest":1956,"value":"1956-07-19"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1956-07-19"}]}],"creation":[{"date":[{"earliest":1777,"era":["CE"],"latest":1777,"note":[{"value":"The cup and saucer bear the date letter for 1777"}],"value":"1777"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-99527","uid":"adlib-agent-99527","uuid":"c8efad2a-7c12-37ec-b057-8ee5f3383a29"},"summary_title":"No\u00ebl, Guillaume"}],"note":[{"value":"Shades of mauve, lilac, violet and purple were fashionable from 1773 and throughout the reign of Louis XVI (see Documentation, Verlet, 1953)."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux 1991, Bellaigue 2009, Savill, 1988)\n This is a gobelet litron and saucer of the second size with Savill's handle shape B."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis XVI"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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Cylindrical cup with a single loop handle and domed cover surmounted by a finial in the shape of a multi-petalled flower on a stalk and two leaves. Circular saucer with wide, flat base and deep sloping sides. Both cup and saucer have a suspensionhole in the footring, and there is also one in the rim of the cover. The ground of all three pieces is an extremely pale yellow. The main field of the cup is decorated with alternately facing and backing foliate scrolls ending in paterae, joined by swags of 'jewels' and separated by formal arrangements of stylised flowers. Below is a band of conjoined stylised green and red buds. The borders above and below are composed of a wavy band of trailing leaves on a blue stippled ground between two wide gold bands tooled with two rows of inverted v s with cross-over bands at intervals. There are gold lines down the sides of the handle and three husks and dots down its back. The cover is decorated en suite. The flower is touched wth gold and the leaves are entirely gilt. In the centre of the saucer there is a six-petalled, stylised flower, outlined by gold leaves and conjoined green and red buds, the area within the outlines stippled with blue. The sides are decorated with a smaller version of the design on the cup, set between identical borders. 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